Black Gate – Page 392 – Adventures in Fantasy Literature

Birthday Reviews: Mary A. Turzillo’s “Thumbkin, Caesar, Princess, and Troll”

Tuesday, June 12, 2018 Steven H Silver Comments 2 comments

Mary A. Turzillo was born on June 12, 1940. She is married to fellow science fiction author Geoffrey A. Landis.

Turzillo won the Nebula Award for her novelette “Mars Is No Place for Children,” which also topped the readers poll for Science Fiction Age, the magazine in which it appeared. She won two Elgin Awards for poetry chapbooks for her collection Lovers & Killers and for the collection Sweet Poison, written in collaboration with Marge Simon, both of which were nominated for the Bram Stoker Award, as was the poetry collection Satan’s Sweetheart, written by Turzillo and Simon. Turzillo’s poetry has also been nominated for both the Dwarf Star Award and the Rhysling Award. She has also been nominated for the British SF Association Award.

Turzillo sold “Thumbkin, Caesar, Princess, and Troll” to Stanley Schmidt and the story was published in the October 2002 issue of Analog Science Fiction and Fact. It has not been reprinted.

“Thumbkin, Caesar, Princess, and Troll” has a title reminiscent of a fairy tale , and despite its setting in a future Ohio focusing on nanotechnology, it has the trappings of a fairy tale to go along with the title. Thumbkin is a genetically modified genius who was bred to be only twelve centimeters tall by parents who though it would improve his chances to become an astronaut before an anti-science wave swept the country and destroyed the space program.

At Thumbkin’s graduation, Harry P. Caesar promised his company and his daughter’s hand to anyone who could solve three seemingly impossible problems. Naturally Thumbkin, as the hero of the story, was able to come up with solutions. Of course, Princess Caesar didn’t necessarily want to marry a twelve centimeter tall genius, especially when she was already dating a drug lord, Dick Troll.

The idea of a father giving his daughter in marriage to the winner of a contest is pervasive in fairy tales and despite his offer, Caesar, Thumbkin, and Princess are all well aware of how misogynistic the arrangement is. When Thumbkin goes to Caesar to seek his prize, Caesar explains that the decision must be Princess’s, something Thumbkin acknowledges, even as he works to “win” her from Troll.

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Future Treasures: The Thousand Year Beach by TOBI Hirotaka

Monday, June 11, 2018 John ONeill Comments 0 Comment

Jim Killen, the science fiction and fantasy book buyer for Barnes & Noble, shares his curated list of the month’s best science fiction & fantasy books at Tor.com and the Barnes & Noble Sci-Fi & Fantasy Blog.

There’s several things on his June list that caught my eye — starting with The Thousand Year Beach, by Tobi Hirotaka, a novel that contains virtual reality, a far future resort, and an apocalyptic battle between killer arachnids and a small band of artificial intelligences. It’s not your usual SF adventure, that’s for sure.

The Thousand Year Beach is book one of the Angel of the Ruins series. Here’s Jim’s take.

The first novel in translation from Japan’s Tobi Hirotaka, a three-time winner of the Seiun Award (often referred to as “the Japanese Hugo”). Costa del Número is a virtual resort, divided into several zones, including the Realm of Summer. Humanity used to find release and rest from a chaotic world among the artificial intelligences in the Realm, but no human has visited in a thousand years. The AIs there have continued to exist in their endless summer, however — until one day, an army of hungry spiders arrives and decimates the Realm in short order. As night falls, the few surviving AIs prepare for a final, hopeless battle against the invaders, uncertain of what’s happening in the real world beyond their virtual one.

Nick Mamatas (I Am Providence) is the editor of Tradebooks, Viz’s line of non-manga titles. His main focus is Haikasoru, a new imprint of Japanese science fiction, fantasy, and horror novels and stories in translation.

Nick tells us “The Thousand Year Beach presents an idyllic virtual world, still running long after having been abandoned by humans, that suddenly finds itself invaded by an impossible force.”

