Black Gate – Page 303 – Adventures in Fantasy Literature

Happy Release Day to Mission Critical, edited by Jonathan Strahan

Tuesday, July 9, 2019 John ONeill Comments 0 Comment

Happy release day to Mission Critical, the brand new anthology from Jonathan Strahan, editor of Engineering Infinity (2010), Drowned Worlds (2016), and thirteen volumes of The Best Science Fiction and Fantasy of the Year.

In a Facebook post announcing the release today, Jonathan said:

My new book is out in the world! With stories by by Peter F. Hamilton, Yoon Lee, Aliette de Bodard, Greg Egan, Linda Nagata, Gregory Feeley, John Barnes, Tobias Buckell, Jason Fischer & Sean Williams, Carolyn Ives Gilman, John Meaney, Dominica Phetteplace, Allen M. Steele, Kristine Kathryn Rusch, and Peter Watts, [it’s] a mix of great science fiction adventure all based on the idea that when things go wrong you have to do *something*!

I love the stories in the book and am really proud of it. If you’ve ever enjoyed one of my anthologies, if you liked stories like The Martian, if you just want to keep anthologies coming out, or if you just love good short fiction, consider ordering this one.

I’ll second that notion. Jonathan has become one of the most respected and successful anthologists in the field. Back in 2015 I talked about how his book Meeting Infinity was the Most Successful Anthology of the year, and just last year Todd McAulty (author of The Robots of Gotham) opined about How Science Fiction Was Saved by Solaris and Jonathan Strahan.

Todd’s point was that short fiction is still critically important to the field, and that prestige anthologies like Strahan’s Infinity project are still the most reliable way for readers to discover new authors. It’s a premise that a lot of Black Gate readers agree with.

If you enjoy short fiction, or science fiction at all, supporting books like Mission Critical — and the publishers who produce them — is important. I hope you’ll give it a try. And if you enjoy it, I hope you’ll spread the word far and wide. (And if you don’t, why not shut the hell up about it.)

Mission Critical was published in paperback by Solaris today. Here’s the publisher’s description.

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Torg Eternity: The Aysle Sourcebook Interview

Tuesday, July 9, 2019 Matthew David Surridge Comments 0 Comment

About a year ago I reviewed Torg Eternity, the reboot from Ulisses Spiele of the Torg tabletop role-playing game. I loved the original, one of the most wildly imaginative settings I’ve ever seen, and found the new version kept the best parts of the old Torg while making the mechanics smoother (I wrote up a session here). The game imagines our world attacked by other realities, each based on a different genre of fiction, which invade by making parts of our world operate according to their rules — increasing or decreasing the level of technology, adding magic or psionics or manifestations of the gods, and subtly encouraging people to behave in ways appropriate to their genre.

Now dinosaurs wander the jungles and mysterious ruins of the North American coasts. A cyberpunk theocracy’s taken over France. India faces colonial gothic horror. Splatterpunk technodemons in Russia have spawned a wasteland north of Moscow haunted by scavengers and monstrosity. East Asia sees zombies and bleeding-edge technology enveloped in espionage schemes. A maniacal pulp-era supervillain’s launched a New Nile Empire based in Egypt, opposed by masked Mystery Men. And in England and Scandinavia, wizards and elves and dragons are caught in a war between Light and Dark.

In the last year, two wildly successful Kickstarter campaigns have launched sourcebooks covering specific realms: first the lost-world realm of the Living Land, then the pulp reality of the Nile Empire. Now a third campaign has begun, for the sourcebook covering the fantasy realm of Aysle. I interviewed the Torg Eternity design team about the new book, how it approaches the fantasy genre, and what gamers can expect.

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The Golden Age of Science Fiction: “The Last Defender of Camelot,” by Roger Zelazny

Tuesday, July 9, 2019 Steven H Silver Comments 4 comments

The Balrog Award, often referred to as the coveted Balrog Award, was created by Jonathan Bacon and first conceived in issue 10/11 of his Fantasy Crossroads fanzine in 1977 and actually announced in the final issue, where he also proposed the Smitty Awards for fantasy poetry. The awards were presented for the first time at Fool-Con II at the Johnson County Community College in Overland Park, Kansas on April 1, 1979. The awards were never taken particularly seriously, even by those who won the award. The final awards were presented in 1985. Presented variously for “Short Fiction” and “Short Story,” this award was given out each year the Balrogs were presented.

