Domestic Gods, Cannibal Toys, and Sherlock Holmes in Tombstone: January-February 2024 Print SF Magazines

Domestic Gods, Cannibal Toys, and Sherlock Holmes in Tombstone: January-February 2024 Print SF Magazines

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January-February 2024 issues of Analog Science Fiction & Fact and Asimov’s Science Fiction.
Cover art by Julie Dillon, and Maurizio Manzieri (for “Burning Grannies”)

It’s February 10th, and I’m a little concerned to see there’s no sign of the January/February issue of The Magazine of Fantasy & Science Fiction. Not on their website or Facebook Page, both of which still show the November-December issue, and not on Twitter/X or Amazon. I can’t even find a copy of the cover, which I usually receive from publisher Gordon Van Gelder. The only news I can find online is from Sam Tomaino, who shares this Note From the Publisher (and an advance review) in his excellent Zines & Short Fiction column at SFRevu.

Due to a set of unfortunate circumstances, this Jan/Feb 2024 issue was delayed by more than a month. For the sake of our newsstand readers, we re-named the issue “Winter 2024.” Subscribers should not worry about being shorted an issue.

Fingers crossed this is just a temporary glitch. In the meantime, I’m enjoying the new issues of Analog and Asimov’s Science Fiction, both of which are packed with intriguing new fiction from Kristine Kathryn Rusch, Greg Egan, R. Garcia y Robertson, Sean McMullen, Jeffrey Ford, Ian McDonald, Rory Harper, Michael Cassutt, Stanley Schmidt, Robert Friedman and Barry N. Malzberg, Martin L. Shoemaker, Raymund Eich, and lots more. See all the details below.

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A to Z Reviews: “The Hump,” by Fernan Caballero

A to Z Reviews: “The Hump,” by Fernan Caballero

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A to Z Reviews

Fernán Caballero was the pen name of Cecilia Francisca Josefa Böhl de Faber y Ruiz de Larrea (1796–1877). In 1811, she published the short fable “The Hump,” which is a take on the fairy tale trope of a king promising to give half his kingdom away to anyone who would marry his stubborn daughter.

What struck me in reading this story is the oddity of the trope. Sure, monarchs would marry their children (or themselves) off to make alliances with other monarchs, but part of this trope is that it is so random. Marrying the princess off to whoever could slay a dragon or whatever may demonstrate that the individual is skilled in combat, but it doesn’t necessarily equate to the skills to rule a kingdom.

In “The Hump,” the king determines to marry his daughter off to whomever can say what materials she used to have a tambourine made. Even less of an indicator of ability to rule a kingdom, although perhaps useful if the king is more interested in marrying his daughter off to a musician.

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Neither Beg Nor Yield, edited by Jason M. Waltz

Neither Beg Nor Yield, edited by Jason M. Waltz

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Sword & Sorcery is a clenched fist thrust into the sky, a raised middle finger in the face of the Unknown, an epithet spat into the dirt through a rictus of bared teeth. S&S demands an attitude of not merely surviving but of dominating living, all else—everything else—be damned. The heroes of S&S continue living deeply until there are no more breaths to take. The only -ism S&S promotes is LIVE!-ism. Absolutely a rebellion against meaninglessness, it also fully embraces an I-don’t-give-a-damn-if-it-is-all-meaningless creed. “I live, I burn with life, I love, I slay, and am content.” Robert E. Howard, through Conan, again saying it best in “Queen of the Black Coast.”

Jason M. Waltz from “It’s Not Gentle,” the foreword to Neither Beg Nor Yield

I reviewed Return of the Sword: An Anthology of Heroic Adventure over at Stuff I Like: A Blog (called Swords & Sorcery: A Blog back then) twelve years ago. I had discovered the book by way of a mention here at Black Gate, which I had discovered while on the hunt for contemporary sword & sorcery. This book, more than anything else, convinced me there was a wealth of new and, more importantly, good S&S writing being done.

