A to Z Reviews: “Bad Luck,” by Vance Aandahl

A to Z Reviews: “Bad Luck,” by Vance Aandahl

A to Z ReviewsOver the past several years, I’ve embarked on a series of year-long review cycles at Black Gate. In 2018, I reviewed a story-a-day to coincide with an author whose birthday it was. In 2022, I selected stories completely at random from my collection to review. In both of those cases, the projects served to find forgotten and minor works of science fiction that spanned a range of years. They also served to make me read stories and authors who I haven’t read before, even if they were in my collection.

For this year’s project, I’ve compiled a list of all the stories and novels in my collection. I then identified the first and last works for each letter of the alphabet and over the next twelve months, I’ll be looking at those works of fiction, starting with Vance Aandahl’s “Bad Luck” and ending with David Lee Zweifler’s “Wasted Potential.” Looking at the 52 works (two for each letter), I find that I’ve only reviewed one of the works previously. Interestingly, given the random nature of the works, only three novels made the list, while four anthologies have multiple stories on the list. The works range in publication date from 1911’s “The Hump,” by Fernan Caballero to Zweifler’s story from last year.

To kick off the series, we start with Aa, specifically, Vance Aandahl’s story “Bad Luck,” which appeared in the November 1989 issue of The Magazine of Fantasy and Science Fiction. Throughout his thirty year career, the majority of Aandahl’s short fiction initially appeared in that magazine.

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Goth Chick News: del Toro Is Making Frankenstein for Realz (We Think)

Goth Chick News: del Toro Is Making Frankenstein for Realz (We Think)

Back in July of last year, I wrote a cautiously optimistic piece about Guillermo del Toro working on his own adaptation of Mary Shelley’s Frankenstein. I say “cautiously” because as part of that article I also provided a Wikipedia page dedicated to del Toro’s “unrealized projects,” (30 by the way) which was a nice way of listing out all the times he ghosted us. Ironically, this list included Frankenstein. Since that time there has been a lot of back and forth, specifically regarding the strike by writers and actors, and whether or not those would kill del Toro’s film, or at the very least delay it right back into an “unrealized project.”

However, on January 7th, Deadline reported that Jacob Elordi whose movie career took off last year with starring roles in Priscilla and Saltburn, will take over the role of Frankenstein’s iconic monster in the del Toro treatment; a role that had been long rumored as going to actor Andrew Garfield. Deadline also reported that filming was getting underway in February (confirmed by a tweet from del Toro), possibly in Scotland where del Toro had been spotted off and on since 2022, at various sites in and around Edinburgh.

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Brutal, Evocative, & Sad: Michael Moorcock’s Elric the Dreaming City by Julien Blondel, Jean-Luc Cano, and Julien Telo

Brutal, Evocative, & Sad: Michael Moorcock’s Elric the Dreaming City by Julien Blondel, Jean-Luc Cano, and Julien Telo

Michael Moorcock’s Elric Vol. 4: The Dreaming City
(Titan Comics, April 5, 2022). Art by Julien Telo

Elric of Melniboné, the White Wolf, is exiled from his home and cursed to walk the land under the influence of Arioch, the Lord of Chaos. With his soul-eating sword, Stormbringer, Elric must find his way to the Dreaming City – the mysterious ancient birthplace of his ancestors. Hoping to unlock the secrets of his destiny, Elric is unaware he is being hunted by his long-lost love, Cymoril, who has only one sinister agenda: vengeance.

I must admit, when I first saw Titan Comics advertising this hardcover graphic novel, Elric: The Dreaming City, I was skeptical.

How could this be worth my shelf space when I already have the same Michael Moorcock story adapted in 1982 by the great Roy Thomas, with art by the legendary P. Craig Russell? That is what I asked myself. The bar was set rather high.

But after picking this up and more recently perusing it, I’ve concluded that this adaptation by Blondel and Cano, with art by Telo, is indeed a worthy addition to any Elric fan’s collection. It is brutal, evocative, sad, and violent – all the hallmarks of a tragically epic Elric story.

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Learn the ABC’s of Horror with Mark Morris

Learn the ABC’s of Horror with Mark Morris

The first four volumes of the ABCs of Horror anthology series, edited by Mark Morris
and published by Flame Tree Press. Covers by Nik Keevil and Flame Tree Studio

I miss the days of the paperback horror anthology. The great horror anthologists of the late 20th Century — Peter Haining, Sam Moskowitz, Charles L. Grant, Karl Edward Wagner, David Hartwell, and others — curated dozens of volumes of top-notch fiction that kept me thrilled and entertained many a late night, and introduced me to countless new authors in the process.

Mark Morris has been working hard to recapture that old-school magic with a brand new series of anthologies, all of which feature new work from the top names in horror today — including Ramsey Campbell, Grady Hendrix, John Langan, Simon Strantzas, Nathan Ballingrud, Christopher Golden, Seanan McGuire, Steve Rasnic Tem, Alison Littlewood, Josh Malerman, Tim Lebbon, Angela Slatter, Michael Marshall Smith, Simon Bestwick, Robert Shearman, Stephen Volk, Catriona Ward, Paul Finch, Priya Sharma, Aliya Whiteley, Lisa Tuttle, Lynda E. Rucker, Nina Allan, Brian Evenson, Peter Atkins, Mark Gatiss, Simon Clark, Helen Marshall, and many, many more.

Mark Morris posted his first article at Black Gate on Sunday (a rave review of the Netflix series The Fall of the House of Usher, which he calls a masterpiece,) and while we were chatting I asked him about his inspiration and plans for the series. His response was interesting enough that I thought I’d share it with you here.

