Black Gate – Page 381 – Adventures in Fantasy Literature

Barry Malzberg on the Pocket Best of…. Volumes

Sunday, July 15, 2018 John ONeill Comments 5 comments

On Friday I wrote here about the Best of collections from Pocket Books published in the late 70s, which featured Robert Silverberg, Poul Anderson, Walter M. Miller, and many others. Most had introductions by Barry Malzberg, the respected editor who’d helmed Amazing and Fantastic (and future editor of the SFWA Bulletin), and I wondered aloud if the books had been edited (or ghost-edited) by Malzberg.

Reader Alvaro Zinos-Amaro, author of Traveler of Worlds: Conversations with Robert Silverberg, leaped into action. “I asked Barry if he did the editing & teaser texts, per your speculation,” he told me. “Here’s his answer, which he said was fine to share.” Based on the comments on that post, I thought you lot might be as interested as I was, so here’s Barry’s reply.

The eight Best of collections were conceived by Robt. Gleason, the sf editor at the time [my novel] Beyond Apollo was acquired for sublicense from Random House and he remained there from 1972-1976. Those collections were acquired by him; he was fired in 1974 (went over to Playboy Press) and succeeded by his young assistant (b. 1952) Adele Leone Hull.

It was her idea to commission me for the eight Introductions (at $75 apiece!) and she wrote the cover copy; I had nothing to do with the collections beyond the Introductions. Hull was the sf editor at Pocket Books until 1978, went over very briefly to Pyramid and when Pyramid in 1979 was fully absorbed (under the Jove imprint) into Harcourt she became an agent.

That’s the first confirmation I have that there were eight volumes in the series with a Malzberg intro (I count at least 10 overall), so I’m doubly grateful to Alvaro for passing that along. Our previous coverage of Barry includes my thoughts on his collections Astounding Science Fiction in the 1950s and Bug-Eyed Monsters (both co-edited by Bill Pronzini), and his novel Underlay.

Birthday Reviews: T.E.D. Klein’s “The Events at Poroth Farm”

Sunday, July 15, 2018 Steven H Silver Comments 11 comments

T.E.D. (Theodore Eibon Donald) Klein was born on July 15, 1947.

In 1986, Klein won the World Fantasy Award for his Novella “Nadelman’s God” and also won the August Derleth Fantasy Award for his novel The Ceremonies. In 2012, World Horror Con named Klein a Grand Master. He was a two-time nominee for the coveted Balrog Award and was nominated for the World Fantasy Award seven times.

Klein’s first story was “The Events at Poroth Farm,” originally published in the fanzine From Beyond the Dark, edited by Edward P. Berglund in December 1972. Despite its fannish origins, the story was picked up by Richard Davis for The Year’s Best Horror Stories No. 3 and was translated into German for publication in that anthology. The story was also nominated for the World Fantasy Award and Gahan Wilson included it in First World Fantasy Awards. In 1984, Klein expanded the story to novel length and published it as The Ceremonies. The novella was published as a chap book in 1990. David Drake and Martin H. Greenberg reprinted it in A Century of Horror: 1970-1979 and Scott David Aniolowski included it in Return to Lovecraft Country. The story was also included in Eternal Lovecraft : The Persistence of H. P. Lovecraft in Popular Culture, edited by Jim Turner. Klein used it in his collection Reassuring Tales and S.T. Joshi used it in the anthology American Supernatural Tales. Peter Straub used it in American Fantastic Tales: Terror and the Uncanny from the 1940s to Now. Klein revised the story in 2012 for inclusion in the e-book The Cthulhu Mythos Megapack.

“The Events at Poroth Farm” is a Lovecraftian tale told as a series of diary entries bookended by a prologue and epilogue by the diary’s author, who has managed to survive the horror on the isolated farm where he rented a room for three months.

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Future Treasures: Annex by Rich Larson

Saturday, July 14, 2018 John ONeill Comments 0 Comment

If you’ve been paying attention at all to short fiction recently you’ve likely come across Ottawa author Rich Larson. He burst onto the scene in late 2012, and over the past six years he’s sold over 100 stories — that’s more than one per month. He’s appeared virtually everywhere, including Interzone, Asimov’s SF, Clarkesworld, Beneath Ceaseless Skies, Daily Science Fiction, Tor.com, Apex, Analog, F&SF, Lightspeed, OMNI, and anthologies like Infinity Wars, Upgraded, The Book of Swords, and Clockwork Phoenix 5.

