Black Gate – Page 245 – Adventures in Fantasy Literature

A (Black) Gat in the Hand: Talking about Philip Marlowe

Monday, August 24, 2020 Bob Byrne Comments 14 comments

“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era termsp for a gun. Shortened version of Gatling Gun)

I got in a bit of a Philip Marlowe mood when I wrote that A (Black) Gat in the Hand post on Powers Boothe’s excellent HBO series a few months ago. Now, I normally did pretty deep when I pick a subject for a Black Gate post. Which is why more than one never actually gets written. Yet, anyways. I’m going to try a different tack and write less in-depth on several different Marlowe projects. We’ll see how that goes.

Robert Mitchum’s Farewell My Lovely.

In 1975, two years after Eliot Gould’s The Long Goodbye (which I do NOT like), Mitchum was an older, world-weary Philip Marlowe. In 1978, he followed it up with The Big Sleep. It was a mess and his first movie as Marlowe is definitely the better of the two.

I’ve not been much of a fan of his Marlowe . It’s a combination of his age, and him seeming too stiff. Kinda like watching Charlton Heston play Sherlock Holmes in Crucifer of Blood (which isn’t actually too bad, overall). Re-watching Farewell My Lovely on WatchTCM, I did like him a bit better this time. I think his voice-over narration is the strength of his performance.

Charlotte Rampling is Velma/Mrs. Grayle. She played Irene Adler opposite Roger Moore in Sherlock Holmes in New York. And she was a regular for season two of Broadchurch a couple years ago. Velma’s inner nature really comes through in the showdown on the boat.

Jack O’Halloran plays Moose Malloy. Now, I have a hard time picturing anybody being Moose Malloy better than Mike Mazurki was in 1944’s Murder My Sweet. But O’Halloran is pretty darn good. He went on to be Emil Muzz, the goon in the Tom Hanks/Dan Akroyd Dragnet (which I love). He also played villain Non in Christopher Reeve’s first two Superman movies.

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Fantasia 2020, Part II: Clapboard Jungle

Sunday, August 23, 2020 Matthew David Surridge Comments 0 Comment

Clapboard Jungle Most of the movies I want to see at Fantasia 2020 play at a scheduled time, but quite a few are available on demand for the next two weeks. One of those struck me as a good place to start this year’s unusual Fantasia-from-home: Justin McConnell’s documentary Clapboard Jungle. It’s about the process of putting a film together, focussing not so much on the technical details of directing but the much longer struggle to find financing.

McConnell’s previous film Lifechanger is the central case study for Clapboard Jungle. That movie played at Fantasia in 2018 (I thought it was a success, despite a few quibbles about plotting and concept), so I knew going in there’d be at least a glimpse of the familiar Hall and De Sève Theatres. I got that, and the sight of a few familiar festival faces. More important, I also got an intriguing documentary that showed the modern film industry from an unusual angle.

The movie’s structured around a video diary McConnell started in 2014, when he set out to make a new film. The movie he ended up making was not the movie he then expected to make, and Clapboard Jungle does a good job following the twists and turns that led him to Lifechanger. The loose narrative works because it gives McConnell a strong frame into which he fits interview snippets with filmmakers, producers, film festival organisers, and other industry people.

These snippets are well-chosen, illustrating the points McConnell wants to make. And they’re edited tightly, giving the film a fast pace, presenting a lot of information and ideas very quickly. McConnell starts with autobiographical material to set up why and how he got into film, but from there keeps a good balance between his personal story and the interviews that make up the larger part of Clapboard Jungle. He’s able to use the structure of the diary and the interviews to maintain a sense of forward narrative momentum while showing the process of arranging financing for a movie, which the film makes clear is a long, tedious, repetitive slog. As well, beyond documenting the stalls and reversals and occasional leap forward of the development process, he also shows himself slowly learning the ropes — going to film festivals and markets, for example. We have the feeling of learning about the process at the same time he does, which gives the documentary a needed sense of progress.

