New Treasures: The Long Sunset by Jack McDevitt

New Treasures: The Long Sunset by Jack McDevitt

The Long Sunset Jack McDevitt-smallJack McDevitt’s Academy series began with The Engines of God in 1994. The series has garnered four Nebula nominations (for Chindi, Omega, Odyssey, and Cauldron) and one Campbell Memorial Award win (for Omega). It has become one of the most popular and acclaimed science fiction series on the market (see the complete list of books in the series in my previous post here).

In the eighth and latest installment, The Long Sunset, Priscilla “Hutch” Hutchins discovers an interstellar message from a highly advanced race that could be her last chance for a mission before the program is shut down for good. Jeff Somers at The Barnes & Noble Sci-Fi & Fantasy Blog calls it “Classic space adventure in the best sense of the term… McDevitt’s optimism and enthusiasm for the profound mysteries of the universe shines through, lending the increasingly fascinating investigation an air of excitement as the crew sifts through dead planets…”

It arrived in hardcover from Saga Press last week. Here’s the description.

Hutch has been the Academy’s best pilot for decades. She’s had numerous first contact encounters and even became a minor celebrity. But world politics have shifted from exploration to a growing fear that the program will run into an extraterrestrial race more advanced than humanity and war.

Despite taking part in the recent scientific breakthrough that rejuvenates the human body and expands one’s lifespan, Hutch finds herself as a famous interstellar pilot with little to do, until a message from an alien race arrives.

The message is a piece of music from an unexplored area. Despite the fact that this alien race could pose a great danger and that this message could have taken several thousand years to travel, the program prepares the last interstellar ship for the journey. As the paranoia grows, Hutch and her crew make an early escape — but what they find at the other end of the galaxy is completely unexpected.

The Long Sunset was published by Saga Press on April 17, 2018. It is 451 pages, priced at $27.99 in hardcover and $7.99 for the digital edition. The cover is by John Harris.

Birthday Reviews: Fletcher Pratt’s “Hormones”

Birthday Reviews: Fletcher Pratt’s “Hormones”

Cover by Richard Powers
Cover by Richard Powers

Fletcher Pratt was born on April 25, 1897 and died on June 11, 1956.

Pratt was nominated for an International Fantasy Award in 1952 for his nonfiction book Rockets, Jets, Guided Missiles and Space Ships co-written with Jack Coggins. In 2016, Pratt was nominated for two Retro Hugo Awards for the novellas “The Roaring Trumpet” and “The Mathematics of Magic,” both co-written with L. Sprague de Camp and part of their Harold Shea series.

“Hormones” was published in the second volume of Frederik Pohl’s Star Science Fiction series in 1953. Although that book has been issued in multiple editions, the story has never appeared elsewhere.

Reading science fiction published over the span of the twentieth century, much of it can be seen to be representative of its time, culturally, technologically, and literarily. In “Hormones,” Pratt attempts to update the disappearing shop story and the love potion story, with limited success. His shop doesn’t actually disappear, but the individual Herbert Schofield needs to deal with does vanish before Schofield can return.

Schofield’s character is stuck in a lower position at work than he would like, which not only impacts his career, but also his chances of marrying the girl he is dating. When a clerk at an all-night pharmacy offers him hormonal potions that can resolve both of his issues, he jumps at the chance. Pratt’s decision to update the magic potion with a veneer of chemistry is a nice change of pace.

Naturally, things don’t turn out the way Schofield expected and while the use of a love potion can be seen as akin to a date rape drug, Schofield has the tables turned on him. “Hormones” is an example of a story which was very much of its time, but doesn’t stand up well to the changing societal mores, which make it more creepy than was intended by the author or tone.

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Vintage Treasures: The Best Science Fiction 1974, edited by Lester del Rey, Terry Carr, and Donald Wollheim

Vintage Treasures: The Best Science Fiction 1974, edited by Lester del Rey, Terry Carr, and Donald Wollheim

Best Science Fiction Stories of the Year 4-medium The-Best-Science-Fiction-of-the-Year-4-Terry-Carr-medium2 The 1975 Annual World's Best SF-medium

In his Foreword to his Fourth Annual Collection of Best Science Fiction Stories of the Year, which gathered stories published in 1974, Lester del Rey makes the case for Sense of Wonder as the core literary virtue of science fiction.

