The Golden Age of Science Fiction: The 1973 Hugo Award for Best Fan Writer: Terry Carr

The Golden Age of Science Fiction: The 1973 Hugo Award for Best Fan Writer: Terry Carr

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Fandom Harvest

Steven Silver has been doing a series covering the award winners from his age 12 year, and Steven has credited me for (indirectly) suggesting this, when I quoted Peter Graham’s statement “The Golden Age of Science Fiction” is 12, in the “comment section” to the entry on 1973 in Jo Walton’s wonderful book An Informal History of the Hugos. You see, I was 12 in 1972, so the awards for 1973 were the awards for my personal Golden Age. And Steven suggested that much as he is covering awards for 1980, I might cover awards for 1973 here in Black Gate.

The 1973 Hugo Award for Best Fan Writer went to Terry Carr. Terry Carr (1937-1987) won four Hugos overall – in 1959 he won for Best Amateur Magazine for Fanac (along with his co-editor Ron Ellik), and in 1985 and 1987 he won for Best Professional Editor. (Alas, he died early in 1987, so did not get to receive that award. Famously, this was the second consecutive year that the award was given posthumously – though in 1986 Lester Del Rey bitterly refused the award to his wife Judy-Lynn. (There could be a third posthumous Best Editor award this year, as Gardner Dozois is one of the nominees for Best Editor, Short Form.) Like the great majority of Fan Writer winners, Terry Carr was also an accomplished professional writer, probably best known for his stories “Hop-Friend” and “The Dance of the Changer and the Three” and for his novel Cirque.

Carr wrote some fine fiction, as noted, and also spent some time as an agent, and he was a prolific and wonderful fan writer and fanzine editor. But his largest contribution to the field was as an editor. He worked at Ace through most of the 1960s. There he co-edited the World’s Best Science Fiction series with Donald A. Wollheim, and he spearheaded the classic first Ace Science Fiction Special series. After leaving Ace he became a freelance editor, most famous for his Best Science Fiction of the Year series for Ballantine/Del Rey, and for his Universe series of original anthologies. He also edited the third series of Ace Specials.

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Future Treasures: All My Colors by David Quantick

Future Treasures: All My Colors by David Quantick

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All My Colors-smallDavid Quantick is the author of Sparks and The Mule. His latest, All My Colors, is a dark comedy about a man who remembers a book that may not exist, with dire consequences.

Booklist compares it to one of my favorite 80s fantasies, saying “the slowly unfolding literary menace will appeal to fans of Jonathan Carroll’s The Land of Laughs (1980),” and Kirkus Reviews calls it “wonderfully bizarre… a twisty and fitfully funny episode of The Twilight Zone, it’s a blast. A caustic, unexpected comic horror story in which the villain, as always, thinks he’s the hero.” Here’s the description.

It is March 1979 in DeKalb Illinois. Todd Milstead is a wannabe writer, a serial adulterer, and a jerk, only tolerated by his friends because he throws the best parties with the best booze. During one particular party, Todd is showing off his perfect recall, quoting poetry and literature word for word plucked from his eidetic memory. When he begins quoting from a book no one else seems to know, a novel called All My Colors, Todd is incredulous. He can quote it from cover to cover and yet it doesn’t seem to exist.

With a looming divorce and mounting financial worries, Todd finally tries to write a novel, with the vague idea of making money from his talent. The only problem is he can’t write. But the book — All My Colors — is there in his head. Todd makes a decision: he will “write” this book that nobody but him can remember. After all, if nobody’s heard of it, how can he get into trouble?

As the dire consequences of his actions come home to both Todd and his long-suffering friends, it becomes clear that there is a high — and painful — price to pay for his crime.

All My Colors will be published by Titan Books on April 16, 2019. It is 289 pages, priced at $14.95 in trade paperback and $8.99 in digital formats.

See all of our recent coverage of the best upcoming fantasy here.

Signing In The Rain: Random Thoughts on Book Signing

Signing In The Rain: Random Thoughts on Book Signing

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bakkaBack in the day, at least here in Canada, you could book multiple book signings in the big box stores – sometimes even more than one store in a given city, since they were comfortably far apart. And for a different experience, there were still a few independent bookstores around.