The heart of the film is this long struggle to set up a project, showing by example how a film comes to be — or, more usually, does not come to be. It’s a reminder that every film I or you watch, at Fantasia or elsewhere, beat the odds just by coming into existence. McConnell shows us what those odds really are. It’s a bracing look at a side of the industry that rarely comes into focus for outsiders.

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A Woman as President?

Sunday, August 23, 2020 John-Henri Holmberg Comments 4 comments

Mike Resnick Alternate Presidentss-small

Eclipse by John Shirey (Questar/Popular Library, 1987), Alternate Presidents edited by Mike Resnick (Tor, 1992),
Coyote by Allen Steele (Ace, 2002). Covers by Joe DeVito, Barclay Shaw and Ron Miller

“It’s rigged,” said Republican presidential candidate Donald Trump four years ago. What was? Everything. The system, the primaries, the TV debates, the media. And probably even the election itself.

His view, of course, was and remains that it’s all rigged against a hard-working, self-made billionaire who started out with two empty hands (and a small loan of $14 million from daddy – and this was more than 45 years ago, so consider inflation). But if you look at another aspect, that of general expectations, you might find a different kind of rigging.

So far, no woman has been president of the United States. Consequently, no historical or contemporary realistic fiction has portrayed a female President. But since science fiction is reality-based speculation, and since women make up a little over half of humanity, it would seem reasonable to expect at least some writers to write about possible futures, or alternate pasts and presents, where women inhabit the White House.

But in fact, such speculations have been few and far between. Kristin Lillvis (in “Take Me to Your Lady Leader,” in New Ohio Review #20, 2016) suggests that the first example of an imagined woman president may be found in C. L. Moore’s “Greater Than Gods,” in Astounding, July 1939. Moore’s story is basically about gender stereotypes: her protagonist, Bill Corey, considers which of two women to marry and visits the two possible alternate futures that would result from this decision. One of them is a patriarchal, technologically advanced but militaristic society of blind obedience to strong leaders; the other a matriarchal society with a succession of female presidents (though the first elected no earlier than around 2300), peaceful and comforting but also static and stagnant. “Women as a sex are not scientists, not inventors, not mechanics or engineers or architects,” the story says. And Moore lets her hero marry a third woman, who will add balance and reason to his own limitless ambition, and so give rise to a more diverse future.

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Future Treasures: The Bone Shard Daughter by Andrea Stewart

Saturday, August 22, 2020 John ONeill Comments 0 Comment

The Bone Shard Daughter by Andrea Stewart. Orbit Books, September 8, 2020. Cover by Sasha Vinogradova.

I love a good fantasy debut, and Andrea Stewart’s The Bone Shard Daughter, coming from Orbit next month, looks like a doozy. It’s the tale of Lin, the former heir to an empire controlled by bone shard magic, fighting to reclaim her magic and her place on the throne, and it’s the opening volume of an epic fantasy trilogy by an unknown author purchased for a six-figure advance. Library Journal called it a “richly told, emotional, action-laced debut” in a starred review. Here’s an excerpt from S.W. Sondheimer’s rave review at The Roarbots.

You know what I love? I love that we are getting a tsunami of fantasy based in cultures that aren’t medieval Western Europe. I love it a lot….

Roving island chains? Hybrid constructs powered by bone magic? A collapsing Empire akin to that of Imperial China? Newly and inexplicably minted elemental wizards with mysterious, talking familiars (who compromise me emotionally, excuse me, your honor, I love Jovis and Mephi and will die for them)?

Inexplicable ships and missing memories? Queer rep that is without it being a thing? Yes, thank you, I’ll take it all, and I’ll take as many entries in Andrea Stewart’s The Drowning Empire series as she’ll write… It all starts when Deerhead Island sinks without sign, without warning, and without mercy. Jovis, searching for his lost wife, finds himself rescuing a child from the same ceremony that killed his brother years before – the ceremony in which the empire harvests a small shard of bone from every child’s skull to be used to power the emperor’s constructs. These creatures, created from leftovers and remains to do the ruler’s bidding, are powered by the life tethered to the shard.

