The Golden Age of Science Fiction: Don Maitz

The Golden Age of Science Fiction: Don Maitz

R. Bertram Chandler's The Far Traveler
R. Bertram Chandler’s The Far Traveler

C. J. Cherryh's Hestia
C. J. Cherryh’s Hestia

Jeff Rovin's Fantasy Almanac
Jeff Rovin’s Fantasy Almanac

The World Fantasy Awards are presented during the World Fantasy Convention and are selected by a mix of nominations from members of the convention and a panel of judges. The awards were established in 1975 and presented at the 1st World Fantasy Convention in Providence, Rhode Island. Traditionally, the awards took the form of a bust of H.P. Lovecraft sculpted by Gahan Wilson, however in recent years the trophy became controversial in light of Lovecraft’s more problematic beliefs. The Best Artist Award has been part of the award since its founding, when it was won by Lee Brown Coye. In 1980, the year Maitz received the award for his work, the convention was held in Baltimore, Maryland. The judges were Stephen R. Donaldson, Frank Belknap Long, andrew j. offutt, Ted White, and Susan Wood.

After graduating from the Paier School of Art in 1975, Don Maitz broke into the field with a black and white illustration for and ad that appeared in Marvel’s Kull and the Barbarians. In 1976, he provided the cover for the Science Fiction Book Club edition of Leigh Brackett’s The Book of Skaith: The Adventures of Eric Stark as well as books by L. Sprague de Camp, Lin Carter, and Lloyd Alexander.

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Power Couples in the World of Speculative Fiction: Jim Freund and Barbara Krasnoff

Power Couples in the World of Speculative Fiction: Jim Freund and Barbara Krasnoff

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Crowens: You guys are native Brooklyners, right?

Both: No.

Barbara: I’m the native Brooklyner. He’s from Queens.

Jim: I’m from Jackson Heights. She is from Canarsie… originally. It’s like the line from Captain America: Civil War when he meets Spider-man. Captain America is fighting him at the airport and says, “You’ve got heart, kid. Where are you from?” and Spider-man says, “Queens.” Captain America looks at him and says in a confrontational tone, “Brooklyn.”

(Laughs): That’s great.

Jim: Best line in the movie.

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A Medieval Castle and Spanish Civil War Bunker on the Outskirts of Madrid

A Medieval Castle and Spanish Civil War Bunker on the Outskirts of Madrid

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In a previous post about Spanish castles I wrote six years ago, I talked about the Castillo de Alameda de Osuna, a fifteenth-century castle on the northeastern fringes of Madrid. Back then it was rather neglected, standing as an enigmatic ruin in the middle of a field. Now it’s been restored and has opened as a museum.

The site first became important in the 12th century with the founding of two towns in the area, Barajas and La Alameda. Together they became the manor of the Mendoza family in 1369, only to be transferred to the Zapata family in 1406.

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Vintage Treasures: Emergence by David R. Palmer

Vintage Treasures: Emergence by David R. Palmer

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Cover by Jim Burns

The mid-80s were a good time to be a science fiction short story author. If you had a pair of popular tales in top-selling magazines like Analog or Asimov’s SF, that’s all it took to catapult you near the top of the field.

Take David R. Palmer, for example. His first published story, “Emergence,” was published in the January 1981 issue of Analog; it won the magazine’s Readers Choice awards, and was nominated for a Hugo Award for Best Novella. He followed it with his second (and last) short piece, the novella “Seeking,” in the February 1983 Analog, which also won the Analog award, and was nominated for both a Hugo and Locus Award for Best Novella. Palmer used the stories as the first two parts of his first novel Emergence (Bantam Spectra, 1984) and voila. He had a best seller.

Emergence made a major splash, especially for a first novel. It won the Compton Crook Award for Best First Novel, and was nominated for the Hugo, Locus, and Philip K. Dick Awards. The long-awaited sequel, Tracking, appeared 14 long years later. It was serialized in Analog magazine between the July and October issues, but has never been published in book form. In fact, other than a single follow up novel (Threshold, 1985), Palmer has never published another book — or short story, for that matter. Despite rumors over the years, he has yet to deliver on the astonishing promise of his first book.

