Vintage Treasures: The Fantastic Imagination Anthologies, edited by Robert H. Boyer and Kenneth J. Zahorski

Vintage Treasures: The Fantastic Imagination Anthologies, edited by Robert H. Boyer and Kenneth J. Zahorski

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The Fantastic Imagination, volumes I and II (Avon, February 1977 and December 1978).
Cover artist: unknown (left), Elizabeth Malczynski (right)

Robert H. Boyer and Kenneth J. Zahorski were quite the dynamic pair in the late 70s and early 80s. They edited five anthologies between 1977-81, all but one paperback originals from Avon, and a sixth a decade later, from Academy Chicago specialty press. All are fine volumes well worth your attention today.

The Fantastic Imagination (1977)
Dark Imaginings (1978)
The Fantastic Imagination II (1978)
The Phoenix Tree (1980)
Visions of Wonder: An Anthology of Christian Fantasy (1981)
Visions & Imaginings: Classic Fantasy Fiction (1992)

It may be giving them too much credit, but for me at least Boyer and Zahorski defined fantasy and its related genres for a generation. With their popular and highly readable paperback anthologies they helped new readers explore Gothic Fantasy (Dark Imaginings), Mythic Fantasy (The Phoenix Tree), and Christian Fantasy (Visions of Wonder).

And with The Fantastic Imagination volumes in particular, they drew clear boundaries around the particular sub-genre that more or less defined English fantasy until Tolkien upended things in the early 20th Century: the fairy-tale, and the High Fantasy genre that grew out of it, rich with fairies, elves, dwarves, kings, queens, and knights.

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Weird Fiction at its Best From a Modern Scheherazade: We All Hear Stories in the Dark by Robert Shearman

Weird Fiction at its Best From a Modern Scheherazade: We All Hear Stories in the Dark by Robert Shearman

We All Hear Stories in the Dark

We All Hear Stories in the Dark
by Robert Shearman
PS Publishing (Three volume set, 586/628/585 pages, £90.00, April 2020)

How can a reviewer comment meaningfully on a three-volume collection featuring 101 stories? (That’s right, you read correctly). Simply impossible.

Yet this huge, unusual  opus is worth a mention, and a recommendation. First, because the writer is one of the very best fantasists around, the author of excellent, critically acclaimed collections such as Remember Why You Fear Me and They Do the Same Things Different There. And second, because among these many tales you’ll find an exceptional variety of dark and strange genres, from horror to surrealism, black humor to fantasy to (even if only apparently) mainstream literature. Some of the stories collected here have previously appeared in anthologies and magazines, some are brand new.

To get lost in this literary ocean is very easy, so if you don’t feel like reading each piece in the order presented, you can follow the author’s indications and suggestions, and jump from one volume to the other according to a personal roadmap. Whatever you decide, Shearman, this modern Scheherazade, will entertain you and entice you with his uncanny gifts as a storyteller.

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Goth Chick News: The Greatest Sci-Fi / Horror Movie / Covid-19 Mash Up of all Time

Goth Chick News: The Greatest Sci-Fi / Horror Movie / Covid-19 Mash Up of all Time

What do you get when creative people have a lot of time on their hands? Well, if you’re the Black Gate staff you start choosing obscure, pulp-SciFi paperback covers to use as Zoom backgrounds and then geek-shame your colleagues when they can’t name the artist and the year. But if you’re writer/director Michael Dougherty (Trick ‘r Treat, Krampus, Godzilla: King of the Monsters) and editor Evan Gorski, you get on the horn, fire up the iMAC Pro, and get to work creating the most timely and entertaining genre movie mashup ever delivered to a stir-crazy public.

Titled “Everything I Need to Know to Survive COVID-19 I Learned By Watching Sci-fi & Horror Movies,” this perfectly-strung-together, 3-minutes of clips from movies like Alien, World War Z, The Thing, I Am Legend, The Mist, Terminator, The Shining and Jaws seem eerily suited to the current mess we call reality. And what do they tell us?

Stay together.

Stay indoors.

Stay safe.

Wash your hands.

