New Treasures: The Promise of Space and Other Stories by James Patrick Kelly

New Treasures: The Promise of Space and Other Stories by James Patrick Kelly

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James Patrick Kelly is one of the best short story writers we have. His Hugo-winning tale “Think Like a Dinosaur” is one of the finest SF stories of the past 25 years (perhaps the finest), and his fiction has been collected in such essential volumes as Think Like a Dinosaur and Other Stories (1997), Strange But Not a Stranger (2002), and The Wreck of the Godspeed and Other Stories (2008). His novels include Planet of Whispers (1984), Look Into the Sun (1989), Freedom Beach (1985, with John Kessel) and Wildlife (1994).

A new James Patrick Kelly collection is a major event, and I purchased The Promise of Space and Other Stories as soon as it arrived in July. It contains 15 stories published between 2007 and 2016, plus one new tale, “Yukui!” It also contains an introduction by Sheila Williams, and an Afterword by the author. Here’s a snippet from Gark Wolfe’s review in the Chicago Tribune.

The idea of uploading your whole personality into a computer matrix as a hedge against death isn’t new, but should it become a legal right (as in “Declaration”) or face religious opposition (as in “One Sister, Two Sisters, Three”)? Could it even lead to most humans disappearing, leaving the world to intelligent chimps (“”The Chimp of the Popes”)?

For that matter, can technology ever really replace a mind? In the most heartbreaking story, “The Promise of Space,” a wife tries to connect with her brain-damaged astronaut husband, whose own faulty memory is supplemented by thousands of hours of personal video, but who can’t emotionally understand the facts he calls up.

Kelly also has a clear grasp of other genres, but uses them in unexpected ways. “The Last Judgment” is set in a world from which all the men have been snatched away by aliens, but takes the form of a hard-boiled mystery. “The Rose Witch” takes on the tone and form of a fairy tale, complete with a life-changing moral choice the heroine faces. In nearly every story, Kelly offers a master class on how short fiction works.

You can read the title story in Clarkesworld here. The Promise of Space and Other Stories was published by Prime Books on July 31, 2018. It is 383 pages, priced at $15.85 in trade paperback and $6.99 for the digital edition. The cover is by Piotr Foksowicz. See all of our recent New Treasures here.

The Beauty in Life and Death: An Interview with Sebastian Jones

The Beauty in Life and Death: An Interview with Sebastian Jones

Erathune-small Niobe She is Death-small Essessa-small

Niobe returns to reclaim her throne in 3 tales. Get the Erathune hardcover, She is Death #1 & #2, and the vampire epic, Essessa #1!

It is not intuitive to seek beauty in art deemed grotesque/weird, but most authors who produce horror/fantasy actually are usually (a) serious about their craft, and (b) driven my strange muses. This interview series engages contemporary authors & artists on the theme of “Art & Beauty in Weird/Fantasy Fiction.” Previously we cornered weird fantasy authors like John Fultz, Janeen Webb, Aliya Whiteley, and Richard Lee Byers. Recently we heard from the legendary author and editor of weird fiction, Darrell Schweitzer!

This round we corner Sebastian A. Jones: Author, actor, and teacher, Sebastian A. Jones grew up in England and moved to America at the age of eighteen where he founded MVP Records, releasing albums that included James Brown, John Coltrane, and Billie Holiday. In 2008 he founded Stranger Comics and Stranger Kids. Sebastian has written children’s books including Pinata and co-created the I Am book series with Garcelle Beauvais, including titles I Am Mixed and I Am Living in 2 Homes. Under Stranger’s dark fantasy line Asunda, he has received critical praise for his written work on The Untamed: A Sinner’s PrayerDusu: Path of the Ancient, and Niobe: She is Life, co-authored by Amandla Stenberg.

Note that the Asunda, the world of Niobe, is being realized with Pathfinder for RPG lovers. Check out the recent Paizo interview for more, and the ongoing Kickstarter which brings an omnibus versions of Niobe to life.

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Birthday Reviews: Ursula K. Le Guin’s “The Rule of Names”

Birthday Reviews: Ursula K. Le Guin’s “The Rule of Names”

Cover by Frank Bruno
Cover by Frank Bruno

Ursula K. Le Guin was born on October 21, 1929 and died on January 22, 2018.

