Birthday Reviews: Ray Nelson’s “Time Travel for Pedestrians”

Birthday Reviews: Ray Nelson’s “Time Travel for Pedestrians”

Cover by Ed Emshwiller
Cover by Ed Emshwiller

Radell Faraday Nelson was born on October 3, 1931. Nelson has published under a variety of pseudonyms, including Ray Nelson, R. Faraday Nelson, and Jeffrey Lord. Nelson is also an artist.

Nelson’s novel The Prometheus Man received a special citation Philip K. Dick Award in 1983. In 2001 he was nominated for a Retro-Hugo in the Best Fan Artist category.

“Time Travel for Pedestrians” was published in Harlan Ellison’s Again, Dangerous Visions in 1972, and has been reprinted in the various versions of that anthology, but has not been published outside of that work.

While the framing device in Ray Nelson’s “Time Travel for Pedestrians” may have been transgressive in 1972, when it was first published, the combination of rumination on masturbation and drug trips seems self-indulgent at a forty year distance.

Going beyond the framing device, as least as much as possible, the story offers numerous past life regressions for Nelson’s narrator, each one set earlier than the one before, each focusing on the conflict between the spread of Christianity and its competing belief systems, and each ending with the death of Nelson’s protagonist.

Intriguingly, the further back in time the narrator finds himself, the more receptive he is of Christianity, starting with a new age paganism, eventually becoming a priest in the Inquisition, and finally taking dictation from Mary Magdalen. While Nelson’s reflections on each of these vignettes offers different views on religion and belief, the framing mechanism intrudes, raising the question of whether the narrator is actually reliving past lives or if everything is part of the drug trip he has initiated, and which undermines Nelson’s story.

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Books and Craft: Parables for the Modern Reader

Books and Craft: Parables for the Modern Reader

WizardofEarthsea-small The Tombs of Atuan-small The Farthest Shore-small

The Earthsea Trilogy (Bantam, 1975). Covers by Pauline Ellison

Early last year, I began a column here at Black Gate that I call “Books and Craft.” The idea was to shine a light on the writing elements that contribute to the greatness of classic works in our genre. (You might care to read my previous pieces on Nicola Griffith’s Slow River, and Guy Gavriel Kay’s Tigana .) I intended to write these on a regular basis, but life and work intervened. Today I’m happy to be back with a new “Books and Craft” post about books that have long been deeply special to me.

Ursula K. Le Guin died earlier this year after a stellar career of nearly sixty years. She was a master of speculative fiction, one of the most decorated writers ever to grace our genre. She was perhaps best known for her science fiction novels set in the Hainish Universe, but personally, I am most fond of her fantasy, specifically the first three of her Earthsea novels: A Wizard of Earthsea, The Tombs of Atuan, and The Farthest Shore. (In fact, my newest series, The Islevale Cycle, is set in a world of islands and seas that I meant as an homage to Earthsea and Le Guin.)

These three early Earthsea novels, often referred to as The Earthsea Trilogy, were published as children’s books. They were written, though, with a spare sophistication and elegance that appealed to a broad audience and brought them critical and commercial success. Earthsea is a world of myth, rich culture, and social complexity. By creating a network of islands and archipelagos, Le Guin ensured that her land would be home to a variety of traditions, customs, and people. And in making Ged, the hero of the series, dark-skinned, she brought a non-traditional protagonist to a genre that had, until that time, been overwhelmingly white.

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Birthday Reviews: Edward Wellen’s “Barbarossa”

Birthday Reviews: Edward Wellen’s “Barbarossa”

Since I realize I jumped the gun and moved Walter Jon Williams’s birthday up a couple of weeks with my Birthday Review published earlier today, here is someone who was actually born on October 2.

Cover by Kevin Davidson
Cover by Kevin Davidson

Edward Wellen was born on October 2, 1919 and died on January 15, 2011.

Most of Wellen’s publications were short stories and he was more active in the mystery field than in science fiction, although he began publishing in the genre in 1952 with the non-fact article “Origins of Galactic Slang” in Galaxy. In 1971 he published his only science fiction novel.

“Barbarossa” was initially published in the June 1973 issue of Vertex: The Magazine of Science Fiction, edited by Donald J. Pfell. It was reprinted in the anthology Fantastic World War II in 1990, edited by Frank McSherry, Jr.