I had created my site to focus on ensuring the classics of S&S weren’t forgotten in the face of the seemingly irresistible tide of grimdark fiction that was new back then. Waltz’s book forced me to direct an increasing portion of my efforts toward the new stories. Howard Andrew Jones, James Enge, and John Fultz were all authors I first encountered in that period. There are also dozens of writers I found reviewing hundreds of new stories right here on the pages of Black Gate.

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Christopher Priest, July 14, 1943 — February 2, 2024

Christopher Priest, July 14, 1943 — February 2, 2024

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Galaxy December 1973, containing Part I of The Inverted World. Cover by Brian Boyle

I find myself writing another obituary for a major SF writer — this has been a terrible couple of months. Christopher Priest, one of the true giants of our field, has died at 80. He is survived by his partner, Nina Allan, a brilliant SF writer in her own right. (I suppose Priest had a “type,” as his two ex-wives, Lisa Tuttle and Leigh Kennedy, are also first-rate SF writers.)

When did I first know of Christopher Priest? That would have been when his novel, The Inverted World, was first serialized in Galaxy, December 1973 through March 1974, or at least when I first read the book. I have a probably false memory of reading the serial, which would have had to have been in back issues, as I first bought Galaxy in August of 1974. So likely I actually read the paperback from 1975. Be that as it may, the novel purely blew me away. I quickly read Darkening Island (the American title of his novel Fugue for a Darkening Island) and was entranced by its radically non-linear narrative, something new to teenaged me.

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There are Dragons in my Romance Novel! The rise of Romantasy

There are Dragons in my Romance Novel! The rise of Romantasy

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A female figure in ornate filigreed jewelry is framed by a large C. A serpent coils around her, passing through holes on either side of her face.
The House of Flame and Shadow, released on Jan. 30, occasioned the kind of frenzy we saw in the days of the Harry Potter series.

If you’ve been to Barnes and Noble lately, or on any major social media platform, there’s a word you’ve probably seen: Romantasy. It’s the marketing buzzword of 2024, and it refers to books that are the Reese’s cup of two very popular genres: Romance and Fantasy.

Did we need this portmanteau? Is it just marketing? Or is Romantasy a meaningful label?

First, some history. Because it’s me, and I can’t do a post without digging into a couple of millennia of history.

The first prose fiction we have are romances. The earliest novel we have in European literature is Callirhoe, written by Chariton of Aphrodisias somewhere between the first century BCE and the second century CE. The plot puts the modern soap opera to shame: our heroine, Callirhoe, is the most beautiful woman alive. Literally: she is Syracuse’s version of Helen of Troy. Did I mention this was set in Syracuse and that she’s the daughter of a famous hero of the Peloponnesian Wars? That’s right: our oldest known novel is a Mary Sue Historical Fiction.

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A Sure Guide in a Troubled Time: Criswell Predicts

A Sure Guide in a Troubled Time: Criswell Predicts

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You don’t need me to tell you that we live in uncertain, unsettled times. (Obviously, that’s not going to stop me from telling you anyway.) Misinformation, disinformation, fake news, biased spins, conspiracy theories, baseless rumors, incendiary knee-jerk tweets disseminated, re-tweeted to further inflame millions, and then deleted in the space of a couple of hours… none of these seem to be affected by labor shortages or supply-chain problems, more’s the pity. The shelves are always fully stocked with this kind of crap.

Thus, the key question of our era seems to be, where can wisdom be found? Is there, anywhere, an infallible guide to light our way through the daily round of bafflement and perplexity that is apparently our permanent lot? Who, in God’s eternal name, who can I trust?! Well, my friends, I’m here to tell you the good news — there is someone you can trust. And who might that be, you ask?

Criswell, that’s who.

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Roaming the Old West with Holmes on the Range

Roaming the Old West with Holmes on the Range

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There are a lot of ways to go about writing a Sherlock Holmes story. Some folks attempt to very carefully emulate Sir Arthur Conan Doyle’s own style, and to turn out a tale that feels as if it might have been penned (or typed these days) by the creator of the great detective himself. No surprise that results vary. GREATLY. Hugh Ashton and Denis O. Smith are the best I’ve found in this regard.

You can find stories ranging from pretty good to not suitable for (digital) toilet paper. I’ve had a half dozen of my own stories published and I’m still working on better voice the good doctor.

