Black Gate – Page 391 – Adventures in Fantasy Literature

Goth Chick News: Tish, That’s French…

Thursday, June 14, 2018 Sue Granquist Comments 2 comments

Most people assume The Addams Family started life on TV in the 1960s, but they were actually conceived by Charles Addams as a series of comic panels for The New Yorker magazine, beginning in 1938 and running until Addams’ death in 1988. The roughly 150 unrelated panels that make up The Addams Family story are still enormously popular today, especially with me, who has stationary, artwork, and couple of tee-shirts depicting the family as well as a vintage Morticia and Gomez, Ken and Barbie set which is about as close as I have or ever will get to the Malibu version.

In the spring of 2017 there were rumors that on the heels of the success of The Incredibles and Hotel Transylvania, the world was now sufficiently primed for a seriously upscale animated version of The Addams Family which to me sounded like first-rate idea considering what happened the last time.

If you can believe this, The Addams Family had been animated before, having appeared in a well-received 1972 episode of The New Scooby-Doo Movies, “Scooby-Doo Meets the Addams Family” which saw several of the original cast members return to voice their TV roles. This resulted in Hannah Barbera’s launch of a cartoon modelled on Addams’ comic panels, which ran for two seasons (although the second was just repeats). A big change to the format was having the family hit the road in a Wacky Races-style Victorian motorhome. Sadly, the format change along with the loss of all but two of the original cast sort of doomed this venture, though not without launching the career of a 10-year-old Jodie Foster who voiced Pugsley.

Last summer it was officially announced that Oscar Isaac (Star Wars, X-Men) was slated to voice Gomez Addams in Sausage Party director Conrad Vernon‘s animated Addams Family film for MGM. This week Deadline has reported the entire core voice cast was announced, and it’s pretty unbelievably awesome end-to-end.

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Future Treasures: A Big Ship at the Edge of the Universe by Alex White

Thursday, June 14, 2018 John ONeill Comments 0 Comment

Alex White is the author of the ghostly mystery Every Mountain Made Low (Solaris, 2016) and Alien: The Cold Forge (Titan, 2018). His latest is a space opera romp that sounds like it might appeal to the role players in the audience. Publishers Weekly called it,

An entertaining throwback with some fun worldbuilding and two great lead characters. In the distant future, well after space has been colonized, almost all humans have magic powers, conveniently divided into RPG-like classes (machinists are great with tech, fatalists are perfect shots, etc.)

Here’s the description.

Furious and fun, the first book in this bold, new science fiction adventure series follows a crew of outcasts as they try to find a legendary ship that just might be the key to saving themselves — and the universe.

Boots Elsworth was a famous treasure hunter in another life, but now she’s washed up. She makes her meager living faking salvage legends and selling them to the highest bidder, but this time she got something real — the story of the Harrow, a famous warship, capable of untold destruction.

Nilah Brio is the top driver in the Pan Galactic Racing Federation and the darling of the racing world — until she witnesses Mother murder a fellow racer. Framed for the murder and on the hunt to clear her name, Nilah has only one lead: the killer also hunts Boots.

On the wrong side of the law, the two women board a smuggler’s ship that will take them on a quest for fame, for riches, and for justice.

A Big Ship at the Edge of the Universe is Book 1 of The Salvagers series. Book 2, A Bad Deal For the Whole Galaxy, has already been announced; it arrives on December 11th, 2018. Book 3 will be titled The Worst of All Possible Worlds.

A Big Ship at the Edge of the Universe will be published by Orbit on June 26, 2018. It is 480 pages, priced at $15.99 in trade paperback and $9.99 for the digital edition. Read Chapter One at Quiet Earth.

Birthday Reviews: Harry Turtledove’s “Half the Battle”

Thursday, June 14, 2018 Steven H Silver Comments 4 comments

Harry Turtledove was born on June 14, 1949.

Turtledove began publishing using the pseudonym “Eric G. Iverson” and has also published under the names “Mark Gordion,” “H.N. Turteltaub,” and “Dan Chernenko.” Known for his alternate history novels and epics, he has also published numerous science fiction and fantasy works. In 1994 his novella “Down in the Bottomlands” received the Hugo Award. He won the Sidewise Award for Alternate History twice, for his novels How Few Remain and Ruled Britannia. Two of the novels in his Young Adult Crosstime series have won awards. Gunpowder Empire won the 2004 Golden Duck Hal Clement Award given by SuperConDuckTivity and The Gladiator received the 2008 Prometheus Award. His novel WorldWar: In the Balance received the Italia Award in 1996. Turtledove served as Toast Master at Chicon 2000, the Worldcon. In 1995 he received the Forry Award from LASFS.