Wellen briefly explores the fate of a Nazi U-boat commander who refused to surrender to the Allies when Admiral Doenitz gave the order following Hitler’s death at the end of World War II. Using every trick he could think of, Helmut Niemans managed to escape the Allies, jettisoning enough flotsam from the ship that it was believed to be lost. Instead, he spent the next twenty-odd years as a pirate, picking up crew as he could to replace the Germans who died, tried to escape, or mutiny.

Less a story than a vignette showing how Niemens manages to continue adding to his crew, with a flashback to explain his history, Wellen fails to show how the ship manages to remain functional, although ever-decreasingly, through the years. He also doesn’t discuss how Niemens is able to avoid any sort of detection. Instead, the Commander is shown as a sad Captain Nemo, awaiting the revival of the Nazi ideology while he crews his boat with a rag-tag collection of slaves who don’t believe in his vision. Wellen also ignores the fourteen crewmen who were aboard the boat during World War II, and doesn’t clarify where their loyalties lie — whether to Niemens, the Reich, or simply remaining alive in their tight and smelly quarters.

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Autumn Short Story Roundup

Autumn Short Story Roundup

hfqIt’s been more than a piece, heck, even more than a while, since I’ve done one of these. I’m glad to be back because there’s been some really good short fiction published in the last couple of months. I’m not going to get to everything, but I am going to get to the best — Heroic Fantasy Quarterly 37 and Tales From the Magician’s Skull No. 2.

HFQ 37 has four stories and three poems. The continued use of evocative black and white art makes it my favorite looking ezine out there, but it’s the high quality of the stories that matters.

P. Djeli Clark kicks off the issue with the more-than-a-little grim “The Paladin of Golota.” Teffe is a young boy in the decaying town of Am Amara. He survives by robbing the corpses of the stream of warriors who have come to his town to fight the demon worms that infest the surrounding lands. Contrary to his fellow street kids, Teffe draws a line at cutting the throats of the wounded, instead waiting until they die on their own. This slight sense of honor leads him into a conversation with the fighter, Zahrea. She knew coming to Am Amara meant her death was likely, but came anyway.

“You’d die just to become a hero?” he asked.

She sat back and closed her eyes before saying: “Heroes give the world hope. They fill our tales and stories. There is a reason we do not make gods our heroes, but instead mortals who became more.”

Clark is a writer whose work I’ve admired very much in the past and this is my favorite story of the month. The story is grim, but unlike so many such stories, Clark not only provides a moment of grace in the darkness, but its entirety is built around that moment.

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Birthday Reviews: Walter Jon Williams’s “The Fate Line”

Birthday Reviews: Walter Jon Williams’s “The Fate Line”

Cover by Bob Eggleton
Cover by Bob Eggleton

Walter Jon Williams was born on October 215, 1953

Williams received the Nebula Award for best novelette in 2001 for “Daddy’s World” and for novella in 2005 for “The Green Leopard Plague.” In 1997 he won the Sidewise Award for Alternate History for his story “Foreign Devils.” His works have also been nominated for the Hugo Award, World Fantasy Award, Philip K. Dick Award, and Theodore Sturgeon Memorial Award.

“The Fate Line” was published in the Fred Saberhagen festschrift Golden Reflections in 2011, edited by Robert E. Vardeman and Joan Spicci Saberhagen. The story is set in the same universe as Saberhagen’s 1979 novel The Mask of the Sun and has not been reprinted.

Williams take on the setting is one of constantly shifting expectations. It opens with Perseus, the illegitimate son of one of the Ptolemaic pharaohs, plundering a tomb at the orders of his half-brother, the Pharaoh Ptolemy V Epiphanes, in order to find the wealth needed to fight the rebels and foreigners who threatened the dynasty. Perseus worries that both success or failure would bring about his own death, but when he found the immeasurable wealth of Ahmose, the founder of the eighteenth dynasty, he began to see a way out of his dilemma.

Williams quickly shifts the focus to Demetrios, a disentimed soldier who is working for the Quechuans of The Mask of the Sun in their time-war against the Tenocha. In one of the timelines, Cuzco-81, there is an Egyptian empire that threatens the Quechuans and Demetrios and a team are sent back in time to stop the Ptolemaic dynasty from establishing a foothold that lasts thousands of years. The team suffers almost instant failure when Demetrios meets Elpidos, a man who has knowledge about Demetrios, but who can’t share too much. Demetrios does realize that if he intends any harm to Ptolemy, the pharaoh will learn of it and Demetrios will fail.

