The Golden Age of Science Fiction: Robert A. Heinlein: America as Science Fiction, by H. Bruce Franklin

The Golden Age of Science Fiction: Robert A. Heinlein: America as Science Fiction, by H. Bruce Franklin

Cover by Frank Kelly Freas
Cover by Frank Kelly Freas

The J. Lloyd Eaton Award was established in 1977 and initially was presented to the best critical science fiction book of the year. It was not presented in 1981, 1992, 1997, 1998, or 2000 and was put on hiatus after the 2001 awards were presented. When the award was started again in 2008, it was no longer given for a critical work, but rather for lifetime achievement. The award is presented at the annual Eaton Conference, held at the University of California at Riverside. The first Eaton Award was presented to Paul A. Carter in 1977 for his book The Creation of Tomorrow: Fifty Years of Magazine Science Fiction. In 1980, the winner was H. Bruce Franklin for his study Robert A. Heinlein: America as Science Fiction.

H. Bruce Franklin’s Robert A. Heinlein: America as Science Fiction was not the first book-length exploration of Heinlein’s life and writings, nor would it be the last, but it did take a unique view of Heinlein’s fiction, breaking his career into five segments and tying them to different aspects of American civilization.

Franklin opens his study with an exploration of Heinlein’s childhood, the small town of Butler, where he was born, and his father, uncle, and grandfather’s employment both there and in nearby Kansas City. Franklin isn’t merely giving background, but as he discusses Heinlein’s childhood, he ties the vicissitudes of his relative’s business ventures to Heinlein’s own take on the American dream and the way things work, or should work.

Once this background is out of the way, Franklin defines five periods of Heinlein’s writing, not only chronologically and thematically, but by tying each one to a specific period of American history. Heinlein’s earliest short stories, for instance, are linked to the Westward expansion and pioneer motif. The second period of Heinlein’s work was his emulation of the dime novels, when he was writing juvenile science fiction. This was followed by a third period which Franklin sees as mirroring the 1960s counterculture, during which Heinlein was writing. The seventies formed the fourth period with Franklin predicting a fifth period of Heinlein’s writing to kick off in 1980, the year following publication of Franklin’s study, with the publication of Heinlein’s own The Number of the Beast.

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Vintage Treasures: Infinite Dreams by Joe Haldeman

Vintage Treasures: Infinite Dreams by Joe Haldeman

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Cover by Clyde Caldwell

Joe Haldeman is chiefly known for his Hugo and Nebula award-winning novels, including The Forever War (1974), Forever Peace (1997), and Camouflage (2004). But he’s equally adept at shorter length, and in fact has been nominated for many major awards for his short fiction, including the novellas “Hero” and “The Hemingway Hoax,” and the stories “Tricentennial,” “Graves,” “None So Blind,” and “Four Short novels.”

Over the years I’ve hunted down several of his collections, including Dealing in Futures (1985), A Separate War and Other Stories (2006), and the huge retrospective volume from Subterranean Press, The Best of Joe Haldeman (2013). But I only recently became aware of his first collection Infinite Dreams, published in paperback by Avon in 1979 with a cover by popular TSR artist Clyde Caldwell.

Infinite Dreams gathers much of the best of his early short fiction, published 1972 – 1977 in magazines like Analog, Galaxy, F&SF and Cosmos, and anthologies like Damon Knight’s Orbit 11, and Kirby McCauley’s Frights. It contains “To Howard Hughes: A Modest Proposal,” “The Private War of Private Jacob,” “The Mazel Tov Revolution,” and his Hugo and Locus Award winner “Tricentennial.”

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Gremlins, Bizarre Capers, and Artifacts on the Moon: New Print Magazines in May

Gremlins, Bizarre Capers, and Artifacts on the Moon: New Print Magazines in May

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The May/June batch of print SF magazines has brand new fiction from a host of popular writers, including Carrie Vaughn, Ian R. MacLeod, Ted Kosmatka, Bill Johnson, E. Lily Yu, Harry Turtledove, Alec Nevala-Lee, Stanley Schmidt, Bud Sparhawk, Edward M. Lerner, Bruce McAllister (x2), Cynthia Ward, Marissa K. Lingen, Lavie Tidhar, Matthew Hughes, Tobias S. Buckell, Andy Dudak, and many others. Here’s editor Sheila Williams summation of the latest issue of Asimov’s SF.

May/June 2019 is powerhouse issue for novelettes. In his stunning story, Ted Kosmatka reveals the excruciating cost of “Sacrificial Iron” on an interstellar voyage; Asimov’s poet John Richard Trtek’s first prose piece for us is a lyrical tour de force about time travel and “Recrossing Brooklyn Ferry”; Ian R. MacLeod brilliantly conveys the tricks of a broken mind in “The Memory Artist”; and in his enjoyable romp, Bill Johnson escorts us to Canada and onto the Ship for some “Unfinished Business.”