Le Guin’s The Dispossessed is in the Prometheus Hall of Fame and has won the Jupiter Award as wells as the Nebula Award and Hugo Award. The Left Hand of Darkness has also won both the Hugo and Nebula Award, as well as the James Tiptree Jr Award and the Gaylactic Spectrum Award. She has also won the Nebula Award for Tehanu: The Last Book of Earthsea, Powers, the novella “Solitude,” and the short story “The Day Before the Revolution,” which also won the Jupiter Award. Le Guin has also won the Hugo Award for the short story “The Ones Who Walk Away from Omelas,” the novelette “Buffalo Gals, Won’t You Come Out Tonight,” the novella “The World for World is Forest,” and back-to-back best related works for Words Are My Matter: Writing About Life and Books, 2000-2016 and No Time to Spare: Thinking About What Matters, the last of which earned her the award posthumously. “Buffalo Gals, Won’t You Come Out Tonight” won Le Guin her first World Fantasy Award and she received another for her novel The Other Wind. She won a Jupiter Award for “The Diary of the Rose,” a Rhysling Award for “The Well of Bain,” and a Ditmar Award for The Compass Rose. Both Tales from Earthsea and The Telling won the Endeavour Award and “The Matter of Seggri” and “Mountain Ways” both won the James Tiptree, Jr. Award. She won the Theodore Sturgeon Memorial Award for “Forgiveness Day” and the Grand Prix de l’Imaginaire for Four Ways to Forgiveness. Her book Paradises Lost won both the Kurd Lasswitz Preis and Italia Award.

Le Guin has received many lifetime achievement awards, being recognized by the Forry Award in 1988, the Pilgrim Award in 2001, and the Eaton Award in 2013. She received a Gandalf Award in 1979 and was named a Grand Master by SFWA in 2003 and the World Fantasy Convention in 1995. In 2001, Le Guin was inducted into the Science Fiction Hall of Fame. She was the Worldcon Guest of Honor at Aussiecon 1 in 1975 and the World Fantasy Guest of Honor in Seattle in 1989.

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Old-School Sword and Planet with a Modern Attitude: An Excerpt from The MechMen of Canis-9

Old-School Sword and Planet with a Modern Attitude: An Excerpt from The MechMen of Canis-9

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The MechMen of Canis-9 is my seventh novel. I’ve always wanted to write some sort of action-packed Sword and Planet Adventure, with some planet-building involved, and that’s what I hope I’ve accomplished with this “sequel” to my Space Opera, Three Against The Stars. The Foreword below should pretty well set the stage for the excerpt that follows. I hope you enjoy it and it interests you in checking out my novel. Thank you!

This time out, Sergeants Seamus O’Hara, Claudia Akira, Fernando Cortez and a platoon of Marines are deployed to Canis-9 — Devoora, the Ocean Planet. Their mission: find seven indestructible robot warriors hidden there for seventy years. Most of the platoon survives a crash-landing but are left stranded in a hostile environment of deadly sea predators. Rescued by native Tulavi islanders, the Marines get caught up in a war between this mysterious, maritime civilization and another indigenous race, the Malvarians, who hunt and harvest the eggs of the giant kaizsu — the Sea Dragons sacred to the Tulavi. As the Marines set out to complete their mission they discover a secret known only by the Tulavi: the endangered kaizsu are the key to Devoora’s ecosystem and the future of all life on the planet.

The MechMen of Canis-9 is now available in both paperback and Kindle editions. Thank you!

Read an exclusive excerpt from The MechMen of Canis-9 here.

October Is Hammer Country: The Man Who Could Cheat Death (1959)

October Is Hammer Country: The Man Who Could Cheat Death (1959)

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The Man Who Could Cheat Death arrived during the fast and thrilling early days of Hammer Horror. The studio was tearing through Gothic hits from director Terence Fisher and the talented crew at the Bray soundstages: The Curse of Frankenstein (1957), Dracula, The Revenge of Frankenstein (1958), The Hound of the Baskervilles, The Mummy (1959), The Brides of Dracula, The Two Faces of Dr. Jekyll (1960). Looking at that line-up, it’s obvious why The Man Who Could Cheat Death hasn’t made much of a lasting impression. Where’s the marquee value character or monster? Also, where’s Peter Cushing, Hammer’s headliner? He’s in all these movies except The Two Faces of Dr. Jekyll … and The Man Who Could Cheat Death.

This odd-movie-out of early Hammer came about because of a production deal with Paramount. Once Hammer scored huge international hits with Frankenstein and Dracula films, the major Hollywood studios were eager to make co-financing deals and offer up their best horror properties for the Hammer treatment. But Paramount didn’t have a large catalogue of horror movies like Universal did. What they gave Hammer was a little-known 1944 film, The Man in Half Moon Street, which was an adaptation of a 1939 play by Alfred Edgar under the obvious pseudonym Barré Lyndon. The material was ghoulish enough for Hammer’s purposes: a mad-scientist tale with a touch of The Picture of Dorian Grey. Screenwriter Jimmy Sangster switched the story to Paris in 1890 to fit the studio’s Gothic style. Production was ready to roll with Fisher directing, Peter Cushing in the lead, and Christopher Lee as the main supporting part.

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Birthday Reviews: Diana Rowland’s “Fine Print”

Birthday Reviews: Diana Rowland’s “Fine Print”

Cover by Dan Dos Santos
Cover by Dan Dos Santos

Diana Rowland was born on October 20, 1966.