In 2016 Jonathan Strahan proclaimed “this year seems to belong to Rich Larson and Dominica Phetteplace, both of whom have had fine stories in a range of publications,” and Gardner Dozois called him “one of the best new writers to enter science fiction in more than a decade.” His work has appeared in numerous Year’s Best anthologies, including five different 2018 volumes from Rich Horton, Neil Clarke, Jonathan Strahan, David Afsharirad, and Gardner Dozois. Anticipation for his debut novel Annex has been extremely high, and it arrives this month from Orbit.

In Rich Larson’s astonishing debut Annex, only outsiders can fight off the true aliens.

At first it is a nightmare. When the invaders arrive, the world as they know it is destroyed. Their friends are kidnapped. Their families are changed.

Then it is a dream. With no adults left to run things, Violet and the others who have escaped capture are truly free for the first time. They can do whatever they want to do. They can be whoever they want to be.

But the invaders won’t leave them alone for long…

This thrilling debut by one of the most acclaimed short form writers in science fiction tells the story of two young outsiders who must find a way to fight back against the aliens who have taken over her city.

Rich’s first collection, Tomorrow Factory, will also be released in October from Talos Press. Get more details here.

Annex, the opening book in The Violet Wars, will be published by Orbit Books. It is 368 pages, priced at $15.99 in trade paperback and $4.99 for the digital edition. The cover is by Greg Manchess. Check out the intriguing cover reveal at the Barnes & Noble Sci-Fi & Fantasy Blog.

The King Lear of the Euro Western: The Icy Death of The Great Silence (1968) Arrives in North America

Saturday, July 14, 2018 Ryan Harvey Comments 3 comments

I don’t normally put up spoiler warnings for a movie of this vintage, but The Great Silence hasn’t been widely available in North America until recently, so few viewers outside of Europe and Japan have had the chance to experience it. Since it’s almost impossible to discuss the movie in any depth without talking about its ending, this is your spoiler warning from here onward. If you’d rather experience the film first, it’s now available on streaming platforms (Amazon, iTunes, Vudu) and a stunning new Blu-ray from a 2K remaster.

The term “Spaghetti Western” or “Italian Western” conjures images roasted under a relentless sun. A cyclorama of the barren lands of Southwestern U.S. and Northern Mexico, as played by Spanish locations. A thinly populated dryland of cracked mud and twisted cacti, dying towns clustered about decaying Catholic churches, and vultures on hanging trees. Heat suffuses and twists everything. Sweat and grime stain every character’s face.

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Birthday Reviews: Edo van Belkom’s “The October Crisis”

Saturday, July 14, 2018 Steven H Silver Comments 2 comments

Edo van Belkom was born on July 14, 1962.

Van Belkom won the Bram Stoker Award for his short story “Rat Food,” co-written with David Nickle. He has won the Aurora Award three times, for the short story “Hockey’s Night in Canada,” for editing Be VERY Afraid!, and for his novel Wolf Pack. He has written erotica under the pseudonym Evan Hollander and has written at least two Deathlands novels using the James Axler house name.

In the 1990s Mike Resnick published several alternate history anthologies, including Alternate Tyrants, which took various world leaders and put them in a situation which allowed them to exercise their dictatorial desires. Edo van Belkom’s submission was “The October Crisis,” a Canadian alternate history which has never been reprinted.

“The October Crisis” of the title of Edo van Belkom’s alternate history was a period that lasted for most of October in 1970 when members of the Front de libération du Québec took hostages in Quebec in an attempt to forward their separatist movement. While Canadian Prime Minister Pierre Trudeau implemented the War Measures Act, permitting himself a wide range of powers, the measures expired in November in our own timeline. In the world of van Belkom’s story, Trudeau continued to use the powers to suppress any dissent, political or journalistic.

The story follows our own timeline pretty closely until Trudeau decides to use the acts powers against the kidnappers directly, and also orders the secretive murder of the released kidnapping victim in order to drum up further support for his policies. At this point in the story, van Belkom switches point of view to have the leader of the opposition, Robert Stanfield, describing Trudeau’s excessive actions to Richard Nixon to attempt to get the US to intervene in the growing tyranny in Canada. Van Belkom introduces some ambiguity at this point, leaving the question open as to whether Nixon will respond to Stanfield’s pleas to help, or give into his own tyrannical tendencies to model his own manner of leading the US after the policies instituted by Trudeau.

