Black Gate – Page 342 – Adventures in Fantasy Literature

Vintage Treasures: Stories of the Supernatural by Dorothy L. Sayers

Friday, January 11, 2019 John ONeill Comments 5 comments

Stories of the Supernatural Dorothy Sayers-small

Stories of the Supernatural Dorothy Sayers-back-small

I stumbled across a copy of Stories of the Supernatural in a paperback collection I acquired a few months ago, and fell in love with it immediately. Partly it’s the great table of contents — eleven classic tales of supernatural horror by E. F. Benson, Arthur Machen, Saki, Charles Dickens, W. W. Jacobs, and others. And partly it’s the early 60s, breathlessly over-the-top marketing copy (“Read it in the daytime… and hope your blood will unfreeze by the time the terrors of the night steal in.”)

But chiefly it’s the knockout cover by Richard Powers. Huge swatches of color, giant staring faces, and a dark backdrop reminiscent of deep space… that’s classic Powers all right. I don’t know what it is I find so deeply satisfying about settling down in my big green chair with a vintage paperback anthology from a great editor, but whatever it is, the feeling is significantly amplified by a Powers cover.

Speaking of great editors, the one on duty here is Dorothy L. Sayers. She had a surprising assortment of genre anthologies to her credit, such as Great Short Stories of Detection, Mystery and Horror (1928) and its two follow-on volumes. Two of her later paperback anthologies, Human and Inhuman Stories (1963) and Stories of the Supernatural (1963), both released posthumously, were selections from her massive 1929 anthology The Omnibus of Crime, a 1,177-page Harcourt hardcover. I’m very glad I found Stories of the Supernatural, but I’m even more pleased that it led me to discover The Omnibus of Crime, which is a truly monumental survey of early crime fiction (even if it doesn’t have a Power cover).

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The Top Five Books I Read in 2018

Friday, January 11, 2019 Brandon Crilly Comments 2 comments

Gods, Monsters and the Lucky Peach-medium

Okay, so maybe I’m one of those people who thinks, “Wow, how is it already a new year?” But then I think about everything I got up to in those 365 days and realize that time flies because I tend to keep myself pretty busy. Most relevant to my column here, that includes a ton of reading – and once again I’ve given myself the challenge of choosing my favorites, with a Top Five Books I Read in 2018.

In previous years, I’ve given myself the wiggle room that it didn’t matter what year the book was published in. I’m taking that away this time, forcing myself to choose from 2018 publications because, quite frankly, more recent titles need the signal boost more than something like Stephen King’s The Gunslinger. And I’ve managed to select a life-on-the-line, absolutely-have-to-choose #1 pick. For 2016, that title was An Inheritance of Ashes; for 2017, I went with The Nine by Tracy Townsend. But for 2018…

Life-on-the-Line Pick: Gods, Monsters and the Lucky Peach

The first time I saw Kelly Robson after reading her novella, I might have gone on a bit about a) how amazing it was and b) how there had better be a sequel in the works. (There is.) Lucky Peach is an action-packed, feels-jerking hopepunk story that somehow combines time travel, post-cataclysm environmentalism, transhumanism, tight character development AND a gut-punch of an ending. Seriously, go read this gods-damned book. Right now. Or if you’re not convinced, read my full review here.

And in alphabetical order, my other four picks for 2018 are…

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Goth Chick News: Bats and Bacardi… These Are a Few of My Favorite Things

Thursday, January 10, 2019 Sue Granquist Comments 2 comments

I love bats.

True, this may seem like an obvious statement, but goth chick stereotypes aside, I have always found bats fascinating, not for the least reason that many species look a lot like puppies with wings, and contrary to what Bram Stoker may have taught us, only three of the more than 1300 types of bats actually drink blood. In fact, those bat species which do, rarely try to do it on humans and only require about a tablespoon of blood per meal.

I also love rum.

Now this may sound like a non sequitur. Unless you’ve taken a close look at a Bacardi bottle; then you’ll notice Bacardi’s logo is indeed a bat. Why? Because the company’s first commercial distillery in Cuba was full of fruit bats hanging from the ceiling and, considering the high illiteracy rate back in 1862, it was an easy way for customers to identify their favorite adult beverage.

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The Silent Garden: A Journal of Esoteric Fabulism is a Beautiful New Fantasy Magazine

Thursday, January 10, 2019 John ONeill Comments 0 Comment

I don’t usually buy books or magazines sight unseen. But I made an exception for the inaugural volume of The Silent Garden, a beautiful new “Journal of Esoteric Fabulism.”

Part of the reason was the publisher. Mike Kelly’s Undertow Publications has produced some of the most memorable dark fantasy and horror of the past few years, including the anthology Aickman’s Heirs, Simon Strantzas’s new collection Nothing is Everything, and five volumes of Year’s Best Weird Fiction. To be honest the list price, $50 for a deluxe full color hardcover on 70lb. paper, gave me sticker shock, but the list of contributors — V.H. Leslie, Nick Mamatas, Helen Marshall, Brian Evenson, D.P. Watt, and many more — and the discounted 4-volume “The Year in Weird” bundle pricing on their website eventually won me over.