And hole up until spring when the rescue teams arrive…

A Scientist’s Science Fiction Novel: Fred Hoyle’s The Black Cloud

A Scientist’s Science Fiction Novel: Fred Hoyle’s The Black Cloud

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The Black Cloud by Fred Hoyle First Edition: William Heinemann, 1957.
Cover by Desmond Skirrow (click to enlarge)

The Black Cloud
by Fred Hoyle
William Heinemann (251 pages, £1.50 in hardcover, 1957)

Fred Hoyle’s 1957 novel The Black Cloud was the first novel by the renowned, perhaps now forgotten (because his big ideas turned out to be wrong), astronomer of the mid-20th century. It’s still his most famous, and likely best, novel, out of some nearly 20 novels he would subsequently write, some in collaboration. Hoyle’s novels are significant because they are science fiction novels written by a real scientist, perhaps the most famed scientist to have ever written science fiction. Hoyle is remembered as an advocate, in the 1950s, of the “steady-state” theory of the universe, in contrast to the “big bang” theory that would eventually prevail. (Ironically, Hoyle created the term “big bang” as a derisive term for an idea he didn’t like.)

The Black Cloud is memorable for its depiction, more or less successfully, of a truly alien intelligence. But it’s as much a disaster novel, of the “cozy catastrophe” variety (i.e. most of the death and devastation occurs off-stage), and a novel of scientific manners, as a first contact story. We see the sharp contrast between how scientists understand the world with how politicians try to manipulate it, and we see a milder contrast in the rivalry between an American group of scientists and a British group.

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Death Reigns and Danger Abounds: The Toll by Neal Shusterman

Death Reigns and Danger Abounds: The Toll by Neal Shusterman

The Toll CoverNeal Shusterman’s masterful conclusion to the Arc of a Scythe trilogy, The Toll, takes place on a future Earth where humans are immortal. To keep the population from overrunning the globe, professional scythes “glean” a quota of victims in one of the only forms of death that still sticks. Most scythes end human life with care and sorrow. But sadist Robert Goddard and his “new order” scythes enjoy mass slaughter.

In The Toll‘s opening pages, Goddard amasses more and more power, becoming the High Blade of MidMerica and then Overblade of North America. Despite the old regime’s continued opposition, he removes the traditional limitations on scythes, unleashing the new order’s bloodiest appetites. People start avoiding any activity that requires them to assemble in groups, for fear of attracting a grim reaper.

The book follows three main sets of characters who strive to end Goddard’s brutal reign. The first concerns secret agent Greyson Tolliver, who has been leading a criminal lifestyle as a cover while acting on behalf of the Thunderhead, the artificial intelligence that oversees and manages the world. Greyson is now the only human on the planet who can communicate directly with the Thunderhead, since everyone else – including the Thunderhead’s more legitimate agents – has been labeled Unsavory. When the Thunderhead’s former agents discover that this gangster is their only remaining link to the entity they still want to serve, they kidnap him.

When Goddard finds out Greyson exists, he sends an assassin.

The second set of characters are our teenaged heroes Citra and Rowan. As the island of Endura sank at the end of Thunderhead, Scythe Curie locked them in the airtight Vault of Relics and Futures. Curie knew that asphyxiation would only render them deadish. Someday, she reasoned, their bodies would be found, and they would be revived. There was no such hope for everyone else, doomed to be consumed by circling sharks. But Goddard has declared a Perimeter of Reverence around Endura and forbidden ships from approaching. Citra and Rowan’s lifeless bodies lay in the Vault, which has tumbled into a deep oceanic trench, without rescue. Until a hermaphroditic ship’s captain pulls them from the deep under the cover of night.

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Neverwhens: Where History and Fantasy (Careers) Collide — an Interview with Christian (and Miles) Cameron

Neverwhens: Where History and Fantasy (Careers) Collide — an Interview with Christian (and Miles) Cameron

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Christian Cameron as a Hoplite

Christian Cameron, a well-known historical fiction author who writes espionage novels under the pen name Gordon Kent and fantasy under Miles Cameron, is a Canadian novelist who was educated and trained as both an historian and a former career officer in the US Navy. His best-known work is the ongoing historical fiction series Tyrant, set in Classical Greece, which by 2009 had sold over 100,000 copies. But in recent years he’s not only chronicled ancient Greece, but 14th-century European history — military, chivalric, and literary — in England, France, Italy, and Greece and roughly in parallel with the career of Chaucer’s knight (the Chivalry series). And, as Miles Cameron, he also writes fantasy with the Traitor Son tetralogy and Masters & Mages trilogy.