Rowland won third place in the third quarter of the 2005 Writers and Illustrators of the Future contest for her story “Schrodinger’s Hummingbird.” In 2012, Rowland won the RT Reviewers Choice Award for Best Urban Fantasy Protagonist for her character Angel Crawford in the novel Even White Trash Zombies Get the Blues. She has been nominated for the RT Reviewers Choice Award on at least two other occasions and the audio of her novel My Life as a White Trash Zombie was nominated for an Audie Award. She won the Phoenix Award, presented by DeepSouthCon, for lifetime achievement in 2015.

Rowland wrote “Fine Print” for Mark L. Van Name’s anthology The Wild Side: Urban Fantasy with an Erotic Edge, published by Baen Books in 2011.

Jason is the editor of a minor literary horror magazine, Black Magick Stories. When he meets Rachel at a convention, she comes onto him with a line asking if he would publish her stories if she sleeps with him, a variation on the Hollywood casting couch. When Jason points out how unethical that sort of thing would be, Rachel passes it off as a joke and backs away, but within days, she successfully seduces Jason and the two began dating. It is several months before she actually approaches him to publish one of her stories.

Luckily for Jason, when Rachel gives him a story, it was quite good. Unfortunately, it also turns out that Rachel is a Greater Demon and is using publication in his magazine to gain a foothold on Earth so she can rule, like other demons. Although the story has darkness, and much of it details Rachel’s torturing of Jason for his decision to publish her story in the November issue of the magazine rather than the Halloween issue, Rowland does incorporate a certain amount of humor. The standard deal with the devil story also takes an interesting turn because of a misunderstanding by Rachel about the way the periodical publishing world works, which Jason explains.

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In 500 Words or Less: An Advance Review of The Fall by Tracy Townsend

In 500 Words or Less: An Advance Review of The Fall by Tracy Townsend

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The Fall (Thieves of Fate, Book 2)
by Tracy Townsend
Pyr (400 pages, $18 paperback, $9.99 eBook, Jan 15, 2019)

Let’s start with something my friend Matt Moore would call a “hand grenade” on a panel: The Empire Strikes Back is the best Star Wars movie.

Why? Because it splits up our beloved characters and challenges them with new locales and crises, all while introducing brand new favorites and raising the stakes. I can still remember watching it for the first time as a kid (fine, it was on VHS) and learning back then that one of my main measures for the quality is how many times I gasp out loud at what’s happening. That sort of reaction is tough to achieve with a debut, let alone a sequel, but Lucas and his team pulled it off. And Tracy Townsend has done the same with The Fall, her follow-up to breakout novel The Nine, which I reviewed last year as my Top Book 0f 2017.

And good gods, The Fall is just as amazing. It even reminded me of Empire in a lot of ways, which may or may not have been intentional. Young Rowena Downshire is still very much the star, as she tries to find her footing in the company of Erasmus Pardon and Anselm Meteron, retired campaigners determined to keep her from realizing she’s one of nine subjects being studied by God as part of His Grand Experiment. But each of our valiant heroes gets their moments in the sun, as we learn how far they’re willing to go on the side of right. Much like Empire, The Fall expands various characters like Rowena’s mother Clara, but also adds a bunch of new faces to the mix. There’s even a Palpatine-esque shadow cast by Anselm’s father, Bishop Meteron, though he isn’t quite the Big Bad you’d expect – if he’s a villain at all.

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New Treasures: The Year’s Best Dark Fantasy & Horror 2018 edited by Paula Guran

New Treasures: The Year’s Best Dark Fantasy & Horror 2018 edited by Paula Guran

The Year’s Best Dark Fantasy & Horror 2018-smallWe’ve just about wrapped up the Best of the Year season, the summer/fall period when eight publishers and a dozen editors collaborate to produce ten volumes gathering the best short science fiction, fantasy, and horror of the year. We’ve had eight so far, from Neil Clarke, Jonathan Strahan, Gardner Dozois, Rich Horton, David Afsharirad, N.K. Jemisin and John Joseph Adams, and others.

But we’re not done yet — and in fact, this week two of my favorites landed on the same day. I’ll deal with Robert Shearman and Michael Kelly’s The Year’s Best Weird Fiction Volume Five in a future post, but today I want to talk about the latest installment in Paula Guran’s long-running Year’s Best Dark Fantasy & Horror.

This is the ninth volume in the series, which has been continuously published since 2010. While Paula has been enormously productive in the last decade, this is her sole anthology in 2018, which she laments a little in her Acknowledgments.

This is, if she’s counted correctly, the forty-fifth anthology Guran has edited. Instead of what had become the usual multiple titles per calendar year, it is the only anthology that will appear from her in 2018. That’s probably a refreshing break for most people. She’s got mixed feelings about it herself. After more than a decade of full-time editing, she now freelancing. Guran enjoys the variety but regrets the lack of a monthly paycheck.