The Thousand Year Beach will be published by Haikasoru on June 19, 2018. It is 336 pages, priced at $16.99 in trade paperback and $9.99 for the digital edition. Read more details at The Outerhaven.

A (Black) Gat in the Hand: Thomas Walsh

Monday, June 11, 2018 Bob Byrne Comments 5 comments

“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandlers’ The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

Eighteen years after writing his first story, Thomas Walsh’s 1951 debut novel, Nightmare in Manhattan, won an Edgar Award. Twenty-seven years later in 1978, he picked up another Edgar for the short story “Chance After Chance.” That is impressive! Walsh wrote a half-dozen stories for Black Mask in the thirties and his “Best Man” was included by Joseph Shaw in his prestigious Hard-Boiled Omnibus.

“Double Check” appeared in the July, 1933 issue of Black Mask, which also included stories by Raoul Whitfield (Jo Gar), Erle Stanley Gardner (Ken Corning), Frederick Nebel (Tough Dick Donahue) and Carroll John Daly (Race Williams). How’s that for less than a quarter?!

It’s a buddy cop story – except the two men aren’t buddies. Flaherty is well-dressed, small and the smart detective. Mike Martin is big, rough, not the quickest thinker and looks rumpled. It’s brains and brawn.

A banker named Conrad Devine is being threatened, presumably with death, if he doesn’t pay out.

Flaherty constantly pokes at Martin, annoying the bigger man. More than once, Martin’s exasperation with his temporary partner is expressed as “I’m gonna lay you like a rug.”
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Birthday Reviews: Basil Wells’s “The Laws of Juss”

Monday, June 11, 2018 Steven H Silver Comments 1 comment

Basil Wells was born on June 11, 1912 and died on December 23, 2003. In addition to publishing under his own name, he occasionally published using the name Gene Ellerman. The majority of Wells’s stories appeared between 1940 and 1960, although throughout the 60s and 70s he occasionally had stories appearing in the magazines. After disappearing in the 1980s, he again began to publish in the 1990s. He published four collections of his work between 1949 and 1976.

“The Laws of Juss” appeared in the third and final issue of Expanse, a magazine published between 1993 and 1994 and edited by Steven E, Fick. The story has not been reprinted.

In just a few pages, Wells plays games with the reader’s expectations in “The Laws of Juss.” At first, it appears that Grayson Brand is a captive of Dudley Feeber. Wells quickly reveals that the two men have a long-standing friendship, which adds an element of betrayal to Brand’s captivity.

In a datadump, Feebler explains two important things to Brand. The first is that a wealthy woman, Lynne Holmes, has set her sights on making Brand her sixth husband. The second is a description of the legal system on Juss, which Brand is relatively unfamiliar with since he is not a native to the planet.

As the title of the story implies, it is the legal system of Juss that is of interest, and although Feeber spells it out for Brand in a way that telegraphs the story’s ending, it feels like Wells has created an interesting enough punishment that it could stand to be more fully explored than within the confines of the story. According to Feeber, murder is punishable by essentially taking the murderer’s body and reforming it to resemble the victim’s body. The victim’s memories are then downloaded into the re-formed body, supplanting the memories of the murderer.

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Burton in a Skirt, or What Are You Going to Do with Your Life when Game of Thrones Is Over?

Sunday, June 10, 2018 Thomas Parker Comments 4 comments

Are you still trying to pull yourself out of the depression death-spiral you entered when you heard that the next season of Game of Thrones won’t appear until 2019? And do you find yourself going through every day in an ostrich-like endeavor to evade the knowledge that the next season of Game of Thrones will be the final season?

What will you do? What will you do?

Well, you could surrender to despair and binge-watch whatever the current iteration of CSI is (CSI Fresno? Arkadelphia? Mu?) until the foul odor of your sweaty, unwashed body drives away everyone you love and cherish.