Cameron is a passionate reenactor, and uses the experiences of reenacting, including knowledge of the material culture and the skill sets required to recreate any portion of life in the past as essential tools in writing his novels. Cameron helps organize and direct military and non-military reenactments in the United States, Canada, and Europe. In addition to recreating the life of an early 5th-century BCE Plataean Hoplite, Cameron also runs a group dedicated to the role of rangers and Native Americans in the American Revolution, and participates in tournaments as a knight of the late 14th century. One such tournament is the Deed of Alms, an annual HEMA (Historical European Martial Arts) charity tournament hosted in Toronto to combat homelessness.

GDM: So you’ve had a long and very successful run as an historical fiction writer before adding fantasy to your repertoire. Which genre was your first love?

CC: Fantasy all the way.  Except Dumas’ Three Musketeers, which is to me the greatest adventure novel ever written. I had a friend who was seriously in to ‘Old School’ fantasy; Lord Dunsany, Tolkien, E.R. Eddison, Robert E Howard… etc.  Amazing stuff.

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Future Treasures: Unreconciled, Book 4 of Donovan by W. Michael Gear

Future Treasures: Unreconciled, Book 4 of Donovan by W. Michael Gear

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The Donovan series: Outpost, Abandoned, Pariah, and the forthcoming Unreconciled. Covers by Steve Stone.

W. Michael Gear knows his way around a science fiction series. He wrote the Way of Spider trilogy in the late 80s, the Forbidden Borders trilogy in the early 90s, and some, what, 20 novels in the First North Americans series, co-written with his wife Kathleen O’Neal Gear? This is a man who knows how to plot for the long haul.

His latest is the Donovan trilogy, which next week turns into the Donovan quartet with the arrival of the fourth novel, Unreconciled. The Dononvan trilogy (er, quartet) is a favorite here in the Black Gate offices. It opened with Outpost in 2018, which Brandon Crilly raved about right here.

I had a blast reading Outpost, the start of W. Michael Gear’s Donovan trilogy… The setting is very Deadwood meets Avatar, set on a frontier colony that hasn’t been resupplied in almost a decade, on a planet filled with bizarre creatures and plants ready to kill the careless or unfortunate. Add in a bunch of new arrivals when the next resupply ship finally shows up, and what you get is an immediate clash of cultures between the freedom-loving colonists and the representatives of the Corporation, which basically runs Earth back home (maybe there’s some Firefly in here, too). Overall, the running idea with a lot of the main characters is the possibility of either losing yourself or remaking yourself in the frontier, with arcs that are diverse and often surprising…

The world-building is amazing, there are echoes of contemporary political and economic conflicts, and an air of mystery that doesn’t take away from a story that feels complete. I really want to find out what’s going to happen on Donovan in Gear’s next book, which is slated for November 2018.

Mystery! Monsters! Freedom-lovin’ colonists! Killer plants! Evil corporations! An alien frontier! This series checks so many boxes it’s ridiculous. I may have to buy it twice.

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The Stories We Tell: Bias in Research and Its Effects on Fiction

The Stories We Tell: Bias in Research and Its Effects on Fiction

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Hadrian’s Wall, from the ruins of a Milecastle. Image from publicdomainpictures.net.

Good morning, Readers!

Last week, I was watching a lecture on Hadrian’s Wall, as you do, hoping to learn something new about the situation in Britain during the Roman occupation. I did not, incidentally, learn anything I had not already known (if money was no object, I would have a doctorate in archaeology, specializing in the British Isles, and probably a few extra degrees in archaeogenetics and archaeolinguistics. I am fascinated by these things). The lecture did, however, serve as a stark reminder of the frustrating presence of bias that permeates even intellectual pursuits. This lecture, in particular, veered hard towards a Roman bias, something that has been so prevalent in the field I am so interested in, that I’ve often shut books and thrown journals across the room.

