Brazzaville — The Sequel to Casablanca That Was Never Made

Brazzaville — The Sequel to Casablanca That Was Never Made

CasablancaPoster1Now, I think that Casablanca is the greatest movie ever. I’ve seen it far more times than any other movie, and I rarely pass up a chance to sit down and watch it again when TCM runs it. I had never seen a Humphrey Bogart movie until my early twenties. Then, I went to the Ohio Theater, an amazing place on the National  Register of Historic Places, to see Casablanca on a HUGE screen. There was even organ music during the intermission. I was hooked for life and I now own almost every movie Bogart appeared in. I’m a virtual Cliff Claven of Casablanca trivia, and I’ve even written two short stories centered around the movie.

Frederick Stephani was a screenwriter who had penned the first Flash Gordon movie that Buster Crabbe starred in. He also did the screenplay for Johnny Holiday, a hardboiled movie starring William Bendix. After the success of Casablanca, Warners had him write a treatment for a sequel, working title Brazzaville – after the Free French garrison that Renault suggests he and Rick visit as they walk away from the airport at the close of the film.

BRAZZAVILLE – CASABLANCA SEQUEL

Rick and Renault drive to Rick’s Cafe to find some unhappy Germans waiting for them. The Germans demand that Renault either arrest Rick, or turn him over to them. Rick says he’d rather be arrested. I can see Bogart wryly saying that. Renault smiles and looks at his watch; it’s 6:00.

He asks his aide, presumably Lt. Casselle, how long it takes to get a cable to, and a response from, Vichy. He is told, ‘six hours.’ He asks the Germans what charge is to be made against Rick. That’s reminiscent of him telling Strasser he has no reason to shut down the cafe in Casablanca. The Germans tell him some trumped up charges. Unlike the incident with Strasser, he stands up to them. He explains that Casablanca is still a free territory and they need to substantiate their charges. He adds that anyone can prefer charges, but if they can’t be proven, it will cause trouble for Renault.

The Germans, knowing that Renault is with Vichy, are confident, but don’t see the wink that he gives Rick. Rick then levels some made up charges against them! Rains decides he likes Rick’s charges better and arrests the Germans. They are furious and threaten vengeance. Renault offers to let them use the cables to contact Vichy to complain (Nobody plays cool and urbane like Claude Rains). Bogart is bemused.

Later, in Rains’ office, Bogart tries to find out what Louis is up to, but Renault puts him off and tells him to concentrate on their chess games. Renault is unconcerned by his very unhappy German prisoners.

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Weird Tales Deep Read: July 1933

Weird Tales Deep Read: July 1933

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Somewhat fanciful Brundage cover for “Hand of Glory”

This is the first in a series of posts I’ve wanted to do for awhile now, a detailed look at a single issue of Weird Tales magazine where I do a short analysis of each story, the famous, the infamous, and the forgotten. Just to make things a little confusing, I rate these stories, unlike movies, on a 1-5 scale, with the lower the number, the better the story. You can look at these ratings as A-B-C-D-F, or Excellent – Good – Mediocre – Below Average – Poor.

I wanted to start with a memorable issue, so I chose the July 1933 entry, one of the best I’ve read so far. I’ll start with a short overview and then get into the specifics of each story.

This issue is at the beginning of the Unique Magazine’s (as it sometimes called itself) Golden Age (roughly the early to late 1930’s) with a total of four of the nine stories penned by what I like to think of as the Holy Trinity of Weird Tales writers, Robert E. Howard, H. P. Lovecraft, and Clark Ashton Smith. The ubiquitous Seabury Quinn is also present with one of his ninety-three Jules de Grandin stories, along with tales by early giants of science fiction Edmond Hamilton and Jack Williamson. Sheridan Le Fanu contributes a classic reprint. The final story is by Harold Ward, a fairly prolific pulp writer noted for complicated plots often bordering on the incoherent.

The Howard story is one of his slightest, but moderately effective. The Smith, set in what is probably the first shared-world universe in science fiction — the Cthulhu Mythos — is also rather slight, but vastly more imaginative. The Lovecraft story under his byline is one of his classic Cthulhu Mythos tales. His second story in this issue appears under the name of Hazel Heald, which requires a bit of explanation.

