A to Z Reviews: “The South China Sea,” by zm quỳnh

A to Z Reviews: “The South China Sea,” by zm quỳnh

A to Z Reviews

In my collection, the letter Q is represented by 12 authors and 28 stories, ranging from Qitongren’s “The Spring of Dongke Temple,” which I discussed last week and ending with zm quỳnh’s “The South China Sea,” which appeared in the anthology Genius Loci, edited by Jaym Gates in 2016. I should note that my story “Well of Tranquility” also appears in Genius Loci.  The only letter represented by fewer authors is X (two authors and four stories).

The title provides the setting for quỳnh’s story, which looks at the plight of refugees fleeing from war in Việt Nam. The narrator’s family owns a boat and uses it to attempt to ferry the refugees from their homeland to a safer place. Unfortunately, the sea is as dangerous and implacable enemy as the militaries fighting over their home countries. The threats of storms and pirates are pervasive and as the story opens, it is clear that over several attempts to ferry people to safety, the family has failed, resulting in the deaths of many refugees and family members, and the ultimate return to Việt Nam.

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Goth Chick News: (Initial) Looks Aren’t Everything…

Goth Chick News: (Initial) Looks Aren’t Everything…

With both being released to streaming, I finally got around to seeing two horror films I told you about when their trailers were first released. Abigail hit theaters in April, while the indie film The Beast Within starring Kit Harington (Game of Thrones) made it to the big screen in July.

So, what was the final verdict?

Yes, for one, and a great big no for the other – and you may be surprised which was which.

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Biggus Footus, Part I

Biggus Footus, Part I


Ape Canyon (Cyfuno Ventures, 2019), Bigfoot vs. The Illuminati (Wownow
Entertainment, 2020), and Big Legend (Sony Pictures Home Entertainment, 2018)

So it begins, a new watch project. All Bigfoot (or similar) movies, no Yetis allowed. They must be films I haven’t seen before. All free to stream.

Ape Canyon – 2019 – Prime

In tents? Nope – safe enough for my daughter to watch.

Any good? An interesting start to my watch-a-thon – this is actually a lightweight character study wrapped up in a dramedy, with nary a Sasquatch in sight. Right out of the gate, we are hit with the Moby Dick allegory that forms the spine of the story about a man-child in search of Bigfoot and meaning to his life, who drags his sensible sister along for the ride. Lots of bad decisions are made, but it’s gently satisfying and well made.

Hit or Myth? 7/10

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The (New) Crow – It’s a No From Me

The (New) Crow – It’s a No From Me

Good afterevenmorn!

Well, it turns out that a new version of the film The Crow was released last week. Touted not as a remake of the 1994 gothic masterpiece, but a re-adaptation of the original graphic novel (I have my doubts), it nevertheless garnered quite negative reviews on release. As of the writing of this, it has a 20% on Rotten Tomatoes.

This was… predictable.

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What I’ve Been Listening To: August (II) 2024

What I’ve Been Listening To: August (II) 2024

I posted last week about several audiobooks I’ve been listening to. Audiobooks totally fit in with my lifestyle (to the extent I have one). I can listen to them while working, driving, writing, falling asleep, walking outside, and even watching soccer which I’m not too invested in.

I wouldn’t get to a lot of the stuff I listen to, if I had to read it. I mean, you have never heard such caterwauling as the folks in the carpool when I read a paperback while driving. Yeesh!

I re-listen to a lot of stuff. But between Audible Premium, and select library borrows through the Hoopla app, I have audiobooks going a lot of the time.

Here are some more recent listens – some repeats, some brand new to my ears.

LEAPHORN AND CHEE – Tony Hillerman

I did a rather in-depth three-part series on Tony Hillerman and his terrific police procedurals set on the Navajo reservation. I have read/listened to this series a dozen times over the years. I absolutely love it. Somewhere I’ve got some cassette tapes, read by Hillerman himself. But between DVDs and Audible, I’ve managed to get unabridged (do NOT get the abridged versions. Not nearly as good) versions of each novel, read well by George Guidall.

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Janet Morris, May 25, 1946 – August 10, 2024

Janet Morris, May 25, 1946 – August 10, 2024

High Couch of Silistra (Bantam Books, May 1977) and The Golden Sword
(Baen, November 1984). Covers by Boris Vallejo and Victoria Poyser

Just after I put up my first Harold Lamb post I found out that an author I much admired and who has influenced my work, had died. Janet Morris. I’ll get back to Lamb next post but wanted to take a moment to comment on Ms. Morris. I only wish I’d done this before she died. I knew she was in ill health so I only have myself to blame for not getting up a post about her sooner.

