A Sword & Sorcery Series I Really Love: Flashing Swords!, edited by Lin Carter

A Sword & Sorcery Series I Really Love: Flashing Swords!, edited by Lin Carter

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Flashing Swords! #2, 4, & 5 (Science Fiction Book Club, September 1973, May 1977,
and December 1981). Covers by Frank Frazetta, Gary Viskupic, and Ron Miller

It’s time to take a look at another Sword & Sorcery anthology series I really love: Flashing Swords, edited by Lin Carter. It is second in my affections only to the Swords Against Darkness 5-book series edited by Andy Offutt that I wrote about here last year.

Flashing Swords! came out of the group known as SAGA, which stood for the Swordsmen and Sorcerers Guild of America, a group in the 1970s and 80s that included almost all the elite S&S writers of the age.

They were an informal group but Lin Carter was the closest thing they had to a leader. Under his editorship, five outstanding anthologies of works from their members appeared, all new stories, not reprints. As shown in the pictures below, I have the volumes from Dell paperbacks, as they were originally released, and three from Nelson Doubleday in hardback (above), as they were offered by the Science Fiction Book Club.

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Windy City Pulp & Paper 2025 – ‘If Bob Were Here…’

Windy City Pulp & Paper 2025 – ‘If Bob Were Here…’

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

It’s an early A (Black) Gat in the Hand, as I got my Pulp on week before last, at Windy City, in Chicago.

I managed to resist the impulse to grab the microphone in the Dealers Room and proclaim, “Finally….The Bob…has come back…to Windy City.” A little classic Rock for you there. And in not doing so, I wasn’t evicted and had a great time.

Doug Ellis puts on the Windy City Pulp and Paper Convention annually at the Lombard Westin, in the suburb an hour west of Chicago. I last attended in 2019. Of course, COVID hit in 2020, along with some other life changes. I made it to my first Howard Days in 2022, and headed over to Pittsburgh the last two years for Pulp Fest. Windy City just didn’t quite happen. But I made sure it did in 2025.

There’s an auction, some panels, an art show, and a massive Dealer Room. I’ll share my purchases here in a minute. But hands down, the best part of Windy City for me, is hanging and chatting with people. I see lots of online friends and some folks I’ve met before. I even make new friends. Sort of.

Walking around the Dealer Room and getting into conversations on pulp or paperback favorites is a blast. I find somebody to chat Nero Wolfe, or Jo Gar, or Solar Pons, or Solomon Kane, or Bail Bond Dodd, or…you get the idea. I found myself showing my Civil War shelfie to someone, as they talked about Shelby Foote.

There are always folks sitting around the lobby. I’ve met new friends just sitting down and working into the conversation. Saturday night, Ryan Harvey, Chris Hocking, James Enge, and I, spent over two hours just riffing through movies and writers. Ryan’s knowledge of multiple movie genres is staggering. And what those three knew about movie soundtracks left me soaking it in.

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Neverwhens: War “On Earth, As it Is in Heaven” — Rebecca Roanhorse’s Mirrored Heavens

Neverwhens: War “On Earth, As it Is in Heaven” — Rebecca Roanhorse’s Mirrored Heavens

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Mirrored Heavens by Rebecca Roanhorse (Saga Press, June 4, 2024)

Between Earth & Sky has always been about doing something fresh.

Rebecca Roanhorse set out to create an epic fantasy set in a world based on the pre-contact Americas. It has its Maya, Cahokia, Ancestral Puebloan and Woodlands analog cultures; it has a seafaring matriarchy that is a bit Polynesian, a bit Caribbean, a bit “this would be cool.” But the world of The Meridian is its own thing. At times the technology is greater than what existed in our world, it has giant crows, eagles, insects and winged serpents tamed as mounts and its gods are very real, and not particularly benevolent.

But if the world the author sets her fantasy is drawing from cultures underused in fantasy, the story-structure is unique as well. This is not a story of a rising dark lord and the plucky heroes that rise against him. Its villains are all-too-human, motivate by sometimes petty desires, sometimes misplaced love, and if there is a “Dark Lord”, well he is one of the most sympathetic characters in the entire tale.

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Tubi Dive, Part I

Tubi Dive, Part I

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How to Make a Monster ( American International Pictures, July 1, 1958)

50 films that I dug up on Tubi.

Enjoy!

How to Make a Monster – 1958, AIP

As a slight deviation from our usual programming of themed lists, here are the results of a deep dive I recently undertook, pushing Tubi to the limits. So here we are with How to make a Monster, a follow-up of sorts to the two spectacular schlock movies, I Was a Teenage Frankenstein and I Was a Teenage Werewolf, both released a year earlier in 1957 from American International Pictures. Monster double-billed with Teenage Caveman (which I previously reviewed when I was on my cave people kick), and is probably my favorite of the film series.

It isn’t your usual narrative, but rather a meta-tale of the studio itself, and I LOVE movies about making movies. In this one, Pete Dumond, the ‘Jack Pierce’ of his day, is the makeup wizard who designed and applied the prosthetics for the two previous films. When he discovers that the studio has been taken over by a company that isn’t interested in monster films, and is subsequently fired, Pete goes on a murderous rampage, only he doesn’t do the killing himself. Instead he brainwashes the young actors playing the monsters via a strange foundation cream (bear with me here) and coerces them to killing the new studio stooges while in full makeup.

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Tor Doubles #1: Arthur C. Clarke’s Meeting with Medusa and Kim Stanley Robinson’s Green Mars

Tor Doubles #1: Arthur C. Clarke’s Meeting with Medusa and Kim Stanley Robinson’s Green Mars

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Meeting with Medusa cover by Vincent di Fate
Green Mars cover by Vincent di Fate

Tor Double #1 was originally published in October 1988.  This volume marked the beginning of the official Tor Double series. The two stories included, Arthur C. Clarke’s Meeting with Medusa and Kim Stanley Robinson’s novella Green Mars complement each other, although by doing so, Green Mars also points out a weakness of Meeting with Medusa. The volume was published as a tête-bêche, with both covers were painted by Vincent di Fate.