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The Pocket Best

Friday, July 13, 2018 John ONeill Comments 10 comments

We’ve spent a lot of time here at Black Gate celebrating Del Rey’s Classics of Science Fiction line from 1974-88 (The Best of Eric Frank Russell, The Best of Fritz Leiber, etc.); nearly two dozen paperback originals reprinting early short stores by C.L. Moore, Leigh Brackett, Edmond Hamilton, Henry Kuttner, John W. Campbell, Philip K. Dick, Fredric Brown, Murray Leinster, Robert Bloch, Jack Williamson, and many others. The series was the equivalent of a Masters-level course in science fiction and, taken as a whole, formed an essential library of 20th Century SF. The entire series, including all the reprints, is cataloged at IMDB. None of the volumes have been reprinted since 1988, and there are no digital versions, but the series was popular enough that copies are easy to find and not particularly expensive. (See below for a handsome set I bought last month for $40).

Lester del Dey wasn’t the only publisher to see the value of a line of Best of collections, of course. Donald Wollheim more or less pioneered the idea with The Book of A.E. van Vogt (DAW Books No. 4, 1972) and The Book of Brian Aldiss (No. 29, 1972), and followed with nine more from Frank Herbert, Philip K. Dick, Gordon R. Dickson, Philip Jose Farmer, Fritz Leiber, Fred Saberhagen, Poul Anderson, John Brunner, and Andre Norton. Like most early DAW efforts though, these were slender volumes; they’re also not as numerous, and the packaging isn’t nearly as attractive as the Del Rey books, so they aren’t as collectible.

There was another publisher who gave del Rey a run for his money, however. Between 1976 and 1980 Pocket Books produced nearly a dozen substantial collections showing off the science fiction authors in their catalog, including Jack Vance, Robert Silverberg, Harry Harrison, John Sladek, Keith Laumer, Damon Knight, Poul Anderson, Barry N. Malzberg, Mack Reynolds, and Walter M. Miller.

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In 500 Words or Less: A Short Fiction Roundup!

Friday, July 13, 2018 Brandon Crilly Comments 2 comments

Focusing a review into less than five hundred words is tough sometimes, but I feel like I’ve got the hang of it. The obvious next step? Talk about multiple books in one review!

This week I’m doing a roundup of some excellent short fiction I’ve read in the last few weeks. It covers a breadth of genres and styles, so hopefully some (if not all) of what I mention below appeals to you.

First off, I had the pleasure of receiving an ARC of the second issue of Reckoning, edited by Michael J. DeLuca, who I co-hosted the first #solarpunkchat with on Twitter in April. Reckoning focuses specifically on environmental justice, and Issue 2 is packed with a ton of experimental and forward-thinking work about sustainability, culture and the environment. Michael’s introduction concerning how to raise a child knowing their world will be fundamentally different than your own echoed a lot of my concerns about teaching, but the piece that blew me away was Marissa Lingen’s “The Shale Giants,” giving voice to the earth beneath us, which might not be patient and benevolent forever.

If you’re a fan of themed anthologies, get a copy of Alice Unbound from Canada’s Exile Editions, which riffs off Alice in Wonderland with SFF twists. There are too many great stories to mention here. Kate Heartfield, whose debut novel I reviewed recently, creates a tragic narrative around Carroll’s Gentleman in the Paper Suit in “Dressed in White Paper.” Geoff Gander and Fiona Plunkett turn Alice and her friends into Firefly-esque freelancers, complete with a caterpillar alien, in “Full House.” Though the final reveal in Pat Flewwelling’s story of madness spreading through an airport is a little too on-the-nose for me, “Cyphoid Mary” is still the most terrifying piece in the anthology. But my absolute favorite is “The River Street Witch” by Dominik Parisien, told from the perspective of a young girl who believes she’s a witch with no control over her magic, but if you read between there’s much more at play — this is a story that will stay with you long after you’ve finished.

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Birthday Reviews: Stephen Robinett’s “A Penny’s Worth”

Friday, July 13, 2018 Steven H Silver Comments 1 comment

Stephen Robinett was born on July 13, 1941 and died on February 16, 2004.

Until 1975, Robinette published using the name Tak Hallus. Although he has mostly used his own name since then, in 1976, he published the novel Mindwipe! using the pseudonym Steve Hahn.

