Birthday Reviews: Geoffrey A. Landis’s “Impact Parameter”

Birthday Reviews: Geoffrey A. Landis’s “Impact Parameter”

Cover by E.T. Steadman
Cover by E.T. Steadman

Geoffrey A. Landis was born on May 28, 1955.

Landis won the Nebula Award for Best Short Story in 1990 for “Ripples in the Dirac Sea,” which was also nominated for a Hugo Award. He went on two win Hugo Awards for his short stories “A Walk in the Sun” and “Falling onto Mars.” His story “The Sultan of the Clouds” received the Theodore Sturgeon Award in 2011. Landis has also won the Rhysling Award for his poems “Christmas (after we got time machines)” and “Search” as well as a Dwarf Star Award for his poem “Fireflies.” In 2014, Landis received the Robert A. Heinlein Award from the Heinlein Society.

In addition to writing science fiction, Landis works as a scientist for NASA, specifically working on ways to improve solar cells and photovoltaics. In this capacity Landis was part of the Mars Pathfinder team, working to make sure that planetary dust was kept off the solar arrays.

“Impact Parameter” was originally published in Isaac Asimov’s Science Fiction Magazine, edited by Gardner Dozois, in the August 1992 issue. It was translated into German for an appearance in the magazine’s German language edition in 1994. Landis included it as the title story in his collection Impact Parameter and Other Quantum Realities published by Golden Gryphon in 2001.

SETI, the search for extraterrestrial life, has got to be one of the most disheartening investigations for a scientist. In the decades the search has been occurring, nothing conclusive has been discovered. Landis alludes to this in “Impact Parameter” when Ben notes how many of his fellow astronomers have turned their attention to other fields. A strange anomaly he notices when trying to calibrate a telescope leads him to the discovery of an Einstein lens and comparing notes with other astronomers leads them to realize that a black hole is on target to strike Earth within only a few days.

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Gardner Dozois, July 23, 1947 – May 27, 2018

Gardner Dozois, July 23, 1947 – May 27, 2018

Gardner Dozois

Yesterday I learned that Gardner Dozois had been hospitalized for a massive infection. Before I left the house today I checked Facebook and other sources to see if there was any news. When I checked again an hour ago, I was devastated to learn that he had passed away.

While he was a fiction writer of considerable note, Gardner made his true reputation as an editor. I first took notice of his name when he took over the editorial reins at my favorite fiction magazine, Asimov’s Science Fiction, in 1985. During his 17-year tenure he won the Hugo Award for Best Professional Editor 15 times, from 1988 until he retired in 2004. While I was in grad school I faithfully read his annual Year’s Best Science Fiction volumes, starting with the sixth in 1989. The Thirty-Fifth volume will be published by St. Martin’s Press on July 3. He’s published nearly a hundred other anthologies, including some of my favorites, including The Good Old Stuff, Modern Classics of Fantasy, and The New Space Opera, edited with Jonathan Strahan.

As Gardner’s Year’s Best volumes got larger and larger (surpassing 800 pages by 2002) so too did his Annual Summations, a critical look at the year in science fiction books, art, movies and culture. They were required reading for anyone who wanted to keep up with the field, especially in the pre-internet era. In many ways Gardner Dozois was the living, breathing, heart of science fiction, the passionate spokesman, champion, writer and dealmaker who was known both for his depth of knowledge and his impeccable taste.

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A Classic Without the Quotation Marks: Rogue Moon by Algis Budrys

A Classic Without the Quotation Marks: Rogue Moon by Algis Budrys

Rogue Moon Gold Medal-small Rogue Moon Gold Medal-back-small

Fawcett Gold Medal paperback original, November 1960. Art by Richard Powers

There are just too many books out there to read, too many still to get to, (too many that you’ll never get to!) and sometimes when you finally do read one of those older “classics,” the inevitable allowances you have to make for the style, the ideas, and the attitudes of an earlier era can make you come away feeling dissatisfied. You feel guilty even asking the question, but really, what was all the fuss about? What the hell was so “classic” about The Moon Pool anyway? So many vintage books seem to require the qualifying quotation marks.

