Black Gate – Page 287 – Adventures in Fantasy Literature

Ramblings on REH (Encore Appearance)

Monday, June 24, 2019 Bob Byrne Comments 2 comments

Due to some difficulties, I do not have a Hither Came Conan essay ready to run today. I hope to have one next week. And, work is brutal at the moment. Also, as this post goes live, I am on day three of a four-day camping trip with my son. So I did not have time for an original Conan essay — or even a new A (Black) Gat in the Hand post, either. So, from waaay back on August 10, 2015, here’s one of the very first REH-related posts I wrote here at Black Gate. I think the first was a review of Harry Turtledove’s middling Conan of Venarium.

I was an REH neophyte at the time: I’ve learned a LOT since then. I do plan on expanding on the Howard/Hammet similarity some day. I saw that from the very beginning. Since you probably missed this post the first time around, read on!

In a way, Robert E. Howard’s career is similar to that of Dashiell Hammett. Both men had huge impacts on their genres (Howard wrote many styles, but he’s best known for his sword and sorcery tales). Both were early practitioners in said genres. Both men wrote excellent stories for about a decade. And both men ended their careers on their own.

Hammett, who seemed more interested in a dissolute lifestyle than in writing, effectively walked away from his typewriter. He wrote his last novel in 1934 (The Thin Man) but produced literally nothing for the remaining twenty-five years of his life. He could have gone back to writing the hard-boiled stories that made his career, but he voluntarily ended his writing life.

In 1936, Howard’s mother was failing in a coma. He walked outside to his car, pulled out a gun and killed himself. His writing career was more effectively finished than Hammett’s would be.

Both were supremely skilled writers who chose to deprive the world of their talent and left decades of stories unwritten. But there was a key difference between the two. From the beginning, Hammett was acclaimed and recognized as the leader in his field. Though Carroll John Daly came first (barely), there is no comparison between the two in critical view.

Howard was not critically lauded. His first Conan tale, “The Phoenix on the Sword” (a rewriting of the Kull story, “By This Axe I Rule!”), appeared in Weird Tales in December of 1932. The next two Conan tales were outright rejected!

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The Golden Age of Science Fiction: Alien

Sunday, June 23, 2019 Steven H Silver Comments 2 comments

The Best Dramatic Presentation category was not one of the original Hugo categories in 1953, but was introduced in 1958, when it was won by The Incredible Shrinking Man. No Award won in 1959 followed by three years of The Twilight Zone and another No Award. The Award, called variously Best Dramatic Presentation and Best SF or Fantasy Movie, was given out annually from 1958 through 2002 when it was split into two categories, one for Short Form and one for Long Form. In 1980, the Hugo Award was presented at Noreascon Two in Boston, Massachusetts on August 31.

In 1972, the British Fantasy Society began giving out the August Derleth Fantasy Awards for best novel as voted on by their members. In 1976 the name was changed to the British Fantasy Award, although the August Derleth name was still the name for the Best Novel Award. A category for Best Film was created in 1973 and ran years until 1990 and has not been replaced. In 1980, the awards were presented at Fantasycon VI in Birmingham.

Stanley Kubrick’s 2001: A Space Odyssey was released in 1968. Eleven years later, Ridley Scott released Alien. Although one is generally thought of as a spiritual science fiction film and the other is a science fiction horror film, there are similarities between the two.

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Vintage Treasures: Perilous Planets, edited by Brian Aldiss

Saturday, June 22, 2019 John ONeill Comments 5 comments

Cover by Alex Ebel

In the days when I was first discovering science fiction, there were a number of seminal books that helped lead me along the path to becoming a collector. These were the tantalizing artifacts that taught me that SF and fantasy tended to come in a series, just like the comics I collected in my youth. And this — in the days when completing a series meant questing through bookstores, instead of simply ordering online — added a delicious element of uncertainty and desire to my new hobby.

I knew that my favorite books as a kid, like Alfred Hitchcock and the Three Investigators and Perry Rhodan, were packaged as a series, and I was comfortable with the concept. When it gradually dawned on me that adult SF books, like Asimov’s Foundation series, Herbert’s Dune, The Lord of the Rings, and others, were series as well, I took to science fiction like a fish to water.

SF publishers understood this simple reading mentality of course, and frequently took advantage of it, packaging books that often had only nebulous connections into virtual series. Some were more successful than others. One of my favorite examples is the late 70s SF anthology series from Avon Books, all published with gorgeous wraparound covers by Alex Ebel. Avon found four Brian Aldiss anthologies published by Weidenfeld & Nicolson in the UK, and repackaged them with similar covers across the pond: Galactic Empires Volume One (1979), Galactic Empires: Volume Two (1979), Evil Earths (1979), and Perilous Planets (1980).

