Black Gate – Page 339 – Adventures in Fantasy Literature

New Treasures: American Hippo by Sarah Gailey

Tuesday, February 26, 2019 John ONeill Comments 5 comments

There are books that I ignore until I get a solid personal recommendation, those that win me over only with rave reviews, and those that I warm to, like, immediately. Sarah Gailey’s alternate history of an American west overrun by feral hippos is definitely the latter.

In her review of the first volume, River of Teeth, NPR reviewer and former Black Gate blogger Amal El-Mohtar said:

In 1909, the United States was suffering a shortage of meat. At the same time, Louisiana’s waterways were being choked by invasive water hyacinth. Louisiana Congressman Robert F. Broussard proposed an ingenious solution to both those problems: Import hippos to eat the water hyacinth; then, eat the hippos.

Luckily for the United States in our timeline, the fact that hippos are ill-tempered apex predators not amenable to being ranched was pointed out, the American Hippo Bill failed to pass by a single vote, and consequently, we don’t have hippos casually chomping on passers-by due to a lack of their usual forage. Sarah Gailey’s imagined United States, however, are differently fortuned.

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The Government We Take into Space: Imperial Stars, edited by Jerry Pournelle and John F. Carr

Monday, February 25, 2019 John ONeill Comments 7 comments

Imperial Stars 2 Republic and Empire-small

Imperial Stars 3 The Crash of Empire-small

Much early science fiction concerned itself with the rise and fall of galactic empires, and I admit being rather taken with the idea in my youth. There’s something rather romantic in the notion of man’s ultimate destiny being among the stars, testing himself against vast and incalculably ancient powers as he carves a home for himself across the parsecs, proving his worth on the greatest stage of all through gumption, guile, and fearless determination.

Today the whole idea seems rather quaint, and more than a little naive. As modern history has shown us, empires — all empires — are built on blood, and the notion that war could somehow be a noble pursuit died a well-deserved death in the trenches of World War I. Modern news reporting, which brought the brutal realities and costs of war into our living rooms in the 60s, has largely prevented us from making the appalling mistake of romanticizing war and conquest the way previous generations did.

In science fiction, galactic empires largely fell out of fashion by the late 70s, nudged off the stage by the more mature model of Star Trek‘s Federation (and ultimately done in for good, I think, by the depiction of the ultimate Evil Empire in Star Wars.) Personally I think the arrival of more women writers in the 80s and 90s played a huge part in moving SF past its early infatuation with interstellar imperialism, but that’s debatable.

Jerry Pournelle made a career of writing and promoting military science fiction, and he made no secret of his belief that wherever man went among the stars, he’d bring war with him. In the three-volume anthology series Imperial Stars (Baen, 1986-89), he and his co-editor John F. Carr collected over 1,200 pages of fiction and non-fiction on the topic of galactic empires, from authors like John W. Campbell, Jr., Poul Anderson, Vernor Vinge, Harry Turtledove, C. M. Kornbluth, Rudyard Kipling, Norman Spinrad, Eric Frank Russell, Philip K. Dick, Gregory Benford, Theodore Sturgeon, Christopher Anvil, Algis Budrys, Walter M. Miller, Jr., Everett B. Cole, Donald Kingsbury, and many others. The series is long out of print, but I recently came across a set and found it strangely irresistible.

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Hither Came Conan: Dave Hardy on “Vale of Lost Women”

Monday, February 25, 2019 Bob Byrne Comments 12 comments

Welcome back to the latest installment of Hither Came Conan, where a leading Robert E. Howard expert (and me) examine one of the original Conan stories each week, highlighting what’s best. Dave Hardy is the leading El Borak scholar around, and today he weighs in with a fresh perspective on what is pretty much regarded as one of Howard’s worst Conan tales.

PAIN CRYSTALLIZED AND MANIFESTED IN FLESH: THE VALE OF LOST WOMEN

“She was drowned in a great gulf of pain—was herself but pain crystallized and manifested in flesh. So she lay without conscious thought or motion, while outside the drums bellowed, the horns clamored, and barbaric voices lifted hideous chants, keeping time to naked feet slapping the heard earth and open palms smiting one another softly.”

“The Vale of Lost Women” is a neglected part of the Conan canon, scorned even. It was not particularly loved in Howard’s time. Howard wrote “Vale of Lost Women” probably around February 1933. Howard was unable to sell “Vale.” If he submitted it to Farnsworth Wright at Weird Tales, Wright didn’t buy it. The story was first published in The Magazine of Horror in the Spring, 1967 issue. Compared with such gems as “Queen of the Black Coast,” “Red Nails,” “Black Colossus,” or “Tower of the Elephant,” “Vale” might seem a very slight tale indeed.

