Black Gate – Page 284 – Adventures in Fantasy Literature

A Beautifully Written Kung-fu Godfather Story: Jade War by Fonda Lee

Sunday, July 7, 2019 John ONeill Comments 0 Comment

Fonda Lee’s debut novel Jade City won the World Fantasy Award last year, beating out some very stiff competition, including John Crowley’s Ka: Dar Oakley in the Ruin of Ymr and Daryl Gregory’s Spoonbenders. It earned plenty of praise in the usual quarters as well — it was Library Journal‘s Pick of the Month, for example, and they called it “a Godfather-inspired fantasy series that mixes bold martial-arts action and vivid worldbuilding… terrific.”

I’ve been looking forward to the sequel ever since Derek Kunsken reviewed Jade City for Black Gate, calling it “a heroically, beautifully written kung-fu Godfather story,” and it finally arrives in hardcover from Orbit in two weeks. In this volume, the second in a forecast trilogy, the Kaul siblings battle rival clans for honor and control over an Asia-inspired fantasy metropolis.

On the island of Kekon, the Kaul family is locked in a violent feud for control of the capital city and the supply of magical jade that endows trained Green Bone warriors with supernatural powers they alone have possessed for hundreds of years.

Beyond Kekon’s borders, war is brewing. Powerful foreign governments and mercenary criminal kingpins alike turn their eyes on the island nation. Jade, Kekon’s most prized resource, could make them rich — or give them the edge they’d need to topple their rivals.

Faced with threats on all sides, the Kaul family is forced to form new and dangerous alliances, confront enemies in the darkest streets and the tallest office towers, and put honor aside in order to do whatever it takes to ensure their own survival — and that of all the Green Bones of Kekon.

Jade War is the second book of what’s now being called the Green Bone trilogy. It will be published by Orbit on July 23, 2019. It is 609 pages, priced at $26 in hardcover and $13.99 in digital formats. Read the first four chapters of Jade City at the Orbit website.

Vintage Treasures: After Midnight edited by Charles L. Grant

Sunday, July 7, 2019 John ONeill Comments 8 comments

After Midnight Charles L Grant-back-small

The 80s were a very fertile ground for horror anthologies. Karl Edward Wagner kicked off the decade with the first volume of the seminal The Year’s Best Horror Stories in 1980, and he produced one volume per year until 1994. Dark Harvest published nine volumes of the superb Night Visions anthology series beginning in 1984; Stuart David Schiff edited six volumes of Whispers (1977-1987); J. N. Williamson produced three volumes of Masques; and there were many others.

Charles Grant, who died in 2006, was one of the most prolific horror anthologists of the 80s. His well respected Shadows began in 1978 and ran for 11 volumes before ending in 1991. He edited four volumes of the shared world horror series Greystone Bay (1985-1993), and numerous standalone anthologies, including Night Visions 2 (1985), Horrors (1981), Terrors (1982), Gallery of Horror (1983), Fears (1983), and Midnight (1985).

After Midnight was published by Tor in 1986, and it’s fairly typical of Grant’s anthologies from this period. It’s a mix of new and reprint fiction, including reprints from Ramsey Campbell, Reginald Bretnor, R. Chetwynd-Hayes, and David Langford, and original stories by Alan Ryan, Joe R. Lansdale, Ellen Kushner, Ardath Mayhar, Joseph Payne Brennan, and even fellow Ottawa local Galad Elflandsson, who used to moonlight at The House of Speculative Fiction and recommend horror books to me.

After Midnight never kicked off a new horror anthology series, although to my speculative young eyes I thought for sure it would have. Maybe it didn’t sell well enough; maybe Grant just had too many other series on the go. Whatever the case, it’s a fine book, and still deserves a look today. Here’s the Table of Contents.