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New Treasures: Anthropocene Rag by Alex Irvine

New Treasures: Anthropocene Rag by Alex Irvine

Anthropocene Rag-smallI first met Alex Irvine at a reading at the World Fantasy Convention around 14 years ago, where he read the short story “Wizard’s Six,” which was eventually collected in Jonathan Strahan’s Best Science Fiction and Fantasy of the Year Volume Two (2008). It was memorable and strange, and I think that applies to most of Alex’s fiction I’ve encountered.

It seems like an apt description for his new shot novel Anthropocene Rag, anyway. Described as a “nanotech Western,” it’s the tale of Prospector Ed, an emergent AI who seeks to understand the people who made him, and who gathers a ragtag team to journey to the mythical Monument City. Jeffrey Ford calls it “a rare distillation of nanotech, apocalypse, and mythic Americana into a heady psychedelic brew.” And in a feature review and interview at The Chicago Review of Books, Amy Brady describes it this way:

Set in a future United States, Anthropocene Rag is told from a variety of perspectives, including adventurous, meaning-seeking humans and “nanoconstructs” designed by all-powerful AI — called the Boom — to look like archetypes plucked from a classic American Western.

Two such characters are Henry Dale, a God-worshiping human, and Prospector Ed, an AI-construct that wants to better under the intelligence that created him. They’re joined by a motley crew of other humans and constructs, and together, they set out to find Monument City, a mythical place where humans and AI have learned to live in harmony.

To get there, they traverse a planet that looks quite different than our own. Climate change has ravaged the land, and the Boom have developed capabilities to transform landscapes instantaneously and with a grand sense of absurdity. Early on we witness a children’s playground come to life; the animal-shaped rides and swing sets having been granted the ability to speak. The novel is awash in the tropes of westerns and science-fiction, while playing with the familiar arcs of American myth. And yet, very little is familiar in this stunningly innovative book.

Anthropocene Rag was published by Tor.com on March 31, 2020. It is 256 pages, priced at $14.99 in trade paperback and $4.99 in digital formats. The cover is by Drive Communications. Get all the details at the Tor.com website.

See all our recent coverage of the best new SF and Fantasy here.

Nero Wolfe’s Brownstone: 2020 Stay at Home – Days 8, 9, and 10

Nero Wolfe’s Brownstone: 2020 Stay at Home – Days 8, 9, and 10

Hopefully you read posts one , two, and three this series. Over at The Wolfe Pack Facebook Group page, I am doing daily entries from Archie’s notebooks, as he endures Stay at Home with Nero Wolfe in these pandemic days. I’m well over thirty thousand words so far.

DAY EIGHT – 2020 Stay at Home

Sunday is the day things have changed the most here at the brownstone. Normally, Theodore would go to visit his sister, and Wolfe would putter around in the plant rooms, but not the usual nine to eleven and four to six. Fritz would sometimes run errands, including shopping for food. When he stayed in, he usually spent time in his room in the basement, listening to music and reading cookbooks. He had more of those than anyone I’ve ever met. We were all at loose ends on Sunday. But I couldn’t go to a game at the Garden or at the ballpark now, of course, which would have taken care of several hours. In other words, except for Wolfe, the day changed for the rest of us. Which meant all four of us were home together, without our normal routines. That’s a recipe for tension.

Wolfe and I didn’t even make it to lunch. I’ve decided to type up a couple cases from my notes. People seem to like reading them, and they’ve got some spare time at home, so I figured, ‘Why not’? I’ve mentioned before, that when he’s reading, Wolfe doesn’t like what he deems to be unnecessary typing. Granted, it’s not as bad as when I excessively sharpen my pencils, but he prefers quiet. Knowing we don’t have any clients, he would prefer me to do my typing when he’s not in the office. Well, since I’m stuck at home, and he isn’t giving me any work to do, I feel I can be a little more ‘comfortable’ during this lock down. And that includes typing when I want to.

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