Birthday Reviews: John D. MacDonald’s “Ring Around the Redhead”

Birthday Reviews: John D. MacDonald’s “Ring Around the Redhead”

BG_MacDonaldOtherWorldsEvery so often, I prove that the Black Gate firewall needs some serious tightening up by jumping in and putting up a post where I don’t belong (many readers and fellow bloggers believe that would be the entirety of the Black Gate website…). So, if you’re reading this, the crack web monitoring team hasn’t seen it yet. Don’t tell Steven Silver. He might gnaw through the restraining chain around his ankle and crawl over to my desk in the cellar…basement…journalist’s suite to thrash me.

John Dann MacDonald, my favorite author and one of the best writers of the twentieth century – in any genre – was born on July 24th, 1916. MacDonald, Harvard MBA and a lieutenant colonel in the Office of Strategic Services during World War II, was thirty years old when he began writing for the pulps in 1946. Through hard work and talent, MacDonald quickly became successful, selling to the mystery and sports magazines.

He graduated to the slicks more quickly than most pulpsters and he began writing paperback novels in 1950, mostly for Fawcett Gold Medal and Dell. And in 1960 he created his famous non-private eye, Travis McGee, in The Deep Blue Goodbye. MacDonald wrote over 400 short stories and five dozen novels.

It’s less well-remembered that in the late forties and early fifties, MacDonald wrote a great deal of science fiction: over fifty short stories and two novels. He tired of the genre and essentially quit cold turkey in 1952, writing only seven more stories and one novel (The Girl, The Gold Watch & Everything, which was made into a movie with Robert Hays and Pam Dawber) in the final thirty-four years of his life. He wrote that he tired of science fiction and simply quit writing it.

“Ring Around the Redhead” appeared in the November, 1948 issue of Startling Stories (His “Shenadun” had been in the September issue). It was anthologized in 1953 and again in 1967. I read it in Other Times, Other Worlds, a collection consisting entirely of science fiction stories by MacDonald.

Bill Maloney, an inventor, is on trial for murdering his next door neighbor. There’s no body, just some brain and hair bits. Anita Hempflet, the classic nosy neighbor (you know, the kind that says “I don’t mind anybody’s business but my own” and then proceeds to gossip like it’s an Olympic event) weighs in with her nose in the air, saying that Bill has been shacked up (remember: it’s 1948) with a pretty redhead who seems to be deaf and was wearing some odd, metallic clothing when she appeared.

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Next Year in Khatovar: She Is the Darkness by Glen Cook Part 1

Next Year in Khatovar: She Is the Darkness by Glen Cook Part 1

oie_2353716i3KOHmsdA skinny, mangy mongrel raced past and on the dead run clamped jaws on a startled crow. He got a wing.

All the crows in the world descended on him before he could enjoy his dinner.

“A parable,” One-Eye said. “Observe! Black crows. Black dog. The eternal struggle.”

“Black philosopher,” Croaker grumbled.

“Black Company.”

One-Eye and Croaker from She Is the Darkness

It’s summer, I’m busy living a summer life. As Glen Cook books go, She Is the Darkness (1997) is a long one. Um, something, something, something. All that’s to say I’m breaking my review into two parts. It’s not what I’d normally do, but I don’t want to lose the momentum of reading the books back to back. Remember: beyond here lie spoilers.

At the end of the previous book, Bleak Seasons, the Black Company under the restored leadership of Croaker, aka the Old Man, aka the Captain, was girding its loins for the final march on the last stronghold of Longshadow, the last Shadowmaster.

Overlook is pretty much Glen Cook’s version of Barad-dûr. Its walls rise to a hundred feet, and are covered in protective spells. Inside lurk untold numbers of soldiers backed by the terrible sorcery of the erstwhile Taken, Howler, and Longshadow himself.

In the field, ex-Black Company chief-of-staff Mogaba leads Longshadow’s last remaining army. Aided by another defector, Blade, Mogaba cannot imagine himself being beaten, and lies in wait for the Black Company and the soldiers of Taglios to attempt to force the pass over the Dhanda Presh Mountains.

Oh, and the wife of new Black Company Annalist Murgen was murdered by the Deceivers. During an assassination attempt on Croaker in the Palace of Taglios, a group of killers found their way into the living quarters of Murgen’s family and left his wife Sahra and her son dead. While not a completely broken man, Murgen is allowing himself to become addicted to traveling through time and space on the spirit of the comatose wizard, Smoke. Officially, Murgen’s doing this to spy on Longshadow and other things important to the health and welfare of the Black Company, but really it’s to avoid the depression brought on by the killing of Sahra. It continues to be a poorly explained and clunky device.

The death of Sahra is also not as simple as it seems. There’s a terrible secret surrounding it, and even though his late wife’s family, including the thoroughly kickass Uncle Doj, know what happened, Murgen doesn’t uncover it for many months. In a series flush with emotionally raw events, what really happened the night of Sahra’s death is one of the hardest in the whole series.