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Vintage Treasures: Duel by Richard Matheson

Vintage Treasures: Duel by Richard Matheson

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Cover art by Eshkar/Uretsky

Richard Matheson was one of the greatest American horror writers of all time. Films based on his work include I Am Legend (filmed three times, most recently in 2007), Real Steel (2011), The Box (2009), Stir of Echoes (1999), What Dreams May Come (1998), Somewhere in Time (1980), Trilogy of Terror (1975), The Legend of Hell House (1973), Duel (1971), and The Incredible Shrinking Man (1957).

Of course, among genre fans he’s mostly remembered for his short fiction. He wrote nearly 100 short stories, and many of those were adapted for the screen as well. He wrote 16 episodes of Rod Serling’s The Twilight Zone, including several of the most famous, such as “Nightmare at 20,000 Feet” and “Steel.” Matheson is still widely read today, and deservedly so. He produced over a dozen collections in his lifetime, including Third from the Sun (1955), The Shores of Space (1957), and Nightmare at 20,000 Feet (2002).

Duel, which gathered 18 of his most famous tales, including “Born of Man and Woman,” “Third from the Sun,” and “Duel,” was published by Tor over seventeen years ago. That pretty firmly makes it a Vintage Treasure in my book. Astonishingly, it is still in print as a mass market paperback, which I don’t mind telling you caused me all kind of editorial confusion. Is it a Vintage Treasure? A New Treasure? May seem trivial to you, but it’s never happened to me before. This thing is nearly two decades old, this shouldn’t be a hard question.

In any event, this is great news for anyone who doesn’t have to face esoteric cataloging dilemmas on a Sunday morning. Duel is a fantastic collection, and somewhere in an alternate timeline frustrated collectors are paying crazy prices for it. Lucky for you, in this timeline brand new copies are available for just $8.99. Take advantage of this strange space-time anomaly, and grab your copy today.

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Uncanny X-Men, Part 10: John Byrne’s The Hidden Years #1-4

Uncanny X-Men, Part 10: John Byrne’s The Hidden Years #1-4

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Holy cow! We’re into double digits of my reread of the X-Men story that began in 1963. I include a full set of links to the post series at the bottom of this post. As we saw last time, some later creators have had some fun in writing stories that fit into those empty years between 1970 and 1975 when X-Men was just a reprint title. One of the most famous is John Byrne’s 1999-2001 series X-Men: The Hidden Years. 

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New Mysteries Around Every Corner: The Sibyl’s War Trilogy by Timothy Zahn

New Mysteries Around Every Corner: The Sibyl’s War Trilogy by Timothy Zahn

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Covers by Stephen Youll

I’ve come to rely on Goodreads more and more often for unbiased book reviews. It started two years ago, while I was religiously checking the great feedback on my just-released The Robots of Gotham. Goodreads is filled with amateur reviewers, but I discovered many of them had spot-on critiques of my first novel. Always a pleasure to see those 4- and 5-star reviews of course, but in the end I found those readers able to articulate problems were far more valuable.

Yes, you’ll always find the occasional 1-star, 1-word review (“Unreadable’ was my favorite), but I was able to get something useful out of pretty much every other negative review, and quite a bit more than that from many. In fact, one of the best insights on my book came from a negative review by Goodreads member Jrubino, who wrote:

The complexity and depth of this novel is wonderful, yet its impact is greatly diminished by a video-game pacing… this formula is tiresome. That’s too bad as the world-building is unique and interesting.

I think that’s right on point, and it’s exactly the kind of thing I need to hear as I plunge into writing the second book. I’m fond of the way I set up The Robots of Gotham, with all my main characters trapped in a Chicago hotel in the middle of an unfolding robot apocalypse, but — as several readers have helpfully now pointed out — chapter after chapter, that constant “action and return” becomes repetitive, especially in a longer book. If I can fix that in The Ghosts of Navy Pier — and I’m pretty sure I can — I think it’ll be a much better book.

