New Treasures: Reentry by Peter Cawdron

New Treasures: Reentry by Peter Cawdron

Retrograde Peter Cawdron-small Reentry Peter Cawdron-small

I missed Peter Cawdron’s Retrograde when it was released by John Joseph Adams Books last year. But I received a review copy of Reentry, became immediately intrigued, and eventually figured out it was a sequel. Here’s what Publisher’s Weekly, clearly more on the ball than I, said about the first novel.

Post-apocalyptic disaster meets fractured utopian space exploration in this terrifying tale, which Cawdron sets in a scientific outpost on Mars. Geologist Liz inhabits one of four subterranean modules built through massive cooperation among earth’s space agencies. Hazy news of a widespread nuclear war back home sends the astronauts into paranoid seclusion… This tense cat and mouse game plays off fears of self-aware computers to satisfying result.

Here’s the publisher’s description for Reentry.

After almost dying on Mars, astronaut Liz Anderson returns to Earth, but not to a hero’s welcome. America is in turmoil. The war is over, but the insurgency has just begun. So while life on Mars may have been deadly, at least up there she knew who the enemy was. Along with her, Liz has brought the remnants of the artificial intelligence that waged war on two planets. Buried somewhere deep within the cold electronic circuits lies the last vestiges of her dead partner Jianyu. Liz is torn, unsure whether he’s somehow still alive in electronic form or just a ploy by an adversary that will go to any length to win. Heartbroken and treated with suspicion, she finds herself caught up in the guerrilla war being waged on Earth, wondering if the AI threat is truly gone, or if it has only just begun.

Now all that’s left to decide is which one to read first. Here’s the complete publishing details.

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Wordsmiths: Live Interview with Ada Palmer at ConFusion 2019!

Wordsmiths: Live Interview with Ada Palmer at ConFusion 2019!

Too Like the Lightning-small Seven Surrenders-small The WIll to Battle-small

It’s been a while since I’ve posted a live interview! Back in January, I had the pleasure of attending ConFusion, Michigan’s annual conference for authors and fans of science fiction, fantasy and horror. If you’ve never been, I highly suggest you check it out; it’s become one of my top two U.S. cons for writers (alongside Readercon) and is always a ton of fun.

Like in 2018, the con-com let me sit down for a live interview with one of their GoHs, in this case the talented and insightful Ada Palmer. If you’re unfamiliar with her, Palmer is the author of the Terra Ignota series, which started in 2016 with Too Like the Lightning and is planned to conclude with book four, Perhaps the Stars, in 2020. Lightning earned Palmer the Campbell Award for Best New Writer in 2017, and it was also nominated for the Hugo. It is an intricate, literary exploration of a future Earth shaped by the end of nation states and a set of Universal Laws.

I’ve gotten very lucky in who I’ve been able to interview lately, but talking with Palmer was fascinating. In 50 minutes we barely scratched the surface of what I wanted to discuss, and we easily could have continued for another couple of hours, mostly so I could keep learning. I hope you enjoy the interview below and encourage you to check out her work.

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Goth Chick News: At the Midwest Haunters Convention

Goth Chick News: At the Midwest Haunters Convention

Goth Chick Midwest Haunter's Convention 2019-small

For the past 30 years, TransWorld Tradeshows LLC has hosted the Haunted Attractions Association show (HAA) where professional haunt content providers come together to show off their new offerings. Though 2019 actuals aren’t yet available, an estimated 9,000 guests from around the world piled into the St. Louis America’s Center, which has hosted the HAA for the past 10 years.  The tradeshow floor space itself has tripled since the show moved to St. Louis from Chicago in 2009, which is understandable when you think about Halloween now being a $9 billion industry, with most of that money being made in the month of October.

And though the HAA is the largest event of its kind, it requires professional credentials to attend; credentials Black Gate’s ‘big cheese’ John O. is more than happy to give us, ensuring that for two days every February, BG photog Chris Z. and I will be out of the office, enabling the ‘upstairs staff’ to smoke cigars indoors and hold their annual strip D&D game.

