Triangulating Moving Targets: Equimedian

Triangulating Moving Targets: Equimedian

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Equimedian (Hex Publishers, February 6, 2024). Cover artist unknown

When we first meet Jason Velez, the protagonist of my alternative-1970s novel about science fiction, fandom, and the unskeining of reality itself, he’s in a bad way. By the end of Equimedian’s first chapter, he enumerates seven things he wants to change in his life. The list kicks off with a call to action to sell off the bulk of his SF paperbacks. The reasons Jason offers seem straightforward enough: he needs cash, and he’s tired of hauling around thousands of books.

But is there more to it than that?

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A (Black) Gat in the Hand: John D. MacDonald’s ‘Ring Around the Redhead’

A (Black) Gat in the Hand: John D. MacDonald’s ‘Ring Around the Redhead’

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

I’m putting the finishing touches on my long-delayed Jo Gar essay. But I realized I’ve not talked about my all-time favorite author yet here in A (Black) Gat in the Hand. I have written about a half-dozen essays on John D. MacdDonald, and I included Bill Crider’s review of The Brass Cupcake.

But I haven’t included any of his stuff in my Pulp column. Though he achieved fame as a paperback writer, John MacD honed his skills as a prolific Pulpster. He was a regular in Doc Savage in 1946, before breaking into both Dime Detective, and Black Mask, the following year. He became a regular in the sci-fi Pulps, and even contributed to the Mystery Pulp successors, Manhunt, and the (short-lived) Justice. Black Mask’s famed editor, Joe ‘Cap’ Shaw was MacDonald’s agent for a time.

Back in 2016, I wrote a detailed piece on MacDonald for the 100th anniversary of his birth. Click on over if you want to learn some things about him. Back in 2018,I guested in Steve H Silver’s Birthday Reviews column, with a rare science fiction post by me. So, bringing that one over here into the Pulp column to get some JDM here. More to come (though not sci-fi).

Every so often, I prove that the Black Gate firewall needs some serious tightening up by jumping in and putting up a post where I don’t belong (many readers and fellow bloggers believe that would be the entirety of the Black Gate website…). So, if you’re reading this, the crack web monitoring team hasn’t seen it yet. Don’t tell Steven. He might gnaw through the restraining chain around his ankle and crawl over to my desk in the cellar…basement…journalist’s suite to thrash me.

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Christopher Moore and His Very Dirty Job

Christopher Moore and His Very Dirty Job

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When talking about banning books, nobody mentions Christopher Moore. No doubt Moore is upset about this, because he’s out to offend pretty much everybody. The fact that he does this with glee, panache, and massive gobs of bathroom humor probably doesn’t signify, and certainly won’t save his neck when the book-banning trolls finally come for him. The fact is, he’s funny, and there’s nothing the book-banners hate more than a healthy sense of the absurd.

An excellent case in point is Moore’s A Dirty Job, in which unassuming Charlie Asher, a second-hand dealer in San Francisco, becomes a “death merchant,” a sort of dogsbody for Death, who, it seems, has left the field, possibly never to return. It’s Charlie’s job to match dying people with their “soul vessel,” usually some knick-knack or other with sentimental value, in part so that the dead can find rest, and in part to prevent Orcus, lurking in the sewers, from eating up the soul vessels and rising again to usher in an age of darkness and doom.

That’s right, Orcus. Our old friend from the original AD&D Monster Manual. Etc.

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I Like Big Bugs and I Cannot Lie, Part I

I Like Big Bugs and I Cannot Lie, Part I

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Arachnicide (See Thru Pictures, 2014)

I’m sometimes asked why I haven’t got around to watching Oppenheimer or Killers of the Flower Moon yet, and that’s because I’m too busy watching this sort of stuff. Come with me as we begin our foray into the world of angry insects!

Arachnicide (2014, YouTube)

Giant bugs?

You have to wait for around 53 minutes for anything with more than 2 legs to show up.

CGI-heavy?

CGI HEAVY, as in ALL CG, including the environments, landscapes, helicopters, soldiers walking to helicopters, satellites, and the giant spiders.

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A Lovely Work of Magic & Mystery: Vinyl Wonderland by Mark Rigney

A Lovely Work of Magic & Mystery: Vinyl Wonderland by Mark Rigney

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Vinyl Wonderland (Castle Bridge Media, June 25, 2024). Cover artist unknown

Vinyl Wonderland is Mark Rigney’s new novel. It’s told by an older Brendan Purcell, about some strange happenings back when he was 17, having just dropped out of high school for… reasons. Which will become clear. His life is a mess — his mother died suddenly, his father is drinking terribly, and has lost his job. And Brendan too is drinking constantly, and has also lost his job. But he has a new one — helping out at Vinyl Wonderland, a used record store. This is 1984, when records were still the primary means of buying music. (It’s also a time I was haunting used record stores!)

Shortly before Christmas, Vinyl Wonderland owner Karl asks Brendan to take over for a few days while he tends to his hospitalized mother. And he warns him — have nothing to do with the “Elvis door” — a locked door behind an Elvis cardboard standup in the rear. And for a while, Brendan complies, even though some people, including the town’s mayor, importune him to let them through the door. Meanwhile both Brendan and his dad are drinking even more, and we learn a bit about Brendan’s life — he’s a good soccer player, but other than that not much of a student, and apparently a terrible person. How much of this — the drinking, the bad attitude, the downright mean stuff he admits to — is in reaction to the loss of his mother, and how much was already part of him, isn’t clear.