Goodreads has become enormously useful as a broad measure of public opinion, which is a darn useful thing for a writer trying hard to get better. And surprise, surprise… it’s also pretty useful when you’re looking for a good series to read, like Timothy Zahn’s Sibyl’s War trilogy, which wrapped up this month with the release of Queen.

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Nero Wolfe’s Brownstone: 2020 Stay at Home – Days 5, 6, and 7

Nero Wolfe’s Brownstone: 2020 Stay at Home – Days 5, 6, and 7

Hopefully you read posts one and two in this series. Over at The Wolfe Pack Facebook Group page, I am doing daily entries from Archie’s notebooks, as he endures Stay at Home with Nero Wolfe in these pandemic days. As I prepare this, I have done a daily post for 28 straight days, totaling 27,067 words. At just under 1,000 words a day, it’s been quite an effort! I expanded today’s post to three days, since I’ll never catch up, doing one Black Gate post a week.

DAY FIVE – 2020 Stay at Home (SaH)

Did you know that the Latin ‘mortuus’ is the root of mortuary? And that mortuary replaced deadhouse as the name of the place where they kept the dead? I do, because I heard all about it at the evening meal. Wolfe’s dinner table conversation is stuck in morbid.

Archie’s Thought of the Day – You might think that in a household of four males, I would organize a card game to help pass the time. In This household, you would think wrong.

Only one near-battle today. At lunch, Wolfe suggested we let Theodore start joining us for dinner. I flat-out refused. I told him I would eat at my desk first. Writing about it now, I will admit, it was not my finest hour. But there is no way I could enjoy supper, even it being Fritz’s incredible cooking, with Horstmann sitting there with me. I don’t hate him in a Rowcliffe-sort of way, but there’s just something about him that I don’t like. Never have. Sort of like a teammate you don’t like. You tolerate him, but you spend as little time around him as you can. Wolfe saw that I was serious, and he knew trading me for Theodore wasn’t a good deal, so he dropped it.

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Goth Chick News: Stoker Winners Are Going to Need a Bigger Mantel…

Goth Chick News: Stoker Winners Are Going to Need a Bigger Mantel…

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Each year around this time I experience a fit of jealousy for those lucky few individuals who receive a Stoker Award from the Horror Writers Association (HWA). Not only are there far fewer of them than Oscars or Emmys, but let’s be honest, they are far cooler to look at. Interestingly enough, you will never find one for sale or auction, as clearly horror writers at this level are never hard up enough for money to sell their trophies (believe me, I’ve looked). When you Google “replica Oscar statues for sale” you find nearly 2 million hits… but can you guess how many hits you get when you Google “replica Stoker awards for sale”?

Exactly zero.

That’s right – no cheesy dollar-store models of this little gem. No inflatable, larger-than-life Stokers, no Stoker costumes, no Stoker greeting cards. And why is that? Because it’s rare and amazing and too incredible for words, in spite of the fact I’d pay big bucks, even one made by those ceramic Christmas house people (if any of those are listening).

Nope. Only the best of the best, of the best, get to take home a Stoker. Back in January I gave you the list of lucky nominees. Little did I know we’d all end up with plenty of time to read each and every one. This week the HWA dashed the hopes of most writers on that list to arrive at 12 winners and the subsequent “finalist nominees” who do not get to go home with the coolest award ever created. In fact, this year they are at least spared the agony of having their pictures taken next to the winner, standing near to, but not being allowed to touch the coveted Stoker award.

Sigh.

So, without further pontificating, here are the talented winners, and the finalists…

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Cycles of History and the Eternal Church: Walter M. Miller, Jr.’s A Canticle for Leibowitz

Cycles of History and the Eternal Church: Walter M. Miller, Jr.’s A Canticle for Leibowitz

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A Canticle for Leibowitz by Walter M. Miller, Jr. First Edition: J.B. Lippincott, 1959.
Cover by Milton Glaser (click to enlarge)

A Canticle for Leibowtiz
by Walter M. Miller, Jr.
J.B. Lippincott (320 pages, $4.95 in hardcover, 1959)

This 1959 novel is one of the most popular and celebrated science fiction novels of all time. It won a Hugo Award and has a long list of critical citations. It’s set in the years following an atomic war, it portrays religion in a relatively favorable way (in contrast to the dismissive attitude of much other SF), and it dwells on the theme of man’s destiny, and its possibly inevitable fate in cycles of building and self-destruction. It’s sober and deadly-serious in parts, and it’s also quite funny in parts, which I hadn’t remembered since reading it decades ago. Something else I discovered when rereading recently: it doesn’t end the way I remembered that it did.