Lin, the emperor’s daughter, tries to salvage lost memories, desperate to please her father while Phalue and Ranami try to love each other through a rebellion. As the three stories converge, the truth of the emperor’s plans – and the depth of his grief-driven madness – are revealed.

I love a good creepy magic system, and there’s a lot to like about this one. The Bone-Shard Daughter will be released by Orbit Books on September 8, 2020. It is $28 in hardcover and $14.99 in digital formats. The cover art is by Sasha Vinogradova. Read a lengthy excerpt at Gizmodo., and see all our recent Future Treasures here.

Understanding Gamers through Belly Laughs: Knights of the Dinner Table by Jolly R. Blackburn

Saturday, August 22, 2020 John ONeill Comments 14 comments

Three issues of Jolly Blackburn’s long-running
Knights of the Dinner Table, all shipped simultaneously: #273, 274, & 275

The COVID-19 pandemic has played havoc with virtually every aspect of life around the globe. That was driven home to me (again) when three issues of my Knights of the Dinner Table subscription were delivered in a single envelope last week.

Given all the upheaval the world has gone through in just the last five months, it was an eerie look into the recent past to open the first of them, issue #273 (planned on-sale date: May 2020) and read Jolly R. Blackburn’s editorial, written in March 2020 and titled “And Just Like That — Everything Changes.” Children of the Apocalypse, gather round and read these words from the long ago before-time:

Hey folks — I hope this finds each of you reading this, healthy, safe and doing well. Clearly, with what has transpired in recent weeks, that is most certainly not the case for everyone. Many of you have likely lost loved ones, are sick, unemployed, wondering what the future will bring or all of the above. This is indeed something that has left no one untouched.

I [know] that Knights of the Dinner Table has always been a refuge of sorts from the hard realities of the real world. Readers come here to forget their worries, have a laugh, possibly be touched and celebrate the love of rolling dice and gaming with friends. That won’t change… we’re all in this together, despite differences.

As I write this, there is a lot going on. The nation is in a state of self-isolation and shut down. I wanted to tell you what that means for KenzerCo and the Knights even though in the grand scheme of things, it might be the last thing on your minds. We are fortunate in that we are a small company with our own warehouse and shipping facility. Barb and I continue to ship product twice a week and can do so without interacting with others. So we are completely safe in doing so.

Here’s the glitch. Our distributors recently announced they will NOT be shipping product to retailers until this is all over. Which is understandable because many game and comic shops are currently shutting down and there’s no place to ship product to.

On top of that, the printer who publishes our monthly deadtree issues is in a shutdown also!

Take it from me: It’s tough to keep a monthly magazine going when both your printer and your distributors cease operations. But Jolly and team battened down the hatches and did it, producing digital issues, and getting them out to subscribers, on time. And when their printer opened up again they did a bulk run of all three issues, shipping them to subscribers as quickly as possible. Getting all three at once allowed me to read the issues back-to-back, and re-appraise just what it is that Jolly is doing, and how much it’s impacted the hobby.

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Gorgeous Celtic Imagery in a Haunting Fairy Tale: The Warrior Bards Novels by Juliet Marillier

Friday, August 21, 2020 John ONeill Comments 0 Comment

The Harp of Kings and A Dance With Fate. Ace Books,
September 2019 and September 2020. Covers by Mélanie Delon and unknown.

I discovered Juliet Marillier’s Blackthorn & Grim Celtic fantasy trilogy last year. How I missed the whole series for years I dunno, but was very glad to find them when I did. So I was excited to see a sequel series featuring a new generation arrive in 2020, opening with The Harp of Kings, which Andrew Liptak at Polygon selected as one of the Best Fantasy Releases of September 2019, saying it was “Soaked in gorgeous Celtic imagery and mythology.” Carolyn Cushman reviewed it warmly at Locus Online, saying:

