Ellsworth’s Cinema of Swords: Young Horatio Hornblower

Ellsworth’s Cinema of Swords: Young Horatio Hornblower

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Hornblower 1: The Duel (UK, 1998)

When you think about swashbucklers at sea, two time periods come to mind: that of the pirates and privateers, from the 16th through 18th centuries, and the Napoleonic naval era at the beginning of the 19th. British captains and crew figure prominently in both these milieus, as you’d expect from an island nation that depended on sea trade and effective warfare on the waves.

The British, of course, are proud of their naval heritage, so in the late ‘90s, when the ITV Network set out to make a series of television adaptations of C.S. Forester’s classic Hornblower novels, somehow enough money was found to shoot film adaptations with production values rarely seen on TV before Game of Thrones. The films, well-cast and well-written, were popular enough, though the size of the productions meant that only one or two could be produced per year. And fortunately for us, they still hold up, by and large (that’s nautical lingo!), a quarter-century later.

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Cloud Painters, Alien Blobs, and War in the Asteroids: March-April 2024 Print SF Magazines

Cloud Painters, Alien Blobs, and War in the Asteroids: March-April 2024 Print SF Magazines

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March-April 2024 issues of Analog Science Fiction & Fact, Asimov’s Science Fiction, and the
Winter 2024 Magazine of Fantasy & Science Fiction. Covers by Eli Bischof (for “Ganny Goes
to War”), Eldar Zakirov (for “How Sere Kept Herself Together”) and Mondolithic Studios.

There’s some great old-time serial adventure in this month’s print SF magazines. In the Asimov’s SF novella “How Sere Kept Herself Together,” Alexander Jablokov brings back his cynical detective Sere Glagolit (introduced in “How Sere Picked Up Her Laundry,” in July/August 2017, and “How Sere Looked for a Pair of Boots,” January/February 2019) to discover why her client is being aggressively stalked by an enigmatic alien Cryptor.

And in “Brood Parasitism” Auston Habershaw gives us another exciting tale of the shape-shifting alien Tohrroid (first seen in Analog in Jan/Feb 2019, and most recently in the Nov/Dec 2023 issue), this time on a mission to assassinate the leader of an invading alien army. And in “Charon’s Final Passenger” in Asimov’s, Ray Nayler  returns to the setting of his popular story “Berb by Berb” in the November/December 2023 issue.

We covered the contents of the Winter 2024 F&SF (delayed by printer problems) last month, but don’t despair! The new issues of Analog and Asimov’s Science Fiction are packed with intriguing new fiction by David Gerrold, Sandra McDonald, Ashok K. Banker, Lavie Tidhar, Faith Merino, William Ledbetter, Sean Monaghan, Matt McHugh, Adam-Troy Castro, Don D’Ammassa, Karen Heuler, and lots more. The enticing details await below.

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The Public Life of Sherlock Holmes: The Truth About Sherlock Holmes (Doyle on Holmes)

The Public Life of Sherlock Holmes: The Truth About Sherlock Holmes (Doyle on Holmes)

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I have about 500 Holmes/Arthur Conan Doyle-related books on my shelves. No surprise, there are some pretty neat things. I’m going to do a couple posts over the next few weeks, looking at some things written by Doyle – or directly involving him.

The first is in my copy of Peter Haining’s The Final Adventures of Sherlock Holmes. It’s a really nifty book put out by Barnes and Noble in 1995 (with Jeremy Brett on the cover). If you don’t have a copy of Jack Tracy’s essential The Published Apocrypha, this has several items included in that hard-to-find classic. It’s also got some additional things including a really cool essay by Doyle.

In 1923, Arthur Conan Doyle wrote The Truth About Sherlock Holmes, for Collier’s Magazine.

In 1903, Collier’s offered Doyle big money to write new Sherlock Holmes stories. Doyle had set The Hound of the Baskervilles back before tossing him over the Reichenbach Falls. So, Holmes was still dead. It was too big an offer to refuse, and Doyle agreed to write eight new stories. They all appeared in Collier’s, and then immediately after in The Strand. Colliers included terrific color covers by Frederic Dorr Steele.

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My Three Problems with the Three-Body Problem

My Three Problems with the Three-Body Problem

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The Three-Body Problem (Tor Books, November 11, 2014). Cover by Stephan Martiniere

In the middle of trying to explain quantum mechanics to me, my physicist friend stopped in frustration and said, “This would all make a lot more sense if you understood math.”

Alas, I am one of those recovering English majors who never could wrap their heads around anything more basic than simple arithmetic (and not so good at even that). Intellectually, I can intuit how mathematical prowess unleashes secrets of the universe, while also presenting further paradoxes. (I kinda, sorta get Schrödinger’s cat, but not really.) But my eyes glaze over at the actual work of adding it all up. Which explains my barely passable grades back in college for courses such as Science for non-Science Majors.  

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Vintage Treasures: Night’s Black Agents by Fritz Leiber

Vintage Treasures: Night’s Black Agents by Fritz Leiber

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Nights Black Agents (Berkley Books, May 1980). Cover by Wayne Barlowe

Nights Black Agents was Fritz Leiber’s first first collection — and in fact his first book. It was originally published in hardcover by Arkham House in 1947, when Leiber was 37 years old.

It collects six stories published in Weird Tales and Unknown Worlds, plus one tale from a fanzine, and three new stories — including the long Fafhrd and the Gray Mouser novella “Adept’s Gambit.” Needless to say, it was very successful, and enjoyed a series of hardcover and paperback editions that kept it in print for over three decades.