Don’t ask.

However, this has left Chicago bereft of a significant haunt-industry trade show. TransWorld’s other big event, the Midwest Haunters Convention (MHC) which unlike the HAA is open to the public, is a show we’ve talked about covering for years, but it was held in Columbus, OH. That meant signing up to a 12-hour round trip car journey, which in and of itself isn’t horrible, until we considered the sort of overnight accommodations our Black Gate expense account would allow us… in Columbus, OH. While we were considering the viability of sleeping in the car, Transworld made the incredibly convenient decision to move the MHC to a Chicago suburb.

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Vintage Treasures: Pilgrims through Space and Time: A History and Analysis of Scientific Fiction by J. O. Bailey

Vintage Treasures: Pilgrims through Space and Time: A History and Analysis of Scientific Fiction by J. O. Bailey

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Cover by Ronald Clyne

You never know what strange wonders you’ll find at the Windy City Pulp and Paper Show. This year, among many other treasures on the $1 table, I found a coverless copy of J. O. Bailey’s 1947 nonfiction tome Pilgrims through Space and Time, which grew out of his 1934 Ph.D. thesis at the University of North Carolina.

You’d think a dissertation would be too dry to become a classic of genre (and in most cases you’d be right), but this was one popular enough to inspire the Pilgrim Award, given annually by the Science Fiction Research Association for contributions to the study of SF. It was first given to Bailey in 1970, and is still awarded today. Recipients have included Jack Williamson, Damon Knight, James E. Gunn, Brian W. Aldiss, Sam Moskowitz, Gary K. Wolfe, Joanna Russ, John Clute, L. Sprague de Camp, Brian Stableford, Mike Ashley, Gary Westfahl, Gérard Klein, Algis Budrys, and Pamela Sargent.

Pilgrims is a little dry for light reading, but I did find Bailey’s discussions of Lovecraft (“splendid”), and the pulp stories of Stanton Coblentz, Ray Cummings, A. Hyatt Verrill, John Taine, and others, to be entertaining enough to make me want to pick up some of my favorite pulp anthologies again — and maybe look at them in a new light.

Thomas Clareson, in his 1972 foreword to the Greenwood Press reprint edition, did a fine job summarizing the importance of this book to early SF scholarship. Here’s what he said.

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The Golden Age of Science Fiction: Michael Whelan

The Golden Age of Science Fiction: Michael Whelan

Wonderworks
Wonderworks

A Princess of Mars
A Princess of Mars

The Gods of Mars
The Gods of Mars

The Best Artist category was not one of the original Hugo categories in 1953, but was introduced at the second awards in 1955, when it was won by Frank Kelly Freas. Since then, some version of the award has been a constant, with the exception of 1957, when the award was not presented. Originally called the Hugo for Best Artist, it eventually became the award for best Professional Artist when the Best Fan Artist award was introduced in 1967. Michael Whelan won his first award in 1980, beginning a seven year run of winning the award. He eventually won the award thirteen times, most recently in 2002, along with two other Hugo Award for Best Nonfiction Book (in 1988) and the first award for Best Original Artwork (in 1992). He has been nominated for the Hugo a total of 31 times.

The Locus Awards were established in 1972 and presented by Locus Magazine based on a poll of its readers. In more recent years, the poll has been opened up to on-line readers, although subscribers’ votes have been given extra weight. At various times the award has been presented at Westercon and, more recently, at a weekend sponsored by Locus at the Science Fiction Museum (now MoPop) in Seattle. The Best Artist award dates back to 1974, although in the three previous years, a Best Paperback Cover Artist award was presented and in the previous two years a Best Magazine Artist awards was presented. The first Professional Artist award was won by Frank Kelly Freas. Michael Whelan won his first award in 1980, beginning a twenty-one year run of winning the award. He eventually won the award thirty times, with one additional win for Best Art Book in 1994. In 1980. The Locus Poll received 854 responses.