Roger Zelazny’s “The Last Defender of Camelot” places an eternal Sir Lancelot in the modern era, dealing with such enemies as street muggers. Unsure of why he has a long life, he wanders the globe aimlessly, adapting to the new world while remembering the glory that was Camelot and searching for the Holy Grail. A (possibly) chance meeting with a fortune teller who turns out to be an equally long-lived Morgana LeFay informs him that he will never succeed in finding the Holy Grail, but instead the reason for his long life is that Merlin is about to awaken from his millennia long sleep and will need Lancelot to provide him with a guide to this future world.

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New Treasures: The Grand Dark by Richard Kadrey

Monday, July 8, 2019 John ONeill Comments 0 Comment

Richard Kadrey is the author of ten novels in the bestselling Sandman Slim dark fantasy series. His latest is a significant departure from those books, a standalone fantasy that looks like a breakout book, and it’s winning him new fans and getting a lot of attention. NPR calls The Grand Dark “the work of a major science fiction/fantasy creator,” and Kirkus says it’s “Wildly ambitious and inventive fantasy from an author who’s punching above his weight in terms of worldbuilding — and winning.” Here’s the publisher’s description.

The Great War is over. The city of Lower Proszawa celebrates the peace with a decadence and carefree spirit as intense as the war’s horrifying despair. But this newfound hedonism — drugs and sex and endless parties — distracts from strange realities of everyday life: Intelligent automata taking jobs. Genetically engineered creatures that serve as pets and beasts of war. A theater where gruesome murders happen twice a day. And a new plague that even the ceaseless euphoria can’t mask.

Unlike others who live strictly for fun, Largo is an addict with ambitions. A bike messenger who grew up in the slums, he knows the city’s streets and its secrets intimately. His life seems set. He has a beautiful girlfriend, drugs, a chance at a promotion — and maybe, an opportunity for complete transformation: a contact among the elite who will set him on the course to lift himself up out of the streets.

But dreams can be a dangerous thing in a city whose mood is turning dark and inward. Others have a vision of life very different from Largo’s, and they will use any methods to secure control. And in behind it all, beyond the frivolity and chaos, the threat of new war always looms.

The Grand Dark was published by Harper Voyager on June 11, 2019. It is 432 pages, priced at $26.99 in hardcover and $12.99 in digital formats. The cover was designed by Will Staehle. Listen to a 5-minute audio excerpt at the HarperCollins website.

Hither Came Conan: Patrice Louinet on “Queen of the Black Coast”

Monday, July 8, 2019 Bob Byrne Comments 7 comments

Robert E. Howard wrote twenty-one tales of Conan, the mighty-thewed Cimmerian. And with today’s entry from Patrice Louinet, Hither Came Conan has looked at all of them: plus, we tossed in “Wolves Beyond the Border” as a bonus! We’ll wrap things up with a summary post. But read on as we close out our examination of the Conan Canon with story that is generally considered to be in the top two or three – when it’s not ranked number one.

Robert E. Howard’s best Conan tale? Well, it’s a toss between “Beyond the Black River” and “Red Nails,” with a definite leaning for the latter. No way I can say otherwise: I have repeated this over and over, and it’s in print in many places.

And here I am today having to explain why “Queen of the Black Coast” is the best of the Conan tales. Had I been allotted “Vale of the Lost Women,” you would have known I was lying to you, but “Queen”? Luckily for me, “Queen of the Black Coast” is obviously one of the best Conan tales (general consensus), and it also happens to be one of my personal favorites. It contains some very memorable scenes – Conan and Bêlit’s discussion of the afterlife and the gods, most noteworthily – and it addresses in a powerful manner Howard’s theme of the cycle of civilizations:

Conan’s flight from the city to live a barbaric life of piracy only to sail right into the poisonous river that leads to the heart of darkness and the last degenerate survivor of a once-powerful civilization. Powerful stuff in a story that is replete with exquisite – if dark – imagery, and a tragic ending that no one can ever forget. So yes, easily one of the best Conan stories. But not “the best.”