I’m very glad it did. At 249 pages, there’s a whole lot of content crammed into this journal, including eleven short stories, poems, book reviews, articles, and a 24-page full-color gallery devoted to the work of Manchester artist David Whitlam. But just describing the contents doesn’t do it justice. The real strength of The Silent Garden is its top-notch design. It looks fantastic, and every piece is accompanied by at least one striking visual or full-color work of art. Here’s a few pics of the gorgeous interiors.

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The Golden Age of Science Fiction: Titan Cover Art, by Paul Lehr

Thursday, January 10, 2019 Steven H Silver Comments 6 comments

Peter Graham is often quoted as saying that the Golden Age of Science Fiction is 12. I was reminded of this quote last year while reading Jo Walton’s An Informal History of the Hugo Awards (Tor Books) when Rich Horton commented that based on Graham’s statement, for him, the Golden Age of Science Fiction was 1972. It got me thinking about what science fiction (and fantasy) looked like the year I turned twelve and so this year, I’ll be looking at the year 1979 through a lens of the works and people who won science fiction awards in 1980, ostensibly for works that were published in 1979. I’ve also invited Rich to join me on the journey and he’ll be posting articles looking at the 1973 award year.

The Analog Award was launched in 1979 for works published in the magazine in the preceding year. The Best Cover category was added in 1980, so this was the first year the award was presented. The award has been given every year since then with the exception of the year covering works published in the magazine in 2002, when the award was replaced, for one year only, with a cover artist award, when it was won by David A. Hardy, who painted two covers for the magazine (May and December issues).

Paul Lehr painted the cover for the first installment of John Varley’s four-part serial for the novel Titan, which ran from the January to the April issue of Analog Science Fiction/Science Fact.

The artwork from the January 1979 issue of Analog seems to depict the spindle that runs up the center of the torus moon discovered in orbit around Saturn. The tower looks like a mixture of organic parts, wires, and high tech platforms growing out of a small globe and inside a massive dome. The night sky with other moons of Saturn can be seen through windows and a rainbow-like arc stretches behind the tower.

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The Alcázar of Córdoba: A Spanish Castle Full of Roman Mosaics

Wednesday, January 9, 2019 Sean McLachlan Comments 3 comments

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In many of Spain’s oldest cities, history comes in layers.

Dominating the southern skyline of Córdoba is the alcázar, a castle that takes its name from the Arabic word for fort, al-qasr. This medieval Christian castle/palace was built atop the foundations of an earlier Muslim palace, which was built atop the foundations of a Visigothic fortress, which was built atop the remains of a Roman governor’s palace, which was built atop. . .who knows?

The earliest structures all but vanished after the Moors expanded the building into a palace with a large garden, which was used by the local rulers until the Christians retook the city in 1236. In 1328, Alfonso XI of Castile began construction of a larger fortress on the site, although he maintained the luxuriant gardens of the Moorish palace as well as building generous living quarters. Even though the Christians demolished the majority of the original structure, the new building looked pretty Islamic thanks to the introduction of the Mudéjar style, an enduring Spanish architectural style that takes its inspiration from Moorish designs. Even some early twentieth century buildings near by house in Madrid are in this style.

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Andre Norton Wrote Scarface

Wednesday, January 9, 2019 John ONeill Comments 7 comments

Andre Norton wrote Scarface.

No, no. Not the Al Pacino gangster classic directed by Brian De Palma. I mean the 1948 pirate novel, whose full title is Scarface, being the story of one Justin Blade, late of the pirate isle of Tortuga, and how fate did justly deal with him, to his great profit.

Scarface was published early in her career. Like, very early. It was her fifth novel, written four years before her first science fiction novel, Star Man’s Son, 2250 A.D (1952), and decades before she became the first female SFWA Grand Master in 1984. But it was very well received, getting a starred review from Kirkus Reviews, among other accolades, and eventually being reprinted in a beautifully designed paperback edition from Comet in September 1949 (above). The Comet paperback was copiously illustrated by Lorence Bjorklund — see below for a sample of some of the eye-catching interiors.

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Future Treasures: The Numina Trilogy by Charlie N. Holmberg

Tuesday, January 8, 2019 John ONeill Comments 0 Comment

I think I first discovered Charlie N. Holmberg back in June 2015, while compiling a list of the most interesting fantasy releases of the month. The Master Magician, third in her (yes, Charlie is a her) Wall Street Journal bestselling Paper Magician trilogy was released that month, and it piqued my curiosity. Fast forward to 2019, and Charlie is fast tracking a brand new trilogy, with the first novel Smoke and Summons due February 1st, followed by Myths and Mortals less than three months later on April 16, 2019. They’re the first two installments of The Numina Trilogy, set in a world of monsters and magic. Here’s the blurb for the first book.

As a human vessel for an ancient spirit, Sandis lives no ordinary life. At the command of her master, she can be transformed against her will into his weapon — a raging monster summoned to do his bidding. Unlike other vessels, Sandis can host extremely powerful spirits, but hosting such creatures can be fatal. To stay alive, she must run. And in a city fueled by smoke and corruption, she finds a surprising ally.