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You’re Gonna Need a Bigger Bookshelf: John DeNardo on the Best June Science Fiction & Fantasy

You’re Gonna Need a Bigger Bookshelf: John DeNardo on the Best June Science Fiction & Fantasy

The Girl in Red Christina Henry-small The Iron Dragon's Mother Michael Swanwick-small Wastelands The New Apocalypse John Joseph Adams-small

It’s been a while since we’ve checked in with John DeNardo, the most well-informed man in science fiction (way back in March, if you must know, when he recommended Titanshade and A Memory Called Empire to us.) John never slows down, and at the beginning of the month he surveyed the best new science fiction and fantasy arrivals in his regular column at Kirkus Reviews. Here’s a few of the highlights, starting with a post-apocalyptic version of Little Red Riding Hood from Christina Henry.

The Girl in Red by Christina Henry (Berkley, 304 pages, $16.00 in trade paperback/$11.99 digital, June 18, 2019)

With The Girl in Red, Christina Henry one again proves that retellings don’t necessarily lack originality. (Her previous re-spins of classic stories include 2015’s Alice, 2016’s Red Queen, 2017’s Lost Boy, and 2018’s The Mermaid.) In this post-apocalyptic take on Little Red Riding Hood, a Crisis has decimated much of the world population, forcing survivors to huddle in quarantine camps. But that doesn’t mean that the woman in the red jacket is helpless against the new kind of monster that the Crisis has created.

Next up is Michael Swanwick’s long-awaited sequel to his World Fantasy Award nominee The Iron Dragon’s Daughter (1993), which came in #2 in the voting for the Locus Award for Best Fantasy Novel, and The Dragons of Babel (2008).

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A Mashup of Firefly, The Rowan, and Star Wars: Aurora Rising by Amie Kaufman and Jay Kristoff

A Mashup of Firefly, The Rowan, and Star Wars: Aurora Rising by Amie Kaufman and Jay Kristoff

Aurora Rising-smallThe spaceship disintegrates around Tyler, sagging and rupturing, giving way to the void. He’s going to die out here in hyperspace, taken out by one of its freak Foldstorms.

He isn’t supposed to be here. It’s the night before the Draft, and he should be sleeping, preparing to tap the team he wants. As the top-ranked Alpha in the League, he’s got the strongest draft picks of anyone.

But he couldn’t sleep. And then the distress call came in.

Everyone knows that the Hadfield colony ship was lost more than two hundred years ago. But somehow, impossibly, it shows up on radar. And according to the initial scan, it contains tens of thousands of corpses, but also a single heat signature…

Somewhere deep in the hold of the Hadfield, someone’s alive.

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Future Treasures: Priest of Lies, Book II of War for the Rose Throne by Peter McLean

Future Treasures: Priest of Lies, Book II of War for the Rose Throne by Peter McLean

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When you’ve been reading fantasy as long as I have, you get used to hyperbolic praise plastered all over book covers. But even so, you don’t see the kind widespread acclaim that was heaped on the opening novel in Peter McLean’s new fantasy series last year, Priest of Bones.

Booknest called it “Absolutely sensational… Low Fantasy at its finest, and I wouldn’t hesitate to call it the Fantasy Debut of the Year,” and Fantasy Book Review said, “I can safely say that this will be the book dark fantasy and grimdark fans will be raving about at the end of this year.” Even Booklist raved, proclaiming it “A pitch-perfect blend of fantasy and organized-crime sagas like Puzo’s The Godfather… Expect word of mouth support from fantasy fans to turn this one into a genre hit.” But I think my favorite came from Publisher’s Weekly, with their usual economy:

Tomas Piety [is] a nefarious crime lord turned priest. After being away at war for many years, Tomas comes back to find that Ellinburg is changed… With his gang of Pious Men, Tomas embroils himself in cutthroat politics and epic barroom brawls to win back the city that once was his… Anyone itching to read a high-stakes story should pick up this delightful combination of medieval fantasy and crime drama.