With box stores you were usually dealing with employees, while with the independents you dealt with owners, people who not only had a vested interest in your doing well, but were the people making the decisions. On the other hand, smaller store = less traffic.

Early on, I had some great experiences in box stores, but lately? If they still do this type of event at all, you’ll find the person who made the arrangements isn’t at work today, didn’t leave sufficient (or any) instructions, and only ordered copies of your most recent book, even though previous books (including earlier ones in the series) are still in print. The staff might be sincerely apologetic, and as helpful as possible – after all, they’re not the ones who dropped the ball – but that doesn’t conjure up any books.

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The Golden Age of Science Fiction: Jem, by Frederik Pohl

The Golden Age of Science Fiction: Jem, by Frederik Pohl

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Cover by Irving Freeman
Cover by Irving Freeman

The National Book Awards were established in 1936 by the American Booksellers Association. Although the Awards were not given out between 1942 and 1949 because of World War II and its aftermath, the awards were reestablished in 1950 and given out annually since then. Since 1950, only US authors are eligible for the award, which is designed to celebrate the best of American literature, expand its audience, and enhance the value of good writing in America. From 1980 through 1983, the American Book Awards were announced as a variation of the National Book Awards, run by the Academy of the American Book Awards.

While the National Book Awards were selected by a jury of writers, the TABA program relied on entry fees, committees, and voters made up of groups of publishers, booksellers, librarians, and authors and critics. The change was controversial and a group of authors including Nelson Algren, Saul Bellow, Bernard Malamud, Joyce Carol Oates, Philip Roth, and Susan Sontag, among others, called for a boycott of the award.

The American Book Award included genre categories, presenting awards for mysteries, science fiction, and westerns. Two awards were presented in the science fiction category, one for hardcover, one for paperback. The genre awards were abandoned after a single year. The only winner of the National Book Award for Hardcover Science Fiction was Frederik Pohl’s Jem. The Awards were presented in New York on May 1, 1980 at a ceremony hosted by William F. Buckley and John Chancellor. Isaac Asimov presented the science fiction awards.

I tend to find a lot of Pohl’s novels depressing, even while acknowledging he can write biting satire. His satire tends to be the darkest of humor, and Jem is certainly dark. It opens at a scientific conference held in Bulgaria in the near future, sometime after 2024. Earth has been divided into three massive alliances which are based on the products of the countries involved, The People countries that provide labor, the Oil countries that provide power, and the Food countries. Pohl introduces four individuals at the conference, Ana Dimitrova, a translator from the food bloc, her lover, Abdul Dulla, a scientist from the people countries, Danny Dalehouse, a scientist from the food countries, and Marge Menninger, a soldier from the food countries.

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Goth Chick News: And Just Like Merlin, I Have My Very Own Magic Wand…

Goth Chick News: And Just Like Merlin, I Have My Very Own Magic Wand…

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Goth Chick Rowan pen 1 Goth Chick Rowan pen 2

When I built my current house, I had my heart set on planting a Rowan tree in the front yard. I learned about the tree’s long, sacred history when visiting Scotland; that since ancient times people have been planting a Rowan beside their homes.  It is known as the Tree of Life and symbolizes courage, wisdom and protection.

Celtic mythology says that when the goddess Hebe lost her chalice of youth, an eagle fought to recover the cup and return it to her. Wherever the bird shed a drop of blood or feather, up sprang a Rowan tree. Another legend states how the Rowan tree bent over a fast-flowing river and rescued Thor from being swept away into the Underworld. There are several recurring themes of protection offered by the Rowan. Pieces of the tree were carried by people for personal protection from black magic, and sprigs of Rowen were worn inside clothing and fastened above door frames to ward off evil. My favorite story has Merlin’s wand being made from the branch of a Rowan.