Meeting with Medusa was originally published in Playboy in December, 1971. It was nominated for the Hugo Award and Nebula Award, winning the latter, as well as the Seiun Award.

The novella opens with Captain Howard Falcon commanding a massive airship, the Queen Elizabeth IV, over the Grand Canyon. A collision with a drone camera causes the ship to crash, killing nearly everyone on-board, including the uplifted chimpanzees who served as part of their crew. Although horribly injured in the crash, Falcon survived and spends years regaining his ability to function, eventually returning to his job as a pilot with an audacious plan.

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Goth Chick News Debuts: GalaxyCon’s Nightmare Weekend Invades Chicago, While Haunted America Ectoplasms All Over Alton

Goth Chick News Debuts: GalaxyCon’s Nightmare Weekend Invades Chicago, While Haunted America Ectoplasms All Over Alton

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It’s been a while since we’ve had the chance to bring you a brand-new convention offering, and in 2025 we’re bringing you two. First up is one of the biggest celebrations of all things spooky, creepy, and downright chilling heading to Chicago for the first time this May. GalaxyCon, the powerhouse of fan events, is bringing its first-ever Nightmare Weekend to the Donald E. Stephens Convention Center in Rosemont, Illinois, from May 2-4, 2025 — and it’s shaping up to be an unforgettable fright fest.

“We’re thrilled to deliver our unique fan experience to Chicago,” says Mike Broder, GalaxyCon’s founder and president. “Our events have brought millions to local economies, and we can’t wait to make a positive impact in this area too.”

Translation? A weekend of scares and a boost to local businesses. Win-win!

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A Metaphysical Nightmare: Brian Moore’s Cold Heaven

A Metaphysical Nightmare: Brian Moore’s Cold Heaven

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The Irish writer Brian Moore, who died in 1999 (he pronounced his first name in the Irish fashion — Bree-an) was one of the most interesting novelists of his time, at least based on the four books of his that I’ve read, all of which deal with areas where the supernatural, the philosophical, and the theological intersect and blur into each other.

Catholics (1972) is set in the near future after a hypothetical Fourth Vatican Council has banned private confession, clerical garb, and the Latin mass, while the fictitious Pope of the novel is engaged in negotiating a formal merger of Roman Catholicism and Buddhism, radical changes that are resisted by a handful of monks living on a small island off the coast of Ireland. In The Great Victorian Collection (1975), a scholar dreams of a fabulous collection of Victorian artifacts, and when he wakes up, it has actually appeared in the parking lot outside his California motel room. Who will believe such a thing? Can he believe it himself? Black Robe (1985) is a painstakingly detailed — and bracingly unsentimental — historical novel about the material and spiritual struggles of a Jesuit missionary to the Hurons in seventeenth century Canada.

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Let People Like Things

Let People Like Things

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These winged beach rats have opinions. Image by Leila from Pixabay

Good afterevenmorn!

Once again, there appears to be a lot of talk on the various socials about what is and isn’t good ‘art’ (writing, music and actual art) and who is “cringe” for liking what. Of course, for every declarative “cringe” thing, there is a considerable amount of pushback from the folks who like that thing. Heavens, it’s all so very tiresome.

I know I’ve ranted about this, but the proliferation of this nonsense in the past couple of weeks has inspired to repeat myself. Yet again.

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Bob’s Books – Shelfie #12 (Douglas Adams)

Bob’s Books – Shelfie #12 (Douglas Adams)

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It’s the first shelfie of 2025. There’s a list of the eleven prior installments below.

I have three bookcases of fantasy – of which only a couple are science fiction. I just never got into that genre. I am, however, a HUGE Douglas Adams fan.

And I know that three isn’t a lot – I’ve got well over a thousand mystery books – I’m the in-house mystery guy, remember? I’ve got a nice selection of fantasy series’, though.

I’ve got Adams’ five Hitchhiker’s Guide to the Galaxy novels, as well as the lone Hitchhiker’s short story; and Eion Coifer’s good-enough continuation novel, And Another Thing…

I’ve re-read the Hitchhiker’s series several times. It’s always fun. Coifer’s book was okay, but seemed too long and kinda dragged along. I found listening to the audiobook easier than reading it.

I thought the collection of original radio scripts was a VERY cool read. Definitely a worthwhile book for fans of the novels.

Starship Titanic is briefly mentioned in Life, the Universe, and Everything. It was the subject of a video game (which I played, of course), and there was a lightweight book based on the game, written by Monty Python’s Terry Jones. It’s fine. I think Jones himself reads the audiobook, which I’ve listened to.

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Goth Chick News: Days of the Dead Chicago, Spring Edition

Goth Chick News: Days of the Dead Chicago, Spring Edition

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Days of the Dead Chicago

Fittingly, last week Black Gate photog Chris Z and I attended the Days of the Dead convention in Chicago for our thirteenth year. This is one of our favorite shows as the hotel venue is more intimate and less daunting than some of the mega-conventions, and the celebrities aren’t sequestered behind curtains unless guests pay. Though it is smaller and less frantic, it still attracts an interesting, albeit local crowd, and we never fail to meet memorable people.

Arriving a tad early from our respective day jobs, we kicked off this outing in our standard fashion. It stands to reason that upping our blood alcohol levels before wading in offers some measure of protection from the potential of infection that naturally comes with crowded hotel conference rooms – and it’s so much more fun than antibacterial.

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