Not to be outdone by the novelettes, Carrie Vaughn’s soaring novella investigates what’s up with “Gremlins.” We also have a full roster of exciting short stories. In Sean Monaghan’s new tale, a heart broken mother races against time while “Chasing Oumuamua”; new to Asimov’s author Rahul Kanakia looks at some timeless concerns in “The Intertidal Zone”; Jay O’Connell presents us with a bizarre caper wherein we discover that it’s “Not Only Who You Know”; Peter Wood explains why “Never the Twain Shall Meet”; and in her first tale for Asimov’s, Campbell-Award-winner E. Lily Yu examines “The Doing and Undoing of Jacob E. Mwangi.”

Robert Silverberg’s Reflections celebrates “Our Shaggy Cousins.” James Patrick Kelly’s On the Net commands us to “Fire the Canon!” In James Gunn’s Thought Experiment “Science Fiction Considers the Post Human” while Norman Spinrad’s On Books ponders whether writers can go “Beyond Mimesis?” Plus we’ll have an array of poetry and more features that you’re sure to enjoy.

And here’s Trevor Quachri on the new Analog.

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Lore Olympus: One of the 2019 Eisner Nominees

Lore Olympus: One of the 2019 Eisner Nominees

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I’ve been following webtoons.com on my phone’s app for a while and had Lore Olympus suggested to me many times because it is one of the most highly recommended. The thumbnail didn’t do much for me, but I recently decided to try it. The first episode is here. Oh my God…. It is so good!

In Lore Olympus writer/artist Rachel Smythe retells the Persephone-Hades story in the trappings of a modern urban fantasy. It is a full-on romance story, but also fully placed in the world of the gods and the nymphs and legends of ancient Greece, with cell phones, Fatesbook, cars and glitzy parties.

Nineteen-year old, over-protected Persephone is staying with Artemis while she starts university. They go to a party at Hera’s house, and only intend to stay for one drink, because Demeter, to protect her daughter, raised her in the mortal realm and Persephone is not used to any of the gods’ vast wealth. In her family, they make things.

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Kay Kenyon Wraps Up the Dark Talents Trilogy with Nest of the Monarch

Kay Kenyon Wraps Up the Dark Talents Trilogy with Nest of the Monarch

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Covers by Mike Heath

At the 2016 World Fantasy Convention I enjoyed a bunch of terrific readings, but my favorite — by a wide margin — was Kay Kenyon, who read from her  WWII spy novel At the Table of Wolves, the tale of a young English woman with superhuman abilities who stumbles on a chilling Nazi plan to invade England using superhuman agents. The sequel Serpent in the Heather arrived last year, and just last month the concluding volume in the trilogy, Nest of the Monarch, was published in hardcover by Saga Press. Kay’s Amazon bio has a nice summary of the entire series; here it is.

My trilogy, The Dark Talents novels finished in spring of 2019 with the publication of Nest of the Monarch. The series features Kim Tavistock, who deals with dark Talents, Nazi conspiracies, and espionage in 1936 England and Europe. Both Nest of the Monarch and At the Table of Wolves received starred reviews from Publishers Weekly.

In Book two, Serpent in the Heather, Kim must track down the Nazi assassin who is systematically killing young people with Talents. Kirkus called it “A unique concept that is superbly executed.” Book three brings Kim undercover in Berlin… I was inspired to write this series by the stories of the many women spies, radio operators and resistance fighters in the world wars. See my blog series, “Women spies in the World Wars” at www.KayKenyon.com.

Kay offers a great teaser for the closing volume at her website.

I wanted to pull out all the stops for what Kim Tavistock is capable of, and place the events of the book in the scariest environment I could imagine, at least for a spy: 1936 Berlin and a secret SS outpost. The result is my richest story yet, I’m thinking

Here’s the full description for Nest of the Monarch.

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Wordsmiths: Interview with Award-Winning Author Rebecca Roanhorse

Wordsmiths: Interview with Award-Winning Author Rebecca Roanhorse

New-Suns-Original-Speculative-Fiction-by-People-of-Color-smallerBeing a reviewer and interviewer definitely has its perks some days, especially when I get the chance for a one-on-one chat with one of my new favorite fantasy authors. I’ve mentioned Rebecca Roanhorse quite a bit in my column here, which made it extra exciting to be able to chat with her about her previous work and what might be on the horizon. Hope you enjoy!

ME: I read your story “Harvest” in New Suns: Original Speculative Fiction by People of Color and I loved the vague and unsettling nature of it, which is struck me differently than the other work of yours I’ve read. Can you tell me a little about where the idea for that came from, and how it developed?

REBECCA: Interestingly enough, I think “Harvest” has a lot in common with my other works. The style is more lyrical, but the themes it explores like identity and community are similar. Also similar is the exploration of what makes one a monster and what makes one human, and how sometimes the difference is a matter of perspective. I was also striving to capture a feeling in the story for the kind of love that leads to infatuation and self-destruction and whether that’s always a bad thing. And, of course, the ending of the story, much like “Welcome to Your Authentic Indian Experience(TM)” should call into question the protagonist as reliable narrator and what is real and what is not. To me, at least, it’s very much a “Roanhorse” kind of story.

Everything that I’ve read of yours — this story, “Indian Experience(TM)”, Trail of Lightning — carries undertones about a variety of indigenous issues. Why discuss these topics through fantasy as opposed to contemporary literature?

