Vintage Treasures: To Reign in Hell by Steven Brust

Vintage Treasures: To Reign in Hell by Steven Brust

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To Reign in Hell (Ace Books, May 1985). Cover by Stephen Hickman

In 1983 all my friends in Ottawa were talking about the debut novel by a young fantasy writer from Minnesota. The book was Jhereg, and it launched Steven Brust’s career in a major way. A caper tale (told from the criminal’s point of view) in a world of high-stakes court intrigue, Jhereg became an instant fantasy classic. As Fletcher Vredenburgh wrote years later here at Black Gate,

Jhereg reads like a fantastic and slightly off-kilter version of a Golden Age crime story. The focus is on Vlad’s ingenuity and the puzzle of how to kill the thief. That plus the witty banter, snarky sidekicks, and some action here and there kept me captivated.

All eyes were on Brust when his second novel appeared. Although most of us expected more tales of adventure set in the world of Dragaera, that would have to wait until Yendi — the first of a great many sequels in what eventually became one of the most successful and long-running series in modern fantasy — arrived a few months later. Brust’s actual second novel was To Reign in Hell, a fantasy retelling of Milton’s Paradise Lost, and it proved Brust would have an extraordinary fantasy career.

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A to Z Reviews: “Triolet,” by Jess Hyslop

A to Z Reviews: “Triolet,” by Jess Hyslop

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A to Z Reviews

Jess Hyslop’s “Triolet,” which appeared in the June 2013 issue of Interzone is another high concept story in which the reader is asked to suspend their disbelief by accepting Hyslop’s far-fetched idea, in this case Mrs. Entwhistle, who grows flowers which recite poetry when a person brushes against them.

The first indication that these flowers are anything special is when Lisa and James Lewis pass by her garden on their way to work and brush against a flower, which recites a poem. Although the two love the poetry plants, they are merely part of their shared experience on the way to work until they learn that Mrs. Entwhistle had given a plant to a friend of their. The knowledge that they could, conceivably, own a plant began to take root in their minds.

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Goth Chick News: The Blair Witch Kids Strike Back

Goth Chick News: The Blair Witch Kids Strike Back

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The Blair Witch Project Cast: Heather, Mike and Josh

I have long since been an awed admirer of the genius behind The Blair Witch Project (1999). With a production budget of around $60K the film grossed nearly $250M: roughly a return of 4000x. Considering a movie is labeled “blockbuster” if it returns 3x The BWP was a flipping phenomenon. Not to mention the writers/directors Daniel Myrick and Eduardo Sánchez kicked the project off while they were still film students at University of Central Florida, and the three 20-year-old stars, Heather Donahue, Michael C. Williams, and Joshua Leonard, who showed up at an open casting call, had never acted in a movie. It also introduced us to the concept of a “found footage” film.

Unbelievable, “lightning strike” kind of success.

With 2024 being the 25th anniversary of BWP, I assumed there would be some press attention in various forms, though this particular form wasn’t what I was expecting.

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Frankly Frankenstein

Frankly Frankenstein

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My guess is that even people who’ve never read the novel or seen the Boris Karloff version likely recognize that “Frankenstein” signifies a human-made scientific creation that bites back. (Though they probably do confuse which is the creator and which is the actual monster.)

Here in the 21st century, what Mary Shelley depicted way back at the start of the 19th is embedded in our cultural collective consciousness, even for those people who don’t pay attention to the culture unless it involves Taylor Swift, because of how often it actually occurs throughout history. Take your pick of technological disasters, the latest perhaps being AI.

Of course the reason why Shelley’s Frankenstein: or, The Modern Prometheus  is a canonical work even before SF gained some legitimacy in academia is that this isn’t just a gothic horror story (though it is of course that).

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Don’t Quit

Don’t Quit

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Image by PDPics from Pixabay

Goodafterevenmorn!

You may recall that I once said that all writing advice is bunk (sort of). I hold that to be mostly true. Knowing this, I’m still going to offer some advice to anyone out there who happens to be a struggling writer (hello, I’m your resident frustrated author who thinks of giving up three times a day. Welcome to my little support group. Do take a seat), because it’s something I desperately need to remind myself. Repeatedly. If there’s one piece of writing advice you should follow to the letter, it’s this:

Don’t quit.

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The Public Life of Sherlock Holmes: A Gaudy Death (Doyle on Holmes)

The Public Life of Sherlock Holmes: A Gaudy Death (Doyle on Holmes)

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This essay precedes the two prior ones in our series, having appeared in Tit-Bits in December of 1900. The aptly named Tit-Bits was a potpourri of ‘stuff’ which was published by George Newnes, who also owned The Strand.

Wanting to make a big to-do about their thousandth issue, Newnes used his unique position to secure an ‘interview’ essay written by the publicity-shy Doyle. Holmes had gone over The Reichenbach Falls and Doyle was resisting pressure to bring him back.