“Half the Battle” was published by Jerry Pournelle in 1990, in volume 9 of his There Will Be War anthology series, After Armageddon. The story has not been reprinted.

The story opens sometime after an apocalyptic event has destroyed civilization in southern California. A new society has arisen around several small kingdoms, with Turtledove looking at the king of Canoga. When a book is found that describes a machine that the ancients had that can spit bullets, a machine gun, King Byron has his artificers try to replicate the lost device to replace the slow matchlocks his troops are using. The fact that King Byron and his people knew the gun could exist gave them the edge in re-creating it.

The story uses several time jumps to explore where this future will go. In each period, King Byron’s descendants have managed to extend and consolidate the kingdom’s power and in each period, they come across other devices of the ancients that they work to replicate, because knowing it can be done is “half the battle.”

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As Gritty As It Gets: The Ashes of Berlin by Luke McCallin

Wednesday, June 13, 2018 Sean McLachlan Comments 2 comments

Berlin, 1947.

The city is in ruins and divided between American, British, French, and Russian sectors. German war veteran and police detective Gregor Reinhardt is trying to reassemble his life but, like his city, it’s been smashed into too many pieces.

Not only does he have to contend with the loss of his family and his home, but also guilt over the war and the politics of a police department in which everyone has a sponsor among one of the occupying powers and geopolitics gets played out in the office.

And now he has a serial murderer on his hands, one who shoves sand or water down his victim’s throats in order to suffocate or drown them. Throw in some unrepentant Nazis and a frighteningly efficient Soviet officer, and Reinhardt is up for a long case.

I found this book by accident while browsing through my local bookshop and it’s the best mystery novel I’ve read all year. McCallin is a master storyteller who evokes the grim, surreal landscape of postwar Berlin.

As he takes us along on Reinhardt’s case, we get to experience the sights, sounds, and even the smells and tastes of a once-proud city trying to dig itself out from disaster. The author has clearly done his homework and we learn all sorts of fascinating details about life for regular Germans after the war and the politics of the four “Allied” powers ruling Germany.

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Black Gate Book Club, Downbelow Station, Second Discussion

Wednesday, June 13, 2018 Adrian Simmons Comments 14 comments

Welcome to the second round of discussion on C.J. Cherryh’s classic 1981 novel Downbelow Station. New to the program? The first discussion can be found here.

Chris Hocking gets the ball rolling this time around.

Chris Hocking

Hi people,

I had business travel to do and took Downbelow Station on the plane for some serious reading. I came away from it realizing that I had developed an unusual (for me at least) attitude toward the book.

This is an intense SF novel depicting otherworldly conflict in alien environments, but it’s tone is resolutely workaday and normalized. The exotic situations and scenes described are experienced by the characters, and presented to the reader, with matter-of-fact realism. We follow several characters whose histories and position are laid out and fitted into this fictional environment with great skill. This is a story of interplanetary war, of political maneuver and counter-maneuver, of individuals and policy makers struggling to deal with the critical issues and collateral adjustments that inevitably arise in wartime. It is executed by Cherryh with remarkable depth and solidity: the environment meshes completely with the story being told and the overall effect is very convincing. This is a powerful and deep imagination at work.

Yet having said all that, I find the book a half-step out of phase with my own reading tastes. The consistent desperation of most of the characters, the grueling effects of war and displacement are all well done and appropriate to the story being told, but for me the cumulative effect was kind of enervating. I’ve read enough bleak modern fiction and noir that this didn’t bother me much in itself, but it was coupled with the notable absence of an element I tend to seek in Science Fiction.

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Two, Count ‘Em, Two Nazi Robot T-Rexes

Wednesday, June 13, 2018 Steve Carper Comments 1 comment

We’re back in the wild, ineffable chaos of the comic book in its infancy. Superman had debuted in 1938, an instant smash. The audience clearly wanted more Supermen, but what did that mean? The 1938 Superman barely resembles today’s omnipotent cosmic hero. He couldn’t fly, couldn’t see through objects, couldn’t move at super-speed, couldn’t freeze objects with his breath, couldn’t emit beams from his eyes, couldn’t survive in space. These gaping holes in his resume gave competitors openings to try to beat Superman at his own game.

