Future Treasures: Lake of Darkness by Scott Kenemore

Future Treasures: Lake of Darkness by Scott Kenemore

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Lake of Darkness-smallIt’s always nice to read a book set in my hometown. Scott Kenemore’s Lake of Darkness, arriving next week in hardcover, has the added appeal of being set in lawless WWI-era Chicago, an era already rich with racial tension, drama, and larger-than-life characters. Layer in a creepy serial killer and a detective with a fascinating crew of magicians and mystics, and you’ve got all the elements of great tale.

Scott Kenemore’s previous books include the Zombie trilogy (Zombie, Ohio, Zombie, Illinois, and Zombie, Indiana) and The Grand Hotel, but his latest book is getting a lot more attention. Simon Strantzas says Lake of Darkness is a “Chicago tale as strange and bizarre as the twin murders at its heart… an exceptional read,” and Dean Jobb (Empire of Deception) calls it “a fast-paced tale of madness, murder, and a streetwise detective on the trail of a depraved serial killer… a stylish, clever whodunit.”

Publishers Weekly gave the book a starred review, saying:

This superb blend of noir and horror from Kenemore (Zombie, Ohio) centers on the search for a serial killer who targets twins in WWI-era Chicago, starting with two 10-year-old African-Americans, a brother and sister, whose heads are cut off and switched. Other murders follow in which black children’s heads are severed and then attached to their siblings’ torsos. Mayor Big Bill Thompson, who has eyes on the White House, is concerned that the killings could harm Chicago’s reputation and stem the migration of African-Americans from the South. Thompson gives Joe “Flip” Flippity, one of Chicago’s few black cops, carte blanche to solve the case. Flip is aided by such unusual allies as the Amazing Drextel Tark, a magician whose illusions employ his own twin brother, and elderly Ursula Green, who uses a crystal ball animated by a supernatural force “larger and stronger than herself.” Kenemore keeps the tension high throughout…

Lake of Darkness will be published by Talos on May 5, 2020. It is 264 pages, priced at $15.99 in paperback and $11.99 in digital formats. Get more details at the publisher’s website here.

See all our recent coverage of the best upcoming fantasy and horror here.

Wordsmiths: Interview with Charlie Jane Anders, Recorded Live at Can*Con 2019

Wordsmiths: Interview with Charlie Jane Anders, Recorded Live at Can*Con 2019

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2019 feels like a long time ago, doesn’t it? One of my other roles is Programming Lead for Can*Con, Ottawa’s annual conference on science fiction, fantasy and horror literature. I’ve had the great fortune to sit down for one-on-one interviews with a few Guests of Honor, most recently a fabulous conversation with Charlie Jane Anders at Can*Con 2019.

Charlie Jane is the author of The City in the Middle of the Night (Tor, 2019), co-host of the Hugo-winning podcast Our Opinions Are Correct, and has contributed work to a variety of anthologies and collections. We get into her short fiction, her work with io9, her thoughts on genre and community, and more.

This was a blast, and I hope you enjoy it, too!

An Ottawa teacher by day, Brandon has been published in On Spec, Pulp Literature, Electric Athenaeum, and elsewhere. His latest publications include his first comic, “True Balance,” available on Comixology and DriveThruComics, and a reprint of his short story “Rainclouds,” in A Dying Planet from Flame Tree Press. You can follow Brandon at brandoncrilly.wordpress.com or on Twitter: @B_Crilly.

New Treasures: Things in Jars by Jess Kidd

New Treasures: Things in Jars by Jess Kidd

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What is it about the Victorian Era that entrances modern readers? I’m not sure exactly, but something about investigating ghastly crimes on the gas-lit streets of London at midnight appeals to us all, I think. It certainly appeals to Jess Kidd, anyway. Her latest novel is Things in Jars — love that title! — which Kirkus Reviews calls “Creepy, violent, and propulsive; a standout gothic mystery.”