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A Tale of Two Covers: Sweet Dreams by Tricia Sullivan

Saturday, July 6, 2019 John ONeill Comments 0 Comment

Sweet Dreams Tricia Sullivan Titan-small

Covers by Andrzej Kwolek (Gollancz, 2017) and Natasha Mackenzie (Titan, 2019)

Tricia Sullivan’s third novel Dreaming In Smoke won the Arthur C. Clarke Award. Her first, Lethe, was nominated for the Locus Award for Best First Novel in 1995; her most recent was Occupy Me, which we discussed earlier this year. She writes cyberpunk, space opera, and near-future satire, and has been shortlisted for the BSFA Award, the Tiptree Award, the Arthur C. Clarke Award and the John W. Campbell Memorial Award.

Titan is reprinting her 2017 near-future thriller Sweet Dreams later this month, with a brand new cover designed by Natasha Mackenzie (above right). It’s quite a departure from the Gollancz (UK) cover by Andrzej Kwolek (above left), which has a strong YA dystopian vibe; the Mackenzie version seems more reminiscent to me of Inception-style cyber-thrills and conspiracies. Tough to say which one I prefer… here’s the description; let me know which one you think is more appropriate in the comments.

Charlie is a dreamhacker, able to enter your dreams and mold their direction. Forget that recurring nightmare about being naked in an exam — Charlie will step into your dream, bring you a dressing gown and give you the answers. In London 2022 her skills are in demand, though they still only just pay the bills.

Hired by a celebrity whose nights are haunted by a masked figure who stalks her through a bewildering and sinister landscape, Charlie hopes her star is on the rise. Then her client sleepwalks straight off a tall building, and Charlie starts to realize that these horrors are not all just a dream…

Sweet Dreams will be published by Titan Books on July 23, 2019. It is 410 pages, priced at $14.95 in trade paperback and $9.99 in digital formats. Read the first 40 pages at Google Books, and check out our other Tales of Two Covers here.

Low-rate Mining Gigs, Warships, and the Power of Song: Tor.com on 7 Space Operas and Adventures

Saturday, July 6, 2019 John ONeill Comments 0 Comment

I’ve been saying for a while now that we’re in a space opera renaissance, and I’m not the only one to have noticed. There’s been plenty of discussion of some of the best new titles at many of our favorite sites.

Back in March I bought a copy of Arkady Martine’s Tor debut A Memory Called Empire, the tale of an independent mining station’s efforts to avoid being absorbed by the encroaching Teixcalaanli Empire, and as part of their promotional efforts at Tor.com Natalie Zutter assembled an interesting piece comparing the book to seven other recent space operas. Her list included books by Martha Wells, Ann Leckie, and Catherynne M. Valente, and I’ve found myself recommending it to people interested in modern tales of solar empires, intergalactic dynasties, and plucky space crews.

Any list that useful deserves to be shared. Here’s three of Natalie’s recommendations.

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The Early John Wyndham: Sleepers of Mars and Wanderers of Time

Friday, July 5, 2019 John ONeill Comments 0 Comment

Sleepers of Mars, Coronet 1973, cover by Chris Foss

Last month I wrote a Vintage Treasure piece about John Wyndham’s 1953 novel Out of the Deeps, and while I was researching it I was reminded that Wyndham — one of the 20th Century’s most successful science fiction writers — got his start in the American pulp magazine Wonder Stories, edited by Hugo Gernsback, and Walter H. Gillings’ British pulp Tales of Wonder. Someone with authentic pulp roots like that deserves a lot more attention than he’s received here at Black Gate over the years.

Much of Wyndham’s early pulp fiction was collected by Coronet in two slender paperback anthologies in 1973, Sleepers of Mars and Wanderers of Time, and they look like a great place to start. Neither were reprinted in the US, so I was unaware of them until recently (like, two weeks ago). But thanks to the wonders of eBay, I was able to locate the copy of Sleepers above for a reasonable price ($11.33). That’s more than I like to pay for a vintage paperback…. but it was almost as old as me, and definitely in better shape, so I made an exception.

