Black Gate – Page 282 – Adventures in Fantasy Literature

Ply the Space Lanes in Search of Profit: The Traveller Customizable Card Game

Tuesday, October 29, 2019 John ONeill Comments 8 comments

Traveller was one of the first role playing games I ever played — and it definitely was the first science fiction RPG I ever played.

But that’s not what I remember about it. What I remember about it was the strange little mini-game in the back of the rulebook, essentially a set of rules for interstellar trading. Really no more than a few tables and some guidelines, it was a bare-bones simulator for an independent trade ship in the stars. It was nonetheless enough to fire our imagination, and my friends and I spent many summer hours rolling dice, struggling to keep our tiny commercial vessels profitable as we tried to find viable trade routes between Altair and Ursa Major. Other games had better combat and character generation, but none could terrify you with the specter of bankruptcy like Traveller.

I think that’s why I’m so interested in the new Traveller Customizable Card Game. While it’s not an RPG, it does promise some of the deep-space capitalist thrill that those old tables delivered. It puts you in the shoes of a independent ship captain — think Mal Reynolds in Firefly — plying the mains in search of profit and adventure. You can hire a crew, find contracts, explore, choose piracy, pay off your ship, and go bankrupt, all against the rich backdrop of the Third Imperium.

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New Treasures: Grave Importance, Book 3 of Dr. Greta Helsing, by Vivian Shaw

Tuesday, October 29, 2019 John ONeill Comments 0 Comment

Vivian Shaw’s debut fantasy novel was Strange Practice (2017). It introduced the world to Dr. Greta Helsing, doctor to the undead, and SFFWorld labeled it “a triumph.” The sequel, Dreadful Company, in which Dr. Helsing uncovers a coven of vampires underneath Paris, was released last year. Liz Bourke at Tor.com raved, saying “Dreadful Company is fast, fun, and immensely readable… [and] laugh-out-loud funny… it’s delightful.”

I’ve been looking forward to the third volume of this witty fantasy adventure series, and it finally arrived last month. Here’s the description.

Oasis Natrun: a private, exclusive, highly secret luxury health spa for mummies, high in the hills above Marseille, equipped with the very latest in therapeutic innovations both magical and medical. To Dr. Greta Helsing, London’s de facto mummy specialist, it sounds like paradise. But when Greta is invited to spend four months there as the interim clinical director, it isn’t long before she finds herself faced with a medical mystery that will take all her diagnostic skill to solve.

A peculiar complaint is spreading among her mummy patients, one she’s never seen before. With help from her friends and colleagues — including Dr. Faust (yes, that Dr. Faust), a sleepy scribe-god, witches, demons, a British Museum curator, and the inimitable vampyre Sir Francis Varney — Greta must put a stop to this mysterious illness before anybody else crumbles to irreparable dust…

…and before the fabric of reality itself can undergo any more structural damage.

You can read the first four chapters of Strange Practice at the Orbit website, and get more details on the series here. Grave Importance was published by Orbit on September 24, 2019. It is 448 pages, priced at $15.99 in trade paperback and $9.99 in digital formats. The cover is by Will Staehle. See all our recent coverage of the best Series Fantasy here.

The Golden Age of Science Fiction: The Unlimited Dream Company, by J.G. Ballard

Tuesday, October 29, 2019 Steven H Silver Comments 0 Comment

The British Science Fiction Association (BSFA) Awards have been presented by the British Science Fiction Association since 1970 and were originally nominated for and voted on by the members of the Association. The Best Novel Award was one of the original awards and the first two were won by John Brunner for his novels Stand on Zanzibar and The Jagged Orbit. J.G. Ballard would be nominated for the Best Novel award three times, only winning on his first nomination in 1980.

Ballard’s novel The Unlimited Dream Company is told by Blake, an antihero and narrator so unreliable it is difficult for the reader to determine if anything he says in the course of the novel is real or merely the result of Blake’s own warped perception. The novel opens with Blake relating how as a young man he moved in with a woman, wound up killing her, and stealing an airplane before crashing it into the Thames. His first victim is never mentioned again and throughout the novel it isn’t clear if Blake died in the crash, if everything he relates in the book is the subject of visions brought about by his drowning and asphyxia, or if any of it actually happened to him and the community of Shepperton, where all the action takes place.

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Michael Blumlein, June 28, 1948 – October 24, 2019

Monday, October 28, 2019 Gordon Van Gelder Comments 0 Comment

Last summer, I got an email from Michael Blumlein about how much he liked Audrey Schulman’s PKD Award-winning novel Theory of Bastards and in the email, he said, “What are you doing that keeps you smiling these days?”

So I sent him a response by mail and since then, we’d been swapping dead-tree correspondence. I’m pretty sure he had no fear of dying, but he was so full of life that it’s sad to learn the end has come.

But it’s not the end, in that he lives on — through his family (to whom my sympathies go out) and through his work, which was simply amazing.