And yet there is something primal about “Vale” that defies one to forget it. Despite its crudities and glibness, it taps into dark recesses of fundamental fears and dream logic.

The setting is a village in Kush, the fictional equivalent of Africa. Livia is a young woman from Ophir, one of the civilized countries of Hyboria, in Howard’s setting for the Conan stories. It is a pseudo-European country, inhabited by a fair-skinned folk. She had journeyed with her brother, Theteles, who sought to learn sorcerous wisdom in a remote Stygian city. Instead they were captured by Kushite raiders and came to be captives of Bajujh, king of Bakalah.

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The Golden Age of Science Fiction: The 1973 Hugo Award for Best Professional Artist, and the 1973 Locus Awards for Best Magazine Artist and Best Paperback Cover Artist: Kelly Freas

Sunday, February 24, 2019 Rich Horton Comments 2 comments

Astounding Science Fiction October 1953-small

Steven Silver has been doing a series covering the award winners from his age 12 year, and Steven has credited me for (indirectly) suggesting this, when I quoted Peter Graham’s statement “The Golden Age of Science Fiction” is 12, in the “comment section” to the entry on 1973 in Jo Walton’s wonderful book An Informal History of the Hugos. You see, I was 12 in 1972, so the awards for 1973 were the awards for my personal Golden Age. And Steven suggested that much as he is covering awards for 1980, I might cover awards for 1973 here at Black Gate.

As I began reading the SF magazines, and buying SF paperbacks, there was really no doubt who the most popular artist was: Kelly Freas. (This is not to deny the excellence of the likes of John Schoenherr, Jack Gaughan, and many more.) Kelly Freas was one of the most regular artists at Analog, and he did covers for many book publishers, at that time perhaps most often DAW. (Later he was the cover artist for every one of the Laser Books line.) His art was very colorful, very recognizable. His work was often humorous, but also could be dark and gritty. He was also an excellent interior illustrator.

Freas was born Frank Kelly in 1922. He took his stepfather’s last name after he was adopted. (His artwork was signed both Kelly Freas and Frank Kelly Freas.) He served in the second World War right out of High School, doing reconnaissance camera work and painting bomber noses. He spent some time in advertising. His first painting in the SF field was the cover for the November 1950 issue of Weird Tales (above left). One of his most famous paintings in the field was the 1953 cover of Astounding, illustrating Tom Godwin’s “The Gulf Between” (above middle). He later repainted it (with slight changes) for use as the cover of Queen’s album News of the World. Outside of SF he may have been best known for his work at Mad Magazine – he was the originator of the Alfred E. Neumann character.

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In Defense of Professional Ghostwriting

Sunday, February 24, 2019 Sean McLachlan

Ghostwriting_(2004)

Well, the Internet just blew up again.

This time it’s because a romance writer has been caught plagiarizing dozens (and I do mean DOZENS) of other authors.

Last week, a fan alerted romance writer Courtney Milan that the book Royal Love by Brazilian author Cristiane Serruya included numerous passages lifted from Milan’s The Duchess War. Milan made side-by-side comparisons of the passages and called Serruya out on her blog.

Serruya denied any wrongdoing, blaming a ghostwriter she had hired on Fiverr, a freelance site for budget jobs. Twitter exploded, as Twitter does, and she quickly deleted her Twitter account, all other social media, and took down the electronic copies of her works. As of this writing, the print and audio editions were still available on Amazon.

For the latest developments, there’s #copypastecris on Twitter, and boy is it ugly.

At the time of writing, the list of plagiarized works has grown to 44 books, 3 articles, 3 websites, and 2 recipes, stealing work from 30 authors, including heavyweights such as Nora Roberts and Jamie Oliver. You can see a regularly updated list here.

I’m acquainted with Cristiane Serruya. She was part of the Kindle Scout program, having won an advance, 50% royalties, and publication for at least one of her works from Amazon’s imprint Kindle Press. Two of my books are also in the program. We chatted numerous times on the Kindle Scout Winners Facebook group and we even traded critiques. She read the first two books in my Masked Man of Cairo mystery series and I read Damaged Love, which turns out to contain plagiarized passages too. At the time I was surprised she would want me to be a beta reader on a romance novel, a genre she knew I didn’t read and knew nothing about. Now I know why.

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A Magic Portal to Snowy Enchantment: Spinning Silver by Naomi Novik

Saturday, February 23, 2019 Elizabeth Galewski Comments 2 comments

Miryem grows up in poverty even though her father has lent funds to most of the families in her village. While the others prepare holiday feasts in snug homes with roaring fires, she and her parents freeze and starve in a hovel. This is because Miryem’s father has the heart of a rabbi and can’t bring himself to ask for the payments he’s owed.

