Black Gate – Page 270 – Adventures in Fantasy Literature

A (Black) Gat in The Hand: Bill Crider Reviews ‘The Brass Cupcake’

Monday, December 30, 2019 Bob Byrne Comments 2 comments

You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

If you asked me to name the nicest person I’ve encountered since becoming a writer/blogger/whatever I am, I’d immediately fire back, “Bill Crider.” I have yet to come across one person who had anything bad to say about Bill. He was always friendly, and generous with his knowledge and advice. Bill was an excellent writer of mysteries and westerns, best known for his Sheriff Dan Rhodes series.

His ‘Bill Crider’s Pop Culture Magazine’ was a fun blog, full of all kinds of short posts about books, music, advertisements, history – pop culture stuff. I’m pretty sure that Bill would have liked A (Black) Gat in the Hand. And I think he would have contributed an essay. So, for the final entry in round two, I’m reposting Bill’s review of John D. MacDonld’s The Brass Cupcake. Swing by his blog and read some great stuff!

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Nothing’s Perfect… Not Even Star Wars

Sunday, December 29, 2019 Brandon Crilly Comments 5 comments

I was chatting with one of my best friends after seeing The Rise of Skywalker, and as writers do inevitably, we critiqued it. She said something partway through the conversation that I think was meant half as a joke: “perfection is a myth created by the man to keep us line, Brandon.”

It’s rare to come across a story that’s close to perfect, and no Star Wars movie ever has been. I was reluctant to talk TROS here since online discussions of major fandoms are sometimes as vitriolic as anything else, especially when you want to resoundingly say, “That was awesome!” about a film while acknowledging the faults. But if the Resistance can face the First Order, I can face you, Internet. Because by Lucas, I agree with fellow columnist Bob Byrne that TROS was “an excellent ending to the epic cycle” that is Star Wars.

SPOILERS from here on out, folks. You’ve been warned.

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A Brainy Psychological Fantasy: Fireborne by Rosaria Munda

Sunday, December 29, 2019 Elizabeth Galewski Comments 0 Comment

Upon successfully overthrowing the cruel dragonborn families, the leaders of the Revolution imprison their previous masters to await trial. But the oppressed population is hungry for revenge. Vigilantes overrun the building and start to exact their own bloody justice.

Atreus, the new realm’s First Protector, discovers one group still in the process of murdering the Drakarch of the Far Highlands’ family. Only the dragonlord himself and his youngest son, a boy of about seven or eight, are still alive when Atreus arrives.

The Drakarch begs Atreus to spare his son. Atreus murmurs an order to a guard, who takes the boy away. Then he slits the dragonlord’s throat.

Lee, the Drakarch’s son, becomes the only member of the dragonborn caste to survive the Revolution. He grows up in an orphanage in Cheapside, where he befriends another orphan, Annie. No one knows who he really is. Even the First Protector, his savior, appears to have forgotten him. He knows he must keep his identity secret, but at the same time, he thirsts to regain the exalted position that had once been his birthright. Stripped of his privileges, Lee must fight for his rank like everyone else.

Now a teenager, Lee stands on the brink of attaining his dream: to become Firstrider, the best dragonrider in the land and commander of the dragon fleet. He has aced the entrance exam, been chosen by a dragon, and gained recognition as an elite rider. Now he must compete against the other top riders to prove he’s the best. Perhaps it’s ironic that Lee rides to serve those who killed his family. But if he can become Firstrider, not only will he win back the power that his father lost, but also he will prove himself to have been worthy of his birthright all along.

Prevailing over his classmates is Lee’s greatest concern, that is, until he learns that he isn’t the last remaining member of the dragonborn, after all. His cousin, with whom he played as a child, contacts him in secret. She reveals that members of the other dragonborn families escaped and created a refuge in another land. They have their own dragons and riders. Now the time has come for them to retake their ancestral country, restoring the old order.

Lee must choose. Will he defend the life he’s made for himself under the new regime? Or will he help the dragonlords recapture the possibilities he had thought were dead?

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Uncanny X-Men, Part 2: Early Guest Appearances (1964-65), Uncanny X-Men #21-23 and X-Men: First Class Volume I (2006)

Saturday, December 28, 2019 Derek Kunsken Comments 2 comments

While I was travelling, I loaded a bunch of X-Men comics onto my phone for the airports. I haven’t stopped reading and I started blogging about my reread in Part I two weeks ago, which covered X-Men #1 (Nov, 1963) to X-Men #20 (May, 1966). It’s been a lot of fun, with not too many cringey moments.

This second post, I’m continuing my reading, but altering the experience a bit. I’m not just going to include the core X-Men series. I think I would like to try reading the stories in the chronology that Marvel sort of had in mind for each story.

