Black Gate – Page 337 – Adventures in Fantasy Literature

Reading for a Good Cause: 32 White Horses on a Vermillion Hill edited by Duane Pesice

Saturday, February 2, 2019 John ONeill Comments 0 Comment

32 White Horses on a Vermillion Hill-small

32 White Horses on a Vermillion Hill Volume 2-small

I’ve heard from several readers about a new charity anthology benefiting horror writer Christopher Ropes, 32 White Horses on a Vermillion Hill. Most recently Robert Adam Gilmour wrote, saying:

There are no shortage of writers going through difficult times and I imagine you might get quite a number of emails for funding them but this involves two anthologies and some writers you are familiar with. His situation is horrifying enough that it has stuck in my head and I just wanted to see if you’d feature it on Black Gate.

I’m informed about a lot of worthy fundraising efforts every year, but Robert is right — this one is of particular interest, as it involves dozens of writers of keen interest to Black Gate readers. Editor Duane Pesice has assembled two volumes of 32 White Horses on a Vermillion Hill, both of which contain 32 stories & poems generously donated from members of the weird fiction & horror communities, including Jonathan Maberry, Michael Wehunt, Ashley Dioses, K.A. Opperman, Marguerite Reed, Jon Padgett, Douglas Draa, John Linwood Grant, Jeffrey Thomas, Jason A. Wyckoff, Frank Coffman, and many others. All the profits from the books go towards helping Christopher cover the costs of some long-needed dental work (see the Go-Fund-Me page here).

Christopher’s work has been published in Vastarien (Grimscribe Press), Nightscript (Chthonic Matter), Ravenwood Quarterly (Electric Pentacle Press), and other fine publications, and it’s clear he has a lot of friends in the industry. If you’re active in fandom or on social media, you doubtless encounter calls for help on a regular basis. But I’ve never seen one quite like this. Pesice has assembled two anthologies that would look impressive under any circumstances. Copies are available at Amazon and directly from Planet X Publications. If you’re going to read some horror this month, why not read for a good cause?

New Treasures: A Labyrinth of Scions and Sorcery, Book Two of The Risen Kingdoms by Curtis Craddock

Saturday, February 2, 2019 John ONeill Comments 2 comments

Curtis Craddock’s 2017 fantasy An Alchemy of Masques and Mirrors, the opening novel in the Risen Kingdoms series, received starred reviews from both Booklist and Kirkus Reviews, no mean feat. Here’s a snippet from Kirkus:

This debut fantasy is set in the Risen Kingdoms, where countries float in the air and people take airships from place to place, princes battle for a throne, and dashing musketeers defend feisty princesses.

In other hands, this would be a swashbuckling gaslamp romp, but author Craddock chooses to go darker. His princess, Isabelle des Zephyrs, cousin of His Imperial Majesty Leon XIV of L’Empire Céleste, is feared for her deformed hand and abused by her father and brother for failing to possess their family’s saint-given magic, the ability to drain the life from others with the bloodshadow. Her only refuges are her trusty protector, the musketeer Jean-Claude, and her secret work as a scientist and mathematician, pursuits forbidden to women on pain of death. Saintly lines are supposed to remain pure, so Princess Isabelle can’t understand why the younger prince of Aragoth, who bears his own royal family’s gift of traveling through mirrors, would wish to marry her; nevertheless, she welcomes the opportunity for a new life… The skulduggery is pleasurably complex, the emotional stakes feel convincing, and the reasonably happy ending feels earned. And while Jean-Claude’s doggedness in protecting Isabelle is admirable, Isabelle is decidedly and enjoyably not a damsel in need of rescue.

Charles Stross calls it a “gaslight fantasy in the tradition of Alexander Dumas,” and admittedly that’s the quote that got my attention. The second book in the series, A Labyrinth of Scions and Sorcery, arrived last week, offering more tales of “adventure full of palace intrigue, mysterious ancient mechanisms, and aerial sailing ships!” (David D. Levine). Here’s the description.

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Gender Boundaries Crumble in YA: The XY by Virginia Bergin

Friday, February 1, 2019 Elizabeth Galewski Comments 1 comment

Cover of Virginia Bergin's THE XY — **Cover of Virginia Bergin’s THE XY**

River drives her horse and cart through the woods as night falls. But when she sees a body lying in the middle of the road, her first emotion isn’t fear. It’s surprise.