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Tor.com on Robert E. Howard’s First (and Best?) Barbarian

Friday, June 21, 2019 John ONeill Comments 1 comment

Kull the Fabulous Warrior King (Bantam, 1978). Art by Lou Feck

Rogue Blades Entertainment mastermind Jason M Waltz tipped me off to this article at Tor.com this morning, saying,

A decent article, even well-argued, but I disagree Kull is the better barbarian. Kull is the precursor to the culmination that is Conan; without Kull, Conan would be a lesser creation. Yet I enjoyed the article.

The piece itself, by Alan Brown, is a thoughtful look at one of Robert E. Howard’s early creations, and a great intro to a fascinating character, especially for those chiefly familiar with Howard through his later Conan tales.

The Kull stories marked the first time that Howard created an entire quasi-medieval world from whole cloth. While the various races and tribes bear some resemblance to peoples who inhabit the world today, he portrayed a time before the great cataclysm that caused Atlantis to sink, when even the shape of the land was different, a time when pre-human races still walked the Earth. Kull is an Atlantean barbarian who from his earliest days harbored an ambition that set him apart from his fellow tribesmen. A large, quick man, often compared to a tiger, he is powerful yet lithe, with dark hair and grey eyes, and a complexion bronzed from a life in the sun. He had been a warrior, galley slave, pirate, mercenary, and general before seizing the throne of Valusia from the corrupt King Borna. While a mighty warrior, Kull also has a whimsical and inquisitive side. He could be kind and sensitive, and is fascinated by the metaphysical.

Read the entire piece here.

Goth Chick News: The Time We Went on the Mother of all Haunted House Bus Tours

Thursday, June 20, 2019 Sue Granquist Comments 0 Comment

Though there is no denying that the opportunity to talk to you about my favorite genre each week is in general the most awesome job ever, there are certain Goth Chick News situations which transcend awesomeness into full-on unbelievable. Just such a situation occurred last week when Black Gate photog Chris Z and I were invited to join the Midwest Haunters Convention’s pre-convention, haunted house bus tour.

The MHC, which unlike the HAA is open to the public, is a show we’ve talked about covering for years, but until 2019 it had been held in Columbus, OH. That meant signing up to a 12-hour round trip car journey, which in and of itself isn’t horrible, until we considered the sort of overnight accommodations our Black Gate expense account would allow us… in Columbus, OH. While we were considering the viability of sleeping in the car, the show organizers, Transworld, made the incredibly convenient decision to move the MHC to a Chicago suburb.

Insert fan-girl squee here.

In advance of the show, MCH organized a Haunted House Bus Tour consisting of a 13-hour odyssey to visit four of the top, professional haunts in Chicagoland. These attractions would be fully staffed and operational (on a Thursday in June by the way) for the enjoyment of the guests who would experience each of them twice; once as visitors do during “the season” in October, and once with the lights turned on and all the magic revealed.

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The Adventure Stories We’ve Needed: Crossbones & Crosses: An Anthology of Heroic Swashbuckling Adventure, edited by Jason M Waltz

Thursday, June 20, 2019 John ONeill Comments 4 comments

Art by Dieder Normand

There’s been no shortage of publishing events in 2019, but one of the most exciting for me personally has been the return of Rogue Blades Entertainment.

In its heyday about a decade ago, RBE was well on the way to becoming the most important adventure fantasy publisher in the US. With a back catalog that included Writing Fantasy Heroes (which included contributions from luminaries such as Steven Erikson, Brandon Sanderson, Orson Scott Card, Glen Cook, and Howard Andrew Jones), and hit anthologies like Rage of the Behemoth (2009) and Demons (2010), it had built a loyal customer base and a stellar reputation. Then the creative mastermind behind Rogue Blades, Jason M Waltz, scaled back operations to make certain they could reliably deliver on their long-term commitments.

It was a strategy that paid off. The contest anthology Challenge! Discovery, RBE’s first new book in four years, appeared in 2017, and Crazy Town, a brand new anthology of hard boiled tales, arrived to wide acclaim in November. And the book I’ve really been waiting for, Crossbones & Crosses, an anthology of Heroic Swashbuckling Adventure, was published just last month with a stellar cover by artist Dieder Normand.

Crossbones & Crosses is a collection of new and reprint tales of swashbuckling historical adventure featuring pirates and crusaders. Contributors include Howard Andrew Jones, Keith Taylor, C.L. Werner, and many others. Here’s a snippet from Keith West’s review at Adventures Fantastic.

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IMHO: A Personal Look at Dystopian Fiction — Part Two: J.G. Ballard

Wednesday, June 19, 2019 Joe Bonadonna Comments 3 comments

For the sake of this article, and not wanting to rely on memory alone, I’ve used a brief synopsis of each novel mentioned here, courtesy of Wikipedia.

If you read Part 1 of this article you’ll know about some of the older novels of dystopian fiction upon which I grew up, novels that surely inspired many other writers… novels I’d hate to see get tossed in a pile or in a corner to collect dust with all the other forgotten novels. Today I’m going to talk about one writer in particular: J. G. Ballard.