I have been mulling this problem for a while now, and of course, I had the answer all along: “Queen of the Black Coast” is the best Conan tale to read if you have never read any before. In other words, it is the perfect story to discover the character, the Hyborian setting, and of course Howard’s talent.

One of the numerous problems that have plagued the perception of the Cimmerian by the general public is this idea that the tales represent as many steps in Conan’s so-called “biography,” though nothing in the series supports that notion. So, how do you understand a character and his motivations if you have no real biographical background? Well, think James Bond or Dirty Harry and read on.

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A Beautifully Written Kung-fu Godfather Story: Jade War by Fonda Lee

Sunday, July 7, 2019 John ONeill Comments 0 Comment

Fonda Lee’s debut novel Jade City won the World Fantasy Award last year, beating out some very stiff competition, including John Crowley’s Ka: Dar Oakley in the Ruin of Ymr and Daryl Gregory’s Spoonbenders. It earned plenty of praise in the usual quarters as well — it was Library Journal‘s Pick of the Month, for example, and they called it “a Godfather-inspired fantasy series that mixes bold martial-arts action and vivid worldbuilding… terrific.”

I’ve been looking forward to the sequel ever since Derek Kunsken reviewed Jade City for Black Gate, calling it “a heroically, beautifully written kung-fu Godfather story,” and it finally arrives in hardcover from Orbit in two weeks. In this volume, the second in a forecast trilogy, the Kaul siblings battle rival clans for honor and control over an Asia-inspired fantasy metropolis.

On the island of Kekon, the Kaul family is locked in a violent feud for control of the capital city and the supply of magical jade that endows trained Green Bone warriors with supernatural powers they alone have possessed for hundreds of years.

Beyond Kekon’s borders, war is brewing. Powerful foreign governments and mercenary criminal kingpins alike turn their eyes on the island nation. Jade, Kekon’s most prized resource, could make them rich — or give them the edge they’d need to topple their rivals.

Faced with threats on all sides, the Kaul family is forced to form new and dangerous alliances, confront enemies in the darkest streets and the tallest office towers, and put honor aside in order to do whatever it takes to ensure their own survival — and that of all the Green Bones of Kekon.

Jade War is the second book of what’s now being called the Green Bone trilogy. It will be published by Orbit on July 23, 2019. It is 609 pages, priced at $26 in hardcover and $13.99 in digital formats. Read the first four chapters of Jade City at the Orbit website.

Vintage Treasures: After Midnight edited by Charles L. Grant

Sunday, July 7, 2019 John ONeill Comments 8 comments

After Midnight Charles L Grant-back-small

The 80s were a very fertile ground for horror anthologies. Karl Edward Wagner kicked off the decade with the first volume of the seminal The Year’s Best Horror Stories in 1980, and he produced one volume per year until 1994. Dark Harvest published nine volumes of the superb Night Visions anthology series beginning in 1984; Stuart David Schiff edited six volumes of Whispers (1977-1987); J. N. Williamson produced three volumes of Masques; and there were many others.

Charles Grant, who died in 2006, was one of the most prolific horror anthologists of the 80s. His well respected Shadows began in 1978 and ran for 11 volumes before ending in 1991. He edited four volumes of the shared world horror series Greystone Bay (1985-1993), and numerous standalone anthologies, including Night Visions 2 (1985), Horrors (1981), Terrors (1982), Gallery of Horror (1983), Fears (1983), and Midnight (1985).

After Midnight was published by Tor in 1986, and it’s fairly typical of Grant’s anthologies from this period. It’s a mix of new and reprint fiction, including reprints from Ramsey Campbell, Reginald Bretnor, R. Chetwynd-Hayes, and David Langford, and original stories by Alan Ryan, Joe R. Lansdale, Ellen Kushner, Ardath Mayhar, Joseph Payne Brennan, and even fellow Ottawa local Galad Elflandsson, who used to moonlight at The House of Speculative Fiction and recommend horror books to me.

After Midnight never kicked off a new horror anthology series, although to my speculative young eyes I thought for sure it would have. Maybe it didn’t sell well enough; maybe Grant just had too many other series on the go. Whatever the case, it’s a fine book, and still deserves a look today. Here’s the Table of Contents.