When Miryem’s mother falls ill, Miryem knows only a doctor can save her, and doctors require money. Seizing matters in her own hands, she goes into the village to collect.

The borrowers try to put her off. They shout, bluster, and lie. But Miryem stands firm, returning home with her first payments. Some families could only offer goods instead of coins, which Miryem accepted. It’s more work for her to convert these products into money, but she does it.

She doesn’t just save her mother – over time, she builds upon these first fruits, creating a fair but thriving business. Through her own ingenuity and hard work, she becomes a trader and entrepreneur as well as a moneylender, thereby turning rolls of silver coins into fat doubloons of gold. Her parents might wish she hadn’t needed to take up such work, but they now live in a snug home of their own, with plenty to eat and enough pennies to hire a local girl who’s grateful for the chance to earn a wage and thereby escape her abusive father.

But when Miryem boasts of her success during a sleigh ride in the forest, the cruel fairy king who rules the woods overhears. Believing that she can turn silver into gold, he arrives on her doorstep with a terrible ultimatum. Either she will replace his silver coins with the same number of golds, or he will freeze her to death where she stands.

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Frazetta and Family: Ace Books House Ads, circa 1975

Saturday, February 23, 2019 John ONeill Comments 11 comments

I bought a small collection of Mack Reynolds paperbacks on eBay last week, and they arrived yesterday. I settled in with them last night, and was surprised to find one of them, the 1975 title The Five Way Secret Agent and Mercenary From Tomorrow, which looked like a collection of two novellas from Analog, was actually an Ace Double. It didn’t have two covers in back-to-back dos-à-dos format, and the second book wasn’t printed upside down, but otherwise it was an Ace Double, with separate pagination for each novel and everything. It had the usual Ace house ads in the middle, which I normally flip past, but the double-page spread above brought me to a complete stop.

I mean, just look at this thing. Never mind the questionable tactic of trying to sell gloriously color Frazetta posters (for 3 bucks each) using muddy black & white images. Check out that house ad on the left: The number 1, formed from the names of the most prominent authors in the Ace Books publishing family. And what a staggering list!

Poul Anderson, Isaac Asimov, Brian Aldiss, Leigh Brackett, John Brunner, Edgar Rice Burroughs, John W. Campbell, Terry Carr, A. Bertram Chandler, Lester del Rey, Samuel R. Delany, Philip K. Dick, Harlan Ellison, Philip Jose Farmer, Edmond Hamilton, Frank Herbert, Robert A. Heinlein, R.A. Lafferty, Damon Knight, Ursula K. Le Guin, Fritz Leiber, Stanislaw Lem, Andre Norton, Michael Moorcock, Barry Malzberg, Alexei Panshin, Frederik Pohl, Mack Reynolds, Joanna Russ, Bob Shaw, Clifford D. Simak, Robert Silverberg, Brian Stableford, Theodore Sturgeon, James Tiptree, Jr., EC Tubb, A.E. Van Vogt, Jack Vance, Jack Williamson, Roger Zelazny

It’s not just the amazing list of authors — which is, let’s face it, a nearly unprecedented line up of talent for a single SF publisher. It’s that fact that most of those authors are still revered today, and in fact more than a few — Philip Dick, Ursula K. Le Guin, James Tiptree, and others — have achieved even greater fame in the intervening four decades.

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The Golden Age of Science Fiction: The Magazine of Fantasy and Science Fiction

Saturday, February 23, 2019 Steven H Silver Comments 2 comments

The Locus Awards were established in 1972 and presented by Locus Magazine based on a poll of its readers. In more recent years, the poll has been opened up to on-line readers, although subscribers’ votes have been given extra weight. At various times the award has been presented at Westercon and, more recently, at a weekend sponsored by Locus at the Science Fiction Museum (now MoPop) in Seattle. The Best Book Publisher Award dates back to 1972, although in 1975 and 1976 the Publisher Award was split into paperback and hardcover categories. Ballantine Books won the award each year from its inception through 1977 (winning the paperback for the two experimental years with the Science Fiction Book Club winning the hardcover award). In 1978, when Del Rey was established as an imprint of Ballantine, Ballantine/Del Rey began winning the award. The award was not presented in 1979 for works published in 1978, but when it was reinstituted in 1980, Ballantine/Del Rey picked up its winning streak. In 1980. The Locus Poll received 854 responses.