Both books had introductions by Gillings. Though it’s short (2 pages), I found his intro to Sleepers of Mars entertaining and informative, especially since it shows how the first story in the collection relates to Stowaway to Mars, one of Wyndham’s pulp-era novels (and perhaps not coincidentally, also re-released in paperback by Coronet in 1972). Here’s the relevant snippet.

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Who’s Afraid of The Fearsome Fang?

Friday, July 5, 2019 William Patrick Maynard Comments 4 comments

The Fearsome Doctor Fang was published by TKO Studios in December 2018. The title only recently came to my attention on the recommendation of a fellow member of The Sax Rohmer Society. As soon as I saw the hero was named Nayland Kelly, I was sold.

Writing new Yellow Peril titles in the 21st Century is understandably a tricky business. James Bond is a rare pulp-influenced franchise to have escaped unscathed despite Dr. No becoming the first of the series to reach the silver screen. The relatively understated yellow-face performance from Joseph Wiseman in the 1962 Sean Connery film never offends audiences the same way Mickey Rooney’s broad Japanese caricature does in Breakfast at Tiffany’s.

Political correctness damns Rooney’s over-the-top and insensitive Mr. Yunioshi while ignoring Jerry Lewis or Vito Scotti doing virtually the same offensive vaudeville routines elsewhere in film and television in the same era. What triggers viewers or readers is often the perception of just how offensive a portrayal is; though some of course would prefer to banish all trace of Yellow Peril and yellowface as a matter of principle.

So I was immediately curious how TKO Studios approached The Fearsome Doctor Fang. I was surprised to see a white hero and heroine on the cover as mixing it up a bit racially seemed the easiest path to navigating through rocky waters. While waiting for the book to arrive, I read up on the publisher. TKO Studios is a relatively new comics publisher on the scene whose approach to distribution is akin to television binge-watching. Multi-part titles are published digitally and in print in their entirety at once. Trade paperback and deluxe collected editions are also immediately available.

The co-creator of The Fearsome Doctor Fang is TKO Studios co-founder Tze Chun. A professional television writer/producer for series such as Gotham and Once Upon a Time and an award-winning independent filmmaker in his own right; it is likely that TKO Studios have an eye on developing their properties for other media.

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The Golden Age of Science Fiction: Robert A. Heinlein

Friday, July 5, 2019 Steven H Silver Comments 4 comments

The Forry Award has been presented annually by LASFS (the Los Angeles Science Fantasy Society) since 1966 and is named for Forrest J Ackerman. The award celebrates lifetime achievement in science fiction and the recipients are selected by a vote among LASFS members. The first award was presented in 1966 to Ray Bradbury and has generally been presented to science fiction professionals, although an occasional fan has received the award as well. Ackerman didn’t receive the award until 2002. Robert A. Heinlein received the award in 1980. The award was presented at Loscon 7, the weekend of November 28-30 at the Anaheim Sheraton.

Books have and will continued to be written about Robert A. Heinlein, some recent examples being William H. Patterson’s two volume Heinlein biography and Farah Mendlesohn’s The Pleasant Profession of Robert A. Heinlein. From 1979, there was H. Bruce Franklin’s Robert A. Heinlein: America as Science Fiction, which I discussed on May 6. Of course, Heinlein also has his staunch devotees and partisans as well as his detractors.

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Convention Report: Robert E. Howard Days 2019

Thursday, July 4, 2019 James McGlothlin Comments 7 comments

Robert E. Howard (1906–1936) is most famously known as the creator of Conan the Barbarian. But he was a very prolific pulp writer of various genres who created several other memorable characters including Solomon Kane and Kull, gracing the pages of Weird Tales and various other pulp magazines of the 1920s and 30s.

To celebrate the importance of this writer, Robert E. Howard Days exists as an annual event (first weekend of every June) that brings together Robert E. Howard (REH) fans and scholars to celebrate the life of this great pulp writer. This event takes place every year in the small town of Cross Plains, Texas, the hometown of REH. The primary locus of events takes place at the Robert E. Howard Museum, which was actually the home of REH and his parents, and the place where most of his greatest stories were written.

