Her Master’s Voice: The World of Virtual Idols, Part III

Her Master’s Voice: The World of Virtual Idols, Part III

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In Part I of this 3-part series, we examined how the concept of the Virtual Idol first emerged in anime during the 1980s. In Part II we looked at how things opened up as we entered the digital age, particularly with the emergence of the whole Vocaloid sub-culture, and its popular software.

It’s no surprise that after the tremendous success of Hatsune Miku and her immediate follow-ups there has been a wave of newer virtual singers hitting the scene. Some have been in the form of additional voicebanks (with their own related character avatars) in directly Vocaloid-related products, often developed by partner companies, and sometimes they arise from separate yet similar voice-synthesizers.

The most significant of these competing programs would be the UTAU shareware, with their singer characters also being known as UTAU (or UTAUloids, unofficially). There are a few factors that have increased its popularity, not the least of which is that it can be downloaded free of charge! Although it comes with one starting voice named Uta Utane (more often called by her nickname ‘Defoko’) — who sounds a bit rudimentary, in comparison to the Vocaloids — users can also create their own singer voices, and make them freely available to others.

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Let’s Go Questing!

Let’s Go Questing!

The Quest Banner

Good morning, Readers!

I think it’s fairly evident by now, after one year of writing for this eZine, that I am a gigantic dork. I have come to terms with this, accepted it, learnt to love it, even.

So it is entirely without shame that I proclaim how deeply in love with the show The Quest I fell when it aired some five years ago. Four? Hang on, let me check. I was right the first time. Five years ago.  Holy mackerel. Five years ago. When the season ended I was, along with a small, but dedicated group of fans (waves vigorously at The Quest Army (also, despite being a huge fan of the show, I only discovered The Quest Army last year, and I’ve never been happier than knowing that these wonderful folks exist)), eagerly waiting for news of another season. That news never came. And so, we gathered in our small corners of the internet, writing letters, begging for news, hoping against hope.

Well, not three weeks ago, our hoping, writing and begging paid off.

The Quest is finally, five years later, getting its second season.

But I’m getting ahead of myself. I’m fairly sure that at least half of you have no idea what the hell I’m talking about.

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Reviving the Rich History of Traveller

Reviving the Rich History of Traveller

Journal of the Travellers' Aid Society-small

Journal of the Travellers’ Aid Society, Volume 1
Various authors
Mongoose Publishing (128 pages, $14.99 digital)

Traveller is a popular science fiction role playing game originally released in 1977 by GDW. To support its community of gamers, GDW published The Journal of the Traveller’s Aid Society (JTASfrom 1979 to 1985. (JTAS saw subsequent revivals for later versions of Traveller.) In 2019, Mongoose Publishing — publishers of two editions of Traveller — Kickstarted a three-volume revision of classic JTAS articles, intended for their second edition rules. Additionally, they would incorporate some new material and also mine some fanzines for articles. They Kickstarter was a success, eventually unlocking six volumes. Volume 1 has been released digitally (hard copy to follow) for sale to non-Kickstarter backers.

Volume I is 128 pages and includes two adventures, two new alien PC races, seven creatures, seven vehicles, two starships, eight articles providing background and fluff, and several items beyond that. The table of contents is organized by article type, making the job of finding those stats for the burst lasers easy.

The meat of this volume is in the eight articles broken into two sections: Charted Space and Travelling. Here, you can learn about a typical Imperial megacorporation, SuSAG; a listing and short description of the emperors of the Third Imperium; a history of the Vilani, the human race responsible for establishing the First Imperium; piracy — whether of the Vargr Corsair nature or what generally works for piracy in the Spinward Marches — an interview with the K’kree ambassador to the Imperium; a tutorial on smuggling; and an overview of the Gazulin starport. The topics covered do not provide new rules (with the minor exception in the smuggling article). Rather, they are intended to provide background and information to add flavor and hooks to your games, along with providing a quick bit of history for the Traveller default setting of the Third Imperium.

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Nero Wolfe’s Brownstone: The Careworn Cuff – Part Two (The Greenstreet Chronicles)

Nero Wolfe’s Brownstone: The Careworn Cuff – Part Two (The Greenstreet Chronicles)

We’re back this week with the second installment in our three-part adaptation of The Careworn Cuff, from the old Nero Wolfe radio show staring Sidney Greenstreet. If you missed Part One, you really need to read it first. It might not make Part Two any better, but at least it will make sense!