Maurice Coyne, Louis Silberkleit, and John L. Goldwater, all veterans of the pulp magazine world though none was yet 40, yoked their first initials together to form MLJ Comics in 1939, launching four titles in four months: Blue Ribbon Comics, Top Notch Comics, Pep Comics, and Zip Comics, which would introduce Steel Sterling, the literal man of steel – a cyborg, though, not a robot. MLJ floundered at first. Blue Ribbon #1 started with Rang-A-Tang, the wonder dog, Dan Hastings, fighting the Mexidians on Mars, and Buck Stacey, young range detective.

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Birthday Reviews: Yves Meynard’s “Tobacco Words”

Wednesday, June 13, 2018 Steven H Silver Comments 0 Comment

Yves Meynard was born on June 13, 1964.

Meynard’s novel The Book of Knights was nominated for the Mythopoeic Award and his anthology Tesseracts⁵, co-edited with Robert Runté, was nominated for the Aurora Award. He won the Aurora Award for his novellas “L’Enfant des mondes assoupis,” “La Marveiolleuse machine de Johann Havel,” “L’Envoyé,” “Équinoxe,” and “Une letter de ma mère.” He won the Aurora for best book for La Rose du desert. In 1994, he won the Quebec Grand Prize for Science Fiction and Fantasy. He served as the literary director for Solaris from 1994 until 2002. He has collaborated with Élisabeth Vonarburg and Jean-Louis Trudel, occasionally using the pseudonym Laurent McAllister for the latter collaborations.

“Tobacco Words” was originally published by Algis Budrys in Tomorrow Speculative Fiction #19 in February 1996. David G. Hartwell selected the story for inclusion in Year’s Best SF 2 the following year and in 1998 the story was translated into Italian by Annarita Guernieri as “parole di fumo” when Hartwell’s anthology was published by Arnoldo Mondadori Editore.

Yves Meynard’s “Tobacco Words” is set on a space station with a strange culture. The story focuses on Caspar, a twelve year old boy who can’t speak, and his sister, Flikka, who hears the sins of those who travel between the stars. In this world, their sins can have deadly affects if not confessed and absolved, although Meynard never offers any explanation for the phenomenon.

Meynard fills the story with details of three characters: the grandmother who is traveling through the universe at relativistic speeds, and whose life is broadcast to their home in slow motion; Aurinn, a first timer who doesn’t believe she has any sins, but when she confesses and is absolved winds up hospitalized; and an alien, whose sins are more human than those found in humans.

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Experience Poul Anderson’s Complete Psychotechnic League from Baen Books

Tuesday, June 12, 2018 John ONeill Comments 10 comments

The Complete Psychotechnic League Volume 1-small

The Complete Psychotechnic League Volume 2-small

The Complete Psychotechnic League Volume 3-small

Art by Kurt Miller

When I learned last September that Baen Books was reprinting Poul Anderson’s classic Psychotechnic League stories, I wrote a brief history of the series. Here’s what I said, in part.

The Psychotechnic League began as a Future History, a popular beast among short SF writers of the 40s and 50s. Anderson published the first story, “Entity,” in the June 1949 issue of Astounding Science Fiction, and set the opening of his series a decade in the future. The series continued for the next two decades, (appearing in Astounding, Planet Stories, Worlds Beyond, Science Fiction Quarterly, Cosmos, Fantastic Universe, and other fine magazines), eventually extending into the 60s. In the process, his “Future History” gradually became an “Alternate History,” as actual history trampled all over his carefully constructed fictional timeline.

That didn’t seem to bother readers though, and the tales of the Psychotechnic League remained popular well into the 80s. The series included some 21 stories, including three short novels: The Snows of Ganymede (1955), Star Ways (1956), and Virgin Planet (1957). The short stories and one of the novels were collected in a trilogy of handsome Tor paperbacks in 1981/82, with covers by Vincent DiFate. Now Baen books is reprinting the entire sequence in a series of deluxe trade paperbacks, starting with The Complete Psychotechnic League, Volume 1, on sale next month.