So, after a lot of research and effort, I determined that the climate in Chicago would be hospitable to a Rowan tree and ordered one. I positioned it in my front yard right outside my office window where it grew pretty quick for a tree, maybe because I regularly talked to it. To its credit, my house was pretty evil-free for nearly ten years, considering what I do as a side job, so it was fairly heartbreaking when my Rowen started looking a little sick. I contacted an arborist who informed me that though the climate in Chicago was good for the tree, the soil of Northern Illinois was not. Alas, my Rowan tree was dying and could not be saved.

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New Treasures: Necropolis PD by Nathan Sumsion

New Treasures: Necropolis PD by Nathan Sumsion

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Necropolis PD-smallBack in October, I managed to trap Parvus Press co-founder Colin Coyle in a bar long enough to get the scoop on his upcoming releases. There were plenty of interesting titles in the mix, but the one that really grabbed my attention was the debut fantasy novel by Nathan Sumsion, co-creator of the Terra Immortalis role playing game. Here’s what Colin shared then.

Necropolis PD is one of my favorite urban fantasies in a long time. It’s a cousin to both Butcher’s Dresden Files and Gaiman’s Neverwhere and I honestly feel that it brings a new flavor to a genre that has been heavily tread in recent years.

Necropolis PD is the tale of Jacob Green, trapped in the Meridian, a city of the dead, and pressed into service to solve a series of bizarre murders. Andy Whitaker at SFCrowsnest says Meridian “is a strange and compelling place. Don’t be fooled by the dark humour and strange environment… [Sumsion] might just have struck gold.” Here’s the description.

How do you solve a murder in the city of the dead?

Jacob Green was just an average college student. But three months ago, he ran through the wrong door and found himself trapped in the city of Meridian – a literal necropolis, concealed from the modern world, made up of forgotten places and populated entirely by the dead.

As the only living, breathing resident, Jake has struggled to scrape out an existence while waiting for the Necropolis Police Department to decide his fate, and it’s not looking good. But when an unusual string of crimes hits the city, Jake’s overseer and tormentor, NPD Detective Marsh offers him a deal: Jake’s life in exchange for helping them solve the worst series of crimes in the necropolis’ history.

Someone, or some thing is killing the dead, and if Jake can’t figure out who’s responsible, he could be next.

Necropolis PD is a hidden world fantasy that combines mystery, horror, magic, and more than a little humor. This book is perfect for the living and recently-departed alike.

Necropolis PD is the latest in the flourishing sub-genre of undead detective fiction. If you like it as much as I do, here’s a few more recent examples.

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The Strange Tale of the Fighting Model T Fords

The Strange Tale of the Fighting Model T Fords

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While writing my next novel in the Western Desert of Egypt (something I’ve discussed in several previous posts), I came across an interesting local landmark. Behind my campsite in Bahariya Oasis stands a grim heap of black volcanic stone called “English Mountain”. When I asked around about this unusual name, the local Bedouin told me that it was once home to an English soldier who kept watch for attacking tribes back in the days when Egypt was still a colony. I was told the ruins of his house could still be seen.

So of course I went up to see them!

But not before taking Ahmed Fakhry’s excellent book Bahariya and Farafra out of my backpack to see what he had to say about this. Yes, I travel through the Sahara with a bag full of books.

Written in 1974 but mostly based on expeditions the archaeologist took in the 1930s, Fakhry’s book is full of useful information and folklore. In it he says that English Mountain is actually named after a New Zealander named Claud Williams, who commanded No. 5 Light Car Patrol during World War One. Williams, Fakhry says, kept a lonely vigil atop that mountain for hostile Senussi tribesmen.

And therein lies a tale.

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Telling a Clock What You Want to Eat

Telling a Clock What You Want to Eat

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Telling a Clock illustration

Long before Karel Čapek introduced the word “robot” to the general vocabulary in his 1920 play R.U.R., people had a pretty good idea of what an “automaton” or a “mechanical man” did. They learned it from popular media. Short stories, newspaper articles, vaudeville acts, comic strips, and more toyed with the idea of humanoid mechanical servants.