So I’m going to start including guest appearances and cross-overs and later series that added history to this period. So this post will cover Strange Tales #120, Fantastic Four #28, Tales of Suspense #49, Journey Into Mystery #109, and X-Men issues #21-23, all of which were published between 1963 and 1966, and Volume I of X-Men: First Class, which was published in 2006-2007, but whose events occur before X-Men #24. I hope this ride is not too disorienting for you or me!

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Sixty Years of Lunar Anthologies

Saturday, December 28, 2019 John ONeill Comments 6 comments

Men on the Moon (Ace, 1958, cover by Emsh), The Moon Era (Curtis Books, 1969), Blue Moon (Mayflower, 1970, Josh Kirby)

This past July was the 50th Anniversary of the Apollo 11 moon landing — a pretty major milestone in human civilization. A major milestone for science fiction fans as well, and we celebrated it in our own way. Most notably, Neil Clarke published The Eagle Has Landed: 50 Years of Lunar Science Fiction, a fat 570-page reprint anthology that I finally bought last week.

Neil’s book is the best moon-centered anthology I’ve ever seen, but it builds on a long history of classic SF volumes dating back at least six decades. While I was preparing a New Treasures article about it I kept going back to look at favorite moon books in my collection, and eventually I got the idea to craft a longer piece on half a dozen Lunar anthologies that all deserved a look.

I don’t mean to slight Neil’s excellent book, which we’ll dig into in detail. But if you’re like me and you can’t pick up a modern book about the moon without thinking of Donald A. Wollheim’s Ace Double Men on the Moon (from 1958), or Mike Ashley’s terrific Moonrise: The Golden Era of Lunar Adventures, then this article is for you.

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Rogue Blades Foundation Announces Upcoming Second Book: The Lost Empire of Sol

Friday, December 27, 2019 Ty Johnston Comments 2 comments

Not sitting on its laurels, the recently-formed non-profit publisher Rogue Blades Foundation (RBF) last week announced the upcoming release of its second book, Scott Oden Presents The Lost Empire of Sol: An Anthology of Sword & Planet Tales.

Edited by Jason M Waltz and Fletcher Vredenburgh, this collection brings together ten stories of adventure and excitement from across a gloomy and ancient solar system far older than the one known to us. From the back cover of the book, “The legends speak of a united Empire that spanned the entire system.” Then, “All that is certain is that when the Daemons came, they brought a level of destruction not experienced in countless millennia.” And, “In the end, the Empire was fractured in the wake of the Daemons’ passing. Some worlds maintained tenuous contact; others were blasted into a state that left them bereft of their own history …”

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Tarantino’s Time Machine: Once Upon a Time in… Hollywood

Friday, December 27, 2019 Thomas Parker Comments 8 comments

The other day the nice man from UPS brought me something that I had been looking forward to receiving for quite a while: a Blu-ray of Quentin Tarantino’s ninth film, Once Upon a Time in…Hollywood, which I had pre-ordered months ago on the first day it became possible to do so. I had seen it three times in the theater and wanted to be able to watch it again with minimal delay. (It’s only the third movie I have ever seen that many times as a paying customer, the other two being Raging Bull and Magnolia.)

I have very contradictory feelings about Quentin Tarantino. He’s an acknowledged “major director” – one of the few we have left – whose excesses can make every film feel like a guilty pleasure. A technical master who too often displays the emotional maturity of a fourteen-year-old, at his best Tarantino can still be a dynamite filmmaker, and I enjoyed Once Upon a Time more than any movie I’ve seen in years. I think it’s Tarantino’s strongest work since Jackie Brown.

Set in Hollywood in 1969, the movie follows semi-washed up TV western star Rick Dalton (Leonardo DiCaprio) and his buddy, stunt double, and factotum, Cliff Booth (Brad Pitt) as they try to keep Rick’s head above water in the wake of the cancellation of his series, Bounty Law. (At one point Rick and Cliff spend a short time in Italy making spaghetti westerns, and in true Tarantino fashion, we get to see posters and footage from these epics, along with pitch-perfect clips from fake episodes of Bounty Law, Lancer, and The F.B.I. The last two were real shows that Rick was doing guest shots on.) During the course of these efforts, this entertainment industry duo crosses paths with another group emblematic of 1969 LA, those ultimate devils of the 20^th Century American imagination, the Manson Family.

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Stories That Work: “The Story of a True Artist” by Dominica Phetteplace, and “An Awfully Big Adventure” by Barbara Krasnoff

Thursday, December 26, 2019 James Van Pelt Comments 0 Comment

Someone told me once, “Life is short but art is forever,” which I took to mean that art has no “sell by” date on it. If the art is beautifully rendered, it will always be beautiful and universal, but that’s not true, I’m afraid. Art can have a “sell by” date on it because time changes the window through which we view art.