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The Case of the Missing Magazines

The Case of the Missing Magazines

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Every month for roughly the past 40 years I’ve made a pilgrimage to the nearest newsstand to purchase my favorite fiction magazines. The newsstands have changed over the years, and the mix of magazines has too. But it’s a tradition I’ve come to cherish.

Well, this is a time of broken traditions. All the local bookstores are closed (not that there were many to begin with), and I find myself at a loss. New issues of Asimov’s SF, Analog, and The Magazine of Fantasy and Science Fiction are now available, at least in theory. In practice, I have no way to buy them. And according to their various websites this batch is particularly enticing, packed with new stories by Ian R. MacLeod, Eleanor Arnason, Ian Watson, Bruce McAllister, R. Garcia y Robertson, Dominica Phetteplace, Neal Asher, Derek Kunsken, Richard Bowes, M. Rickert, Bruce Sterling, Robert Reed, and many others. And for the first time in decades, it looks like I’ll miss out.

When I griped about this on Facebook today, there were plenty of sympathetic suggestions. Mark Tiedemann endorsed an independent bookstore that mailed ordered single issues… but it has abruptly stopped carrying magazines. Mark Shainblum suggested digital issues… but I have nearly nine solid decades of print issues of Astounding/Analog, and it sure doesn’t feel right to give up now. Adrian Simmons shared my pain, and suggested he might subscribe, even if sub copies do come with an ugly mailing label. And Darrell Schweitzer shared the hard-won secret of removing those damn mailing labels with a damp cloth.

It was comforting to have so many folks commiserate. And I suppose, in the end, the right thing to do in these tough times is to support the magazines with a subscription. And that’s what I’ll do. If you love — or are curious about — short fiction, I hope you’ll consider doing the same. You can shop for digital and print subscriptions at the Asimov’s SF, Analog, and F&SF websites. Check out the editorial descriptions for each issue below.

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Future Treasures: Driving the Deep by Suzanne Palmer

Future Treasures: Driving the Deep by Suzanne Palmer

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Cover art by Kekai Kotaki

Suzanne Palmer won a Hugo Award for her 2018 Clarkesworld novelette “The Secret Life of Bots,” and her 2019 debut novel Finder was widely praised. Kirkus Reviews called it “A nonstop SF thrill ride until the very last page,” and Maria Haskins at the B&N Sci-Fi & Fantasy Blog sums it up as “a Ridiculously Fun Science Fiction Adventure… a rollicking ride from a hardscrabble space colony at the outer edge of the galaxy to the conflict-ridden settlements of colonized Mars and back again.”

The highly anticipated sequel Driving the Deep arrives in hardcover in two weeks, featuring the return of interstellar repo man and professional finder Fergus Ferguson in what sounds like a standalone adventure. Publishers Weekly seems to like it.

Palmer’s spaceborne repo man Fergus Ferguson returns in this lighthearted star-skipping adventure through a futuristic solar system… Fergus is on Earth for the first time in years when he learns that his friends, a team of engineers who man the shipyard on Pluto, have been kidnapped for their scientific expertise. He tracks them to Enceladus, a watery moon of Saturn, where they are being held hostage. Fergus goes undercover to gather intel, taking a job as the pilot of an underwater vessel and making many allies (and a handful of enemies) along the way…

We discussed Finder here. Driving the Deep will be published by DAW Books on May 5, 2020. It is 426 pages, priced at $27 in hardcover and $13.99 in digital formats. The cover is by Kekai Kotaki. Read an excerpt from Chapter One of Finder at the Penguin Random House website.

See all our coverage of the best in upcoming SF and fantasy books here.