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On Release Day for My Latest Novel, I Ponder My Inspirations

On Release Day for My Latest Novel, I Ponder My Inspirations

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Two weeks ago, John O’Neill was kind enough to publish in Black Gate my review of Guy Gavriel Kay’s newest novel A Brightness Long Ago. In the review, I mention that Guy Kay’s work has long been an influence and inspiration for my own. As John and I discussed what I might write for a post marking today’s release of my latest work, Time’s Demon, book two in my Islevale Cycle, he reflected on that line in my review and asked if I might want to put together a piece on the works that have shaped my writing and my career. This is why the man is a World Fantasy Award-winning editor.

Authors writing about our inspirations quickly find ourselves in tricky territory. The fact is that everything we read influences us, just as does every other thing we experience. Our creativity comes from a deeply personal place, and each of us is the sum of, among other things, our experiences, our emotions, the people with whom we interact, and, yes, the art to which we’re exposed. Anything I read can help to shape my work-in-progress – even the worst book ever penned might at least point me in the direction of things I don’t want to do with my next scene. So clearly, when we talk about our influences, we mean something deeper and more substantive.

Then there is the fact that many of our closest friends are also colleagues, and we don’t wish to offend with an act of omission. Again, all that I read influences me in some way, and I am constantly inspired by the talent, vision, and passion of writers I know and care about.

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Like a Phoenix from the Ashes, City of Heroes Returns!

Like a Phoenix from the Ashes, City of Heroes Returns!

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In the world of superheroes, nothing is less permanent than death. Just ask Superman; his demise in 1992 was one of the biggest news stories of the year, at least for the kind of easily bamboozled person who doesn’t actually read comic books (like the editors of Time Magazine). The more sophisticated were not fooled however, and rightly so. Superman was only in the ground for a little longer than your average basketball season.

This being so, it should come as no surprise that an entire universe of heroes and villains should return to life almost seven years after completely vanishing in a cataclysmic climax that can still bring tears to the eyes of those who were there at the end, but an enormous surprise it was. The comic book immortality principle notwithstanding, it really did seem as if that universe, the world of Paragon City and the Rogue Isles and the alternate dimension of Praetoria, was truly gone forever. But if comic books can teach us anything, it’s that the impossible is possible and that for the brave and pure of heart, no defeat is final.

In other words, City of Heroes, the legendary and beloved superhero MMORPG (that’s Massively Multiplayer Online Role-Playing Game, a phrase even uglier and more graceless than its acronym), which ran from April 28th, 2004 until it was shut down by NCSOFT on November 30th, 2012, is back!

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Hither Came Conan: The Khoraja Saga

Hither Came Conan: The Khoraja Saga

Hither_BlackColossusWTInterior1EDITEDDeuce Richardson will be looking into “Black Colossus” for Hither Came Conan. I wrote an essay last year for my friend James Schmidt’s Mighty Thor JR’s blog, looking at the expanded saga of the gem from that story. Surprisingly, it made the Preliminary List for the Robert E. Howard Foundation Awards! I’ve since read more Conan pastiches involving Khorajan affairs, and I expanded the original essay. So, here’s the updated version. My thanks to James for letting me appear over at his blog.

Robert E. Howard was a master worldbuilder, as Jeffery Shanks wrote about over at Black Gate for the Discovering Robert E. Howard series. The history of Hyboria is sprinkled throughout his Conan tales, creating a vast backdrop, in both time and place. Conan’s own Cimmeria, Set-worshipping Stygia, the jungles of the Picts, mighty Aquilonia, fallen Acheron: it’s really amazing the depth and breadth that Howard created in the short story format (there was one novel, Hour of the Dragon, which drew on existing short stories – an approach used by Raymond Chandler a few years later: he called it ‘repurposing.’)

Khoraja is a small nation southeast of Koth. It isn’t one of the great countries of Hyboria, but it sat front and center for “The Black Colossus.” “Colossus” was the fourth published story to feature the Cimmerian, and one of five to find its way to print in Weird Tales in 1933. Editor Farnsworth Wright had rejected two others (“The Frost Giant’s Daughter” and “The God in the Bowl“) that would have added to that total. But before Conan enters the story in Khoraja, we get a little history from Howard.