The body doesn’t look like any she’s ever seen. It’s clearly human, but it has no breasts. There’s hair on its face, and a strange lumpiness rises between its legs.

It’s an XY. A male.

River has never encountered an XY before. Boys and men all live in hermetically sealed Sanctuaries where they won’t contract a lethal virus. The rest of the planet has been given over to women, who are immune. Any boy or man who leaves one of the Sanctuaries dies within 24 hours.

When River rouses the XY to consciousness, he attacks her, steals her knife, threatens to kill her, and eats her food without permission. River has never encountered anyone who would behave so badly before.

The XY – his name is Mason – says he’s been on the run in women’s country for five days. But only now does he fall ill. Losing his faculties, he releases her once again.

Watching him writhe on the road, River knows this male creature – this boy named Mason – is going to die. He knows it, too. He said as much to her.

She knows the humane thing to do. Her community’s code requires her to put him out of his misery. She’s given mercy to injured animals before.

But she just can’t bring herself to draw her blade across his neck. He’s a human being.

It takes three hours, but she carts Mason back to her village. The appearance of the first XY to survive the virus for more than a day reveals rifts in this community of women. Some race to heal him. Others want him to die. Caught in the middle, River finds herself lying for the first time in her life. Everything in her safe existence starts to unravel.

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Adventure in One of the Most Famous Locales in Fantasy: The City of Brass by S. A Chakraborty

Friday, February 1, 2019 John ONeill Comments 0 Comment

The fabled City of Brass, magical home to djinni and efreet, is the setting for but a single tale from The Arabian Nights, but it has nonetheless loomed large in readers hearts and minds through the centuries. For D&D players of course it has a special significance, as it features prominently in the history of the game (including on the famous cover of Gary Gygax’s Dungeon Masters Guide). But no modern writer has laid claim to it as passionately and as effectively as S. A Chakraborty, with her bestselling debut novel The City of Brass, named one of the Best Books of 2017 by Library Journal, Vulture, The Verge, and SYFYWire.

Some of you may recall Brandon Crilly’s enthusiastic review of The City of Brass at Black Gate. Here’s the highlights.

Chakraborty creates a world that’s nuanced and detailed. It has exactly the vivid freshness we continue to need in the fantasy genre, as a balance for the variations on the same Eurocentric worldviews that are still widely common…. But the novel is much more than its world – at the end of the day, my interest is always characters. Our two main protagonists, Cairo street urchin Nahri and immortal warrior Dara, are great counterparts; they’re equally passionate and protective, but in different ways, and both are seeking to find their place in the world… The City of Brass is excellent. It’s rare that I find a fantasy novel that’s so vividly detailed.

Last week the sequel The Kingdom of Copper, the second novel in what’s now being called The Daevabad Trilogy, arrived in hardcover from Harper Voyager. Here’s the description.

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Goth Chick News: The (Hot, Vampire) Boys Are Back in Town

Thursday, January 31, 2019 Sue Granquist Comments 10 comments

Long before new-age, flannel-wearing vampire Edward Cullen pouted and emo’d his way through not drinking blood in the Twilight series, there were the dangerously sexy boys from Santa Carla who introduced the 80’s to motorcycle-riding vampires with incredible fashion sense.

The Lost Boys premiered in the summer of 1987 with the tag line, “Sleep all day. Party all night. Never grow old. Never die,” basically summing up every 80’s kid’s deepest desires. Though The Hunger arguably provided vampires with their first 20^th century panache, Jason Patric and Kiefer Sutherland brought us the idea of a teen-vamps in all their dark, leather-clad, bad-boy glory; effectively changing the genre forever by then giving rise to the Joss Whedon-helmed television series Buffy the Vampire Slayer and its subsequent universe.

Two unfortunate and highly-forgettable sequels followed, neither of which managed to capture the magic of the first. Lost Boys – The Tribe (2008) saw the return of only one original cast member, Cory Feldman, and tried to make up for its shortcomings of pretty much ripping off the original plot, by throwing in a whole lot of skin. Lost Boys – The Thirst followed two years later with Feldman still in tow and fared slightly better with fans, but it was clear the whole concept either needed to be dropped, or get a reboot for the 21^st century.

And voila… here we go.