Sibling bards determined to become warriors end up on a special mission to recover a magic harp in this Celtic fantasy novel, the first in the Warrior Bards series, a next-generation sequel to the Blackthorn & Grim series. Liobhan sings and plays the whistle, while her brother Brocc is a harpist with the voice of an angel, skills that turn out to be useful when the warrior group they’re training with needs to infiltrate a court where the legendary harp used at coronations has gone missing. Dealing with princes turns out to be the least of their problems, though, when druids and otherworldly influences are revealed to be involved. The trainees – including Liobhan’s biggest rival – have a tricky time staying in their assigned roles, and staying out of problems at court, but ultimately it’s Liobhan and Brocc’s knowledge of old stories and their mother’s wisewoman skills that save the day in a tale that draws on some haunting fairy tale elements while telling an exciting adventure all its own.

The next book in the series arrives in two weeks. A Dance With Fate will be published by Ace Books on September 1, 2020. It is 512 pages, priced at $17 in trade paperback and $11.99 in digital formats. I don’t know who did the cover. Read an excerpt from The Harp of Kings here, and see all our recent coverage of the best new fantasy series here.

Rogue Blades presents: In Defense of the Heroic

Friday, August 21, 2020 Ty Johnston Comments 1 comment

henry david thoreau — Henry David Thoreau

This article originally appeared last year on the Rogue Blades Web site, but I thought readers of Black Gate would appreciate it.

“The heroic books, even if printed in the character of our mother tongue, will always be in a language dead to degenerate times…”

Henry David Thoreau wrote those words in the mid-19th Century for his distinguished book, Walden. They rang true then and they ring true today. Of course there will be those who say we do not live in degenerate times, that we live in the greatest of all ages, that our technological and social achievements are pressing us towards some utopia, but those who are true students of history and have open eyes might argue otherwise, or at least they might hold more than a little skepticism about the potential greatness of the immediate future.

Whether or not we live in a degenerate age, we are in need heroes more than ever. The Thoreau quote above concerns heroic books and not specifically heroic individuals, but I still believe it is appropriate to our current age.

But why do we need heroes? What do they bring to the table? After all, haven’t we shattered the myths of all our heroes from the past? Haven’t we discovered all the dirty little secrets about our real-world heroes? Haven’t we become so modern and avant-garde that the very idea of a fictional hero is quaint? Was not Tina Turner correct in her 1985 hit song, “We Don’t Need Another Hero?”

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Goth Chick News: No Vacation This Year? Get Back Onboard Ghost Ship

Thursday, August 20, 2020 Sue Granquist Comments 14 comments

Call it a phobia, but I am completely creeped out by things which seem too big to be allowed. I have no explanation for it, but as an example, I nearly drove off the road on a rainy night when I looked up to see a huge satellite dish looming over the intersection from behind the walls of a military installation in California. My heart also leapt out of my chest when I got an up-close look at a Kimoto Dragon (stuffed of course). And because this is something that unnerves me in real life, it stands to reason it is one of my favorite frights on the big screen. It’s probably why I liked Cloverfield, and Kong: Skull Island, and its most certainly part of the reason I liked Ghost Ship (2002) when it pretty much sunk at the box office.

If you haven’t seen it, a salvage crew discovers a cruise ship, lost for over forty years, floating lifeless in a remote region of the Bering Sea. When they attempt to bring it back to shore, they begin to discover there may still be “passengers” on board. Without spoiling anything, I will tell you that as horror movies go, it’s fairly predictable, though the twist at the end is pretty clever.

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Fantasia 2020, Part I: Introduction and Preview

Thursday, August 20, 2020 Matthew David Surridge Comments 0 Comment

Fantasia 2020 Usually by this point in the year I’ve begun posting reviews of films I saw earlier in the summer at Montreal’s Fantasia International Film Festival. Here as elsewhere, things are different in 2020. When the coronavirus pandemic hit, Fantasia was postponed to the end of August. It looked like this year’s Festival was in danger of not happening at all. But the wonderful and dedicated people behind Fantasia have made it work; the 24th edition of Fantasia begins today and runs through September 2, with no theatrical showings but over 100 feature films streamed online.