“A Penny’s Worth” appeared in the March 1976 issue of Analog, edited by Ben Bova. It was the story’s only appearance.

Robinett created the lawyer Harry Penny for the story “A Penny’s Worth,” and Penny finds himself hired by a graduate student, Marshal Pierce, to defend Pierce against assault and battery charges. Although Pierce claims no recollection of assaulting Dr. Charles Morrow, there are two witnesses, Morrow’s wife and a neighbor, who saw the attack. The story follows Penny as he interviews witnesses and others with ties to Pierce and Morrow, to figure out what happened. The story is engaging, although the solution is telegraphed rather early on.

While Morrow and Pierce don’t know each other, there are several links between the two. Pierce worked as a graduate student for Ray Winslow, Morrow’s former, and now dead, partner. At one time Harry dated Nora, who went on to marry Winslow before leaving him for Morrow. Vernon Vernon, Pierce’s boss who fired him for stealing something after Winslow died, although Pierce claims he had Winslow’s permission to take it, also has ties to Morrow. What is clear to the reader from early on is that the medication Winslow had Pierce take somehow makes Pierce seek out Morrow to get vengeance for what Morrow did to Winslow.

Sometimes, however, plot isn’t the most important thing and so knowing the solution, rather than spoiling the story, provides a sense of foreshadowing. What caused the attack in this case is less important than Penny’s way of finding out what the reader has already figured out. His interviews with Nora, Morrow, and Vernon and his instructions to Pierce to help the boy avoid prison time for assault or worse, are the keys to the story and make it a very entertaining piece of fiction. Penny and his world seem as if they were developed to be an ongoing series, and Robinett would return to the character the following year in the novella “The Man Responsible.”

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Goth Chick News: Welcome to the World of Comic Book Gross-Outs…

Thursday, July 12, 2018 Sue Granquist Comments 2 comments

This week Image/Skybound Entertainment broke with new release tradition and dropped the first issue of an all-new series without preamble, by comics titans Robert Kirkman (The Walking Dead, Outcast by Kirkman & Azaceta, Oblivion Song), Scott M. Gimple (Punisher: Nightmare, writer and producer for The Walking Dead TV adaptation on AMC), and Chris Burnham (Batman Incorporated, Nameless, Nixon’s Pals), with colors by Nathan Fairbairn who gets to use whichever one he wants as long as it’s red. The first issue of the series entitled DIE!DIE!DIE! went on sale Wednesday.

Kirkman himself made the rather gleeful announcement circulated Tuesday, which is rather last minute as these go, and entirely on purpose:

That’s right, in stores TOMORROW! We want to make going to a comic shop exciting again — a place for discovery! The internet has drained all surprise and anticipation from comics. Everyone hears about exciting new projects and then has to wait months or years for it to be in their hands… and half the time at the end of that buildup, the stories get spoiled in some lame attempt at getting wider media attention. So, surprise! Here’s a new monthly series. How cool is that?! This is literally the only way I can be like Beyoncé.

Gimple added:

I spend most of my time working in TV, the big Walking Dead programs keep me plenty busy, but I’ve had a burning passion for comics since I was nine. I used to go to panels to see Robert Kirkman talk. And now he’s writing quotes in a press release as me that I can read over and tweak!

Yes gentlemen – the euphoria is real and we feel it too.

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New Treasures: Deep Roots by Ruthanna Emrys

Thursday, July 12, 2018 John ONeill Comments 7 comments

Ruthanna Emrys’ tales of The Innsmouth Legacy began with “The Litany of Earth,” a novelette originally published at Tor.com in May 2014, which picks up the threads of H.P. Lovecraft’s classic “The Shadow Over Innsmouth.” Aphra Marsh, who with the other residents of Innsmouth was forced into internment camps, discovers humans trying to replicate her people’s secret rituals, with sinister consequences. If it weren’t for the noxious Hugo-grab by the Rabid Puppies, it would almost certainly have ended up on the 2015 Hugo Award Ballot.

The story eventually grew into Winter Tide, one of NPR’s Best Books of 2017, which Liz Bourke called “an exceptionally accomplished debut.” Like a Great Old One emerging out of the Pacific, the tale has continued to grow and spread. The sequel Deep Roots, the second volume in what’s now a planned trilogy, arrived in hardcover from Tor.com Publications this week. Here’s the description.

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