There’s probably no genre as vulnerable to this sort of thing as science fiction. SF was always supposed to be the cutting edge, but let’s be honest; some of its most famous books — through no fault of anyone but Father Time — feel old. When the “door to tomorrow” starts to creak so loudly that you can hear the sound all the way across the parking lot, it can be pretty embarrassing. This is why it’s such a great pleasure to come across a “classic” (especially a neglected one) that lives up to and even exceeds its reputation, an older book that still has a dangerous edge that time has yet to dull.

Algis Budrys’ 1960 story of exploration, mortality, and the mystery of identity, Rogue Moon, is, I think, one of the most brilliant science fiction novels ever written, employing as it does some dusty old “gosh-wow!” pulp science fiction props with a new ambition and a deeper, more serious purpose.

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Future Treasures: The Year’s Best Military and Adventure SF, Volume 4 edited by David Afsharirad

Future Treasures: The Year’s Best Military and Adventure SF, Volume 4 edited by David Afsharirad

The Year's Best Military and Adventure SF Volume 4-smallOne of the things I’ve appreciated about David Afsharirad’s Best Military and Adventure SF, now in its fourth year, is that he seeks out the kind of fiction that routinely gets overlooked by the editors of the other Year’s Best SF books. The newest volume, coming in trade paperback next week from Baen, is no exception. Check out the table of contents.

Contest
Preface by David Afsharirad
“The Secret Life Of Bots,” by Suzanne Palmer (Clarkesworld, September 2017)
“The Snatchers,” by Edward Mcdermott (Analog Science Fiction and Fact, March/April 2017)
“Imperium Imposter,” by Jody Lynn Nye (Infinite Stars, 2017)
“A Thousand Deaths Through Flesh And Stone,” by Brian Trent (The Magazine of Fantasy & Science Fiction, May/June 2017)
“Hope Springs,” by Lindsay Buroker (Beyond the Stars: New Worlds, New Suns, 2017)
“Orphans Of Aries,” by Brad R. Torgersen (Rocket’s Red Glare, 2017)
“By The Red Giant’s Light,” by Larry Niven (The Magazine of Fantasy & Science Fiction, November/December 2017)
“Family Over Blood,” by Kacey Ezell (Forged in Blood, 2017)
“A Man They Didn’t Know,” by David Hardy (Rocket’s Red Glare, 2017)
“Swarm By Sean,” by Patrick Hazlett (Terraform, December 2017)
“A Hamal In Hollywood,” by Martin L. Shoemaker (Rocket’s Red Glare, 2017)
“Lovers,” by Tony Daniel (Forged in Blood, 2017)
“The Ghost Ship Anastasia,” by Rich Larson (Clarkesworld, January 2017)
“You Can Always Change The Past,” by George Nikolopoulos (Galaxy’s Edge, March 2017)
“Our Sacred Honor,” by David Weber (Infinite Stars, 2017)
Contributors

To see what I mean, you can compare Afsharirad’s selections versus other Year’s Best volumes coming out this year. Here’s a list with Tables of Contents for the other major 2018 volumes from Rich Horton, Gardner Dozois, Jonathan Strahan, Neil Clarke, John Joseph Adams, Paula Guran, Jane Yolen, and Michael Kelly.

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Birthday Reviews: Harlan Ellison’s “Pennies, Off a Dead Man’s Eyes”

Birthday Reviews: Harlan Ellison’s “Pennies, Off a Dead Man’s Eyes”

Galaxy Science Fiction November 1969-small Galaxy Science Fiction November 1969 back cover-small

Cover by Jack Gaughan

Harlan Ellison was born on May 27, 1934.