Read the complete PW review here.

The second book in the series, Priest of Lies, is one of the most anticipated books of the year. It arrives in trade paperback from Ace Books next week. Here’s the description.

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Alien Artifacts, Cosmic Mystery, and an Impossible Murder Weapon: July/August Print Magazines

Alien Artifacts, Cosmic Mystery, and an Impossible Murder Weapon: July/August Print Magazines

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Nick Wolven and Leah Cypess both have stories in Asimov’s SF and Analog this month, which is quite an accomplishment. Chris Willrich, whom BG readers will remember from his story “The Lions of Karthagar” in Black Gate 15, has a short story in Asimov’s, with the intriguing title “Fragments from the Library of Cygnus X-1.”

Asimov’s also manages to cram two long novellas in the July/August double issue, by Suzanne Palmer and Tegan Moore, alongside fiction by Ian McHugh, Harry Turtledove, Dominica Phetteplace, Bruce Boston, and others. Analog has an even more impressive line up, with tales from Greg Egan, Paul Di Filippo, Catherine Wells, Joe M. McDermott, Steve Rasnic Tem, John Vester, Buzz Dixon, and others.

And although I don’t usually buy mystery magazines, I added Alfred Hitchcock’s Mystery Magazine to the pile at the checkout counter this month, mostly because of the cover. I’ll let you know what I think.

All three are published by Dell Magazines. As usual, all have detailed summaries at their respective websites. Here they are.

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New Treasures: The Ragged Blade by Christopher Ruz

New Treasures: The Ragged Blade by Christopher Ruz

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Back in January I wrote about a conversation Colin Coyle, co-founder of Parvus Press, and I had in a bar at the World Fantasy Convention. One of the upcoming titles he told me about was The Ragged Blade, the debut fantasy novel from Christopher Ruz. The book’s editor, Kaelyn E. Considine, was kind enough to send me a copy of the finished book, and it looks fantastic. In an article titled “Why I Love The Ragged Blade” on the Parvus website, Colin pulls back on the curtain on how a small press acquires a book like this one.

One of the first books that was ever submitted to us was Century of Sand by Christopher Ruz. It was a previously self-published book that Ruz had released years prior. The book had some very positive reviews, but Ruz wasn’t sure how to go about selling it to a broad audience. He wanted to know if we wanted to pick it up and re-release it… Century of Sand was a tautly-paced book. It was a violin string on the verge of snapping. It was the work of a guy who was going to be a master at managing the rise and fall of mood, tension, and action in a book. But it wasn’t yet the best book it could be… when the Parvus team met to go through acquisitions, we all agreed we weren’t ready to take on the complexities of a re-release.

Two years later, Ruz sent me a brand new novel that he was querying… I called him right away and told him I thought it was time for us to tackle that Century of Sand challenge together and he readily agreed. It was a weird path to a publishing deal; I reject the book and then, two years later I end up buying it because of an entire different manuscript he sent. But publishing is a weird business, I’m a weird guy, and some of the best things in life are weird. Like pudding or bergamot.

So we picked up Century of Sand, Ruz threw away the opening third of the book, combined major characters, eliminated sub-plots, and all-but-completely rewrote anything that remained. And what we ended up with was The Ragged Blade, Book One of the Century of Sand by Christopher Ruz… I love this book. I love the broken father/daughter journey, the way this book is both expansive and intimate at the same time, and how every page of The Ragged Blade is a carefully composed work of true craft.

The Ragged Blade was published by Parvus Press on June 4, 2019. It is 459 pages, priced at $14.99 in trade paperback and $7.99 in digital formats. The cover is by Ronan Le Fur. See our previous Parvus Press coverage here.