There is another element that must be present in every good science fiction story. It should excite a feeling of wonder, of something beyond the ordinary. It is the expectation of finding such wonders that makes the reader turn to science fiction rather than to more conventional tales of adventure.

There was a time, forty or fifty years ago, when what was then called “scientifiction” had little more than this sense of wonder to recommend it. Most of the writing was dreadful, the characters were little more than stick figures, and the plots were creakingly devoted to nothing but gadgetry. Yet, bad as they were, these stories opened the imagination to wonderful vistas of the future, of the triumph of mankind beyond normal limits, and to all things strange and alien.

Today, the situation has changed. The newer writers — and the older ones who have survived in the field — have learned their craft well. The writing is incredibly better. Gone are the horible cliches of the worst of pulp fiction: the trite mad scientists, and the banal heroines who are mere props for the hero to save from a fate worse than death. Gone are the spate of pseudo-science words and the plethora of meaningless adjectives.

Happily, in the best of science fiction the sense of wonder is still with us.

We need that feeling of wonder today, perhaps more than ever, when mainstream literature and our daily newspapers keep telling us that — in the words of Wordsworth — “The world is too much with us; late and soon;/Getting and spending, we lay waste our powers…” We need to be reminded that the future is still unexplored territory and that we can read to the end of the sonnet and “Have sight of Proteus rising from the sea;/Or hear old Triton blow his wreathed horn.”

I don’t often get to mix Wordsworth with my science fiction; allow me to celebrate a little when it happens organically.

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How Much Adventure Can Fit on One Planet? Find Out in Tarsus: World Beyond the Frontier

How Much Adventure Can Fit on One Planet? Find Out in Tarsus: World Beyond the Frontier

Tarsus Game Designers Workshop-small Tarsus Game Designers Workshop-back-small

I started playing Traveller in 1980, using Marc Miller and Frank Chadwick’s original 1977 boxed set from Game Designers’ Workshop. I really enjoyed it although — as I noted in my 2014 article on GDW’s Dark Nebula and Imperium board games — it was a little light on setting.

The original boxed edition of Traveller didn’t really have a setting — it was sort of a generic system for role playing in space, and it drew on the popular vision of a galaxy-spanning human civilization found in the science fiction of the time by Poul Anderson, Isaac Asimov, Keith Laumer, H. Beam Piper, and others. (James Maliszewski did a splendid job of re-constructing the formative SF behind Traveller in “Appendix T.”) It was a game desperately in need of a rich setting, and it found one in Imperium.

Looking back, that critique was perhaps a little harsh. Yeah, the 1977 boxed set forgot to include a setting, and the publisher had to steal one from Imperium. But it wasn’t long before GDW began to improve the situation by producing high quality supplemental materials for Traveller. One of their better efforts was the boxed set Tarsus: World Beyond the Frontier, designed by Marc W. Miller and Loren K. Wiseman and released by GDW in 1983. I recently tracked down a copy, and I really wish I’d had it for those early gaming sessions in the trailer in my back yard in 1980.

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Demons and Monsters: The Black Mountains by Fred Saberhagen

Demons and Monsters: The Black Mountains by Fred Saberhagen

THBLCKMNTN1971I ended last week’s review of The Broken Lands (the first part of Fred Saberhagen’s The Empire of the East) by saying it felt like something big was coming. I was right! The second book, The Black Mountains (1971), is one great big splashy explosion of pulp majesty. Even though I liked The Broken Lands, I didn’t get why Gary Gygax included it in Appendix N, the list of books that inspired his initial vision of D&D. Now I get it, 100% and absolutely.

Following the defeat and death of the villain, Satrap Ekuman, the Free Folk of the West are preparing to bring the war directly to the Empire of the East. Som the Dead is one of the greatest lords of the Empire, and its viceroy in the Black Moutains. Each of the lords has given himself to the demonic powers that rule the Empire and in exchange received special abilities. Som’s is that any attacks on him are reflected back at his opponents, making him nigh invulnerable.

In addition, among his army is an elite guard who wear metal collars. When they are severely or mortally wounded near the mountains, they are carried off to a secret lake of healing elixir by flying metal devices called valkyries. Finally, living under the mountains Som rules over, is the mighty and powerful demon, Zapranoth. To face him unprotected by magic leads to madness. With him live several other, lesser demons. It would seem Som the Dead is impossible to overcome.