Ballard’s memoirs of being a kid during WWII were made into a fairly good film by Steven Spielberg, starring Christian Bale when he was just a kid: Empire of the Sun. Film director David Cronenberg turned Ballard’s strange, erotic and haunting novel Crash into a strange, erotic and haunting film. I’ve read most of Ballard’s short stories, and a number of his other novels, but my personal favorites are his Quartet of Elemental Apocalypse, as one critic dubbed the series. To me, they truly depict dystopian futures. Ballard had a great talent for creating interesting, believable characters, making his stories more character-driven than plot- or action-driven. He excelled at pitting ordinary people against extraordinary odds, and his plots contained many an unexpected twist and turn.

The Wind from Nowhere is Ballard’s debut novel published in 1961; he had previously published only short stories, which I also highly recommend. This is the novel that launched his apocalyptic quartet — his “series” dealing with scenarios of natural disasters. In this novel, civilization is reduced to ruins by prolonged worldwide hurricane force winds. As an added dimension, Ballard explores how disaster and tragedy can bond people together in ways that no normal experiences ever could.

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A Whole World of Metal Men?

Wednesday, June 19, 2019 Steve Carper Comments 0 Comment

“Creaking painfully, its joints rusty, the last robot to survive the civilization which man is making to replace the dwindling crop of babies, would crawl along to a heap of scrap-iron, the cemetery for defunct robots.

“Rain, ceaseless torrents of rain, would bring the germs of the only disease which could possibly affect a mechanical man: Rust.”

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The Golden Age of Science Fiction: Night Shift, by Stephen King

Wednesday, June 19, 2019 Steven H Silver Comments 4 comments

The Balrog Award, often referred to as the coveted Balrog Award, was created by Jonathan Bacon and first conceived in issue 10/11 of his Fantasy Crossroads fanzine in 1977 and actually announced in the final issue, where he also proposed the Smitty Awards for fantasy poetry. The awards were presented for the first time at Fool-Con II at the Johnson County Community College in Overland Park, Kansas on April 1, 1979. The awards were never taken particularly seriously, even by those who won the award. The final awards were presented in 1985. The Balrog Award for Collection/Anthology was presented each year that the awards were active.

The stories in Night Shift cover a period from the late 1960s through 1976, a time when King was maturing as an author and finding his own voice as well as becoming a best selling author. Many of the stones in Night Shift would form the basis of novels and films, notably “Jerusalem’s Lot,” “Lawnmower Man,” “children of the corn,” and “Graveyard Shift.”

King opens The collection with “Jerusalem’s Lot,” which was a previously unpublished version of his novel Salem’s Lot. Although King comments that the story has a basis in Bram Stoker’s Dracula, it’s even more obvious antecedents are the works of H. P. Lovecraft. Even as King tries to emulate Lovecraft’s style, he never quite captures it, making the story of The Boone family in Maine feel overwritten rather than chilling. By the time King gets to “The Man Who Loves Flowers,” he has discovered that a more naturalistic world provides the opportunity for much more chilling horror. The fantastic creatures of “Jerusalem’s Lot” could only happen in fiction or dreams, but the sociopathic horror of kings’ protagonist in he later story could be anyone the reader meets on the street.

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New Treasures: The Affair of the Mysterious Letter by Alexis Hall

Tuesday, June 18, 2019 John ONeill Comments 2 comments

The Affair of the Mysterious Letter-small

The Affair of the Mysterious Letter-back-small

Have you ever picked up a book in a bookstore and known instantly it was coming home with you? That’s exactly what happened with The Affair of the Mysterious Letter by Alexis Hall when I plucked it off the shelf on Saturday. Glancing over the top-rated Amazon reviews (kimbacaffeinate sums it up as a “Sherlockian based tale set off planet and filled with magic, vampires, gods and limitless worlds,” and Sherry M. calls it “Clever and very funny queer mashup of Holmes/weird fantasy”) when I got home reassured me I’d definitely made a wise purchase.

But it was this blurb from Ruthanna Emrys, author of Winter Tide and Deep Roots, that convinced me I’d found my reading project for the week.

This book is so far up my alley that I discovered new, non-euclidean corners of the alley that I didn’t previously know existed. The world has heretofore suffered from a sad lack of queer consulting sorceresses, prudish-yet-romantic Azathoth cultists, existentially surreal urban planning, and post-colonial Carcosan politics.

Alexis Hall pays homage to Sherlock Holmes with a new — very new — twist on some of the most famous characters in literature, in a book that’s equal parts homage to Arthur Conan Doyle and H.P. Lovecraft. The Affair of the Mysterious Letter is not the kind of book I expect to see from Ace Books these days, but that’s their logo right there on the spine. It was published by Ace on June 18, 2019. It is 340 pages, priced at $16 in trade paperback and $9.99 in digital formats. The cover was designed by Adam Auerbach. Read the first six chapters (29 pages) here.