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Five Things I Think I Think (January, 2024)

Five Things I Think I Think (January, 2024)

It’s the first 2024 version of Ten Things I Think I Think – albeit, in abbreviated form. And awaaaay we go!

1) ARCHER KNOWS HOW TO DO HOMAGE

Back in November’s What I’m Watching post, I mentioned I would talk about Archer Later. I’m not yet ready to do a deep dive, but I want to give a shout out for a couple seasons I just watched.

The adult cartoon just wrapped up its fourteenth and final season, last month. It had its ups and downs, but it was terribly wrong and almost always funny, for 144 episodes. Archer is the chief spy at the international Secret intelligence Service. The fact that their name is ISIS, tells you all you need to know about this satirical show. Archer is the most self-absorbed, irresponsible person imaginable, and his office mates are all terribly flawed as well (though Lana is pretty close to normal).

A lot happens over fourteen seasons (I’m on season eleven). A few seasons take place with Archer in a coma – they’re dream seasons. The first of those was an homage forties hardboiled/noir. Centered on The Maltese Falcon, with a dash of Chinatown thrown in, I LOVED it. Visually it was wonderful. As a fan of the genre, it was clear that the show’s staff were as well. Still ‘wrong’ in that Archer way, it was a terrific take on the genre. Extremely well done.

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Netflix’s The Fall of the House of Usher is a Masterpiece

Netflix’s The Fall of the House of Usher is a Masterpiece

The Fall of the House of Usher (Netflix, October 2023)

Mike Flanagan’s The Fall of the House of Usher is a masterpiece.

I say this having recently finished watching the final episode. And yet, a couple of episodes in, I was feeling a bit ambivalent towards the series, wondering how it could possibly sustain itself over 8 episodes.

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More Tales of Twilight and Borderlands : Time of Passing by John Gaskin

More Tales of Twilight and Borderlands : Time of Passing by John Gaskin

Time of Passing by John Gaskin (Tartarus Press, August 20, 2023)

This is the fifth and apparently the last collection of short stories by John Gaskin, an excellent author of ghostly tales who has been entertaining and fascinating his readers for more than twenty years. Most of his books have been published by the independent British press Tartarus Press. An elegant, classy imprint for an elegant classy writer.

In the present volume Gaskin reproposes a few of his previous stories in a revised version.

“The Gathering “ is the masterful report of the dramatic last reunion of a group of friends during a frightening storm, while “Avernus” is a dark, unsettling story revolving around a mysterious and dangerous amulet.

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A Christmas Carol by Charles Dickens

A Christmas Carol by Charles Dickens

If I could work my will,” said Scrooge indignantly, “every idiot who goes about with ‘Merry Christmas’ on his lips, should be boiled with his own pudding, and buried with a stake of holly through his heart. He should!”

Ebenezer Scrooge

 

A Christmas Carol. In Prose. Being a Ghost Story of Christmas, published first in 1843, is nearly two hundred years old, and nothing remains to be said about it, it would seem. Charles Dickens’s fairy tale has become one of the great secular staples of the Christmas season. It’s been filmed many times; both wonderfully as in the Alastair Sim 1951 and George C. Scott 1984 versions and less wonderfully in the Reginald Owen 1938 film and the 2010 Jim Carrey motion capture monstrosity. Furthermore, there have been animated adaptations, musicals, and comics. It’s an isolated person, I suspect, who doesn’t know at least the basic setup: the uplifting story of a cold-hearted miser who turns to the good after the visitation of a trio of ghosts representing the spirit of the season. All I can do is comment on the bits that stood out for me while liberally quoting from this mordantly funny novel and Gothic fantasy of redemption.

The story is told by an omniscient narrator who intrudes on the story constantly, digresses from the narrative, and questions the reader at every turn. The opening words of A Christmas Carol, or at least a fair gloss on them, are well-known, particularly the seventh sentence: “Old Marley was a dead as a door-nail.” It’s a blunt matter-of-fact statement that lets the reader know where things stand. The narrator, though, immediately continues with something else.

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Goth Chick News: It’s January, So Let’s Start Our 2024 WTF File…

Goth Chick News: It’s January, So Let’s Start Our 2024 WTF File…

Writing a column called “Goth Chick News” is pretty much a dead giveaway that I love almost everything to do with the horror genre. I have, in past posts, made clear exceptions for what I call “sociopath training films” (Saw franchise, I’m looking at you), as well as examples of violence for violence’s sake such as haunted attractions like those explored in the Hulu documentary Monster Inside.

These exceptions have huge fan-bases and I make no judgment. They are just not my thing. It perhaps sounds weird to say, but to me, being scared is only entertaining when it doesn’t depict something that I could find on the True Crime channel. However, that’s not to say I still don’t frequently stare at my computer monitor and say “WTF” to it like I expect it to explain itself.

So, as we embark on this brave new year, I had to tell you about my first slow clap of 2024.

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From Mystery to Horror: Darker than You Think by Jack Williamson

From Mystery to Horror: Darker than You Think by Jack Williamson

Darker Than You Think (Fantasy Press, 1948). Cover by A. J. Donnell

Jack Williamson had an impressively long career in science fiction, from the pre-Campbell era into the twenty-first century. His first sale, in 1928, was to Hugo Gernsback’s Amazing Stories; his last book came out in 2005, the year before his death at 98. Darker than You Think is one of the high points of that career, published in 1948 as a novel expanded from a 1940 novella that appeared in John W. Campbell’s fantasy magazine Unknown.

Despite this venue, though, Darker than You Think is highly rationalized “fantasy,” to the point where it’s more accurately described as science fiction. Near the end of the novel, an important secondary character, Sam Quain, tells the protagonist that “supernatural” really means “superhuman.”

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