Anthony Boucher and J. Francis McComas pitched the idea of a fantasy magazine to Lawrence Spivak at Mercury Press in the mid-1940s and a companion to Spivak’s publication Ellery Queen’s Mystery Magazine. The Magazine of Fantasy was founded in Fall, 1949 with editors Boucher and McComas. With the second issue, the title was changed to The Magazine of Fantasy and Science Fiction. Boucher and McComas set the magazine apart from other science fiction magazines not only with their choice of material, which tended to being more literary in nature, but also in the magazine’s design. McComas left the magazine following the August 1954 issue for health reasons, but Boucher continued to edit the magazine until the August 1958 issue. Following Boucher’s departure, Robert P. Mills edited the magazine until March 1962 and then Avram Davidson took over until November 1964. Joseph Ferman, who had bought the magazine in 1954 edited it for a year before turning the editorial tasks over to his son, Edward K. Ferman, who edited the magazine until June 1991, after which Kristine Kathryn Rusch became the magazine’s editor until May 1997. Gordon van Gelder took over editorial duties and purchased the magazine from Ferman in 2001, turning over the editorship to Charles Coleman Finlay in 2015.

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Future Treasures: Ancestral Night by Elizabeth Bear

Friday, February 22, 2019 John ONeill Comments 0 Comment

Elizabeth Bear is an author with ambition and big ideas, and that puts her in some rarefied company. Her new novel Ancestral Night, arriving in hardcover next month, is getting a lot of pre-release buzz — more than enough to pique my attention, anyway. Here’s a sample from the starred review at Publishers Weekly.

Anyone who enjoys space opera, exploration of characters, and political speculation will love this outstanding novel, Bear’s welcome return to hard SF after several years of writing well-received steampunk (Karen Memory) and epic fantasy (the Eternal Sky trilogy). As an engineer on a scrappy space salvage tug, narrator Haimey Dz has a comfortable, relatively low-stress existence, chumming with pilot Connla Kuruscz and AI shipmind Singer. Then, while aboard a booby-trapped derelict ship, she is infected with a not-quite-parasitic alien device that gives her insights into the universe’s structure. This makes her valuable not only to the apparently benevolent interstellar government, the Synarche, but also to the vicious association of space pirates… Amid a space opera resurgence, Bear’s novel sets the bar high.

Kirkus Reviews says the book “Offers plenty of big, bold, fascinating ideas…Impressive at the core.” Here’s the description.

A space salvager and her partner make the discovery of a lifetime that just might change the universe in this wild, big-ideas space opera from multi award-winning author Elizabeth Bear.

Halmey Dz and her partner Connla Kurucz are salvage operators, living just on the inside of the law… usually. Theirs is the perilous and marginal existence — with barely enough chance of striking it fantastically big — just once — to keep them coming back for more. They pilot their tiny ship into the scars left by unsuccessful White Transitions, searching for the relics of lost human and alien vessels. But when they make a shocking discovery about an alien species that has been long thought dead, it may be the thing that could tip the perilous peace mankind has found into full-out war.

Ancestral Night will be published by Saga Press on March 5, 2019. It is 512 pages, priced at $25.99 in hardcover and $7.99 in digital formats. It is the opening volume in the White Space series. We previously covered Bear’s novels Shattered Pillars (2013) and The Stone in the Skull (2017).

See all our recent coverage of the best upcoming SF and fantasy here.

In 500 Words or Less: The Privilege of Peace by Tanya Huff

Friday, February 22, 2019 Brandon Crilly Comments 0 Comment

The Privilege of Peace (Peacekeeper #3)
by Tanya Huff
DAW Books (352 pages, $7.99 paperback, $12.99 eBook, June 19, 2018)

I’ll often come back to one of my favorite lines from Peter Capaldi’s run as The Doctor:

Everything ends, and it’s always sad. But everything begins again, too, and that’s always happy.

It’s one of those simple quotes that applies to a lot in life, and guess what – it applies to writing and reading, too. As much as we clamor for the next book in a favorite series, eventually every series comes to an end (unless you decide to write Harry Bosch books into perpetuity or something) and then there’s a void, like a friend has gone away and you’re never going to see them again.

(Okay, yes, you can always reread the series again, but I’ve reread maybe three books in my life, so just work with me here.)

Last year, DAW Books released the last of Tanya Huff’s Torin Kerr novels (at least as far as she’s indicated), finishing the Peacekeeper trilogy with The Privilege of Peace. And man has this been a ride. I came to Tanya’s writing very late, when she was a Guest of Honor at Can*Con a few years ago, and devoured both the Confederation books and the Peacekeeper follow-up.

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