Volume 1 was released right on schedule last October, and Volume 2 followed in February. The third and final book will be released next month.

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Modular: Mordenkainen’s Tome of Foes Looks to the Horizon

Tuesday, June 12, 2018 Andrew Zimmerman Jones Comments 0 Comment

The newest supplement for Dungeons & Dragons 5th edition, Mordenkainen’s Tome of Foes (Amazon), continues to provide the high quality of content we’ve come to expect from this series, focusing on quality and story depth over serious escalation of power.

Tome of Foes expands on setting and background information for the main setting, with the bulk of the book being the 137-page Bestiary chapter, containing monsters from across the dimensions, including a variety of duergars and drow templates to a host of Demon Lords and Archdevils. And that’s all just in the D section of the Bestiary, not even account for the constructs, elder elementals, and ample quantities of undead!

While the monsters are great to have, the first half of the book has a lot to offer for the Dungeon Master in terms of depth, as well.

The first chapter gives a wealth of detail on the eternal Blood War between the armies of demons and devils for who gets claim on being more evil. It’s easy to treat demons and devils as villains just there to be killed, but after reading this chapter, you’ll be more inclined to treat them as unique creatures, with their own goals and motivations. I’m looking forward to using this information to build a storyline where my players are stuck between the goals of demonic cults and devil cults, who hate each other nearly as much as they hate the party of adventurers.

Subsequent chapters provide details on the cultures of elves, dwarves, halflings, and gnomes. Information on the Feywild and the Underdark is also provided where appropriate, for those who want to incorporate them more into their campaigns. In addition, a chapter focuses on the endless war between the two gith races, the githyanki and githzerai, who escaped their enslavement from the mind flayers (who are themselves not covered in detail Tome of Foes, but are well covered in the previous Volo’s Guide to Monsters) only to find themselves in a brutal clash against each other.

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An End to the End: The Silver Spike by Glen Cook

Tuesday, June 12, 2018 Fletcher Vredenburgh Comments 5 comments

And so we come to end of the line for several of the main characters of the Black Company trilogy. The end of the third book, The White Rose, saw the storied mercenary company whittled down to a handful of survivors. The group — five veterans, the empire’s erstwhile ruler the Lady, and Croaker in the lead — decided to travel south and find Khatovar, the fabled home city of the Black Company.

Darling, otherwise known as the rebel leader the White Rose, chose to remain in the North rather than accompany Croaker and the rest of her friends. The wizard Silent, in love with with Darling, chose to remain with her despite her not having reciprocal feelings. Raven, also in love with Darling, stayed behind too, but rejected, went off with Case, the young imperial soldier he’d befriended.

Published four years after The White Rose, The Silver Spike (1989) is a sort of odd book that attempts to tie up several loose ends. It covers a lot of ground, constantly bouncing between several narratives and the better part of two continents. Concerned as much with giving ends to a host of characters as he is with the aftermath of the rebellion, Cook doesn’t tell a totally cohesive story.

Over here, several characters are chasing down a revived enemy only to be suddenly yanked away to face a different threat. Another storyline follows a new set of characters as they commit an act of great stupidity that leads to many deaths and horrendous destruction. There’re lots of very cool bits of business, but The Silver Spike feels like several books jammed together rather inelegantly. Perhaps if Cook had written a giant, sprawling work, like one of today’s thousand-page tomes, he could have made it come together better. But at only 313 pages, there’s little space for the rambling the book is given to.

The Silver Spike begins with Philodendron Case introducing and explaining himself. A minor character in The White Rose who found himself attached to Raven, now he’s a primary character.

This here journal is Raven’s idea but I got me a feeling he won’t be so proud of it if he ever gets to reading it because most of the time I’m going to tell the truth. Even if he is my best buddy.

Talk about your feet of clay. He’s got them run all the way up to his noogies, and then some. But he’s a right guy even if he is a homicidal, suicidal maniac half the time. Raven decides he’s your friend you got a friend for life, with a knife in all three hands.

My name is Case. Philodendron Case. Thanks to my Ma. I’ve never even told Raven about that. That’s why I joined the army. To get away from the kind of potato diggers that would stick a name like that on a kid. I had seven sisters and four brothers last time I got a head count. Every one is named after some damned flower.

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