The entire first half of She Is the Darkness concerns the movement of Croaker’s forces towards the showdown with Mogaba’s and Blade’s. Meanwhile Murgen, flying on the wings of Smoke’s psyche, spies for his commander and fills in all the gaps for the reader, giving us an inside look at the doings of the Company’s enemies. There’s no getting around it, much of the first half of the book’s a slog. It might reflect some sort of logistical and strategic masterpiece if it occurred in real life, but on the page it moves like molasses on a winter day. Nonetheless, the book isn’t a disaster, just frustrating.

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Birthday Reviews: Barry N. Malzberg’s “Tap-Dancing Down the Highways and Byways of Life”

Birthday Reviews: Barry N. Malzberg’s “Tap-Dancing Down the Highways and Byways of Life”

Cover by Ron Walotsky
Cover by Ron Walotsky

Barry N. Malzberg was born on July 24, 1939.

Malzberg received the inaugural John W. Campbell Memorial Award for his novel Beyond Apollo. His novel Herovit’s War was nominated for the Jupiter Award and he’s had nominations for the Theodore Sturgeon Memorial Award, the British SF Association Award, and the Philip K. Dick Award. He has been nominated for the Hugo Award five times and the Nebula Award six times.

“Tap-Dancing Down the Highways and Byways of Life” was originally published by Edward L. Ferman in the July 1986 issue of The Magazine of Fantasy and Science Fiction. Although it wasn’t reprinted in English until appearing in The Very Best of Barry N. Malzberg in 2013, it was published in French, Italian, and German translations within seven months of its original publication.

It would appear that Cecil’s big mistake in “Tap-Dancing Down the Highways and Byways of Life” was robbing someone who not only knew who he was, but also knew his parents. As his victim holds back money, calls him out, and points out how disappointed Cecil’s parents will be to hear about his poor life choices, Cecil decides that the best way out of the situation is to shoot his victim in the head. Malzberg is not telling Cecil’s story, however, he is telling the story of the intended robbery victim.

Cecil’s victim is brought back to life, or possibly awoken from a virtual reality scenario, Malzberg is never really clear on the mechanism. What is clear is that the victim is supposed to react to the robbery in a specific way and is not doing what he is supposed to, notably, giving Cecil the money and following his instructions in order to live another day. His unnamed handlers give him multiple opportunities to correct the situation and he keeps finding himself facing an armed Cecil with a gun, eventually deciding that he can’t live as a complacent victim in the world his handlers are trying to shoe-horn him into.

Malzberg’s story takes on darker tones when the reader considers who the victim’s handlers are and what their motives could be. They could simply be preparing people to live and survive in a more violent world, accepting what they can’t change in order to live another day. On the other hand, they could be conditioning people to being victims, making it easier on the criminal and violent classes to prey on the innocents.

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New Treasures: The Book of Hidden Things by Francesco Dimitri

New Treasures: The Book of Hidden Things by Francesco Dimitri

The Book of Hidden Things-smallFrancesco Dimitri has published multiple fantasy novels in Italian. His nonfiction includes To Read Aloud and the upcoming That Sense of Wonder, both written in English. The Book of Hidden Things is his debut English novel; it’s described as “a story about the nature of mystery itself,” which I admit I find a little intriguing. Kirkus Reviews raved in a starred review, saying,

In lesser hands, this blend of detective story, organized crime thriller, and supernatural investigation would feel like a grab bag of plot devices, but Dimitri has created a thrilling spectacle that also manages to point poignantly at the way the landscapes we grow up in shape us in ways even beyond our understanding. A deeply felt look at the idea of home, clothed as a popcornworthy page-turner.

Here’s the description.

From “one of the most significant figures of the last generation of fantasy,” comes Francesco Dimitri’s debut novel in English, an enthralling and seductive fantasy following four old friends and the secrets they keep.

Four old school friends have a pact: to meet up every year in the small town in Puglia they grew up in. Art, the charismatic leader of the group and creator of the pact, insists that the agreement must remain unshakable and enduring. But this year, he never shows up.

A visit to his house increases the friends’ worry; Art is farming marijuana. In Southern Italy doing that kind of thing can be very dangerous. They can’t go to the Carabinieri so must make enquiries of their own. This is how they come across the rumours about Art; bizarre and unbelievable rumours that he miraculously cured the local mafia boss’s daughter of terminal leukaemia. And among the chaos of his house, they find a document written by Art, The Book of Hidden Things, that promises to reveal dark secrets and wonders beyond anything previously known.

