Vintage Treasures: Courtship Rite by Donald Kingsbury

Vintage Treasures: Courtship Rite by Donald Kingsbury


Courtship Rite (Timescape/Pocket Books, September 1983). Cover by Rowena Morrill

I still remember the buzz of excitement in Ottawa fandom when a young local writer named Charles de Lint sold his first novel to Ace Books. Riddle of the Wren wasn’t particularly groundbreaking —  not like the breakout books soon to come from Charles — but everyone read it, and it was passed around and enjoyed with the kind of hometown pride that quickly catapulted Charles into literary stardom, at least on the local Ottawa scene.

The kind of thing didn’t happen often in Ottawa in those days. In fact, the only thing like it was the fuss made about Donald Kingsbury, a math professor at McGill University in Montreal, who burst out of the gate in the late 70s with a series of major award noms for his early fiction. His first novel Courtship Rite won the Locus and Compton Crook Awards for Best First Novel, and was shortlisted for the Hugo Award. In 2016 it won the Prometheus Hall of Fame Award. That’s the sort of thing that got Canadian fans worked up — and that hasn’t changed much over the years.

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Neverwhens: Hannibals’ Ghost(s) roams a City of Marble and Blood and a Genre is Reborn

Neverwhens: Hannibals’ Ghost(s) roams a City of Marble and Blood and a Genre is Reborn

The Chronicles of Hanuvar: Lord of a Shattered Land and The City of Marble and Blood
by Howard Andrew Jones (Baen, August 1, 2023 and October 3, 2023). Covers by Dave Seeley

Friends, Carthaginians, Dog-Brothers, I come to praise Howard Andrew Jones, not to bury him…

That was a lot of mixed-metaphors, but Howard’s mixed a lot of themes, tropes and reached back into the very roots of early heroic fantasy in his Chronicles of Hanuvar to breathe new life into what was considered a dead sub-genre, so perhaps appropriating Marcus Antonius’s funeral oration for Caesar and mentioning the Republic’s greatest rivals is appropriate.

Howard Andrew Jones is the leading Sword & Sorcery author of the 21st Century, and the growing saga of Hannuvar of Volanus (promised to be a five-volume series by Baen books) is his masterwork. The saga is the story of Hanuvar, the aging, last general of Volanus. Once a great city-state and naval power, Volanus has fallen to the legions and sorcery or the aggressive Dervan Empire.

Determined to make Volanus an object lesson to other nations, Derva leveled the city, scattered its stones, and carried its remaining survivors away in chains. But Derva has not reckoned with Hanuvar.

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A to Z Reviews: “Simple Sentences,” by Natalie Babbitt

A to Z Reviews: “Simple Sentences,” by Natalie Babbitt

A to Z ReviewsNatalie Babbitt first published “Simple Sentences” in her collection The Devil’s Other Story Book, which includes a variety of tales about humanity’s encounters with the Devil. The book is a follow-up to her collection The Devil’s Story Book, so there are plenty of tales for Babbitt’s fans. This particular story was selected by Terri Windling for inclusion in The Year’s Best Fantasy: First Annual Collection, which Windling co-edited with Ellen Datlow and became the first volume of the twenty-one volume series that was later called The Year’s Best Fantasy and Horror.

Best known for writing the novel Tuck Everlasting, Babbitt clues in the reader with the first line that “Simple Sentences” will be a humorous story. The demons processing new arrivals to Hell are having trouble determining what to do with two men who arrived simultaneously. One of the men is a professional pick pocket, the other an author of complex books the surpassed the understanding of readers.

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Goth Chick News: A Lost Boys Musical? Oh, Hell Yes

Goth Chick News: A Lost Boys Musical? Oh, Hell Yes

The Lost Boys (Warner Bros, 1987)

In the constantly evolving world of pop culture the horror genre, like fashion, cycles through which monsters or tropes are currently in vogue. In the dark era from 2000-2010 we lived through sparkly vampires thanks to the Twilight books and subsequent movies. From 2010-2014 it was all about zombies due to the height of Walking Dead fandom and from 2015-2020 we had a run on jump scares and final-girls, while overlapping those last couple of years were a lot of slasher/serial killers. Of course, these subgenres weren’t alone during these timespans, but every so many years Hollywood seems to turn its attention to one specific monster more often than others.

Considering how shafted vampires got the last time it was their turn, it seems only fitting that this time around they are being portrayed as nature intended. Both big and small screen offerings like Blood Red Sky (2021), Midnight Mass (2021), The Invitation (2022) and The Last Voyage of the Demeter (2023) have returned to depicting vampires as dark-needing, dirt-sleeping, human-eating, bringers of terror – which is how things should be. The only way this depiction gets better is when vampires are all of the above, as well as being really great to look at. And for that we need to go back to the 80’s.

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Murder as Comedy, Murder as Fantasy: Unfaithfully Yours

Murder as Comedy, Murder as Fantasy: Unfaithfully Yours

Of all the subjects for comedy (romantic entanglements, domestic misunderstandings, military SNAFU’s, workplace kerfluffles, political shenanigans, high school hi-jinx etc.), murder might seem one of the least promising. That’s actually not the case, however, as there have been many comedies of homicide, among them Murder He Says, Arsenic and Old Lace, Kind Hearts and Coronets, Monsieur Verdoux, The Trouble with Harry, Murder by Death, and The Ladykillers (watch the wonderful 1955 Ealing Studios version with Alec Guinness, not the woeful 2004 Cohen Brothers misfire with poor, miscast Tom Hanks), to name just a handful.