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Future Treasures: Break the Bodies, Haunt the Bones by Micah Dean Hicks

Thursday, January 31, 2019 John ONeill Comments 0 Comment

Break the Bodies Haunt the Bones-back-small

Chicago is being crushed by record-breaking cold this week. Trains aren’t running, the post office isn’t delivering mail, and I haven’t gone to work for two days.

But it’s a great time to cuddle under blankets with a good book. What kind of book do you read when it’s bone-chillingly cold outside? A bone-chilling book, of course. Micah Dean Hicks’ horror debut Break the Bodies, Haunt the Bones, “set in the creepiest screwed-up town since ’Salem’s Lot” (Sci Fi Magazine), looks like a perfect pick. It arrives in hardcover next Tuesday. Here’s the description.

Swine Hill was full of the dead. Their ghosts were thickest near the abandoned downtown, where so many of the town’s hopes had died generation by generation. They lingered in the places that mattered to them, and people avoided those streets, locked those doors, stopped going into those rooms… They could hurt you. Worse, they could change you.

Jane is haunted. Since she was a child, she has carried a ghost girl that feeds on the secrets and fears of everyone around her, whispering to Jane what they are thinking and feeling, even when she doesn’t want to know. Henry, Jane’s brother, is ridden by a genius ghost that forces him to build strange and dangerous machines. Their mother is possessed by a lonely spirit that burns anyone she touches. In Swine Hill, a place of defeat and depletion, there are more dead than living.

When new arrivals begin scoring precious jobs at the last factory in town, both the living and the dead are furious. This insult on the end of a long economic decline sparks a conflagration. Buffeted by rage on all sides, Jane must find a way to save her haunted family and escape the town before it kills them.

Break the Bodies, Haunt the Bones will be published by John Joseph Adams Books on February 5, 2019. It is 298 pages, priced at $24 in hardcover and $12.99 in digital formats. The cover is by Chris Thornley. See all our recent coverage of the best upcoming fantasy here.

Today with Mr. Rivets

Wednesday, January 30, 2019 Steve Carper Comments 0 Comment

It was front page news in the Pocono Record, serving Stroudsberg, PA, on August 8, 1955. The headline read: “‘Mr. Rivets’ Show Filmed for Television/At Waterfront Farm Near Marshalls Creek.” Intrepid Record reporter Leonard Randolph drove his ancient station wagon the seven miles from town to check out the famous Philadelphia television star for the locals.

Look, I says to an intelligent-looking young boy of about seven standing near a tree, what’s this Mr. Rivets like?

In the manner children reserve for their plodding elders, the boy turned and said, he’s funny.

He turned back to the tree. Another man, standing nearby, spoke up, rather ill-advisedly it turned out. Well, he says, what makes him funny?

The boy fixed this innocent bystander with a gaze you might imagine someone giving to a soggy pork chop left over from lunch three days before. What makes anything funny? he asked.

That answer is so perfect that I’m tempted to end this article here, even before the Read More jump. What can I say that would top such wisdom? Nevertheless, join me after the jump and I’ll fill in the backstory of “Television’s original mechanical man.”

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The Golden Age of Science Fiction: Ballantine/Del Rey

Wednesday, January 30, 2019 Steven H Silver Comments 5 comments

Peter Graham is often quoted as saying that the Golden Age of Science Fiction is 12. I was reminded of this quote last year while reading Jo Walton’s An Informal History of the Hugo Awards (Tor Books) when Rich Horton commented that based on Graham’s statement, for him, the Golden Age of Science Fiction was 1972. It got me thinking about what science fiction (and fantasy) looked like the year I turned twelve and so this year, I’ll be looking at the year 1979 through a lens of the works and people who won science fiction awards in 1980, ostensibly for works that were published in 1979. I’ve also invited Rich to join me on the journey and he’ll be posting articles looking at the 1973 award year.