Some folks write whatever the heck they want, often with the name of Holmes being the only similarity to the famed detective. It is possible to find good Holmes stories that sound nothing like Dr. Watson’s narrative style, of course. And Holmes has been placed in different eras, and even worlds. In addition, there have been Holmes parodies around for over a hundred years. I’ve written a couple myself, and they were fun.

There are Holmes-like successors out there, of whom August Derleth’s Solar Pons is the best. Yes, I’m aware that’s a subjective judgment, but it’s mine, and I’m the one writing this essay, so it stands. I’ve written about Pons more than once, and even contributed introductions and pastiches to anthologies.

But today I’m going to look at one of Sherlock Holmes’ contemporaries; albeit, one quite different and far away. We’re not talking about Martin Hewitt here.

Steve Hockensmith had been writing short stories for Ellery Queen’s Mystery Magazine Christmas issue, and wanted to sell more to the venerable magazine. EQMM does an annual Sherlock Holmes issue, so he figured that was the way to go. But he wanted to write more than ‘just another Holmes story.’

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New Treasures: Beyond Enemies by Marisa Wolf

New Treasures: Beyond Enemies by Marisa Wolf

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Beyond Enemies (Baen, February 6, 2024). Cover by Sam R. Kennedy

I was Capricon 44 here in Chicago over the weekend and, as usual, brought home a bag full of books. I picked up the latest from local author R.J. Howell (including the Wicked West anthology), and found a bunch of treasures at Sally Kobe’s delightfully well-stocked booth, including debut SF novel Under Fortunate Stars by Ren Hutchings, the new volume of The Year’s Best Fantasy & Horror from Paula Guran, Sunny Moraine’s creepy novella Your Shadow Half Remains, and lots more.

But the book that really leaped into my hands was Beyond Enemies, the debut novel by Marisa Wolf, who’s appeared in a couple of Baen anthologies and co-authored a number of titles from Seventh Seal Press. Beyond Enemies is the story of a girl and her tank on a backwater planet that becomes the pivot point in an interstellar war. Just what I’m in the mood for.

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Andrew Offutt’s Greatest Contribution to the Genre: Swords Against Darkness

Andrew Offutt’s Greatest Contribution to the Genre: Swords Against Darkness

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The complete run of Swords Against Darkness (Zebra Book, 1977-1979).
Covers by Frank Frazetta, Larry Kresek, Greg Theakston, and Luis Bermejo

In my opinion, Andrew Offutt’s greatest contribution to literary history is the five book anthology series he edited called Swords Against Darkness. They were simply called I through V and published between 1977 and 1979, all by Zebra.

I’ve got them all and have read them all. They knocked my socks off. I was just beginning to write around the time the series ended and one of the first pie-in-the-sky goals I had for myself was to write something good enough to be included in the series. The series ended before I got close to making it, or even submitting.

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A to Z Reviews: “Alexandria,” by Monica Byrne

A to Z Reviews: “Alexandria,” by Monica Byrne

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A to Z ReviewsMonica Byrne offers a romance in her story “Alexandria,” which was published in the January 2017 issue of The Magazine of Fantasy & Science Fiction. Aside from being set in the future, there is very little about the story that reads as science fiction.

Beth Miyake is coming to terms with the death of her husband, Keiji. Through her memories of him, the reader learns that while they had a deep love for each other, it manifested itself in ways which were not obvious to outsiders. Beth’s family never understood their relationship and Keiji tended to be quiet when the two of them weren’t alone.

When they were along, they understood each other perfectly, although Beth could never understand why Keiji insisted that she memorize and then destroy the love poems that he wrote for her, refusing to allow her to discuss them with anyone else. They were emblematic of their love for each other.

Aside from one disappointing trip they took for their honeymoon, the two didn’t leave Kansas. Upon arriving in Alexandria, Egypt on that trip, they discovered that the Lighthouse of Alexandria had been destroyed seven centuries earlier. It had never occurred to them that it was no longer standing. Since then, their travels had been done virtually through reading books about the places they would never physically visit.

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