Ellison has received 8 Hugo Awards, beginning with his short story “’Repent Harlequin!’ Said the Ticktockman.” His other Hugo Award winners include the short stories “I Have No Mouth, and I Must Scream,” “The Beast that Shouted Love at the Heart of the World,” “The Deathbird,” “Adrift Just Off the Islets of Langerhans: Latitude 38° 54′ N, Longitude 77° 00′ 13″ W,” “Jeffty is Five,” and “Paladin of the Lost Hour.” His screenplay for the Star Trek episode “City on the Edge of Forever” also earned him a Hugo. Ellison has also won four Nebula Awards for his stories “’Repent Harlequin!’ Said the Ticktockman,” “A Boy and His Dog,” “Jeffty is Five,” and “How Interesting: A Tiny Man.” SFWA has also given him the Bradbury Award for 2000x, in collaboration with Yuri Rasovsky and Warren Dewey. He has also won the World Fantasy Award, Bram Stoker Award (5 times), British Fantasy Award, British SF Association Award, the Jupiter Award (twice), the Prometheus Hall of Fame Award, and has three Worldcon Special Convention Awards.

LASFS presented Ellison with the Forry Award in 1970. He received a Milford Award for Lifetime Achievement in 1986, a World Fantasy Lifetime Achievement Award in 1993, an International Horror Guild Living Legend Award in 1995 and he received a Bram Stoker Lifetime Achievement Award the following year. He won the Gallun Award from I-Con in 1997. Ellison was named a World Horror Grandmaster in 2000. SFWA named him a Grand Master in 2006. In 2011, he was inducted into the Science Fiction Hall of Fame and received the Eaton Award for Lifetime Achievement. He was a Worldcon Guest of Honor at IguanaCon II in 1978 and a World Horror Con Guest of Honor in 2005.

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A Fresh Look at X-Men Continuity: Ed Piskor’s Grand Design

A Fresh Look at X-Men Continuity: Ed Piskor’s Grand Design

XMEN Grand Design-small Classic X-Men 8-small

When I started collecting X-Men comics in 1981, there was one universe. There had never been a Marvel reboot, and DC had only had one — the 1956-1958 transition from the Golden Age to the Silver Age. By the time I left comics in the early 1990s, DC had brought us through the second major reboot in history, the classic and brilliant Crisis on Infinite Earths.

However, Marvel still hadn’t really messed up its continuity, although the reprint title X-Men Classics was retconning a number of elements into the early Claremont-Cockrum-Byrne stories.

By the time I came back to comics almost 15 years later, I was bewildered by the X-Men and didn’t know where to pick up. The Age of Apocalypse had happened in an alternate universe as far as I could tell, and while the Onslaught event had apparently killed everyone, they were somehow back in time for there to be not just a few dozen or a few hundred mutants, but over a million.

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Who Is Mysterio? The Early Days of the Spider-Man Villain with the Fishbowl on His Head

Who Is Mysterio? The Early Days of the Spider-Man Villain with the Fishbowl on His Head

mysterio-entrance-panel-amazing-spider-man-issue-13

News dropped on Monday that actor Jake Gyllenhaal will likely play the part of Mysterio in the sequel to Spider-Man: Homecoming, whatever it’s called. (Spider-Man: Back from the Ashes would work.) Gyllenhaal is an excellent choice to play a whole range of Spidey villains — the actor’s earned trust on that front thanks to his performance in Nightcrawler. But the real news for me is Mysterio, regardless of who’s putting on the mesh green outfit with eye-brooch accessories. He’s a Spider-Man villain overdue for the big screen treatment.

(Oh, and we now know for certain that Michael Keaton will return as the Vulture, probably to stoke the fires about the Sinister Six getting together. Bokeem Woodbine’s Shocker is still alive, and it looks like Scorpion is in play as well. Only two more slots to fill! Maybe Kraven the Hunter and … The Kangaroo? I hope it’s the Kangaroo.)