This year’s edition includes much of the most talked-about horror and dark fantasy of the year, including Rebecca Roanhorse’s “Welcome to Your Authentic Indian Experience™,” Laird Barron’s “Swift to Chase,” Priya Sharma’s “The Crow Palace,” M. Rickert’s “Everything Beautiful Is Terrifying,” Robert Shearman’s “The Swimming Pool Party,” and Stephen Graham Jones’s complete Tor.com novella Mapping the Interior, published at $10.99. Another reason why The Year’s Best Fantasy & Horror is one of the best values on the shelves.

Altogether there are 26 stories in the latest volume, plus an introduction by Paula and a 7-page About the Authors section. Here’s the complete Table of Contents.

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Birthday Reviews: Peter H. Cannon’s “Cats, Rats, and Bertie Wooster”

Birthday Reviews: Peter H. Cannon’s “Cats, Rats, and Bertie Wooster”

Cover by Gahan Wilson
Cover by Gahan Wilson

Peter H. Cannon was born on October 19, 1951.

Cannon’s non-fiction book H.P. Lovecraft was nominated for the 1990 Bram Stoker Award. Cannon also works as an editor for Publisher’s Weekly, handling mystery and thriller reviews. Many of Cannon’s stories are strongly based on the works of H.P. Lovecraft, Arthur Conan Doyle, Frank Belknap Long, and P.G. Wodehouse.

Peter H. Cannon originally published “Scream for Jeeves; Or, Cats, Rats, and Bertie Wooster” as by H.P.G. Wodecraft in the Roodmas 1990 issue of Crypt for Cthulhu, #72, edited by Robert M. Price. The story was reprinted the next month in Dagon #27 and in 1994, Cannon published it as “Cats, Rats, and Bertie Wooster” using his own name, P.H. Cannon, in his collection Scream for Jeeves: A Parody. The story also appeared in 1996 in Cannon’s The Lovecraft Papers and in 1999 in his collection Forever Azathoth and Other Horrors. In 2009, it was translated into French for inclusion in Patrick Marcel’s collection of essays Les nombreuses vies de Cthulhu which included Cannon’s story as well as a story by Kim Newman.

“Cats, Rats, and Bertie Wooster” places P.G. Wodehouse’s Bertie Wooster and his butler, Jeeves, in a Lovecraftian milieu, the Exham Priory in Anchester, Wales, where the character finds himself in the 1923 story “Rats in the Walls.” Invited to the Priory by his friend Captain Edward “Tubby” Norrys, Bertie makes the acquaintance of Pop de la Poer who shares his family history with Bertie, despite Bertie’s clear indifference. The presence of rats in the walls of the priory and the discovery of ancient cellars beneath it lead, as in Lovecraft’s original story, to a later expedition into the depths, an expedition which includes many learned men as well as Bertie because De la Poer and Norrys want Jeeves to participate.

While Wodehouse’s Wooster is an incurious prig, Cannon’s Wooster takes that a step further, not only being self-involved, but actively stupid. Jeeves, on the other hand, is not just a competent butler, but an erudite, well-read, intellectual. Because the story is told from Wooster’s point of view, Cannon can allow his indifference and idiocy obviate the need to provide any real explanation for what is happening. Wooster just isn’t up to the task of related the horror that is found in Lovecraft’s original tale. The result is a parody of Lovecraft that never quite works and a parody of Wodehouse which seems to miss the mark.

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Goth Chick News: Three New Horror Stories to Chill Your October Nights

Goth Chick News: Three New Horror Stories to Chill Your October Nights

The Dark Beneath the Ice-small The Dark Descent of Elizabeth Frankenstein-small Dracul Dacre Stoker and J.D. Barker-small

With our favorite month of the year nearly half over, and the last two weeks of “the season” in full swing, we here at Goth Chick News have been living on a diet of adult beverages, caffeine and Pez. From making the rounds to Chicagoland’s best haunted attractions, to hosting our biennial Halloween bash for 200 (this year’s theme was Freak Show), there has been very little time to sleep as we work to cram in every last drop of fun before November 1st.

So, normally I would bring you these three new releases one at a time. But as it’s 3 a.m. here in the Midwest and I’ve had quite a lot of espresso, you’re getting them all in one go.

The Dark Beneath the Ice by Amelinda Bérubé was released in August and is the Canadian author’s first book. Technically it is considered YA, but as I didn’t know that going in, I honestly wouldn’t have guessed. Though I wouldn’t exactly bill it the way the publisher did, as “Black Swan meets Paranormal Activity,” The Dark Beneath the Ice is a terrific, creepy story that poses many questions, one of which is: can an inner demon summon the supernatural?

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