Or non-humanoid one. It took a very long time for the concept of “robot” to coalesce around the human form. Not until after World War II did a robot automatically conjure an image of a mechanical human, and that was largely because a word was needed to separate robots from the computer brains that increasingly took the robot’s place in media.

Before WWII, in fact, robot was frequently applied to any automatic machine which functioned with constant human supervision. Before R.U.R. mechanical man or automaton did much the same.

When a completely automated hotel was proposed, in Paris in 1913, the natural way to explain its operation was to use on these terms.

[T]o get the highest efficiency at the lowest cost … can be effected … by the “mechanical man” in the hotel – the “man” who is prompt in action, above all, and is absolutely dependable, deft, noiseless and invisible.

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Level 16 Movie Review

Level 16 Movie Review

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Good afternoon, Readers!

Level 16 Poster

Last week, I headed out to the Mayfair Theatre in Ottawa (Canada) for a screening of the film Level 16.  An aside, the Mayfair is a quaint little theater that has been in operation since 1932. The interior doesn’t seem to have been changed since it’s early days, and the in-house film graphics haven’t changed since the 70’s, I’m certain. Anyway, I figured I could turn the visit into a film review. For true transparency’s sake, I have to state that my flatmate and good friend worked on this film. I guarantee you, though, that I’m being as impartial as I can about it.

Level 16 is a sci-fi thriller (stronger on the thriller than science fiction, though there is enough of the latter to qualify, even if it’s mentioned only briefly) set in a “post-apocalyptic” world (there are reasons for those quotation marks, I promise you). From IMDB:

Sixteen-year-old Vivien is trapped in The Vestalis Academy, a prison-like boarding school, keeping to herself and sticking her neck out for no one. Until she is reunited with Sophia — the former friend who betrayed her. Together the girls embark on a dangerous search to uncover the horrifying truth behind their imprisonment. Soon running for their lives, the girls must save themselves or die trying.

This is a female-led production; a female writer and director (Danishka Esterhazy) with female leads, Vivien and Sophia, brilliantly portrayed by Katie Douglas and Celina Martin respectively.

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Ancient Astronauts, the Thing in the Pond, and the Cobweb Queen: The Weirdbook Annual #2: Cthulhu

Ancient Astronauts, the Thing in the Pond, and the Cobweb Queen: The Weirdbook Annual #2: Cthulhu

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Weirdbook Annual 2 Cthulhu-smallWeirdbook‘s editor Doug Draa explains the rationale behind the magazine’s new line of Annuals in his editorial this issue.

We here at Weirdbook decided to do a yearly themed fifth issue. An annual if you will.

Last year’s theme was “Witches” and it turned out to be one of our most popular issues to date. After much soul searching it was decided that this year’s theme would be the ever popular “Cthulhu Mythos”… even after more than 9 decades, Mr. Lovecraft’s literary universe still continues to fire the imaginations of both writers and readers alike. It’s not an overstatement to say that Mr. Lovecraft’s fans and those of his Mythos are truly legion and beyond numbering.

I think that you, the reader will find this a highly enjoyable issue full of eldritch, unspeakable, and nameless horrors. I decided that this issue should contain stories by the finest of Weirdbook‘s regular contributors. This list includes such luminaries as Lucy A. Snyder, Ann K. Schwader, Leanna Falconer, Cynthia Ward, Darrell Schweitzer, Adrian Cole, and John R. Fultz to name just a few. I’m also very proud to have a brand new story from Mr. Robert M. Price which marks his very first appearance in this incarnation of Weirdbook! I can honestly call this Weirdbook‘s very first All Star Issue!

That’s an impressive list of contributors, and it includes at least two names well known to our readers: John R. Fultz, who published four stories in Black Gate, and Darrell Schweitzer, who appeared in BG 3 and BG 15.

Here’s the complete Table of Contents for the Weirdbook Annual #2: Cthulhu.

Short Stories

“The Shining Trapezohedron,” by Robert M. Price
“A Noble Endeavor,” by Lucy A. Snyder
“Ancient Astronauts,” by Cynthia Ward
“The Thing in the Pond,” by John R. Fultz

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