Against these enemies Thomas, commander of the Free Folk, plans to lead his army. Fortunately, he is aided by wizards of his own, Gray foremost among them. He has secured the services of a djinn that posessess an understanding of technology, something magic has difficulty overcoming. Thomas has also found and captured the essence of two of Som the Dead’s demons. Control of a demon’s essence allows the owner to command or even destroy the demon. Deprived of two major elements of his army, Som the Dead may just be vulnerable to defeat.

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Birthday Reviews: Don D’Ammassa’s “The Library of Lost Art”

Birthday Reviews: Don D’Ammassa’s “The Library of Lost Art”

Cover by David Lee Anderson
Cover by David Lee Anderson

Don D’Ammassa was born on April 24, 1946

D’Ammassa won the FAAN Award in 1979 for Best Single Issue of a Fanzine for Mythologies #15. He has been nominated for the Hugo Award for Best Fan Writer four times and for Best Fanzine twice, without receiving the Hugo. Although D’Ammassa has written dozens of short stories, collected in more than a dozen volumes, and numerous novels, he is best known as a reviewer and a critic.

“The Library of Lost Are” was published by Algis Budrys in issue #5 of Tomorrow Speculative Fiction, which appeared in October 1993. The story has never been reprinted. Tomorrow ran for 24 print issues through 1997. From 1997 until 2000, the magazine was published online only, one of the first online magazines. Unfortunately, much of the magazine’s electronic record has been lost.

There are many stories of libraries which contain unwritten or lost books, and “The Library of Lost Art” is one. It focuses on John Cosgrove, who as an eleven year old boy was sent to spend the summer with his Uncle Dan, one of the only times he met him. Dan and Cosgrove immediately found themselves sympatico and Dan showed his nephew his library. It was filled with books that had never been published, just as the rest of the house was filled with art which had never been realized.

Although it is clear that an adult Cosgrove is reflecting back on his visit to his uncle’s house, there is little of an eleven year old in his portrayal.  The child version of Cosgrove not only thinks like an older person, but shows interests in literature which seem wrong for even the most precocious eleven year old.

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A Dark and Eerie Journey: Melissa Albert’s The Hazel Tree

A Dark and Eerie Journey: Melissa Albert’s The Hazel Tree

The Hazel Wood Melissa Albert-small“My mother was raised on fairy tales, but I was raised on highways.”

Melissa Albert, via her narrator and protagonist Alice, opens The Hazel Wood with these words. The careful reader will latch on to that “but” right away, a particle suggesting that there is a great difference between the two — fairy tales and highways. Alice, raised by a single mother in a series of flights from bad luck, bad bosses and broken leases, believes there is. She is, at the book’s opening, a very typical protagonist in Young Adult fiction of the last sixty years. Outsider? Check. Troubled past? Check. Few or no friends? Check. Alice has recently undergone a drastic change in circumstances, as her mother has married a wealthy New York businessman. This has brought her a stable home, a stepfather who is at least trying to do right by her, and admission to an elite private school. There is a young man with a similar degree of wealth and a troubled past of his own.

And then things take a sharp turn off the well paved streets into new territory.

If you’re a fan of de Lint, Gaiman, McGuire or del Toro, the first line warned you. Alice has grown up on the run, not so much from mundane bill collectors but from her grandmother’s legacy. Althea Proserpine (again, a name that should set off alarm klaxons faster than a Klingon battle cruiser) was a reclusive author who wrote only one book, a set of “Tales from the Hinterlands.” Alice’s mother is dismissive of the book, loathes its cultish fans, and is insistent on forever staying far, far away from Althea’s home, The Hazel Wood.

And again, if you know fairy tales at all, you know what happens next.

No matter how hard a parent tries to keep a thing hidden from her child, it will come calling. So back onto the highway Alice goes, to find the truth of her own origins, of the mysterious book, of its legacy.

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The Lonely Hardcover: The Golden Road, edited by Damon Knight

The Lonely Hardcover: The Golden Road, edited by Damon Knight

The Golden Road Damon Knight-small

I’ve heard it said many a time that online shopping will never replace a good bookstore, because you can’t make those delicious unexpected discoveries online.

Well, that certainly hasn’t been my experience. My most recent example? Damon Knight’s 1974 fantasy reprint anthology The Golden Road: Great Tales of Fantasy and the Supernatural, which I found on eBay while bidding on a small collection of British fantasy paperbacks from the same seller.