Francesco Dimitri’s first novel written in English, following his career as one of the most significant fantasy writers in Italy, will entrance fans of Elena Ferrante, Neil Gaiman and Donna Tartt. Set in the beguiling and seductive landscape of Southern Italy, this story is about friendship and landscape, love and betrayal; above all it is about the nature of mystery itself.

The Book of Hidden Things was published by Titan Books on July 3, 2018. It is 384 pages, priced at $14.95 in trade paperback and $7.99 for the digital version. The cover was designed by Titan’s talented Julia Lloyd. Read an excerpt at Tor.com.

A (Black) Gat in the Hand: W.T. Ballard’s Bill Lennox

A (Black) Gat in the Hand: W.T. Ballard’s Bill Lennox

Gat_DetectiveDragnet_BallardOne of the authors that I’ve ‘discovered’ while working on A (Black) Gat in the Hand is W.T. Ballard. I had read a story here and there in various anthologies, but nothing stuck with me. I knew he was a Black Masker and had been successful as a writer of westerns. But I’ve just read a couple stories of his Hollywood ‘fixer,’ Bill Lennox and I was sold!

Ballard, who wandered out west when the Depression hit, had been trying to sell to the New York pulps with minimal success. He saw a Detective Dragnet Magazine with one of his stories in a store window (December, 1930). As he walked away, a man called out his name: it was Harry Warner, who he had known a little back in Cleveland, where the family had been making movie trailers for local organizations.  Warner asked what Ballard was doing in Hollywood. A bit embarrassed, the latter exaggerated a bit, bought that magazine and gave it to Warner, saying he was a freelance writer.

Warner and his brothers had just taken over First National Studios, and impressed with Ballard, Harry W. hired him as a screenwriter at a good salary. That gig lasted eight months until Ballard made a crack about Warner, not knowing the man was standing behind him. Fired!

Ballard was picked up by Columbia Pictures, who hired him to produce B-films for $10,000 each. To hit that target, Ballard had to write the script, direct and produce, and even move scenery for shoots. He endured this exhausting assignment for six months – but the two studio jobs gave him an invaluable inside knowledge of the industry.

In 1931, Ballard was struggling, trying to write and sell to Detective Story Magazine, which favored Agatha Christie/Mary Roberts Rinehart types of mysteries. At his uncle’s house (where he was living), he heard a radio ad for The Maltese Falcon, a movie starring Ricardo Cortez (Bogart hit gold in the third adaptation). He went to see the movie. As Ballard said in an excellent interview conducted by Stephen Mertz. “Hammett’s ear for words sounded the way I thought criminals and detectives should talk. It rang true, the way I wanted mine to do.”

The radio ad had mentioned Black Mask, which Ballard was unfamiliar with. After the movie he went around the corner, bought the latest issue and read it on the streetcar ride home. He was hooked.

Ballard didn’t want to write about the typical newspaper reporter. His friend Jim Lawson worked at Universal Studios and was often called on to get stars out of trouble. Ballard liked the idea, knowing he had the studio experience to write realistically.  Using the phone book to help with names, that very night, around midnight, he started writing. About five in the morning, he had a 10,000-word story featuring Bill Lennox. He mailed the manuscript off and went to bed.

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Birthday Reviews: C.M. Kornbluth’s “The Remorseful”

Birthday Reviews: C.M. Kornbluth’s “The Remorseful”

Cover by Richard Powers
Cover by Richard Powers

C.M. (Cyril M.) Kornbluth was born on July 23, 1923 and died on March 21, 1958.

Kornbluth died relatively young, but his work and memory have been kept alive. His short story “The Meeting,” finished by his frequent collaborator Frederik Pohl, earned them a Hugo Award in 1973 and he was nominated for four solo Hugo Awards prior to his death. His novelette “The Little Black Bag” won a Retro Hugo in 2001. In 1986, his novel The Syndic was inducted into the Prometheus Award Hall of Fame. His 1951 short story “The Marching Morons” is still considered a touchstone of science fiction

Frederik Pohl bought “The Remorseful” for Star Science Fiction No. 2, which was published in December 1953. The story also appeared in New Worlds Science Fiction #29 in November 1954. The story was included in Kornbluth’s posthumous collection The Marching Morons and Other Famous Science Fiction Stories. In 1976, it was translated into German for publication in Titan 1, edited by Pohl and Wolfgang Jeschke. The story showed up again in The Best of C.M. Kornbluth, and Robert Weinberg, Stefan Dziemianowicz, and Martin H. Greenberg included it in 100 Astounding Little Alien Stories. It was finally included in the NESFA Press collection His Share of Glory: The Complete Short Science Fiction of C.M. Kornbluth, edited by Timothy Szczesuil.

Kornbluth relates two stories in “The Remorseful.” The first tells of a man who walks across a barren Earth after an apocalypse has depopulated the planet. The other tells about an alien invasion of the solar system, focusing less on their activities and more on their alien nature as a sort of hive organism which can drop portions of itself off to explore/invade the outer planets and learn about the outposts mankind has set up.

