Weird Times 3: Fashion

Weird Times 3: Fashion

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Fashions of the week in March of 1923.

This post is the third in a series reflecting on the world of 1923, and the 1920s generally, as a background to early issues of Weird Tales. Imagine that you’re an American in 1923, and you’re taking a walk to the newsstand to buy the first issue of a new pulp fiction magazine. What sort of things will you see?

Walk down a city street and you’ll observe other people around you, meaning you’ll see the fashions of the time. Any given era has its characteristic clothes and hairstyles, and the nineteen-twenties are no exception. Interesting to me personally are the reasons behind the adoption of specific fashions, and what they have to say about the way the world is changing. I’m writing these background posts as though one aspect of the 1920s can be divided from the others, but the truth is that then as now everything’s mashed together. Fashion’s affected by technology and politics, by ideas about formality and ideas about sexuality; and it can create images that will, for later years, define its moment.

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Half the Sky: A Meditation on Battleborn Magazine #1

Half the Sky: A Meditation on Battleborn Magazine #1

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Battleborn magazine, issue 1 (Iron Age Media, , May 31, 2026). Cover by Samuel Dillon

This is a man’s, man’s, man’s world

— James Brown

One blustery Maine spring day, I blew off class to spend an hour hanging out with a friend in the math department’s student lounge. Picture a Coke welded to my hand and a coffee to hers, as we discussed fantasy and science fiction and divers other subjects in the “wrong” lounge (we were English majors, but it was the English/Math Building and the math lounge was empty. What can I say?). Picture my friend as the reason I figured out I’m a feminist a lot sooner than I would have otherwise. Picture the talk turning to men, a gender to which only one of us is attracted.

“I’m fine with men,” she said. Then she said something I hadn’t heard before, but have heard other women echo many times since: “I just want them to remember women hold up half the sky.”

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Forgotten Authors: Edwin K. Sloat

Forgotten Authors: Edwin K. Sloat

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Edwin K. Sloat

Edwin K. Sloat was born on March 1, 1895 in Denmark, Iowa.

The attended State Normal College in Edmond, Oklahoma (now University of Central Oklahoma), graduating in 1916. Following his graduation, he worked as a newspaperman, an employee of the post office, and as a band leader during World War I, in which he was a Musician 1st Class Petty Officer.

After the war, he married Corinne Evelyn Lake in 1922 and they had two sons, Jerry and Donald.

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Dark Muse News: Unearthing Black Gate, and the Cave of Wonders – Interviewing John O’Neill

Dark Muse News: Unearthing Black Gate, and the Cave of Wonders – Interviewing John O’Neill

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Issue and cover artists: 1  Keith Parkinson (2000), 4  Charles Keegan (2002), 10 Denis Rodier (2007), 12 Bruce Pennington (2008), 15 Donato Giancola (2011)

Learn the lore and allure of Black Gate!

Building on our June 2026 coverage of The Legend of Top-Shelf Books Open Mic, the near-mythical, yet true, confluence of many Black Gate contributors and authors, this Dark Muse News post corners Chief Editor John O’Neill to detail the history of the magazine. It’s over 25 years old!

I learned about Black Gate magazine in 2010 at the World Fantasy Convention, when Howard Andrew Jones espoused about it on a panel. I immediately ordered Issue #15, and then the print run ended! Eh gad. I was late for the party again! (Context in The Legend of Top-Shelf Books post).

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David C. Smith, Part 4: The Fall of the First World and Four Horror Novels

David C. Smith, Part 4: The Fall of the First World and Four Horror Novels

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The Fall of the First World trilogy by David C Smith, from Pinnacle Books (1983). Covers by Carl Lundgren and Kevin Johnson

David C. Smith also wrote a trilogy of fantasy novels under the collective heading of The Fall of the First World. These were all released in 1983 from Pinnacle Books and are:

1. The Master of Evil, January 1983. Cover by Carl Lundgren
2. Sorrowing Vengeance, September 1983. Cover by Carl Lundgren
3. The Passing of the Gods, December 1983. Cover by Kevin Johnson

This trilogy is less Sword & Sorcery and more High Fantasy, although it’s not exactly that either. It’s hard to categorize. In some ways, the political maneuverings in the series are a harbinger for later series such as Game of Thrones.

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Richard Stark’s Parker, Part 5: Payback

Richard Stark’s Parker, Part 5: Payback

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Payback: Straight Up Director’s Cut (Paramount direct-to-home-video, 2006)

Payback: Theatrical Cut and Straight Up (The Director’s Cut)

1999 theatrical release; recut, direct-to-home-video DVD in 2006. Written by Brian Helgeland (with Terry Hayes) and directed by Brian Helgeland (with Paul Abascal).

What is it?

Brian Helgeland (A Knight’s Tale; Man on Fire; the script for LA Confidential) wrote and directed this adaptation of The Hunter, the first novel in the Parker series, starring Mel Gibson.

As the film was nearing completion, test audiences reportedly reacted poorly to the ending. And yeah, it’s pretty dark and violent and certainly not the triumphant conclusion many Gibson fans were probably expecting. Consequently, Gibson and the studio removed Helgeland from the film. They brought in Terry Hayes to rewrite the ending and added Kris Kristofferson as a new “final boss” villain.