Unable to return to his own time and knowing that his mission is stymied, Demetrios tries to figure out how to best establish himself in ancient Alexandria. Taking inspiration from his aunt, he sets himself up as a cheiromancer. When his predictions come true, he draws the attention of those close to the court and is eventually able to learn the secret of Ptolemy’s great luck, which ties in to Saberhagen’s novel, and come up with a way to siderail the timeline’s history without doing anything to harm the king.

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New Treasures: The Dreaming Stars by Tim Pratt, Book 2 of The Axiom

New Treasures: The Dreaming Stars by Tim Pratt, Book 2 of The Axiom

The-Wrong-Stars-Tim-Pratt-medium The Dreaming Stars-small

Tim Pratt is a Senior Editor for Locus magazine. He won the Hugo Award for his short story “Impossible Dreams” (Asimov’s SF, July 2006). As T. A. Pratt he’s the author of the 10-volume Marla Mason fantasy series (Blood Engines, Poison Sleep, etc.), under the name Tim Prett he’s published The Strange Adventures of Rangergirl, the Pathfinder Tales novels Liar’s Island and Liar’s Bargain, and much more.

The Wrong Stars looks like his breakout book (see our coverage here). It was published by Angry Robot last year, and Sam Reader at the Barnes & Noble Sci-Fi Blog raved about it, saying “Through his wit, dialogue, and vast, varied cast, Tim Pratt has created a space opera for today… while still delivering the sense of wonder that made you love the genre.” The second novel in what’s now being called The Axiom series, The Dreaming Stars, arrived right on schedule last month.

Ancient aliens, the Axiom, will kill us all – when they wake up. In deep space, a swarm of nanoparticles threatens the colonies, transforming everything it meets into computronium – including the colonists. The crew of the White Raven investigate, and discover an Axiom facility filled with aliens hibernating while their minds roam a vast virtual reality. Sebastien wakes up, claiming his altered brain architecture can help the crew deactivate the swarm – from inside the Axiom simulation. To protect humanity, Callie must trust him, but if Sebastien still plans to dominate the universe using Axiom tech, they could be in a whole lot of trouble…

The Dreaming Stars was published by Angry Robot on September 4, 2018. It is 384 pages, priced at $8.99 in paperback and $7.99 in digital formats. The cover is by Paul Scott Canavan. Read the complete first chapter here.

A (Black) Gat in the Hand: More Cool & Lam From Hard Case Crime!

A (Black) Gat in the Hand: More Cool & Lam From Hard Case Crime!

CoolLam_CrimeHCC

“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

In 1938, Erle Stanley Gardner was struggling with his Perry Mason series, though it was successful and he’d written about a dozen books. His agent had died and he clashed with the man’s widow (she took over the business) to the damage of his reputation and ability to sell to other markets.

The prolific pulpster and novelist decided a new approach. He would write a book about a mismatched pair of private eyes and send it to his publisher under an assumed name. I like this guy!

Following his usual pattern, he churned out a novel in three months and send The Bigger They Come to William Morrow & Company. Nobody knew it was written by Gardner. After it was accepted, Gardner told the president, Thayer Hobson, that he was actually A.A. Fair. It remained a secret for some time.

Gardner wrote thirty Cool and Lam novels in thirty-one years (The second one was rejected by the publisher). He was already putting out four novels nearly every year when he started this series, along with much other writing: both fiction and non. I wrote about the series here.

Bertha Cool is a big, profane, money-centric, tough as nails woman. She brought the undersized but brainy Donald Lam into the agency she got from her husband when he died. Lam proves to be a money maker and indispensable to the business and forces his way into a partnership. It’s a mismatched paring that works perfectly on the page, though I don’t know how Lam puts up with her.

On October 23rd, Hard Case Crime is reprinting The Count of Nine, the eighteenth book and out of print for almost forty years. It had earlier reprinted the thirteenth book, Top of the Heap. And Hard Case published, for the first time ever, that rejected second novel, The Knife Slipped. 

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Birthday Reviews: Donald A. Wollheim’s “Blueprint”

Birthday Reviews: Donald A. Wollheim’s “Blueprint”

Cover by Hannes Bok
Cover by Hannes Bok

Donald A. Wollheim was born on October 1, 1914 and died on November 2, 1990.