Nights Black Agents launched Leiber’s writing career, and he followed it with some three dozen more collections (and many novels) before his death in 1992.

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What Makes a Project a “Passion Project”?

What Makes a Project a “Passion Project”?

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For me, a passion project is something that could not be sold in a traditional sense to the mainstream market, but you want — need — to create it anyway. Dear Penpal, Belgium 1980 is the kind of project that I could not sell to a traditional publication house despite it being a middle grade-appropriate cozy ghost story. Partly because it is told in 24 physical letters. Partly because while it is middle grade-appropriate, its ephemeral nature and subject matter will appeal to a broad range of ages — which makes it hard for any marketing department to categorize.

It’s not just a ghost story. Nor is it just a story of a Gen-X, latchkey kid trying to survive in a foreign country. Nor is it just a story about the importance of family (especially a military family) and the power of friendship. It is a project that defies conventional age, topic, and multimedia barriers.

For this passion project, the questions I get most often are: “Why physical letters?” and “Why Belgium in 1980?”

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A to Z Reviews: “The Well-Oiled Machine,” by H.B. Fyfe

A to Z Reviews: “The Well-Oiled Machine,” by H.B. Fyfe

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A to Z Reviews

H.B. Fyfe published “The Well-Oiled Machine” in the December 1950 issue of The Magazine of Fantasy and Science Fiction, and the story demonstrates a forward thinking that explores the use of computers and artificial intelligence in the workplace, although in Fyfe’s story, the editor, William Moran (also referred to as Ed, since he is the editor), has a staff of robots rather than networked AIs or computers.

Moran is the editor of Stupendous Stories, a magazine that publishes science fiction adventure stories. As far as the story indicates, Moran is also the only human employee of the company. Before stories get to his desk, a robot known as Sinner writes up synopses (synopses) of the stories for Moran to review. Moran than decides which stories to read based on those briefs and sends the stories to Liar (a linotype robot) to be laid out. Advertising is handled by Adder, the art department is run by Arty, and for good measure, there is a repair robot known as Doc.

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Goth Chick News Interviews Rick Styczynski, Actor In Terrifier 2 and Owner of 13X Studios

Goth Chick News Interviews Rick Styczynski, Actor In Terrifier 2 and Owner of 13X Studios

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Rick Styczynski, owner of 13X Studios and star of Terrifier 2 was one of our favorite people we met last November at the Days of the Dead convention. He was manning his booth of custom Jason hockey masks, which if like me you had a few Friday the 13th fans on your gift list, was reason enough to stop for a chat.

Styczynski’s creativity is impressive, and it wasn’t too far into opening night of DotD before his booth was several people deep and he was doing a brisk business. However, we were lucky enough to meet him before the doors opened and learn that he had a part in the indie franchise Terrifier, specifically in the second installment, Terrifier 2, which was released in 2022. Styczynski was more than happy to chat about his art and his acting and was super grateful and welcoming to all the fans we heard him talking to later in the day.

I knew then that I needed to know more about him. So, though our respective schedules meant it took a while for us to connect, I am pleased to now have the chance to introduce you to Rick Styczynski, star of Terrifier 2 and owner of 13X Studios.

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A Reckless and Unwarranted Speculation on the Origin of a Great Science Fiction Story

A Reckless and Unwarranted Speculation on the Origin of a Great Science Fiction Story

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Alice (James Tiptree Jr.) Sheldon

For many writers, asking them the apparently innocent question, “where do you get your ideas?” is like waving a red flag in front of a bull. (Watch the Harlan Ellison documentary Dreams with Sharp Teeth for a great example; at the very thought of someone posing that question, Ellison goes from zero to apoplexy in 1.2 seconds. I know — Harlan Ellison, but still…)

Nevertheless, as a humble reader to whom the mysteries of creative writing are forever veiled, it’s a question that I’m curious about. Having never met Alice (James Tiptree Jr.) Sheldon, I have no idea how she would have reacted to the question, and I’ll never find out, as she died in 1987… but I think I know the answer for one of her stories, at least.

Alice Sheldon (under the whimsical pseudonym that she and her husband cooked up) was a science fiction writer without peer, and her novella A Momentary Taste of Being, which first appeared in 1975 in the Robert Silverberg-edited anthology The New Atlantis (and later in her own collection Star Songs of an Old Primate and the “Essential Tiptree” anthology Her Smoke Rose Up Forever, which you should buy immediately, forgoing food and rent if necessary), is one of her greatest stories, a radical premise pushed to its absolute limits… and I believe I know where that wild premise came from.

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The “AI Revolution” Problem

The “AI Revolution” Problem

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Image by Thomas Meier from Pixabay. Pixabay has a policy of disclosing AI images. This did not have the indicator that it was AI.

Good afterevenmorn (whenever you’re reading this!)

I’d like to talk about AI. I can hear your collective groans. I’m quite annoyed by the subject, too, but perhaps for different reasons. Still, let’s talk AI from the perspective of an actual writer (struggling, but still a writer).

The news has been filled with nothing but discussions of AI in creative spaces… or, at least, that’s what my news feed has been full of. It’s as if all of the various algorithms are doing their darnedest to keep me as depressed as possible… stupid AI, but I digress. I’m sure you’re all quite familiar with the chime of the bells of doom that creatives have been ringing since AI reared its head in our spaces. There is considerable debate raging all over the internet about where AI fits, where it doesn’t and why or why not. Many authors are feeling threatened, and not without reason. There are a myriad of reasons why. Let’s explore just a couple.

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