Or you could do as your fathers’ fathers’… er… fathers (just old are you, kid?) did, yea, even as they wandered in the barren wilderness of the pre-internet, pre-fanboy, pre-CGI age: you could return to the source, the ancient fount from which Game of Thrones derives much of its overheated, multi-hued, melodramatic substance: the historical epics and biblical blockbusters and costume dramas that were Hollywood’s bread and butter from the silent era through the sixties, when the whole madcap caravan broke down by the side of the road, a victim of cultural change and economic vapor lock.

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Vintage Treasures: The Ends of the Earth by Lucius Shepard

Sunday, June 10, 2018 John ONeill Comments 8 comments

When he died in 2014, it was my unfortunate duty to write an obituary for Lucius Shepard. I considered him one of the finest short fiction writers in the genre in the 80s and 90, and tried to explain why in three short paragraphs. Here’s the core of what I wrote.

I first encountered him in the pages of Omni magazine in 1988, with his novelette “Life of Buddha.” I remember being astounded with the natural realism of his dialog, which captured the flow of modern speech in a way I’d never seen before. I read his brilliant Nebula Award-winning novella “R&R” — which opens with an artillery specialist in Central America getting a glimpse of a war map and wondering if he’s somehow caught up in a war between primary colors — and the novel it turned into, Life During Wartime (1987). His dark visions of the near future frequently involved inexplicable wars, and he wrote extensively about Central America, where he lived briefly.

Four years after his death, Shepard is in danger of being forgotten. Virtually all of his work is out of print, and his finest work — his award-winning short stories — is getting harder to find. Fortunately, it’s not getting more expensive. Those who know what to look for can snap up his best collections are bargain prices. In April I was the only bidder on eBay for a brand new copy of his World Fantasy Award-winning The Ends of the Earth (1991), and won it for the criminally low price of $7.99. It’s one of the finest fantasy collections of the last 30 years.

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Birthday Reviews: Kage Baker’s “Calimari Curls”

Sunday, June 10, 2018 Steven H Silver Comments 0 Comment

Kage Baker was born on June 10, 1952 and died on January 31, 2010.

In 1999, Baker was nominated for the John W. Campbell Award for Best New Writer. Baker won the Emperor Norton Award in 2003 for her story “A Night on the Barbary Coast.” The next year she won the Theodore Sturgeon Award for “The Empress of Mars.” She received two nominations for the Mythopoeic Award, three nominations for the World Fantasy Award, and three nominations for the Hugo Award. In 2010, she received for her second Nebula nomination and an Andre Norton nomination. She won the Nebula posthumously that year for the novella The Women of Nell Gwynne’s.

“Calamari Curls” was first published in Baker’s collection Dark Mondays in 2006. In 2011, Ross E. Lockhart reprinted it in the anthology The Book of Cthulhu. Both of its first two appearances were published by Night Shade Books. In 2012, it was included in the Subterranean Press retrospective The Best of Kage Baker.

The small California oceanside community of Nunas Beach is a town that time had forgotten. Founded as a resort town in 1906, it grew with refugees from the San Francisco Earthquake, but quickly shrank again as people left to return to the rebuilt metropolis. The locals lived a quiet, unassuming life based around the ocean. Pegasus Bright, who had lost both legs in the war, ran the town’s only restaurant, the Chowder Palace.

The town is limping along, figuratively (and literally, most of the townspeople seem to be missing at least one limb) when outsiders come in to turn the delapidated shell of a restaurant across the street from the Chowder Palace into a happening dining spot, the Calamari Curls. Business at the new restaurant not only draws the townspeople away from the Chowder Palace, but brings more outsiders into town, where all the businesses except the Chowder Palace are able to take advantage of the newfound tourist trade.

Bright makes common cause with “Betty Step-in-Time,” a street performer and shaman, to do whatever they can to destroy the Calamari Curls. Betty researches the town and learns that the previous occupants of the building had all come to a bad end. Readers will readily identify the Lovecraftian influences at that point, if the name of the new restaurant isn’t already a clue. Although no elder gods are directly summoned, their influence does bring about Bright’s desired ends.