I first read Janet in the Thieves’ World series where her style and characterizations stood out even among other outstanding authors. I followed her then as she took some of the Thieves’ World characters into novels and as she wrote, edited, and produced various heroic fantasy collections. I’ll talk about the Thieves’ World series later but here I want to focus on just some of Janet Morris’s other writing.

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Goth Chick News: The Chicago Fan Expo Kind of Blew Our Minds

Goth Chick News: The Chicago Fan Expo Kind of Blew Our Minds

It’s not often that Black Gate Photog Chris Z and I experience sensory overload at a convention, so this is likely a first. Last weekend, August 16-18, Chicago played host to the Fan Expo in its third year taking over the event from Wizard World.

The 2023 event boasted an impressive list of celebrities, vendors and artists. However, this year was closer to mind-blowing for a lot of reasons that I’m about to tell you. Before I wade in, this is a convention that happens in many cities in the US and Canada throughout the year. We highly recommend you go at least once, if you’re near one of the host cities. You can check out the full line up at my pre-show post.

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A to Z Reviews: “The Spring of Dongke Temple,” by Qitongren

A to Z Reviews: “The Spring of Dongke Temple,” by Qitongren

A to Z ReviewsQitongren offers a mix of fantasy and fairy tale with “The Spring of Dongke Temple.” Originally published in Chinese in 2007, it was translated by Liu Jue in 2019 for publication in the anthology of Chinese science fiction Ticket to Tomorrow and Other Stories. In 2020, Ann and Jeff VanderMeer selected the story for The Big Book of Modern Fantasy.

“The Spring of Dongke Temple” opens with a cautionary tale of a woodsman who stumbled upon the isolated Buddhist temple in the mountains and after a brief stay there returned to his family refusing to say anything about the temple except to note the proliferation of swallows in the ruins. The brief description gives the temple a feeling that it might not be out of place in the tales of H.P. Lovecraft.

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A Red Desert World, Full of Mystery: Old Mars, edited by George R.R. Martin & Gardner Dozois

A Red Desert World, Full of Mystery: Old Mars, edited by George R.R. Martin & Gardner Dozois


Old Mars (Bantam Books, October 8, 2013). Cover by Stephen Youll

This isn’t a Sword & Planet collection per se but is likely to prove interesting to readers of S&P.

It’s a big book, 548 pages of reading in 15 longish stories and an introduction by Martin. All the tales evoke the kind of Mars that readers of Burroughs, Bradbury, and Brackett will recognize — a red desert world full of mystery.

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Margaret Hamilton: Wicked Forever

Margaret Hamilton: Wicked Forever

She’ll get you, my pretty!

The marketing blitz for the upcoming two-part film version of the 2003 stage version of Gregory Maguire’s 1995 novel Wicked (itself a “reimagining” of L. Frank Baum’s seminal 1900 novel, The Wonderful Wizard of Oz) has begun. Years ago, I succumbed to hype exhaustion and saw the musical; I found it mildly diverting, which hardly seemed adequate, considering the superlatives the enterprise was swathed in.

As for the movie, which stars Cynthia Erivo as Elphaba (Maguire’s name, not Baum’s, though it’s supposedly constructed out of his initials – LFB) and Ariana Grande as Glinda, so far all we have to judge it by is the trailer, and from those carefully culled three-and-a-half minutes it looks like all the stops have been pulled out in terms of lavish production values (though in a time when spectacle can be generated on a laptop, one wonders if that means anything anymore). As for the frantic media bludgeoning we’re about to experience, it’s hard to blame the producers for the incipient panic evident in such all-out campaigns; it’s not their fault that movies just don’t mean as much to people as they once did.

Nevertheless, I’m sure that when Wicked is released in November, it will be a smashing financial success and may even be an artistic one; certainly, a lot of talented people are giving it their all. Whatever the size of the film’s box office or cultural footprint, however, I suspect that not many people will still be watching it in 2109, eighty-five years from now — not coincidentally, the same gap separating 2024 from the 1939 that gave us one of the most enduring and beloved of all films, the MGM Wizard of Oz, a flawlessly-cast classic that starred Judy Garland, Ray Bolger, Jack Haley, Bert Lahr, and Frank Morgan.

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