Wollheim entered science fiction fandom at its birth and was responsible for a meeting in Philadelphia between New York and Philadelphia science fiction fans which is considered by some to be the first science fiction convention. He was a member of the Science Fiction League, founded the Fantasy Amateur Press Association (FAPA), and the Futurians. He was one of the Futurians not allowed into the first Worldcon as part of the “Exclusion Act.” In the 1940s, he began working as an editor as well as a writer, editing for Avon Books and later Ace before starting up his own line, DAW Books. From 1965 through his death, Wollheim edited an annual World’s Best SF anthology series.

In 1975, Aussiecon One, the 33rd Worldcon, presented Wollheim with a Special Award for being the “Fan Who Has Done Everything.” Wollheim was inducted into the First Fandom Hall of Fame in 1975 Wollheim won a World Fantasy Special Professional Award in 1981 for DAW Books and a Special Convention Award in 1986. He also won the Milford Lifetime Achievement Award in 1980, the I-Con Award and Forry Award in 1987. He and his wife, Elsie, earned a British Fantasy Special Award in 1984. In 2002, he was inducted posthumously into the Science Fiction Hall of Fame and in 2010, SFWA awarded him the Solstice Award, which was accepted by his daughter, Betsy. Wollheim was the Guest of Honor at Nolacon II, the 46th Worldcon in 1988.

Wollheim used a variety of pseudonyms, including Martin Borrow, Graham Conway, Millard Verne Gordon, David Grinnell, Martin Pearson, Allan Warland, W. Malcolm White, and Lawrence Woods. He collaborated, as author and editor, with George Ernsberger, Forrest J Ackerman, Terry Carr, Arthur W. Saha, C.M. Kornbluth, Robert A. W. Lowndes, John Michel, and Lin Carter.

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Birthday Reviews: September Index

Birthday Reviews: September Index

Sword-and-Sorceress-II-smaller Tomorrow Speculative Fiction 23 November 1996-small Doughnuts Blaylock-small

January index
February index
March index
April index
May index
June index
July index
August index

September 1, C.J. Cherryh: “The Unshadowed Land
September 2, Roland J. Green: “Strings
September 3, Jack Wodhams: “Freeway
September 4, Rick Wilber: “Greggie’s Cup
September 5, James McKimmey, Jr.: “Planet of Dreams
September 6, China Miéville: “Entry Taken from a Medical Encyclopedia

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The Barnes & Noble Sci-Fi & Fantasy Blog on the Best Science Fiction & Fantasy of September 2018

The Barnes & Noble Sci-Fi & Fantasy Blog on the Best Science Fiction & Fantasy of September 2018

The Hidden Sun by Jaine Fenn-small Rosewater by Tade Thompson-small Salvation by Peter F Hamilton-small

Geez, it’s the last day of the month already. I’m used to failing at my ambitious monthly reading plans, but at least I usually try. This month has been so busy that I haven’t even been able to keep track of all the great books I missed, much less crack any of them open.

September still has a few hours left, and I’m going to use that time to educate myself. And the best resource for that are book blogs like The Verge, Unbound Worlds, Kirkus Reviews, and especially the excellent Barnes & Noble Sci-Fi & Fantasy Blog, which has gradually become my go-to source for the best new releases. This month Jeff Somers does his usual top-notch job, pointing me to 26 tantalizing titles I might have otherwise overlooked. Here’s the best of them.

The Hidden Sun by Jaine Fenn (Angry Robot, 448 pages, $12.99 trade paperback/$8.99 digital, September 4)

Fenn is as known for her short fiction as she is for her Hidden Empire novel series — and for her tendency to take stories in unexpected directions, whether on the micro-scale in short stories or the macro-scale of novels. [In] Hidden Sun Fenn kicks off an all new series set in a universe of shadowlands and bright alien skylands. Rhia Harlyn is a well-born woman in the shadowland Shen, struggling against old-fashioned sexism as she pursues scientific knowledge. She gets a tragic opportunity to use his skill for research and discovery after her brother vanishes. She sets off to the skylands to seek the truth behind his disappearance and finds herself caught between a rebel and a cult leader on an alluring, dangerous world.

Jaine Fenn won the British Science Fiction for her short fiction. She’s the author of the 5-volume Hidden Empire series, published in the UK by Gollancz, which does not yet have a US publisher. The Hidden Sun is the first volume of a 2-part series titled Shadowlands; the sequel, Broken Shadow, will be released on April 4. This is her first US release; if it does well, I hope that means we get to see a lot more of her.

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