Goth Chick News: Crypt-Keeper Fans Rejoice for a New Generation of Horror Comics

Goth Chick News: Crypt-Keeper Fans Rejoice for a New Generation of Horror Comics

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Epitaphs From the Abyss #1 (Oni Press, July 24th)

In past articles I talked about acquiring contraband horror comics from my older male cousins and reading them by flashlight. Though my dad deemed the black and white monster movies from Universal as “classic,” and therefore approved for my consumption, comics like House of Mystery or Strange Tales were verboten, meaning I worked all the harder to get my hands on them. Because of this, horror comics have always held a special place in my heart. From the trailblazing originals to modern tales like Twisted Dark and Nightmare World,, there’s no better way to spend a Sunday afternoon than flipping through the horror section of my local comic vendor Graham Crackers Comics.

Tuesday morning this week, entertainment site The Wrap dropped exclusive info that brought joy to the hearts of horror comic fans worldwide. EC Comics is making a highly anticipated return with a horror anthology series Epitaphs From the Abyss.

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Ellsworth’s Cinema of Swords: Zhang Yimou

Ellsworth’s Cinema of Swords: Zhang Yimou

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Hero (China/Hong Kong, 2002)

The Hong Kong cinema industry’s success as an action-film factory for 50 years starting in the 1960s has meant that most of the Chinese-language movies covered by Cinema of Swords originated there. However, once mainland China shook itself free of its painful Cultural Revolution, its own film industry began to reassert itself. Zhang Yimou was one of the new directors of the so-called “Fifth Generation” that emerged in the ‘80s and ‘90s. A native of Xi’an in remote western China, Zhang had a distinctive eye for landscapes and most of all color, and his early films were acclaimed dramas telling stories of the Chinese middle and working class, movies such as Red Sorghum (1988), Ju Dou (1990), and Raise the Red Lantern (1991).

What primarily interests us, of course, is Zhang’s work in the wuxia genre, which he took up after the success of Ang Lee’s Crouching Tiger, Hidden Dragon (2000). Zhang’s Hero (2002) and House of Flying Daggers (2004) are big-budget productions with leading stars such Jet Li and Zhang Ziyi, but it’s really Zhang’s incredible art and action direction that make them instant classics.

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Conan: City of the Dead, John C. Hocking’s Living Plague is Alive Inside

Conan: City of the Dead, John C. Hocking’s Living Plague is Alive Inside

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Conan: City of the Dead, by John C. Hocking (2024, Titan Books. 507p)

It’s June of 2024, and Titan Books has just delivered John C. Hocking’s City of the Dead which contains both Conan and the Emerald Lotus (1995, TOR) and its follow-up Conan and the Living Plague — a book lost in the limbo of publishing craziness for ~two decades! Hocking also wrote a bridging novella set in between these two novels called “Black Starlight” (serialized across Conan comics in 2019, and provided assembled as an eBook in 2023 as Conan: Black Starlight: The Heroic Legends Series).

Since Titan Books & Heroic Signatures had the rights to publish and print “Black Starlight” separately, it seems like a lost opportunity to have it absent from  City of the Dead, but fans are just glad to finally see the Living Plague in print, it is tough to whine about that.

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A (Black) Gat in the Hand: Dime Detective – August, 1941

A (Black) Gat in the Hand: Dime Detective – August, 1941

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

 

Black Mask’s major competition came in the form of Dime Detective Magazine, which touted itself as “twice as good – for half the price” (Black Mask cost 20 cents at the time; though the price would shortly drop to 15 cents, in part due to Dime Detective’s success at the cheaper cost).

Editor Kenneth White (the same mentioned above) was instructed to lure as many writers from Black Mask as he could, paying an extra penny a word as enticement. And with a going rate of one to two cents for pulp writers (Black Mask’s three cents a word was indicative of its standing and quality in the field), the four cent rate made a significant difference to writers. As the prolific Erle Stanley Gardner supposedly replied to observations that he always seemed to use his hero’s last bullet to knock off the story’s antagonist:

“At three cents a word, every time I say ‘Bang’ in the story I get three cents. If you think I’m going to finish the gun battle while my hero still has fifteen cents worth of unexploded ammunition in his gun, you’re nuts.”