I’m a nerd. I’ve always been a Science Fiction and Fantasy (SFF) reader and writer from my earliest memories of reading Susan Cooper and Lloyd Alexander as a kid and then Eddings and Jordan and Herbert as I got into high school, and as an adult Butler and Le Guin, among many, many others. I’ve always written SFF, too, from my very first stories in middle school. It’s what I love. What else would I write?

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Goth Chick News: Strange Blood

Goth Chick News: Strange Blood

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As our friends over at The Nerdist pointed out, 2019 is seeing a resurgence in our favorite classic fiend, the vampire. Not those angsty, flannel-wearing lot from Seattle, but the old school leather and lace variety who unapologetically drink human blood. The kind who either haunt our nightmares or make us think maybe sunlight is overrated after all.

And that’s a big relief if you ask me.

So, know it or not, the timing was just about perfect for author Vanessa Morgan to come out with a compilation of the strangest of the strange vampire stories ever placed between covers.

Strange Blood brings together 71 essays from 23 countries, delving into the most offbeat and underrated vampire movies going back 90 years and right up to the present day. Titles include The White Reindeer (1952), Requiem for a Vampire (1971), Nadja (1994) and my person favorite, the Swedish version of Let the Right One In (2008) just to name a few.

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New Treasures: Sky Without Stars by Jessica Brody and Joanne Rendell

New Treasures: Sky Without Stars by Jessica Brody and Joanne Rendell

Sky Without Stars-smallNow here’s an interesting item. A fat, epic YA novel that reimagines Victor Hugo’s classic Les Misérables as a tale of revolution on the French planet of Laterre. Caitlyn Paxson at NPR calls it “kind of brilliant… a massive tome, full of twists and turns and a thousand agonies that propel its characters to their inevitable fates.” It arrived in hardcover from Simon & Schuster in March.

A thief.
An officer.
A guardian.

Three strangers, one shared destiny…

When the Last Days came, the planet of Laterre promised hope. A new life for a wealthy French family and their descendants. But five hundred years later, it’s now a place where an extravagant elite class reigns supreme; where the clouds hide the stars and the poor starve in the streets; where a rebel group, long thought dead, is resurfacing.

Whispers of revolution have begun — a revolution that hinges on three unlikely heroes…

Chatine is a street-savvy thief who will do anything to escape the brutal Regime, including spy on Marcellus, the grandson of the most powerful man on the planet.

Marcellus is an officer — and the son of a renowned traitor. In training to take command of the military, Marcellus begins to doubt the government he’s vowed to serve when his father dies and leaves behind a cryptic message that only one person can read: a girl named Alouette.

Alouette is living in an underground refuge, where she guards and protects the last surviving library on the planet. But a shocking murder will bring Alouette to the surface for the first time in twelve years… and plunge Laterre into chaos.

All three have a role to play in a dangerous game of revolution — and together they will shape the future of a planet.

Power, romance, and destiny collide in this sweeping reimagining of Victor Hugo’s masterpiece, Les Misérables.

Sky Without Stars was published by Simon Pulse on March 26, 2019. It is 582 pages, priced at $19.95 in hardcover and $10.99 for the digital version. The cover is by Billelis. Read the complete first chapter here.

The Golden Age of Science Fiction: Locus

The Golden Age of Science Fiction: Locus

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The Best Fanzine category was not one of the original Hugo categories in 1953, but was introduced at the second awards in 1955, when it was won by James V. Taurasi, Sr. and Ray Van Houten for Fantasy-Times. Since then, some version of the award has been a constant, with the exception of 1958, when the award was dropped. Although achievement in fanzines was recognized throughout the history of the Hugo Awards, the name of the away was in flux. Originally called the Hugo for Best Fanzine, in 1956 and 1957, the award was presented for Best Fan Magazine. The name then switched back and forth at random intervals between Best Amateur Magazine (in 1959, 63-64, 66, 72-75, 77-78) and Best Fanzine (the other years in that sequence) until it permanently became the award for Best Fanzine in 1979.

Locus was nominated for its first Hugo Award in 1970, losing to Richard E. Geis’s Science Fiction Review. It was then nominated every year until 1983 with the exception of 1979, winning the Hugo for Best Fanzine in 1971, 1972, 1976, 1978, and from 1980 to 1983 inclusive, at which time it was no longer eligible for the category with the creation of the Hugo Award for Best Semi-Prozine. During the 1970s and early 80s, Locus, which began in 1968 to promote the Boston bid for a Worldcon in 1971, which became Noreascon I, was becoming less and less of a fanzine, accepting advertisements and paying for content.

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A Medieval Synagogue in Toledo, Spain

A Medieval Synagogue in Toledo, Spain

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In my last post, I talked about an early Christian church and some Visigothic remains in Toledo in central Spain. Toledo was a mix of cultures during the Middle Ages, with Christian, Muslim, and Jewish communities all leaving their mark. The city is home to an excellent Sephardi Museum housed in a medieval synagogue.

The synagogue was founded in 1356 by Samuel ha-Levi Abulafia, Royal Treasurer to King Pedro of Castile and León. It was attached to Abulafia’s palace and intended as a private house of worship.

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