The Movement of Mountains came out shortly before I started working at St. Martin’s, but I did some mop-up work on it (I probably contacted him when the remaining copies of the book were remaindered, for instance). I can’t remember where or when we first met — it was before the ’93 Worldcon, I’m certain of that — but we always seemed to have a good time.

When I took the F&SF reins from Kris Rusch, the first story I bought was Michael’s “Paul and Me.” It remains one of my favorite stories. I think my enjoyment of the story is enhanced by the memory of some outraged letters we got over Michael’s bold revisionist treatment of an American myth. Michael considered writing a whole series of stories about the deaths of American folk heroes.

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A (Black) Gat in the Hand: Frank Schildiner on ‘The Bad Guys of Pulp’

Monday, October 28, 2019 Bob Byrne Comments 2 comments

My buddy Frank Schildiner is a prolific New Pulpster who wrote about Max Allen Collins in the first run of A (Black) Gat in the Hand. I immediately turned back to him and he’s back again for round two with a look at the bad guys of pulp.

“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

“Bring on the Bad Guys…Pulp Edition”

“The battle line between good and evil runs through the heart of every man.” – Aleksandr Solzhenitsyn

“There’s something about America’s sweetheart and America’s bad boy. That juxtaposition is what everyone desires.” – Machine Gun Kelly

Bad guy, villain, evildoer, crook, criminal, and gangster. Fiction has a love affair with these characters ranging from low-level sneak thieves to wizards intent on destroying all life on Earth. In many cases, the villain is the driving force behind the tale. Where would fiction be without Lady MacBeth, Grendel’s Mother, Long John Silver, or Count Dracula?

Though the villain is often the impetus, they rarely hold the place of protagonist in novels until recent times. A few famous characters did achieve notoriety, influencing fiction to this day.

The first true villain-centered, serialized fiction was probably Paul Féval’s series Les Habits Noirs. The eleven novels reveal a worldwide criminal conspiracy led by the evil, manipulative, and possibly immortal, Colonel Bozzo-Corona. The Colonel, and his organization the Black Coats, battled the forces of good as well as each other in tales which thrilled readers for thirty-one years.

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Writing is an Evolutionary Act

Sunday, October 27, 2019 James Van Pelt Comments 2 comments

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Covers by Beeple, Gary Freeman and Vincent Di Fate

I had an interesting conversation with a newish writer at MileHiCon last weekend. She said that she’d been submitting to small markets until she was “good enough for the biggies.” She meant Clarkesworld, The Magazine of Fantasy and Science Fiction, Asimov’s, Analog, Tor.com and a couple of others. She said, “I figure you only have two or three chances with those editors before they start tossing your manuscript back because they recognize your name.”

I told her about a panel I attended at WorldCon a while ago where Gardner Dozois and Stanley Schmidt were discussing the same issue. Stanley said he’d been receiving manuscripts from the same author for years without buying one. “But he improved steadily. His last ones were close, and then he quit sending me stuff. I was looking forward to buying one of his pieces.”

Gardner perked up and said, “That sounds familiar. Was it…” and he whispered a name in Stan’s ear. Stan nodded.

“His last story barely missed with me!”

Both editors looked a little sad. “I wonder what happened to him?” Gardner added.

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Intergalactic Wars, Ancient Gods, and Living Ships: New Novellas from Tor.com

Sunday, October 27, 2019 John ONeill Comments 0 Comment

The last Tor.com novella I read was Desdemona and the Deep by C.S.E. Cooney, and it made me want to read a lot more. The prose (as one expects from Cooney) was delightful, but it was also the perfect length for a light-but-also-surprisingly-dark fae fantasy. It had exactly the right number of calories, and now I find myself looking around for something equally tasty and not too filling.

Fortunately the Tor.com back catalog is deep and gorgeous. They started their handsome novella line almost exactly four years ago, in September 2015, and have kept up a semi-weekly (sorta-kinda weekly, sometimes bi-weekly) release schedule ever since. I haven’t counted but there must around 150 by by now.

Tor.com’s editors have produced something for every taste over the past four years. Space opera, weird fantasy, horror, urban fantasy, comedy, military science fiction, dark fantasy, alternate history love stories, and a whole lot more. Like all great editors, they’ve published award-winning fiction from top names (Martha Wells, Nnedi Okorafor, Seanan McGuire) and also mixed it up with some terrific debuts from stellar new talents. Looking over their recent releases, it’s clear the quality and drive at Tor.com has not flagged at all. Here’s a look at some of their most interesting new titles.

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Audio Fiction from Rusty Quill

Saturday, October 26, 2019 Jeff Stehman Comments 0 Comment

My chores haven’t abated in the last year, so I’ve continued burning through podcasts. After a lot of wandering on my part, two offerings from Rusty Quill hooked me on their first episodes and have kept me on the line. One is horror, the other humor.