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Amazon Selects the Best Science Fiction and Fantasy of the Year (So Far)

Amazon Selects the Best Science Fiction and Fantasy of the Year (So Far)

The Only Harmless Great Thing-small Artificial Condition The Murderbot Diaries-small The-Robots-of-Gotham-medium

Amazon has selected the Best Books of 2018 (so far) in a dozen different categories, including Mysteries & Thrillers, Comics & Graphic Novels, Literature and Fiction… and, of course, Science Fiction & Fantasy. The list includes several titles we’ve covered recently at Black Gate, including

Blackfish City by Sam J. Miller
The Book of M by Peng Shepherd
Fire Dance by Ilana C. Myer
Before Mars by Emma Newman
Children of Blood and Bone by Tomi Adeyemi

and others. Best of all, it showcases a pair of Black Gate writers: Martha Wells’ Artificial Condition, the second installment of her wildly popular Murderbot series from Tor.com, and Todd McAulty’s breakout debut novel The Robots of Gotham. Check out all the details here.

Vintage Treasures: The Bridge of Lost Desire by Samuel R. Delany

Vintage Treasures: The Bridge of Lost Desire by Samuel R. Delany

The Bridge of Lost Desire-back-small The Bridge of Lost Desire-small

Samuel R. Delany is one of the greatest science fiction writers alive today. He got his start when his wife Marilyn Hacker became an assistant editor at Ace Books under Donald A. Wollheim, and helped him publish his first novel The Jewels of Aptor as an Ace Double in 1962, when he was just 20 years old. Since then he’s won virtually every award our field has to offer, including the Hugo, Nebula, and Locus Awards. In 2013 the Science Fiction Writers of America named him a SFWA Grand Master.

I’ve steadfastly collected the various paperback editions of Delaney’s books over the years, including his classics The Einstein Intersection (1967), Nova (1968), Dhalgren (1975), and Triton (1976). I believed (rather reasonably, I thought) that I had all of his major work. So earlier this year I was more than a little surprised to stumble on one I never knew existed: The Bridge of Lost Desire, a 1988 collection of three fantasy novellas from St. Martin’s Press.

The Bridge of Lost Desire is the fourth and last volume in Delany’s Nevèrÿon fantasy series. Unlike his science fiction novels, the Nevèrÿon books were never particularly popular, and have been out of print for over two decades. The first three were published as paperback originals by Bantam Books between 1979-85, with gorgeous covers by the fantasy artist Rowena. The Bridge of Lost Desire was first published as an Arbor House hardcover, and reprinted in what I can only assume was a poorly distributed mass market paperback edition by St. Martin’s Press in 1988.

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Birthday Reviews: Dean McLaughlin’s “The Permanent Implosion”

Birthday Reviews: Dean McLaughlin’s “The Permanent Implosion”

Cover by John Schoenherr
Cover by John Schoenherr

Dean McLaughlin was born on July 22, 1931.

McLaughlin’s career began in 1951 and his most recent story, “Tenbrook of Mars,” appeared in Analog in 2008 and won the next year’s Analog Readers Poll. His 1968 novella “Hawk Among the Sparrows” was nominated for both the Hugo and Nebula Award, losing to Robert Silverberg’s “Nightwings” and Anne McCaffrey’s “Dragonrider,” respectively.

“The Permanent Implosion” originally appeared in the February 1964 issue of Analog Science Fact & Science Fiction, edited by John W. Campbell, Jr. It was reprinted in 1966 in the anthology Analog 4 and was the cover story of the 1970 anthology The Permanent Explosion: Science Fiction Edited by John W. Campbell. McLaughlin included the story in his only collection, Hawk Among the Sparrows: Three Science Fiction Novellas, published in 1976. Stanley Schmidt chose the story for Analog: The Best of Science Fiction in 1985.

“The Permanent Implosion” is a puzzle story in which Mick Candido must try to resolve a problem that has been dropped in his lap. Candido runs a successful well capping company, called in to extinguish oil fires and make sure the wells are covered. He is drawn into a different sort of situation when the government calls upon him for help in capping a different sort of well, one for which Candido’s team doesn’t have any experience, but neither does anyone else.

Outside of Denver, a hole had opened between our world and the vacuum of space. The hole is sucking our atmosphere in an attempt to equalize the pressure on both sides; the eventual result will be an Earth with an atmosphere so tenuous that life is impossible. Candido and his team, with the government’s guidance; get to work.

The story is an exploration of patience and failure. The initial solution for which Candido’s team was called in fails to stop the leak, but he remains with the team, helping them implement other potential solutions, all of which fail. As the team becomes more and more despondent of ever finding a solution, Candido begins to look at the problem from a different point of view, eventually coming up with a solution which will also serve to make his fortune.

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