Now, I’ve never even heard of The Golden Road, and I most definitely stumbled on it while I wasn’t looking for it, so it certainly counts as a delicious and unexpected discovery. Plus, I won it for a measly five bucks plus shipping, so it’s sort of like making a delicious and unexpected discovery at a neighborhood garage sale, when your neighbor has no idea how to haggle.

Why’d I bid on a book I’d never heard of? Partly because of Damon Knight’s sterling rep, which he earned with numerous highly regarded anthologies, including 21 volumes of the legendary Orbit. But also because, wow, I really had never heard of this thing, and just look at it. It’s 44 years old and it looks brand new. Plus, it’s 447 pages long, and I bet it could keep me entertained for an entire weeklong cruise to Ecuador.

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The Barnes & Noble Sci-Fi & Fantasy Blog on the Best Science Fiction & Fantasy Books of April 2018

The Barnes & Noble Sci-Fi & Fantasy Blog on the Best Science Fiction & Fantasy Books of April 2018

From Darkest Skies Sam Peters-small Unbury Carol Josh Malerman-small Time Was Ian McDonald-small

April is maybe the best month for new book releases so far in 2018. There’s a plethora of new titles I want to feature — and read — and I barely have time to keep tabs on them all. Jeff Somers at the Barnes & Noble Sci-Fi & Fantasy Blog isn’t helping the situation by highlighting over two dozen of the best new releases, including a fair number I was completely unaware of. Here’s a few of his more interesting selections.

From Darkest Skies by Sam Peters (Gollancz, 352 pages, $26.99 hardcover/$13.99 trade paperback, April 10)

Detective tropes are given a techno-philosophical twist in this sci-fi mystery. Two hundred years in the future, an alien race known as the Masters have terraformed Earth and spread humanity into the universe, settling us on dozens of colony worlds. Keon Rause is a government agent returning to service on the planet Magenta after a five year leave of absence while he mourned his wife, a fellow agent killed in a terrorist explosion while investigating an unknown lead. Rause isn’t alone; he’s come back with an AI version of his wife, a digital reconstruction crafted from every trace of data she left behind — and crafted with the purpose of helping him figure out how and why she really died. Cashing in every favor he has left from his previous life, he finds himself following in her footsteps even as he struggles with his feelings for the simulacrum he’s created. It all leads to an impossible choice when he and his team stumble onto a disaster in the making: save the planet and lose his wife forever, or let something terrible happen and solve the mystery?

From Darkest Skies is Sam Peters’ debut novel. The sequel, From Distant Stars, is already scheduled to arrive on August 21.

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Birthday Reviews: Avram Davidson’s “Author, Author”

Birthday Reviews: Avram Davidson’s “Author, Author”

Cover by Ron Cobb
Cover by Ron Cobb

Avram Davidson was born on April 23, 1923 and died on May 8, 1993. He served as the editor of The Magazine of Fantasy and Science Fiction from the April 1962 issue until November 1964. During that time, the magazine was nominated for three Hugos, winning one.

Davidson also won a Hugo for his short story “Or All the Seas with Oysters.” He was nominated for ten Nebula Awards, one of which was posthumous. He received nine World Fantasy Nominations, and won for Best Collection for The Enquiries of Doctor Eszterhazy, for Best Short Fiction for “Naples,” and a Lifetime Achievement Award in 1986. He also received posthumous nominations for the Seiun Award and the British Science Fiction Association Award.

“Author, Author” was published in the July 1959 issue of The Magazine of Fantasy of Science Fiction under the editorship of Robert P. Mills. Davidson reprinted it in his 1962 collection Or All the Seas with Oysters and it was published in the British edition of Venture Science Fiction in October 1964. Robert Silverberg and Grania Davis included it in The Avram Davidson Treasury.

Rodney Stirrup was the mystery author who invented the cliché “The butler did it” according to Davidson’s “Author, Author.” Unfortunately, his writing has become trite and predictable, leading his publisher to decide to cancel Stirrup’s contracts. Dejected, Stirrup heads into the country where his car breaks down and he goes to a nearby large mansion for help. Stirrup’s discovery that the large group of men congregating in the house know him takes a rather different turn when he learns it is essentially a butler convention.

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