The Locus Awards were established in 1972 and presented by Locus Magazine based on a poll of its readers. In more recent years, the poll has been opened up to on-line readers, although subscribers’ votes have been given extra weight. At various times the award has been presented at Westercon and, more recently, at a weekend sponsored by Locus at the Science Fiction Museum (now MoPop) in Seattle. The Best Book Publisher Award dates back to 1972, although in 1975 and 1976 the Publisher Award was split into paperback and hardcover categories. Ballantine Books won the award each year from its inception through 1977 (winning the paperback for the two experimental years with the Science Fiction Book Club winning the hardcover award). In 1978, when Del Rey was established as an imprint of Ballantine, Ballantine/Del Rey began winning the award. The award was not presented in 1979 for works published in 1978, but when it was reinstituted in 1980, Ballantine/Del Rey picked up its winning streak. In 1980, the Locus Poll received 854 responses.

Del Rey published eight hardcovers in 1979, including Anne McCaffrey’s Dragonquest, Katherine Kurtz’s Camber of Culdi, Roger Zelazny’s Roadmarks, Han Solo at Stars’ End and Han Solo’s Revenge, by Brian Daley, and Dark Is the Sun and The Lovers, by Philip José Farmer. The three trade paperbacks they published included a reprint of Raymond Healy & J. Francis McComas’s landmark anthology iAdventures in Time and Space, the collection The Fantasy Worlds of Peter S. Beagle, and Lester del Rey’s non-fiction work The World of Science Fiction: 1926-1976: The History of a Subculture. They also published more than 100 mass market paperbacks with several, such as McCaffrey’s Dragonflight and Stephen R. Donaldson’s The Power That Preserves having multiple reprints throughout the year.

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Exploring the Weird through Poetry: Spectral Realms

Tuesday, January 29, 2019 John ONeill Comments 4 comments

I’m not much a poetry buff, I admit. But I want to be.

Coincidentally, I’m also a huge fan of Hippocampus Press, whom I first discovered when I stumbled on their amazing booth at the World Fantasy Convention in 2015. I’ve been sampling more and more of their wares over the years. BG blogger James McGlothlin famously labeled them “A very excellent publisher, and at the forefront all things Lovecraftian and weird – new and old,” but in the last few years they’ve been expanding well beyond their original Lovecraft-esoterica focus with popular titles such as Simon Strantzas’ collection Burnt Black Suns, John Langan’s acclaimed The Wide, Carnivorous Sky, and John Langan’s upcoming Sefira and Other Betrayals.

One way to make modern poetry more accessible to casual readers like me is to produce it in an attractive and easy-to-read package, and that’s precisely what Hippocampus has done with their bi-annual weird poetry journal Spectral Realms. It’s been published since Summer 2014, and the 9th issue (above) includes poems by John Shirley, Ashley Dioses, Fred Chappell, Darrell Schweitzer, Wade German, K. A. Opperman, Jessica Amanda Salmonson, and many others. As usual, it also includes a few classic weird poems and non-fiction articles as well.

Issues are perfect bound, 130+ pages, and retail for $10 — and frequently have terrific art, like the wraparound piece above by Daniel V. Sauer. You can order copies (with free shipping) right from their website, as well as through online booksellers like Amazon.

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Read an Excerpt from Howard Andrew Jones’ Upcoming For the Killing of Kings at Tor.com

Tuesday, January 29, 2019 John ONeill Comments 6 comments

Howard Andrew Jones upcoming novel For the Killing of Kings is the finest thing he has ever written — and considering his previous books include the modern fantasy classics The Desert of Souls and The Bones of the Old Ones, that’s saying a great deal. It is the opening volume The Ring-Sworn Trilogy, and one of the major fantasy releases of the year. I had a chance to blurb the hardcover release from St. Martin’s Press, and did so enthusiastically. Here’s what I said:

For The Killing of Kings is a white knuckle murder mystery brilliantly set in a Zelazny-esque fantasy landscape. It has everything ― enchanted blades, magic rings, edge-of-your seat sword fights, Game of Thrones-scale battles, ancient legends… It is the finest fantasy novel I have read in years.

The Tor.com excerpt features one of my favorite scenes, as Kyrkenall and Elenai approach a strange tower and find it defended by a mysterious ring of obelisks… and something far more sinister. Read the complete chapter here.

If you find yourself captivated by the excerpt, you won’t have long to wait. For the Killing of Kings will be published by St. Martin’s Press in three weeks, on February 19, 2019. It is 368 pages, priced at $26.99 in hardcover and $13.99 in digital formats. The cover artist is uncredited. In addition to the exclusive Tor.com excerpt, you can also read the first chapter at the Macmillan website here, and keep up with the latest news at Howard’s website here.