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A (Black) Gat in the Hand: Hammett & The Continental Op – Volume 4 (My intro)

A (Black) Gat in the Hand: Hammett & The Continental Op – Volume 4 (My intro)

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

Pulp Fest takes place in Pittsburgh first week of the month. It’s a really cool event, and the Hilton Doubletree is a nice site. Steeger Books rolls out its summer line at this event. And for the fourth year in a row, there was a new Continental Op collection, with a brand new intro by yours truly. Getting to write about Dashiell Hammett remains a definite thrill. This volume contains the first great hardboiled novel, Red Harvest. 

Unable to make a living writing for Phil Cody, Dashiell Hammett quit Black Mask – and the Pulps, entirely – after “The Creeping Siamese,” which appeared in the March 1926 issue. It was also the last story in Volume Three of this series.

Hammett had written some top-tier stories, such as “The Girl with the Silver Eyes,” and “The House in Turk Street.” But he was not yet THE Dashiell Hammett when he took a full-time job as advertising manager for Albert S. Samuels Co. Jewelers, in March of 1926. Hammett worked, drank, got a second apartment as a writing studio, and romanced the office secretary; all while his second child was being born. The stress was too much for his war-damaged lungs and he collapsed, coughing up blood. Unable to work full-time, he did free-lance advertising writing. He simply did not want to write fiction again. Enter Joseph ‘Cap’ Shaw.

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Ever After: John Crowley (December 1, 1942 – August 8, 2026)

Ever After: John Crowley (December 1, 1942 – August 8, 2026)

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John Crowley

John Crowley has died, at 83. He was my favorite living writer, and remains one of my favorite writers of all time. He was born in 1942 in Maine, and grew up in Vermont, Kentucky and Indiana. He went to Indiana University, then to New York, originally with a goal of working in film, and indeed he has written numerous scripts for documentary films. (At Indiana, he was a member of their 1961 GE College Bowl championship trivia team, making him probably the second most famous trivia player among SF writers who went to Indiana — behind Black Gate‘s own Steven H. Silver, two-time Jeopardy! champion.)

But his true calling was surely prose, and in 1975 he published his first novel, The Deep. A dozen more novels followed, including a four-book series collectively called Aegypt. He also published more than two dozen short stories, and many essays. He was a Professor of Creative Writing at Yale beginning in 1993. His wife, Laurie Block, is a documentary filmmaker.

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Into the Weird: Weird Tales, April 1923 (Volume 1, Number 2) Part 1

Into the Weird: Weird Tales, April 1923 (Volume 1, Number 2) Part 1

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Weird Tales, April 1923, front and back covers

The second issue of Weird Tales, on sale from March of 1923 through to April, looked much like the first: a pulp magazine roughly 6 and a half inches by 9 and a half, with 192 pages. The April issue was .75 of an inch shorter and half an inch narrower. The black-white-and-red cover was more striking than the previous issue’s, with the main image contained in a thick red frame, and the date and price more easily visible under the title. There was a new and smoother-looking logo. Unlike the first issue, this cover didn’t share a format with that month’s issue of Weird Tales’ older sister publication Detective Tales. Although to phrase it that way may be misleading; John Locke, in The Thing’s Incredible! The Secret Origins of Weird Tales, argues that what is referred to as the April/May 1923 issue of Detective Tales was actually an issue that came out in May which the publisher retroactively dated as a bimonthly issue, and if that’s so then there was no Detective Tales issue in April for the second issue of Weird Tales to parallel.

Either way, the cover’s about all you might hope for from a magazine called Weird Tales. Mysterious gigantic eyes stare out of darkness, while from just below them pink rays shoot out to strike a man who screams and throws out his hands. It’s not terribly sophisticated — background details are nonexistent or lost in the ink wash, and you can’t help but wonder if the mysterious creature in shadows is firing rays from its nostrils. But it is an image that tells you things supernatural and horrific lurk within these pages.

This post will take a look at the physical and editorial package of the second issue of Weird Tales, with an eye to tracking the magazine’s evolution. It’ll run long, because I’ve included numerous extracts from pulp magazine editorials — mostly for the sake of making an argument about how Weird Tales was positioning itself in its marketplace, but partly, I have to admit, for historical interest and potential amusement value.

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Vampires, Shoggoths, and the Monsters of the Suburbs: The Year’s Best Horror Stories XVI, edited by Karl Edward Wagner

Vampires, Shoggoths, and the Monsters of the Suburbs: The Year’s Best Horror Stories XVI, edited by Karl Edward Wagner

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The Year’s Best Horror Stories XVI (DAW Books, October 1988). Cover by J.K. Potter

The Year’s Best Horror Stories: XVI was the sixteenth in the lineup and the eighth volume edited by the great Karl Edward Wagner (d. 1994). This book was copyrighted and printed in 1988 and represents the best short horror in the field for 1987. After twelve straight covers with Michael Whelan’s art, we now have a new cover artist, American illustrator J. K. Potter (b. 1956).

If this were published today, I’d think we’d suspect the cover was AI-generated. It looks almost photographic; but rather than being scary, it seems a little silly to me. But it’s still a horrific scene and was also on the cover the convention booklet in 1986 for the 12th World Fantasy Convention (see below). I’m sure in the mid-1980s it was quite original.

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