To interview Dr Conan Doyle, the creator of Sherlock Holmes, is not an easy matter. Dr. Doyle has a strong objection to the interview, even though he has no personal antipathy to the interviewer. Considerations, however, of his long and friendly relationship with the firm of George Newnes Ltd, in the pages of whose popular and universally read Strand Magazine Sherlock Holmes lived, and had his being, overcame Dr. Doyle’s reluctance to be interviewed, and he consented to give the following particulars, which will be read with interest by his admirers all over the world.

It’s Elementary – Man, that is one serious run-on sentence above!

“Before I tell you of Sherlock Holmes’ death and how it came about, it will probably be interesting to recall the circumstances of his birth.”

So does Arthur Conan Doyle open this essay, seven years after readers had been shocked by “The Final Problem.” He reminds the reader it began with A Study in Scarlet, with Holmes suggested from “a professor under whom I had worked at Edinburgh, and in part by Edgar Allen Poe’s detective, which, after all, ran on the lines of all other detectives who have appeared in literature.”

It’s Elementary – It’s interesting to me that Doyle does not name Dr. Joseph Bell here, though that’s clearly who he is referencing. He cites Poe’s Dupin as an influence. That was mentioned in the first essay, The Truth About Sherlock Holmes. And that’s a main item in next weeks’ post, The Case of the Inferior Sleuth.

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Galaxy Science Fiction, February 1955: A Retro-Review

Galaxy Science Fiction, February 1955: A Retro-Review

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Galaxy Science Fiction, February 1955. Cover by Ed Emshwiller

Almost 70 years ago, the February, 1955 issue of Galaxy hit newsstands, and since I wasn’t alive, my review had to wait until now. My apologies to the authors who have been waiting. The cover is by Ed Emshwiller, titled “Chamber Music Society of Deneb.” I love his whimsical art; it’s part of what identifies the magazine as Galaxy.

“Helpfully Yours” by Evelyn E. Smith — Tarb Morfatch arrives on Earth from Fizbus — the first female of her species to do so.  She’s a new journalist for the Fizbus Times, a newspaper read both on Earth and Fizbus.  The “Helpfully Yours” column, which she’s taking over, answers Fizbian questions about Earth customs. Fizbian culture is as drastically different from humans as their avian appearance.

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Vintage Treasures: Hammer’s Slammers by David Drake

Vintage Treasures: Hammer’s Slammers by David Drake

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Hammer’s Slammers (Ace Books, April 1979). Cover by Paul Alexander

David Drake passed away on December 10, 2023, and his death was a major loss to the field. In addition to his considerable accomplishments as a writer — with dozens of novels and collections to his credit — he made significant contributions as an editor and publisher.  He edited dozen of volumes for Ace, including the Space Anthologies with Marty Greenberg and Charles Waugh, and The Fleet and Battlestation shared universe series with Bill Fawcett. For Baen he edited three volumes of Men Hunting Things, Armageddon, and much more. He founded the Carcosa small press with Karl Edward Wagner — and in fact every time David stopped by the Black Gate booth at conventions over the years, the two of us invariably ended up talking about Karl.

But without question David’s most significant creation was Hammer’s Slammers, a long-running SF series that followed the adventures of the mercenary Colonel Alois Hammer and the tank regiment that bore his name. Alongside David Weber’s Honorverse, Hammer’s Slammers was the most popular military science fiction series of the late 20th Century. Including spin-offs and related volumes, the series ran to over a dozen volumes between 1979 and 2002.

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A to Z Reviews: “3 RMS, Good View,” by Karen Haber

A to Z Reviews: “3 RMS, Good View,” by Karen Haber

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A to Z Reviews

Real estate prices in San Francisco are notoriously high, which leads Karen Haber’s character in “3 RMS, Good View” to seek out extreme living arrangements. Despite her better judgement, she rents an apartment in near Haight and Asbury in San Francisco in 1968, despite working in the 2000s, for Chrissy lives in a world where time travel is inexpensive and easy.

Haber’s focus in not on the impact so many time travelers would have on the world, simply presenting a noninterference contract they all must sign. Instead, Haber focuses on the impact living in the past, and particularly that year and place, have on Chrissy and her cat, MacHeath. Haber does note that Chrissy can spend as much time in her 1968 apartment and never be late for work because she can set her arrival coordinates to whatever she needs them to be.

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First Class Noir: Death Comes Too Late by Charles Ardai

First Class Noir: Death Comes Too Late by Charles Ardai

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Death Comes Too Late (Hard Case Crime,
March 12, 2024). Cover art by Paul Mann

Charles Ardai is the creator and the editor of the famous, successful Hard Case Crime series (featuring novels by the likes of Rex Stout, Lawrence Block, Stephen King, Earle Stanley Gardner, Cornell Woolrich, and Ray Bradbury, just to mention a few) now reaching its 20th Anniversary.

But Ardai is no minor author himself, as proved by the present volume, which collects twenty short stories (including some prize winning tales) previously appeared in various venues.

On the whole the book represents a very interesting and entertaining showcase of Ardai’s work. Among the various stories some are particularly worth mentioning.

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