Things in Jars is the tale of a formidable female sleuth in Victorian London (with a ghostly suitor) who is pulled into the macabre world of fanatical anatomists and crooked surgeons while investigating the kidnapping of a very special child. The Guardian offers a more substantial summary, calling it:

High-camp crime… A pipe-smokin’, crypt-crashin’ heroine brings originality and freshness to this Victorian detective drama. This pacy piece of Victorian crime fiction delivers chills galore: pickled babies, wicked surgeons, a head in a hatbox and other unsettling discoveries.

Jess Kidd is the author of Himself, a “supernaturally skilled debut” (Vanity Fair) about a haunted Irish town, and Mr. Flood’s Last Resort, a tale of “Irish magical realism… mistaken identities, and a hoarder’s creepy house” (Library Journal), among others. Things in Jars was published in hardcover in February; here’s the description.

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Altered Initiative in the Altered Carbon RPG

Altered Initiative in the Altered Carbon RPG

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Altered Carbon The Role Playing Game

In February this year, Hunters Entertainment launched a wildly successful Kickstarter for the Altered Carbon tabletop RPG. When it closed in early March, they had raised $372,547, having only asked for $20,000. While the creators finish the product for later this year, they provided a rules summary and scenario, which you can get from their website (where they call it a quick start guide).

The RPG is based on the Netflix series, Altered Carbon, which just released Season 2. In turn, the series took as its source material Richard K. Morgan’s book series, first published in 2002. The series is unabashedly cyberpunk. I recall reading somewhere that Morgan wanted to take every cyberpunk trope and cliche, toss it together, and see what comes out. The spin that the series takes to differentiate it was to turn whole mind upload or uploading our consciousness to a digital source into a routine, cheap task via a device called a cortical stack.

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Brazzaville — The Sequel to Casablanca That Was Never Made

Brazzaville — The Sequel to Casablanca That Was Never Made

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CasablancaPoster1Now, I think that Casablanca is the greatest movie ever. I’ve seen it far more times than any other movie, and I rarely pass up a chance to sit down and watch it again when TCM runs it. I had never seen a Humphrey Bogart movie until my early twenties. Then, I went to the Ohio Theater, an amazing place on the National  Register of Historic Places, to see Casablanca on a HUGE screen. There was even organ music during the intermission. I was hooked for life and I now own almost every movie Bogart appeared in. I’m a virtual Cliff Claven of Casablanca trivia, and I’ve even written two short stories centered around the movie.

Frederick Stephani was a screenwriter who had penned the first Flash Gordon movie that Buster Crabbe starred in. He also did the screenplay for Johnny Holiday, a hardboiled movie starring William Bendix. After the success of Casablanca, Warners had him write a treatment for a sequel, working title Brazzaville – after the Free French garrison that Renault suggests he and Rick visit as they walk away from the airport at the close of the film.

BRAZZAVILLE – CASABLANCA SEQUEL

Rick and Renault drive to Rick’s Cafe to find some unhappy Germans waiting for them. The Germans demand that Renault either arrest Rick, or turn him over to them. Rick says he’d rather be arrested. I can see Bogart wryly saying that. Renault smiles and looks at his watch; it’s 6:00.

He asks his aide, presumably Lt. Casselle, how long it takes to get a cable to, and a response from, Vichy. He is told, ‘six hours.’ He asks the Germans what charge is to be made against Rick. That’s reminiscent of him telling Strasser he has no reason to shut down the cafe in Casablanca. The Germans tell him some trumped up charges. Unlike the incident with Strasser, he stands up to them. He explains that Casablanca is still a free territory and they need to substantiate their charges. He adds that anyone can prefer charges, but if they can’t be proven, it will cause trouble for Renault.

The Germans, knowing that Renault is with Vichy, are confident, but don’t see the wink that he gives Rick. Rick then levels some made up charges against them! Rains decides he likes Rick’s charges better and arrests the Germans. They are furious and threaten vengeance. Renault offers to let them use the cables to contact Vichy to complain (Nobody plays cool and urbane like Claude Rains). Bogart is bemused.