The Careworn Cuff – Part Two (of Three)

Chapter Three

I found four Dorothy Spencers listed in the phone book; any of which might be our non-client. Wednesday morning, while Wolfe was upstairs for his morning session with the orchids, I eliminated three of them. I couldn’t get a hold of the fourth, so she was still a possibility. I had just made another unsuccessful attempt when I heard the elevator, struggling under Wolfe’s seventh of a ton. If I worked as hard as that elevator, I would definitely demand a raise.

“Good morning Archie. Did you sleep well?”

It’s the same greeting, every day, even if we had already talked that morning. He went to his desk, carrying the day’s orchid. I had already changed the water in the vase on his desk. That’s one of my daily duties. He must have finished the Van Doren book in his room this morning. He had a new one tucked under his arm as he entered.

Sitting at my desk, I had watched him cross the room, returning his greeting as he reached his own oversized one. I was silent until he was settled in his chair, the book placed on the desk. I now saw that it was The Age of Reason, by Thomas Paine. I had a pretty good idea that the discussion at lunch was going to involve Colonial America. History was not one of my favorite subjects as a boy, so I would mostly be listen.

It being 11:01, I thought that a little work discussion might be an appropriate subject for some talk in the office. He had started to get his penknife out, to sharpen it. That was one of his daily routines, even though he rarely used it.

I still had one hand resting on the receiver, which was resting in its cradle. “Well, that’s that. Dorothy Spencer is not in. Anyway, she’s not answering her phone.”

He began sharpening his knife on the whetstone. No response. Apparently, he didn’t find work as suitable a topic as I did.

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The 2019 Locus Recommended Reading List

The 2019 Locus Recommended Reading List

The Twisted Ones-small The Gollancz Book of South Asian Science Fiction-small The Best of Greg Egan-small Roy G. Krenkel Father of Heroic Fantasy - A Centennial Celebration-small

The annual Locus Recommended Reading List is probably your best one-stop reference for all that’s new and exciting in book releases. It’s compiled by the staff and editors of Locus magazine, plus the contributing columnists, outside reviewers, and “other professionals and critics of genre fiction and non-fiction” — folks like Jonathan Strahan, Liz Bourke, Carolyn Cushman, Paul Di Filippo, Paula Guran, Rich Horton, Russell Letson, Gary K. Wolfe, Mark R. Kelly, Cheryl Morgan, John Joseph Adams, Ellen Datlow, John DeNardo, Charles Payseur, Sean Wallace, and many, many others.

The 2019 list appeared in the February issue of Locus magazine, on sale now, and was also published in its entirety last week at the Locus Online website.

Be prepared to take notes. The list includes several hundred titles in a dozen categories, including Science Fiction Novels, Fantasy Novels, Horror Novels, Young Adult Novels, Collections, Anthologies, Non Fiction, Illustrated and Art Books, Novellas, Short Fiction, and others.

I’m a Locus subscriber, and have been for nearly three decades. The magazine is a tremendous resource for anyone who’s serious about science fiction. Each issue is packed with in-depth reviews, interviews, news, photos, convention reports, entertaining features, and a lot more. Why not check it out? Digital subscriptions start at just $4.99 a month. Do yourself a favor and buy a sample issue here.

New Treasures: The Unwilling by Kelly Braffet

New Treasures: The Unwilling by Kelly Braffet

The Unwilling-smallIt’s tough publishing a debut fantasy. You’re such a blank slate to genre readers that every little notice and review carries enormous weight, and can tilt the trajectory of your entire career.

Take the case of Kelly Braffet, who began her career with thrillers like Last Seen Leaving and Save Yourself, before turning to fantasy with The Unwilling, which arrives in hardcover from MIRA on Tuesday. It’s had enviable early notices; Ellen Datlow called it “Something wonderful. I love it,” and Erin Morgenstern (The Night Circus) said it’s “Extraordinary… Fantasy at its most sublime.” Something like that will usually guarantee a fantastic launch.