That’s a lot of movies, a bit less than the 130 or so features Fantasia usually hosts, but a lot more than you might expect under the circumstances. Last year’s Toronto International Film Festival had 245 feature-length films; this year’s will have 50. So the amount of movies at Fantasia suggests a lot of work by the organisers, as well as a healthy level of activity in genre film production worldwide.

Some of the movies at Fantasia are scheduled to play at specific times, while a number of others are available on demand at any point during the festival. Anyone in Canada can buy a ticket to a movie at this year’s Fantasia for CAN$8. Rights issues mean the films have to be geolocked to Canada — but the festival’s also hosting special events available free worldwide to anyone who wants to watch them, including a masterclass with John Carpenter, a presentation on Afrofuturism, and a panel in resistance in folk horror.

Usually when I write about Fantasia I try to get across the experience of being at a film festival. There’ll be less of that in 2020, though I do want to reflect on how different I find the feel of this year. (Will horror films be less overwhelming on the small screen, or more threatening because they’ve invaded my home?) I don’t really know what it’ll be like. But I’m eager to find out.

Find the rest of my Fantasia coverage from this and previous years here!

Matthew David Surridge is the author of “The Word of Azrael,” from Black Gate 14. You can buy collections of his essays on fantasy novels here and here. His Patreon, hosting a short fiction project based around the lore within a Victorian Book of Days, is here. You can find him on Facebook, or follow his Twitter account, Fell_Gard.

New Treasures: Unconquerable Sun by Kate Elliott

Thursday, August 20, 2020 John ONeill Comments 2 comments

Kate Elliott is the pseudonym of writer Alis A. Rasmussen. As Rasmussen she published The Labyrinth Gate (1988) and The Highroad Trilogy science fiction novels (1990).

Those books didn’t meet with a lot of commercial success however, and in 1992 Rasmussen rebooted her career, switching genres, changing publishers, and launching an epic fantasy series under the name Kate Elliot.

It worked. Kate Elliot’s first novel Jaren (DAW, 1992) was a success, spawning three sequels, and the follow-up series Crown of Stars (DAW, 7 volumes, 1997-2006) proved even more popular. Kate Elliott has had a long and fruitful career as a fantasy writer over the past 28 years, with a number of top-selling series, including Crossroads, the Spiritwalker Trilogy, and the Court of Fives novels.

Her latest book, Unconquerable Sun, is a departure from epic fantasy and a return to her science fiction roots. It’s been widely acclaimed, with a trifecta of starred reviews from Booklist (“A candidate for instant re-reading”), Publishers Weekly (“highly entertaining… will have readers clamoring for more”), and Kirkus Reviews (“A maelstrom of palace intrigue, interstellar back-stabbing, devious plots, treachery, blistering action, ferocious confrontations ― and a heroine for the ages.”) Here’s an excerpt from that rave review at Kirkus.

Clash of empires: an action-packed yarn loosely based on historical precedent, the sort of flawlessly plotted, high-tension science fiction Elliott’s been threatening to write for some time.

The story precipitates us into a kind of modernized Chinese-flavored Alexandrian Macedonia, with a partially collapsed “beacon” network allowing instantaneous interstellar travel, commerce, and war…. Under queen-marshal Eirene, the matriarchal Republic of Chaonia has expelled the Yele and Phene occupiers. Eirene, unaccountably, grudges her daughter and heir, Princess Sun, a word of praise, no matter how stellar Sun’s achievements. Sun’s Companions are aides drawn from her relatives and the scions of powerful nobles… Sun must survive constant threats to her life and freedom while conducting battles, making plans, exposing traitors, controlling her wayward impulses, and asking the questions everybody else shrinks from… The upshot is a maelstrom of palace intrigue, interstellar back-stabbing, devious plots, treachery, blistering action, ferocious confrontations — and a heroine for the ages, tough, resourceful, loyal, intelligent, honorable, courageous, and utterly indomitable.

Enthralling, edge-of-your-seat stuff hurtling along at warp speed. Grab!

Read the complete review here.

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