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A to Z Reviews: “The City of Silence,” by Ma Boyong

A to Z Reviews: “The City of Silence,” by Ma Boyong

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A to Z Reviews

Over the past several years, the Anglophonic worlds has become more aware of the science fiction being published in modern China. This is due, in part, to the work and outreach being done by Science Fiction World, a magazine from China with a circulation of more than 130,000 as well as publishers like Neil Clarke who have sought out Chinese fiction to publish in translation.

Ken Liu, who has won multiple Hugo Awards, a Nebula Award, and a World Fantasy Award, has also worked to bring Chinese science fiction to English readers with his translation of Cixin Liu’s The Three Body Problem and the publication of the anthology Invisible Planets, which offered translations of a dozen short stories by seven Chinese authors. One of the authors included in the book is Ma Boyong, represented by his story “The City of Silence,” which Ken Liu translated into English.

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Goth Chick News: Crypt-Keeper Fans Rejoice for a New Generation of Horror Comics

Goth Chick News: Crypt-Keeper Fans Rejoice for a New Generation of Horror Comics

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Epitaphs From the Abyss #1 (Oni Press, July 24th)

In past articles I talked about acquiring contraband horror comics from my older male cousins and reading them by flashlight. Though my dad deemed the black and white monster movies from Universal as “classic,” and therefore approved for my consumption, comics like House of Mystery or Strange Tales were verboten, meaning I worked all the harder to get my hands on them. Because of this, horror comics have always held a special place in my heart. From the trailblazing originals to modern tales like Twisted Dark and Nightmare World,, there’s no better way to spend a Sunday afternoon than flipping through the horror section of my local comic vendor Graham Crackers Comics.

Tuesday morning this week, entertainment site The Wrap dropped exclusive info that brought joy to the hearts of horror comic fans worldwide. EC Comics is making a highly anticipated return with a horror anthology series Epitaphs From the Abyss.

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Ellsworth’s Cinema of Swords: Zhang Yimou

Ellsworth’s Cinema of Swords: Zhang Yimou

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Hero (China/Hong Kong, 2002)

The Hong Kong cinema industry’s success as an action-film factory for 50 years starting in the 1960s has meant that most of the Chinese-language movies covered by Cinema of Swords originated there. However, once mainland China shook itself free of its painful Cultural Revolution, its own film industry began to reassert itself. Zhang Yimou was one of the new directors of the so-called “Fifth Generation” that emerged in the ‘80s and ‘90s. A native of Xi’an in remote western China, Zhang had a distinctive eye for landscapes and most of all color, and his early films were acclaimed dramas telling stories of the Chinese middle and working class, movies such as Red Sorghum (1988), Ju Dou (1990), and Raise the Red Lantern (1991).

What primarily interests us, of course, is Zhang’s work in the wuxia genre, which he took up after the success of Ang Lee’s Crouching Tiger, Hidden Dragon (2000). Zhang’s Hero (2002) and House of Flying Daggers (2004) are big-budget productions with leading stars such Jet Li and Zhang Ziyi, but it’s really Zhang’s incredible art and action direction that make them instant classics.

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Conan: City of the Dead, John C. Hocking’s Living Plague is Alive Inside

Conan: City of the Dead, John C. Hocking’s Living Plague is Alive Inside

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Conan: City of the Dead, by John C. Hocking (2024, Titan Books. 507p)

It’s June of 2024, and Titan Books has just delivered John C. Hocking’s City of the Dead which contains both Conan and the Emerald Lotus (1995, TOR) and its follow-up Conan and the Living Plague — a book lost in the limbo of publishing craziness for ~two decades! Hocking also wrote a bridging novella set in between these two novels called “Black Starlight” (serialized across Conan comics in 2019, and provided assembled as an eBook in 2023 as Conan: Black Starlight: The Heroic Legends Series).

Since Titan Books & Heroic Signatures had the rights to publish and print “Black Starlight” separately, it seems like a lost opportunity to have it absent from  City of the Dead, but fans are just glad to finally see the Living Plague in print, it is tough to whine about that.

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A (Black) Gat in the Hand: Dime Detective – August, 1941

A (Black) Gat in the Hand: Dime Detective – August, 1941

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

 

Black Mask’s major competition came in the form of Dime Detective Magazine, which touted itself as “twice as good – for half the price” (Black Mask cost 20 cents at the time; though the price would shortly drop to 15 cents, in part due to Dime Detective’s success at the cheaper cost).

Editor Kenneth White (the same mentioned above) was instructed to lure as many writers from Black Mask as he could, paying an extra penny a word as enticement. And with a going rate of one to two cents for pulp writers (Black Mask’s three cents a word was indicative of its standing and quality in the field), the four cent rate made a significant difference to writers. As the prolific Erle Stanley Gardner supposedly replied to observations that he always seemed to use his hero’s last bullet to knock off the story’s antagonist:

“At three cents a word, every time I say ‘Bang’ in the story I get three cents. If you think I’m going to finish the gun battle while my hero still has fifteen cents worth of unexploded ammunition in his gun, you’re nuts.”

Writers were forbidden from doing novel serializations (The Maltese Falcon was first a serial) and were also instructed to create their own characters, which could not appear elsewhere, for the magazine. The onslaught was successful, with many of the era’s most popular writers switching to Dime Detective. Carroll John Daly (who brought the iconic Race Williams with him), Erle Stanley Gardner, Frederick Nebel and Norbert Davis (whose humorous stories were frequently rejected by Shaw but who flourished at his new home) were among those lured to Dime Detective.

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