Shevatas the thief is exploring the ruins of Kutchemes, once a great city and part of Stygia when its borders extended far beyond their present state (‘present’ in the Conan stories, that is…). Prior to Shevatas actually doing anything, we get this from Howard:

Eastward, Shevatas knew, the desert shaded into steppes stretching to the Hyrkanian kingdom of Turan, rising in barbaric splendor on the shores of the great inland sea. A week’s ride northward the desert ran into a tangle of barren hills, beyond which lay the fertile uplands of Koth, the southernmost realm of the Hyborian races. Westward the desert merged into the meadowlands of Shem, which stretched away to the ocean.

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There’s a Lifetime of Reading in DAW Omnibus Volumes

There’s a Lifetime of Reading in DAW Omnibus Volumes

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DAW Books was founded in 1971 by uber-editor Donald A. Wollheim after he left Ace Books. In the last five decades it’s published almost two thousand science fiction and fantasy novels (W. Michael Gear’s Pariah, released on May 14, is Daw Book #1823), and it has launched the careers of hundreds of writers, including C. J. Cherryh, Julie E. Czerneda, Patrick Rothfuss, Tad Williams, Kristen Britain, Melanie Rawn, Violette Malan, and Tanith Lee.

Right. So there’s lots of reasons to love DAW Books. But here’s another one you may not be aware of: it has a fascinating tradition of re-releasing much of its most popular SF and fantasy in compact and affordable paperback omnibus editions. In fact, of those 1800 DAW titles released since 1971, nearly a hundred are omnibus editions, many of which are still in print.

Hard to believe? I didn’t believe it myself until I found all three of the omnibus collections above in a recent trip to my local B&N and, after I brought them home, began to poke around to see just how many others were still available. I counted well over 50 without even trying. Here they are.

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The Golden Age of Science Fiction: Star Wars

The Golden Age of Science Fiction: Star Wars

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The Balrog Award, often referred to as the coveted Balrog Award, was created by Jonathan Bacon and first conceived in issue 10/11 of his Fantasy Crossroads fanzine in 1977 and actually announced in the final issue, where he also proposed the Smitty Awards for fantasy poetry. The awards were presented for the first time at Fool-Con II at the Johnson County Community College in Overland Park, Kansas on April 1, 1979. The awards were never taken particularly seriously, even by those who won the award. The final awards were presented in 1985. The Film Hall of Fame Awards were not presented the first year the Balrogs were given out, being created in 1980. The SF Film Hall of Fame was given to two films each in its first and final years.

George Lucas’s film Star Wars isn’t just a film, it is a cultural phenomenon that has much longer tendrils than most people realize. Star Wars and its sequels have touched all aspects of film making, marketing, computing, culture, and more. A list of the companies that were founded because of Star Wars’s success is absolutely staggering. Obviously, there was LucasArts, ILM, Lucasfilm Animation, Skywalker Sound, Pixar, THX, Kerner Optical, and dozens more. The massive footprint of Star Wars makes it a little difficult to write about in the same way other articles in the series are structured.

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Back Deck Pulp Returns!

Back Deck Pulp Returns!

Deck_SetupEDITEDGood reader, we are, of course, friends. But some of you are closer friends than others. By that, I mean that in our social media-addicted culture, I am referring to Facebook, naturally. I was slow to join FB, and it can often be bad. Or, often for me, something to simply ignore. But as a writer (lower case ‘w’) and Reader (upper case ‘R’), I do discuss topics of interest with a wide range of knowledgeable folks. And naturally, I promote Black Gate and my blogging here. So, it has its uses.

Last year, from May 14th to December 31st, I wrote a hardboiled/pulp column, with a little help from some friends. It was called A (Black)  Gat in the Hand (if you don’t know the reference, go read some Raymond Chandler). And over on Facebook, I made a bunch of related posts under the moniker, Back Deck Pulp. I sat on my nice back deck and read pulp. Then I posted snippets of interesting (to me) info on said story, author, whatever.

I shared some neat info on pulp and hardboiled stuff worth reading. And I included a picture of the subject. There was so much great art with that old pulp stuff. I posted a LOT of Back Deck Pulp (which people did seem to like…). So much, that I collected the entries and came up with six whole A (Black) Gat in the Hand posts!

Well, A (Black) Gat in the Hand is making a return appearance this summer, while I continue to work on my next Robert E. Howard/Conan series. And once again, I’ve got some seriously talented guest posters lined up, so at least a few essays will be good. So, naturally, Back Deck Pulp is back in business! I’ve got the patio furniture out and I’ve started doing my research.

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