The Magnus Archives kicks off with the Magnus Institute’s new head archivist, Jonathan Sims, trying to bring some semblance of organization to the Institute’s archive. Going back 200 years, it consists of reports and statements about possible supernatural encounters. In the process of updating the archive, Jonathan discovers that some old statements resist any form of preservation except being read into an audio tape. New statements are also usually collected by audio tape. These recordings provide the framing story for the weekly podcast.

The first episode, “Angler Fish,” was exactly what I hoped and expected from that title, and all I knew going in was that this was horror audio fiction. (And, no, that episode does not take place in the water.) As much as I try to avoid even the appearance of using puns, there’s no better way to say it than I was well and truly hooked.

The worldbuilding and story arcs for this podcast are tight, so to avoid spoiling too much, I’ll only say that outside our reality there are entities associated with our common fears, and they like to push their way into our world.

Each season of 40 episodes has an overall arc. They’re approaching the end of season 4, and there have been five seasons planned from the beginning. (I marathoned the first three seasons before catching up.)

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Vintage Treasures: Matter’s End by Gregory Benford

Saturday, October 26, 2019 John ONeill Comments 0 Comment

Matter’s End (Bantam Spectra, 1995). Cover by Pamela Lee

Gregory Benford began his writing career with the story “Stand-In” in the June 1965 issue of The Magazine of Fantasy and Science Fiction. He was nominated for a Nebula Award for his first novel In the Ocean of Night (1976), and won it in 1980 for Timescape. Since then he’s focused chiefly on novels, most famously the six-volume Galactic Center Saga.

But he first built his reputation on short fiction, and he’s returned to it again and again over the course of a 50-year career. His short fiction has been nominated for four Hugo Awards (for two short stories and two novellas), and many Nebula Awards. He’s produced more than half a dozen collections, including In Alien Flesh (1986), Worlds Vast and Various (2000), Immersion and Other Short Novels (2002), and The Best of Gregory Benford (2015).

His second collection was Matter’s End, published by Bantam Spectra in 1995. It contains 21 stories, including “Stand-In,” the Nebula-nominated title story, an original novelette, “Sleepstory,” and one original short story, “Side Effect.” It came in third for the Locus Award for Best Collection in 1995, and was quickly reprinted in hardcover (by The Easton Press in 1995, and by Gollancz in 1996), and in paperback in the UK by Vista in 1997.

To be truthful, I haven’t followed Benford’s novel career much. But his short fiction is a different story. I found a copy of Matter’s End in a collection I purchased recently, and I’ve very curious about it. Here’s the complete Table of Contents.

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Analog Announces 90th Anniversary Reprint Series

Friday, October 25, 2019 John ONeill Comments 7 comments

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Analog on running reprints in 2019-small

Analog Science Fiction and Fact, November-December 2019, and an excerpt from Trevor Quachri’s editorial

Gabe Dybing, who clearly gets his issues of Analog faster than I do, tipped me off that editor Trevor Quachri has something very interesting planned for the magazine’s upcoming 90th Anniversary year (90! Holy cats). Gabe sent me the above pic of Trevor’s editorial in the November-December issue, on sale this week. For those of you who don’t like to squint, here’s the relevant text.

As many of you may know, 2020 is going to be Astounding/Analog’s 90th anniversary year, and the January/February issue is the 90th anniversary of our very first issue. Something we’ll be doing that requires a little explanation is a series of limited retrospectives over the year: each issue we’re running a reprint from one of our past decades, with an introduction (in the editorial/guest-editorial space) talking about it either as a historical artifact, an overlooked gem, or just a personal favorite — a story that an editor or knowledagable (sic) author found interesting for whatever reason but didn’t have an appropriate venue in which to chat about it.

The goal is to cover the ’40s, ’50s, ’60s, ’70s, ’80s, and ’90s, the thinking being that most of the material from the ’30s isn’t really reflective of the magazine’s later identity, and anything from 2000 on is too recent. We’re going to try to keep it to one story per decade, though the nature of the project (tracking down the rights to older material particularly) means that’s not entirely set in stone. Some of those decades had a lot of good stories! But we have to save some ideas for the centennial, after all.

This is great news for classic SF fans, and I look forward to seeing what Trevor chooses (and I hope some bright-eyed new readers will discover a few giants of the genre as a result).

But since I’m old, I also have to grouse a little… Trevor can’t find one pulp story from the 1930s worth a look?? In the 1930s, John W. Campbell and Astounding published stellar fiction by the best pulp writers of the era — including “Who Goes There?” by John W. Campbell, Jr, “Helen O’Loy” by Lester del Rey, “Black Destroyer” by A. E. van Vogt, “Life-Line” by Robert A. Heinlein, “Ether Breather” by Theodore Sturgeon, and many, many more. Maybe Trevor is just looking for suggestions. Shout yours out in the Comments.