A cunning thief for hire, Rone owns a rare device that grants him immortality for one minute every day — a unique advantage that will come in handy in Sandis’s fight for freedom. But Sandis’s master knows how powerful she is. He’s determined to get her back, and he has the manpower to find her, wherever she runs.

Now, to outwit her pursuers, Sandis must put all her trust in Rone and his immortal device. For her master has summoned more than mere men to hunt her down…

No news on the third book, but you can keep an eye on her website for updates. Smoke & Summons will be published by 47North on February 1, 2019. It is 365 pages, priced at $24.95 in hardcover, $14.95 in trade paperback, and $4.99 for digital editions. Myths and Mortals arrives April 16, 2019 with the same pricing; no word on page count yet. The covers are by Marina Muun.

See all our recent coverage of the best in upcoming fantasy here.

Solving Crimes in a War-Torn Tokyo: Ninth Step Station, created by Malka Older

Tuesday, January 8, 2019 John ONeill Comments 0 Comment

Serial Box is one of the most exciting new genre publishers to arrive on the scene in the past few years. They’ve brought a very old concept — serialized fiction — into the 21st Century, and attracted an incredible line-up of top-notch writers to give it new life. So how does it work? Serial Box offers multiple stories in a rich variety of genres, and they release new episodes every week. Each serial typically runs for a “season” of 10-16 weeks, and each is written by a team of talented writers. Just check out this list of contributors: Max Gladstone, Amal El-Mohtar, Ellen Kushner, Delia Sherman, Ian Tregillis, Michael Swanwick, Mary Robinette Kowal, Brenda Clough, Michael R. Underwood, Marie Brennan, Alyssa Wong, Paul Cornell, Paul Tremblay, Christopher Golden, Yoon Ha Lee, Becky Chambers, and many, many more. The stories are easy to jump into, individual episodes are standalone (but contribute to a larger story arc), and each episode is available in ebook and audio formats, and takes about 40 minutes to enjoy.

Their newest serial Ninth Step Station launches this week. Created by Malka Older and written by Older, Fran Wilde, Jacqueline Koyanagi, and Curtis C. Chen, Ninth Step Station is the tale of two unlikely partners in a future Tokyo who solve a series of murders. Here’s the description.

A local cop. A US Peacekeeper. A divided Tokyo.
In the future, two mismatched cops must work together to solve crimes in a divided Tokyo.

Years of disaster and conflict have left Tokyo split between great powers. In the city of drone-enforced borders, bodymod black markets, and desperate resistance movements, US peacekeeper Emma Higashi is assigned to partner with Tokyo Metropolitan Police Detective Miyako Koreda. Together, they must race to solve a series of murders that test their relationship and threaten to overturn the balance of global power. And amid the chaos, they each need to decide what they are willing to do for peace.

Ninth Step Station is only one of the many offerings from Serial Box. Here’s a few of the others.

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Rescued from the Vaults of Time: The Sapphire Goddess – The Fantasies of Nictzin Dyalhis

Tuesday, January 8, 2019 Fletcher Vredenburgh Comments 4 comments

Dave Ritzlin, impresario of DMR Books, has rescued another writer from the distant, fog-obscured days of pulp fantasy. He has done for Nictzin Dyalhis as he did for the nearly-forgotten Clifford Ball (reviewed by me here). If you, like most people, have no idea who Dyalhis was, Ritzlin presents as much information as is available in an excellent introduction to The Sapphire Goddess (2018), his new collection of all nine of the author’s fantasy and science fiction stories.

A quote from the introduction:

Even though Nictzin Dyalhis was the eccentric author’s legal name at that time, it’s highly unlikely he was named that way at birth. He claimed that “Nictzin” was a Toltec Indian name and “Dyalhis” was an old English (or, alternately, Welsh) surname. Neither of these claims is true. Many speculated that his real name was Nicholas Douglas or Nicholas Dallas or something similar, which he modified into something more exotic.

Nonetheless, Weird Tales publisher Farnsworth Wright swore to Donald Wandrei that all the checks for Dyalhis’s stories “were made out to that name.” Whatever the reality, there’s something wonderfully perfect about a fantasist being remembered solely by a name of mysterious origins.

The nine stories in The Sapphire Goddess were published between 1925 and 1940. Eight were published in Weird Tales, with only “He Refused to Stay Dead” published in another magazine, Ghost Stories. Save for the explicitly sci-fi “When the Green Star Waned” and its sequel “The Oath of Hul Jok”, they are a mix of horror and heroic fantasy. Running through most of them is a theme of reincarnation or forgotten past lived in another dimension.

“When the Green Star Waned” (1925) and “The Oath of Hul Jok” (1928) are two adventures of the planet Venhez’s greatest heroes. The first concerns a journey to the now-silent planet Aerth to determine why no one’s heard anything from its inhabitants in years. Dyalhis’s first published story, it’s not an especially finely-wrought story, but it is very successful at creating a nightmare atmosphere, made all the more malevolent with horrible semi-material monsters from the dark side of the moon. It also seems to have introduced the word Blastor for ray guns. That alone is a more than worthy legacy for any pulp story.

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