Time’s cruelty demonstrated itself to me recently when I rewatched the classic Bing Crosby and Fred Astaire musical, Holiday Inn. There was a time when I loved Holiday Inn without reservation. It’s the only musical I know where the singing and dancing don’t seem grafted on to the story. Because it’s a tale of a song and dance partnership, the music arises spontaneously from the plot, and like all good musicals, the music also advances the plot. And what a combination of talent! Bing Crosby, arguably one of the best crooners of all time, teamed with Fred Astaire, a legendary dancer. Mikhaile Baryshinikov said of Astaire, “It’s no secret we hate him. He gives us complexes because he’s too perfect. His perfection is an absurdity.”

Besides, Holiday Inn introduced “White Christmas” to the world.

But time has done its work. As much as I love Holiday Inn, I’m finding it harder and harder to overlook the casual racial stereotypes baked into the structure. If you’ve seen it, you know what I’m talking about, starting with the black “nanny” housekeeper to the cringe-worthy black face routine to celebrate Lincoln’s birthday.

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Vintage Treasures: The Space Anthologies, edited by David Drake with Charles G. Waugh and Martin Harry Greenberg

Thursday, December 26, 2019 John ONeill Comments 7 comments

Covers by Walter Velez

Almost exactly a month ago I wrote about a trio of military/adventure science fiction anthologies edited by Joe Haldeman, Charles G. Waugh, and Martin Harry Greenberg, and published by Ace Books between 1986-88: Body Armor: 2000, Supertanks, and Space Fighters. Today they’re called the Tomorrow’s Warfare trilogy, and they’re a fun and collectible set of vintage paperbacks well worth tracking down, especially if you enjoy 80s-vintage military/adventure fantasy or are even remotely curious about 80s science fiction in general. Check out all the details here.

Haldeman did no further books with Waugh and Greenberg. But I suspect the three he did were fairly successful, as scarcely a year later David Drake picked up the reins and produced three books with them in the exact same vein:

Space Gladiators (1989)
Space Infantry (1989)
Space Dreadnoughts (1990)

These are loosely referred to as the Space anthologies (by me, anyway), and they followed the same formula as the previous titles, with stories from the most popular writers of the day including a Retief novella by Keith Laumer, a Dorsai tale by Gordon R. Dickson, a Magnus Ridolph novelette by Jack Vance, a Falkenberg’s Legion story by Jerry Pournelle, a Hammer’s Slammers novelette by David Drake, a Thousand Worlds tale by George R. R. Martin, plus the Hugo-award winning “Allamagoosa” by Eric Frank Russell, the classic “Arena” by Fredric Brown (inspiration for the famed Star Trek episode of the same name), and fiction by Isaac Asimov, Brian W. Aldiss, Arthur C. Clarke, Fritz Leiber, Joe Haldeman, Poul Anderson, Algis Budrys, Jack Williamson, Michael Shaara, Mack Reynolds, C. M. Kornbluth, and many others.

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Merry Christmas from Black Gate

Wednesday, December 25, 2019 John ONeill Comments 26 comments

It’s Christmas evening. All the presents have been opened, Alice’s quiche has been consumed, the kids have settled down… and it’s 56 degrees outside, the warmest Christmas of my entire life. Every year a new surprise.

I have a cup of hot cocoa, and it’s finally quiet enough for me to write my annual Christmas message. As the years have gone by (decades now, since that long ago time in 1999 when I made the fateful decision to start a fantasy magazine), I find that I look back at each successive year very differently. I used to take stock of our accomplishments, count up how many books and games we’d reviewed, how many articles written. Nowadays I value things differently. The things I care about now are the comments from our readers, the small suggestions and feedback from our regulars. In the end, it’s always the relationships that matter.

So I want to take a moment to thank all the BG readers who’ve given so generously of their time over the past year. Those that drop in with a book suggestion, a thoughtful comment, an encouraging word. It means a lot. And I’d especially like to thank our regulars: Thomas Parker, Rich Horton, Glenn, smitty59, Major Wootton, Eugene R, Bob Byrne, R.K. Robinson, James Enge, Aonghus Fallon, Joe H, silentdante, Charles_Martel, Jeff Stehman, Barsoomia, kelleyg, Allard, Joe Bonadonna, Jason Waltz, Robert Adam Gilmour, James McGlothlin, Gabe Dybing, Martin Christopher, James Van Pelt, Tony Den, Todd Mason, John E. Boyle, dolphintornsea, John Hocking, and many, many others. You make the effort we put in every day worthwhile. Thank you.

On behalf of the vast and unruly collective that is Black Gate, I would like to wish you all Merry Christmas and Happy Holidays. Continue being excellent — it’s what you’re good at.