Unfortunately a handful of readers have expressed their displeasure with the ending, and their one-star reviews are currently the highest-ranked at Amazon. Kitten Kisser wrote “Oh my. The end. For that the book gets 1 star. I’m sorry I spent 10 days reading this #*!@#% book for that total crock,” and QueenKatieMae said “After 572 pages… I threw this book down and simply said, “No”.”

That’s an unlucky and painful turn of events for any writer, though it’s especially hard on someone trying a new genre. I remain quite intrigued by The Unwilling; the complaints haven’t done much to dampen my enthusiasm, and I doubt I’m alone. The major review sites haven’t been silent either; I found this starred review at Bookist this morning.

Judah is foster sister to Gavin, next in line to be Lord of the City. Judah, who was adopted as an infant by Gavin’s late mother, is hated by Gavin’s father, Lord Elban. He and others call her “foundling,” “witchbred,” and worse. It does not help that in a land of pale-skinned, lithe blondes, Judah is short and has dark, almost purple hair. Luckily, Gavin; his brother Theron; and Gavin’s betrothed, Elly, love her. She and Gavin share an even more special bond. Any hurt she experiences, Gavin does as well, and she experiences all of Gavin’s pain. No matter how Elban and his Seneschal try to break this bond, they fail. This mysterious magic that binds them is no accident… Suspenseful, magical, wonderfully written, and never predictable… an essential addition to all epic-fantasy collections.

The Unwilling will be published by HarperCollins/MIRA on February 11. It is 571 pages, priced at $27.99 in hardcover, $12.99 in digital, and $42 in audio formats. The cover was designed by Micaela Alcaino. See all of our recent New Treasures here.

Women and Magic in an Unfair Society: The Women’s War by Jenna Glass

Women and Magic in an Unfair Society: The Women’s War by Jenna Glass

The Women's War-small Queen of the Unwanted-small

Covers by Jonathan Bartlett

One thing I love about modern fantasy is how different it is. There’s something for every reader, every mood, and every taste. For example, I’ve never read any of Jenna Black’s fantasy novels, such as her Faeriewalker trilogy, her Nikki Glass series, or her more recent Nightstruck novels for Tor teen. But she’s recently taken to writing more serious fantasy under the name Jenna Glass, starting with The Women’s War, and I find these books very intriguing indeed.

The Women’s War is the tale of a patriarchal society, and a revolutionary spell that abruptly gives women control over their own fertility — and the predictable (and unpredictable) events that follow. Here’s an excerpt from Sabaa Tahir’s review in The New York Times Book Review.

The Women’s War is an epic feminist fantasy for the #MeToo era. . . . The Women’s War does what so many classic adult fantasy books do not: It gives us a nuanced portrayal of grown women dealing with a wretchedly unfair society. It is rare to read a fantasy novel with a middle-aged mother as a main character. And it is refreshing to see women becoming heroes in a world that wishes to keep them muzzled.

The Women’s War was published by Del Rey in March of last year. The sequel, Queen of the Unwanted, is due in May. Here’s all the details.

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The Golden Age of Science Fiction: The 1973 Ditmar Award for Best Dramatic Presentation: Aussie Fan, directed by John Litchen

The Golden Age of Science Fiction: The 1973 Ditmar Award for Best Dramatic Presentation: Aussie Fan, directed by John Litchen

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John Litchen in Tahiti, 1964

My previous article about the 1973 Ditmars covered the winner for Best Australian Fiction, “Let it Ring!”, by “John Ossian.” That story was written in part in support of the bid for an Australian Worldcon to be held in Melbourne in 1975. That bid was eventually successful.

I was surprised to see that “Let it Ring!” beat out three novels for its award, and I was likewise surprised to see that an obscure movie called Aussie Fan beat out A Clockwork Orange, Slaughterhouse Five, and Tales from the Crypt for the Dramatic Presentation Ditmar. So of course I turned to the experts, people who were in fandom back then, and who know where the bodies are buried.