Later, in Rains’ office, Bogart tries to find out what Louis is up to, but Renault puts him off and tells him to concentrate on their chess games. Renault is unconcerned by his very unhappy German prisoners.

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Weird Tales Deep Read: July 1933

Weird Tales Deep Read: July 1933

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Somewhat fanciful Brundage cover for “Hand of Glory”

This is the first in a series of posts I’ve wanted to do for awhile now, a detailed look at a single issue of Weird Tales magazine where I do a short analysis of each story, the famous, the infamous, and the forgotten. Just to make things a little confusing, I rate these stories, unlike movies, on a 1-5 scale, with the lower the number, the better the story. You can look at these ratings as A-B-C-D-F, or Excellent – Good – Mediocre – Below Average – Poor.

I wanted to start with a memorable issue, so I chose the July 1933 entry, one of the best I’ve read so far. I’ll start with a short overview and then get into the specifics of each story.

This issue is at the beginning of the Unique Magazine’s (as it sometimes called itself) Golden Age (roughly the early to late 1930’s) with a total of four of the nine stories penned by what I like to think of as the Holy Trinity of Weird Tales writers, Robert E. Howard, H. P. Lovecraft, and Clark Ashton Smith. The ubiquitous Seabury Quinn is also present with one of his ninety-three Jules de Grandin stories, along with tales by early giants of science fiction Edmond Hamilton and Jack Williamson. Sheridan Le Fanu contributes a classic reprint. The final story is by Harold Ward, a fairly prolific pulp writer noted for complicated plots often bordering on the incoherent.

The Howard story is one of his slightest, but moderately effective. The Smith, set in what is probably the first shared-world universe in science fiction — the Cthulhu Mythos — is also rather slight, but vastly more imaginative. The Lovecraft story under his byline is one of his classic Cthulhu Mythos tales. His second story in this issue appears under the name of Hazel Heald, which requires a bit of explanation.

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Vintage Treasures: Duel by Richard Matheson

Vintage Treasures: Duel by Richard Matheson

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Cover art by Eshkar/Uretsky

Richard Matheson was one of the greatest American horror writers of all time. Films based on his work include I Am Legend (filmed three times, most recently in 2007), Real Steel (2011), The Box (2009), Stir of Echoes (1999), What Dreams May Come (1998), Somewhere in Time (1980), Trilogy of Terror (1975), The Legend of Hell House (1973), Duel (1971), and The Incredible Shrinking Man (1957).

Of course, among genre fans he’s mostly remembered for his short fiction. He wrote nearly 100 short stories, and many of those were adapted for the screen as well. He wrote 16 episodes of Rod Serling’s The Twilight Zone, including several of the most famous, such as “Nightmare at 20,000 Feet” and “Steel.” Matheson is still widely read today, and deservedly so. He produced over a dozen collections in his lifetime, including Third from the Sun (1955), The Shores of Space (1957), and Nightmare at 20,000 Feet (2002).

Duel, which gathered 18 of his most famous tales, including “Born of Man and Woman,” “Third from the Sun,” and “Duel,” was published by Tor over seventeen years ago. That pretty firmly makes it a Vintage Treasure in my book. Astonishingly, it is still in print as a mass market paperback, which I don’t mind telling you caused me all kind of editorial confusion. Is it a Vintage Treasure? A New Treasure? May seem trivial to you, but it’s never happened to me before. This thing is nearly two decades old, this shouldn’t be a hard question.

In any event, this is great news for anyone who doesn’t have to face esoteric cataloging dilemmas on a Sunday morning. Duel is a fantastic collection, and somewhere in an alternate timeline frustrated collectors are paying crazy prices for it. Lucky for you, in this timeline brand new copies are available for just $8.99. Take advantage of this strange space-time anomaly, and grab your copy today.