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Retro Review: Fantastic, August and October, 1972

Retro Review: Fantastic, August and October, 1972


Fantastic magazine, edited by Ted White. August and
October 1972. Covers by Jeff Jones and Mike Hinge

My Retro Reviews of Amazing have concentrated on the Goldsmith/Lalli years, but I recently read this pair of issues from Ted White’s era, which extended from 1969 to 1979. As a youngster, I started reading Amazing in late 1974, so right in the middle of White’s editorship.

These two issues, then, date a bit earlier than my first encounter with Amazing. I bought them so I could compare the serialized version of Avram Davidson’s Ursus of Ultima Thule with the book version. But there was plenty more of interest in these two magazines.

TOCs first.

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A World Built on Atrocity: Damon Knight’s “Down There”

A World Built on Atrocity: Damon Knight’s “Down There”


New Dimensions III, edited by Robert Silverberg
(Signet/New American Library, February 1974). Cover by Charles Moll

One of the writers who strongly influenced me when I was learning to write fiction was Damon Knight.

Although he founded the Science Fiction and Fantasy Writers of America, co-founded the Milford Writers’ Workshop, made the Clarion Writers’ Workshop the force that it is in the development of speculative fiction, edited the influential anthology series Orbit, and wrote one of the first significant critical works on science fiction, In Search of Wonder, his fiction is little remembered today.

Knight was a brilliant writer of short stories. He also wrote some damn good novels; his last one Humpty Dumpty, An Oval, published in 1996, is sui generis. But I want to talk about one of his most obscure stories, “Down There,” which appeared originally in the anthology New Dimensions 3 in 1973. It’s also available in The Best of Damon Knight.

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Bob’s Books- Shelfie #9 (Hillerman, Monk)

Bob’s Books- Shelfie #9 (Hillerman, Monk)

It’s installment number eight in Bob’s Books Shelfie series. Links to the prior shelfie posts can be found at the end of this one. If you’re new to this column, I posted shelfies of over a thousand of my books, in the r/bookshelf subreddit. The mods got too annoying for me, and I quit the group. Today it’s Tony Hillerman, and Adrian Monk.

TONY HILLERMAN

I am a huge Hillerman fan, having gone through his Navajo Tribal police series (reading and audiobooks) easily a half dozen times. And his The Fly on the Wall is in my Top Five Novels. His books are terrific police procedurals, drenched in Native American Culture (primarily Navajo, but there’s more).

After he died, the series was continued by his daughter, but they’ve gone from bad to terrible and I quit reading them. Even with her father’s last name, she’s less qualified to write them than I am.

Season one of AMC’s Dark Winds streamed the summer of 2022, based on his series. Very good show – not good Hillerman. I wrote 5,000 words about Hillerman and the series over at Black Gate. I have not yet seen season two.

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Bringing a Whetstone to an Old Blade: New Edge Sword & Sorcery Magazine #1

Bringing a Whetstone to an Old Blade: New Edge Sword & Sorcery Magazine #1

New Edge Sword & Sorcery Magazine, Fall 2023. Cover by Caterina Gerbasi

Disclosure: I was a Backer for the first four issues of this new journal.

As with the Zero issue, New Edge has absolutely fantastic, journal-level production values: heavy paper stock, trade or hard-cover binding, 8.5 x 11 stock, clean, professional layout, and absolutely terrific artwork. It looks great, feels great in the hand and has nothing amateurish about it. Whereas a counterpart magazine, Tales From the Magician’s Skull, has similar production quality but leans into a 30s pulp-retro vibe intentionally, NESS has a much more contemporary vibe, which fits its idea of taking a venerable genre and recasting it for modern audiences. (Which it does to varying degrees of success.)

So, looks great. How’s the contents?

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A Nightmarish Vision of Dracula: The Last Voyage of the Demeter

A Nightmarish Vision of Dracula: The Last Voyage of the Demeter

The Last Voyage of the Demeter (DreamWorks/Universal Pictures)

A doomed ship and a doomed crew: The Last Voyage of the Demeter. Rated R – Bloody Violence.

Bloody great film! I watched this film while recuperating from another back procedure in December. The movie stars Liam Cunningham (Davos Seaworthy from Game of Thrones), and Corey Hawkins (Heath, from The Walking Dead.) This film is well acted by a superb cast, masterfully directed by André Øvredal, with an excellent script written by Bragi F. Schut Jr and Zak Olkewicz, and a nice soundtrack by Bear McCreary, who’s worked on a lot of theatrical films and television shows, including The Walking Dead.

The combination of CGI and practical special FX works quite well, too. And an incredibly skinny actor named Javier Botet is perfectly cast as Count Dracula, who is depicted here as an ancient, malnourished, emaciated inhuman creature; the more he feeds, the more he “evolves” and grows stronger.

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