So who is this Mysterio bloke? Short version: he’s a special effects wizard who decided to go into a life of crime and put a fishbowl on his head. Because comic books. He doesn’t have superpowers, but he can put on a helluva light and illusion show and he specializes in reality-bending tricks and mind games, making him an ideal movie bad guy.

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Birthday Reviews: Caitlín R. Kiernan’s “Glass Coffin”

Birthday Reviews: Caitlín R. Kiernan’s “Glass Coffin”

Silver Bird Blood Moon-small Silver Bird Blood Moon-back-small

Cover by Tom Canty

Caitlín R. Kiernan was born on May 26, 1964.

Kiernan novel The Drowning Girl was nominated for the Nebula Award, the World Fantasy Award, the Bram Stoker Award, the British Fantasy Award, the James Tiptree, Jr. Award, the Shirly Jackson Award and the Mythopoeic Award. It received the Tiptree and Stoker Awards. Kiernan also won a Stoker Award for the graphic novel Alabaster: Wolves. She won two World Fantasy Awards in 2014 for her collection The Ape’s Wife and Other Stories and the short story “The Prayer of Ninety Cats.” Kiernan has won four International Horror Guild Awards for her novels Silk and Threshold and for her short fiction “Onion” and “Le Peau Verte.”

“Glass Coffin” was originally published in Ellen Datlow and Terri Windling’s 1999 fairy tale anthology Silver Birch, Blood Moon. It is part of her Salmagundi Desvernine series of short stories. It was reprinted, along with the other three stories in the sequence, in Kiernan’s 2000 collection Tales of Pain and Wonder, along with several other short stories.

Although part of a series of stories featuring Salmagundi Desvernine and Jimmy DeSade, “Glass Coffin” can be read and understood on its own, although that understanding may be quite different for readers familiar with Kiernan’s other stories. “Glass Coffin” itself is a retelling of Snow White and the Seven Dwarfs. Replacing the woodland cottage of the more familiar setting is a salvage yard that was formerly Salmagundi’s family’s shipyard. The Dwarfs are replaced by the foster children Salmagundi has taken in. Each of the six children described have their own personality and abilities, with the seventh off stage. While they all await Jimmy DeSade’s return, Salmagundi cuts herself and dies for all intents and purposes.

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Occult Detective Quarterly #4 Now Available

Occult Detective Quarterly #4 Now Available

Occult Detective Quarterly 4-small

It’s tough to be an amateur Occult Detective. Think of it as a fringe hobby with a high mortality rate. Not to mention one that brings with it intimate familiarity with a whole host of… well, let’s call them “mental health issues.”

Thank God for Occult Detective Quarterly, the magazine for determined supernatural hobby investigators. It keeps me up to date on all the latest spectral sleuthing gear, unsolved paranormal crimes, and the best nationwide heath care plans for Occult Detectives. Plus the ads are great — and believe me, the obituaries are required reading.

The latest issue, #4, has reviews of the newest ghosthunting equipment, a thoughtful opinion piece on dowsing, and an explosive tell-all on the recent bathroom haunting at the Library of Congress. Turns out it was all a hoax perpetuated by a corrupt senator from Oklahoma. He would have gotten away with it too, if it weren’t for those darn kids.

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Wrestling with Genre: Robert V. S. Redick on Master Assassins

Wrestling with Genre: Robert V. S. Redick on Master Assassins

The Red Wolf Conspiracy-small

AN INTRODUCTION

I think I stumbled on my first Robert V. S. Redick book in the Westerly Public Library. Oh, those Halcyon days where I wandered at whim through the SFF stacks, idly selecting titles and reading first pages. If they happened to catch my interest, well then! Together we went to the Self-Checkout, and thence for home — and blissful, blissful book-chomping time.

Is this how Red Wolf Conspiracy came to my hand? I seem to remember thinking, for whatever reason: “Probably not for me!”… and then, like two seconds later, it’s dawn of the third day, and my eyeballs are twitching, and I’ve just finished it.

At which point, knowing me, I probably friended him on Facebook.

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