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A Tale of Two Covers: Sweet Dreams by Tricia Sullivan

Saturday, July 6, 2019 John ONeill Comments 0 Comment

Sweet Dreams Tricia Sullivan Titan-small

Covers by Andrzej Kwolek (Gollancz, 2017) and Natasha Mackenzie (Titan, 2019)

Tricia Sullivan’s third novel Dreaming In Smoke won the Arthur C. Clarke Award. Her first, Lethe, was nominated for the Locus Award for Best First Novel in 1995; her most recent was Occupy Me, which we discussed earlier this year. She writes cyberpunk, space opera, and near-future satire, and has been shortlisted for the BSFA Award, the Tiptree Award, the Arthur C. Clarke Award and the John W. Campbell Memorial Award.

Titan is reprinting her 2017 near-future thriller Sweet Dreams later this month, with a brand new cover designed by Natasha Mackenzie (above right). It’s quite a departure from the Gollancz (UK) cover by Andrzej Kwolek (above left), which has a strong YA dystopian vibe; the Mackenzie version seems more reminiscent to me of Inception-style cyber-thrills and conspiracies. Tough to say which one I prefer… here’s the description; let me know which one you think is more appropriate in the comments.

Charlie is a dreamhacker, able to enter your dreams and mold their direction. Forget that recurring nightmare about being naked in an exam — Charlie will step into your dream, bring you a dressing gown and give you the answers. In London 2022 her skills are in demand, though they still only just pay the bills.

Hired by a celebrity whose nights are haunted by a masked figure who stalks her through a bewildering and sinister landscape, Charlie hopes her star is on the rise. Then her client sleepwalks straight off a tall building, and Charlie starts to realize that these horrors are not all just a dream…

Sweet Dreams will be published by Titan Books on July 23, 2019. It is 410 pages, priced at $14.95 in trade paperback and $9.99 in digital formats. Read the first 40 pages at Google Books, and check out our other Tales of Two Covers here.

Low-rate Mining Gigs, Warships, and the Power of Song: Tor.com on 7 Space Operas and Adventures

Saturday, July 6, 2019 John ONeill Comments 0 Comment

I’ve been saying for a while now that we’re in a space opera renaissance, and I’m not the only one to have noticed. There’s been plenty of discussion of some of the best new titles at many of our favorite sites.

Back in March I bought a copy of Arkady Martine’s Tor debut A Memory Called Empire, the tale of an independent mining station’s efforts to avoid being absorbed by the encroaching Teixcalaanli Empire, and as part of their promotional efforts at Tor.com Natalie Zutter assembled an interesting piece comparing the book to seven other recent space operas. Her list included books by Martha Wells, Ann Leckie, and Catherynne M. Valente, and I’ve found myself recommending it to people interested in modern tales of solar empires, intergalactic dynasties, and plucky space crews.

Any list that useful deserves to be shared. Here’s three of Natalie’s recommendations.

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The Early John Wyndham: Sleepers of Mars and Wanderers of Time

Friday, July 5, 2019 John ONeill Comments 0 Comment

Sleepers of Mars, Coronet 1973, cover by Chris Foss

Last month I wrote a Vintage Treasure piece about John Wyndham’s 1953 novel Out of the Deeps, and while I was researching it I was reminded that Wyndham — one of the 20th Century’s most successful science fiction writers — got his start in the American pulp magazine Wonder Stories, edited by Hugo Gernsback, and Walter H. Gillings’ British pulp Tales of Wonder. Someone with authentic pulp roots like that deserves a lot more attention than he’s received here at Black Gate over the years.

Much of Wyndham’s early pulp fiction was collected by Coronet in two slender paperback anthologies in 1973, Sleepers of Mars and Wanderers of Time, and they look like a great place to start. Neither were reprinted in the US, so I was unaware of them until recently (like, two weeks ago). But thanks to the wonders of eBay, I was able to locate the copy of Sleepers above for a reasonable price ($11.33). That’s more than I like to pay for a vintage paperback…. but it was almost as old as me, and definitely in better shape, so I made an exception.

Both books had introductions by Gillings. Though it’s short (2 pages), I found his intro to Sleepers of Mars entertaining and informative, especially since it shows how the first story in the collection relates to Stowaway to Mars, one of Wyndham’s pulp-era novels (and perhaps not coincidentally, also re-released in paperback by Coronet in 1972). Here’s the relevant snippet.

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