The great Australian fan (and Ditmar winner on his own) Bruce Gillespie had the answer:

The ‘Aussiefan film’ that won the Best Dramatic Presentation would have been unmissable by anybody attending American SF conventions in 1972 and 1973. John Litchen in Melbourne produced and directed what is essentially a humorous home movie in order to promote the Australia in 75 bid. It ‘stars’ quite a few members of Melbourne fandom, with Paul Stevens as the wascally ‘Anti-fan’ who is determined to wipe out the members of the Aussiecon committee. Malcolm Hunt, who portrays the heroic Aussiefan, disappeared from fandom after his starring role. The film arrived at LACon in 1972, and Jack Chalker (long before he began his writing career) criss-crossed the country, attending a convention almost every weekend from then until Torcon II in 1973, showing the film continually. It was probably the main reason why our bid in 1973 at Torcon was assured before I and about twenty other Australian fans did the presentation (led by Roger Zelazny on the platform) and won the day.

Minnesota-based fan Denny Lien added some details about the reception of Aussie Fan in the US.

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Rogue Blades Presents: What Robert E. Howard Has Meant to Me

Rogue Blades Presents: What Robert E. Howard Has Meant to Me

Howard changed my lifeI’m rather proud of the upcoming release of the book, Robert E. Howard Changed My Life, from the Rogue Blades Foundation (RBF), a non-profit publisher with a focus on all things heroic. I happen to be a board member of RBF, so my pride comes natural. However, a book title like that gets one to thinking. I can’t help but ask myself, as a writer and editor of fantasy fiction and as a member of the RBF board, how has Robert E. Howard changed my life? What has he meant to me over the years?

In the upcoming book, plenty of people better known and more experienced than myself will answer such questions, and I have to admit, for me these are not easy questions to answer.

I have an admission to make. Robert E. Howard wasn’t my gateway author into fantasy. He wasn’t even my gateway author into sword and sorcery literature.

I’ve read everything Robert E. Howard wrote, or at least everything that’s available to us today, including the formerly unpublished works and tidbits that have been printed in recent years. Back in the day I read nearly all the Howard-related comics from the 1970s. I’ve seen all the movies, even read the book by Novalyne Price, Howard’s one-time girlfriend. I’ve seen the TV shows, played the video games. I attended Howard Days two years ago and I’m planning another trip there this year.

Still, I feel like a phony, a Robert E. Howard phony. I feel like I can never read him enough, study him enough. It’s as if this man dead nearly a century is my teacher and I can never learn enough from him about the art and science of writing.

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Vintage Treasures: The Devil in a Forest by Gene Wolfe

Vintage Treasures: The Devil in a Forest by Gene Wolfe

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The Devil in a Forest (Ace Books, 1981). Cover by Kinuko Y. Craft

The Devil in a Forest was Gene Wolfe’s third novel, following Operation Ares and Peace. It was published in 1976, and was very much overshadowed by the release of The Shadow of the Torturer, the opening novel in Wolfe’s masterwork Book of The New Sun, in 1980. Still, in the four and a half decades since its release it’s been much discussed. But my favorite review was this on-the-nose piece by Paul de Bruijn at Rambles:

You know the phrase “You can’t judge a book by its cover?” Well, sometimes you can’t judge a book by the publisher’s blurb on the back, either. Gene Wolfe’s The Devil in a Forest proves the point well…

“He lives deep in the forest in the time of King Wenceslas, in a village older than record. The young man’s hero-worship of the charming highwayman Wat is tempered by growing suspicion of Wat’s cold savagery, and his fear of the sorceous powers of Mother Cloot is tempered by her kindness. He must decide which of these powers to stand by in the coming battle between Good and Evil that not even his isolated village will be able to avoid.”

I would love to know what book that is describing, because it is not The Devil in a Forest. Instead you get a story of a handful of villagers who get caught up in events beyond their control. It starts with the simple plan of getting the local highwayman to leave by helping him commit armed robbery. And Wat plays on the greed of a few of them masterfully. Creating a story of a rich pilgrim, he sends several people away so that he, Gloin, Matt and a char burner can rob Phillip the Cobbler. And then of course things start to go wrong…. it is a story well worth the reading.

Wolfe, who passed away last year, shows no sign of being forgotten by the usually fickle SF fanbase, and he’s discussed (and read) just as much as he’s always been. It’s gratifying to see. The Devil in the Forest was published in hardcover by Follett Publishing in 1976, and reprinted in paperback by Ace Books in November 1977 with a cover by F. Kegil, and again in 1981 with a new cover by Kinuko Y. Craft (above). The 1981 edition is 224 pages, priced at $2.25. See all our recent Vintage Treasures here.