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Solo: A Star Wars Story – It Was Fine

Saturday, June 9, 2018 Derek Kunsken Comments 4 comments

I saw Solo: A Star Wars Story today. I hadn’t planned on it, but my brother wanted to go with his son and my son wanted to see it too. I’m feeling a tiny bit block-bustered out with this being the second or third Star Wars movie in 18 months, in the context of two or three major superheroes movie in the same period.

Or maybe I’m still a bit jet-lagged? Or cranky? Ontario, which I can see from my bedroom window, just made an asinine electoral choice and maybe the ache is still in the air?

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The Verge on 13 Enthralling Science Fiction and Fantasy Books You Need to Check Out This June

Saturday, June 9, 2018 John ONeill Comments 0 Comment

Andrew Liptak at The Verge has dipped into the thundering production pipelines at America’s publishing houses for the month of June, and returned with a secret list of the 13 very best science fiction and fantasy books — including novels by Paul Tremblay, Yoon Ha Lee, Peter Watts, Katie Williams, Alex White, Rob Boffard, Melissa F. Olson, and Black Gate‘s own Todd McAuty. Many bothans died to bring us this information. Use it wisely.

The Robots of Gotham by Todd McAulty (John Joseph Adams/Houghton Mifflin Harcourt, 676 pages, $26 in hardcover/$12.99 digital, June 19, 2018)

In this future, the United States waged — and lost — a war against a coalition of machines, and it’s now under robotic occupation. A businessman named Barry Simcoe meets a Russian medic working with the occupying armies after his hotel is attacked. Together, they learn of a plot to unleash a plague that could wipe out humanity once and for all. Publishers Weekly gave the book a starred review, saying that the book has a “breathless momentum,” and that McAulty “extrapolates a scary AI-overrun 2083 that’s only a few steps removed from today’s reality.”

Todd McAulty was the most popular writer in the print version of Black Gate. His stories included “There’s a Hole in October” in Black Gate 5, which Locus labeled “magnificent storytelling, begging expansion into a novel,” and Tangent Online called “one of my favorite stories so far this year.” It was reprinted this month in Lightspeed.

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Edgar Rice Burroughs Dictated His Work — So I Tried It

Saturday, June 9, 2018 Ryan Harvey Comments 5 comments

Over his nearly forty-year career, Edgar Rice Burroughs put into use every writing method available to him. In a letter to the Thomas A. Edison Company regarding their Ediphone machine, which ERB purchased in 1922, he wrote: “I have written longhand and had my work copied by a typist; I have typed my manuscripts personally; I have dictated them to a secretary; and I have used the Ediphone.” (He didn’t mention in the letter that he also used the Dictaphone, Edison’s competitor.) Although Burroughs would shift his writing methods over the decade and sometimes returned to the trusty typewriter — even letting a ghostly force take over the typing duties in the prologue to Beyond the Farthest Star — wax cylinder dictation machines became his preferred tool. In his daily log of writing progress, he’d describe his workload in terms of how many wax cylinders he’d gone through that day. “May 24 Dictated 5 cyl. today — something over 4000 words.”

In the letter to the Edison Company, Burroughs listed the reasons he preferred to work using dictation machines: “Voice writing makes fewer demands upon the energy … it eliminates the eyestrain … the greatest advantage lies in the speed. I can easily double my output.” He kept his Ediphone (or Dictaphone) near his bedside “to record those fleeting inspirations that would otherwise be lost forever.”

At the time, dictation machines were primarily used for businesses. In order to make the most out of one, a writer had to have a stenographer to transcribe the wax cylinder recordings, so dictation machines weren’t much use to pulp fiction writers. But Edgar Rice Burroughs was both a writer and a business. He was wealthy enough to have an office staff, including a secretary whose job was to type up the manuscript from ERB’s cylinder output. The secretary would also do the job of shaving each wax cylinder — this required its own machine — so it could be reused.

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