After years of planning to attend Howard Days, I finally bit the bullet and made the road trip to Cross Plains (from Minnesota!) After arriving in Abilene late Wednesday, I got up early Thursday morning in order to drive to Brownwood (30 minutes or so south of Cross Plains) to go to Greenleaf Cemetery where REH’s grave resides.

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New Treasures: Shadowblade by Anna Kashina

Thursday, July 4, 2019 John ONeill Comments 0 Comment

Ah, Angry Robot. Is there any other publisher out there taking chances on new fantasy writers they way they are? They’ve certainly claimed more than their fair share of my recent book-buying dollars, anyway. Last week it was Shadowblade, the latest from Anna Kashina. In his feature interview with Kashina at Clarkesworld, Chris Urie summarized the novel nicely.

Most of us are prone to flights of fantasy. We imagine ourselves capable heroes of a mythical kingdom full of mystery, intrigue, swordplay, and magic. But fantasy stories are often shackled by shadows of elves, rings, and medieval knights. When a fantasy novel brings ideas both new and surprising, it’s worth celebrating.

Anna Kashina’s new novel Shadowblade seamlessly blends together adventure, romance, swordplay, and intrigue with a unique world. Naia dreams of becoming a Blademaster. After her training goes awry, she meets a stranger who rescued the sole survivor of a horrific massacre. This stranger wants to topple the line of imperial succession — and Naia finds herself at the vanguard of a plot that will change the world.

Anna Kashina is also the author of The Majat Code series, published from 2014-2016 by Angry Robot with moody covers by Alejandro Colucci. Check them out below.

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A Final Gift from Gardner: The Very Best of the Best: 35 Years of The Year’s Best Science Fiction edited by Gardner Dozois

Wednesday, July 3, 2019 John ONeill Comments 4 comments

The Very Best of the Best 35 Years of The Year's Best Science Fiction-small

The Very Best of the Best 35 Years of The Year's Best Science Fiction-back-small

We lost Gardner Dozois, one of the greatest editors the SF field has ever seen, in May of last year. As devastating as that was, many of us took some solace in the fact that he had a handful of very exciting books still in the pipeline, and we’d have the opportunity to celebrate and remember him a few times yet.

The first of those, the 35th and final volume in his legendary Year’s Best anthology series, was published last July, and the monumental The Book of Magic (companion to The Book of Swords) arrived in October. The third and final book from Gardner, The Very Best of the Best, was published by St. Martins’ in February. It’s a massive tome, with a Hwarhath novella by Eleanor Arnason, an India 2047 novella by Ian McDonald, a Mars novella from Kage Baker, a novella by Robert Reed, a Quiet War novelette by Paul J. McAuley, and stories by Yoon Ha Lee, Peter Watts, Nancy Kress, Rich Larson, Maureen F. McHugh, Charles Stross, Eleanor Arnason, Michael Swanwick, Carrie Vaughn, Lavie Tidhar, James S. A. Corey, Stephen Baxter, Alastair Reynolds, Greg Egan, and many others.

While the subtitle is 35 Years of The Year’s Best Science Fiction, implying that the stories are selected from all 35 years of Gardner’s Year’s Best, that’s not true. The earliest tale is from 2002, and the most recent from 2017, meaning it’s really a retrospective looking back at the fifteen years between 2002-2017. It’s a rather idiosyncratic book, neglecting many of the most acclaimed stories from those years in favor of the authors and tales that Gardner loved best. Nonetheless, it is one final gift from Gardner, and if this truly is his final book, it’s a magnificent capstone to his career.

I owe a pretty big debt to Gardner — and not just because (for reasons unknown to me) he included me in the acknowledgments of his Year’s Best anthologies for over a decade. He edited some of the best science fiction I’ve ever read, and discovered, promoted and championed many of my favorite writers — and helped me discover many, many more.

Here’s the complete Table of Contents for The Very Best of the Best.

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