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Uncanny X-Men, Part 10: John Byrne’s The Hidden Years #1-4

Uncanny X-Men, Part 10: John Byrne’s The Hidden Years #1-4

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Holy cow! We’re into double digits of my reread of the X-Men story that began in 1963. I include a full set of links to the post series at the bottom of this post. As we saw last time, some later creators have had some fun in writing stories that fit into those empty years between 1970 and 1975 when X-Men was just a reprint title. One of the most famous is John Byrne’s 1999-2001 series X-Men: The Hidden Years. 

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New Mysteries Around Every Corner: The Sibyl’s War Trilogy by Timothy Zahn

New Mysteries Around Every Corner: The Sibyl’s War Trilogy by Timothy Zahn

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Covers by Stephen Youll

I’ve come to rely on Goodreads more and more often for unbiased book reviews. It started two years ago, while I was religiously checking the great feedback on my just-released The Robots of Gotham. Goodreads is filled with amateur reviewers, but I discovered many of them had spot-on critiques of my first novel. Always a pleasure to see those 4- and 5-star reviews of course, but in the end I found those readers able to articulate problems were far more valuable.

Yes, you’ll always find the occasional 1-star, 1-word review (“Unreadable’ was my favorite), but I was able to get something useful out of pretty much every other negative review, and quite a bit more than that from many. In fact, one of the best insights on my book came from a negative review by Goodreads member Jrubino, who wrote:

The complexity and depth of this novel is wonderful, yet its impact is greatly diminished by a video-game pacing… this formula is tiresome. That’s too bad as the world-building is unique and interesting.

I think that’s right on point, and it’s exactly the kind of thing I need to hear as I plunge into writing the second book. I’m fond of the way I set up The Robots of Gotham, with all my main characters trapped in a Chicago hotel in the middle of an unfolding robot apocalypse, but — as several readers have helpfully now pointed out — chapter after chapter, that constant “action and return” becomes repetitive, especially in a longer book. If I can fix that in The Ghosts of Navy Pier — and I’m pretty sure I can — I think it’ll be a much better book.

Goodreads has become enormously useful as a broad measure of public opinion, which is a darn useful thing for a writer trying hard to get better. And surprise, surprise… it’s also pretty useful when you’re looking for a good series to read, like Timothy Zahn’s Sibyl’s War trilogy, which wrapped up this month with the release of Queen.

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Nero Wolfe’s Brownstone: 2020 Stay at Home – Days 5, 6, and 7

Nero Wolfe’s Brownstone: 2020 Stay at Home – Days 5, 6, and 7

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Hopefully you read posts one and two in this series. Over at The Wolfe Pack Facebook Group page, I am doing daily entries from Archie’s notebooks, as he endures Stay at Home with Nero Wolfe in these pandemic days. As I prepare this, I have done a daily post for 28 straight days, totaling 27,067 words. At just under 1,000 words a day, it’s been quite an effort! I expanded today’s post to three days, since I’ll never catch up, doing one Black Gate post a week.

DAY FIVE – 2020 Stay at Home (SaH)

Did you know that the Latin ‘mortuus’ is the root of mortuary? And that mortuary replaced deadhouse as the name of the place where they kept the dead? I do, because I heard all about it at the evening meal. Wolfe’s dinner table conversation is stuck in morbid.

Archie’s Thought of the Day – You might think that in a household of four males, I would organize a card game to help pass the time. In This household, you would think wrong.

Only one near-battle today. At lunch, Wolfe suggested we let Theodore start joining us for dinner. I flat-out refused. I told him I would eat at my desk first. Writing about it now, I will admit, it was not my finest hour. But there is no way I could enjoy supper, even it being Fritz’s incredible cooking, with Horstmann sitting there with me. I don’t hate him in a Rowcliffe-sort of way, but there’s just something about him that I don’t like. Never have. Sort of like a teammate you don’t like. You tolerate him, but you spend as little time around him as you can. Wolfe saw that I was serious, and he knew trading me for Theodore wasn’t a good deal, so he dropped it.

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