Writers were forbidden from doing novel serializations (The Maltese Falcon was first a serial) and were also instructed to create their own characters, which could not appear elsewhere, for the magazine. The onslaught was successful, with many of the era’s most popular writers switching to Dime Detective. Carroll John Daly (who brought the iconic Race Williams with him), Erle Stanley Gardner, Frederick Nebel and Norbert Davis (whose humorous stories were frequently rejected by Shaw but who flourished at his new home) were among those lured to Dime Detective.

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It’s Gonna Be One Helluva War: A preview of Monsters in Hell, volume 24 in the Heroes in Hell™ series

It’s Gonna Be One Helluva War: A preview of Monsters in Hell, volume 24 in the Heroes in Hell™ series

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Kindle and Paperback editions published by Perseid Press.  Copyright ©2024, Janet Morris. Book design: Marie Pitrat & Christopher Morris. Cover design: Roy Mauritsen.

Monsters in Hell just released this May 2024 (Kindle and Paperback editions published by Perseid Press).

Hell is a real place. Anyone who has broken a commandment winds up there. That’s pretty much everybody. Satan is the boss. You’re okay until you’re not. But never fear, all your friends are here. As well as everyone you’ve ever heard of. You are not alone and the party is in full swing. However, keep in mind: our Hell is unlike any other.

Picking up where Liars in Hell leaves off, Monsters in Hell continues existing plot lines and relates new stories with characters from all epochs of human history, as they struggle against torment and even more common problems derived from their own unique situations. But wait… things are changing, even for the Devil and his subordinates, in ways that will cause exciting variations, if not outright Liberation. The times, they are a changing…  As on Earth, so in Hell. Sometimes it’s difficult to tell where one leaves off and others begin.

Life and Afterlife, Earth and Hell… all mirror images of each other.

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Vintage Treasures: Frontera by Lewis Shiner

Vintage Treasures: Frontera by Lewis Shiner

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Frontera (Baen Books, August 1984). Cover by Vincent Di Fate

I first discovered Lewis Shiner in Gardner Dozois’ Year’s Best Science Fiction anthologies, where he was a regular, and one of my favorite contributors. His first published story, “Tinker’s Damn,” appeared in the fifth issue of Charles Ryan’s Galileo magazine in October 1977, and he followed that with dozens more all through the 80s and 90s in places likes The Magazine of Fantasy & Science Fiction, Twilight Zone Magazine, Omni, and especially Asimov’s Science Fiction.

His first novel Frontera, the tale of a high-risk expedition to a supposedly abandoned Martian colony, was published as a paperback original in what we used to call the Year of Big Brother, 1984 (that’s a George Orwell reference, for all you young folks). It was nominated for both the Philip K. Dick Award and the Nebula Award for Best Novel, and was followed by perhaps his most famous novel, Deserted Cities of the Heart (1988), which garnered another Nebula nom.

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A to Z Reviews: “The Butcher of Darkside Hover,” by Jonathan Sean Lyster

A to Z Reviews: “The Butcher of Darkside Hover,” by Jonathan Sean Lyster

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A to Z Reviews

Jonathan Sean Lyster only has two published stories, the first appeared in 2020 and the second, “The Butcher of Darkside Hover,” appeared in the  October 2022 issue of Analog. There is a strong resonance between “The Butcher of Darkside Hover” and the classic story “The Cold Equations,”  by Tom Godwin.

The story is set on a base located on the farside of the moon, although as the story progresses, it becomes clear that it is actually in orbit over the farside of the moon, which is one of the issues with the story. Lyster slowly provides details of his world, but never fully and in a manner that means the reader is putting together the pieces to get an idea of what his world looks like. The process means that the reader’s perception is constantly changing regarding the setting when it should be more focused on the problem presented for the characters and their solution.

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Goth Chick News: From Wolf-Lover to Wolf – kit Harington Gets Hairy

Goth Chick News: From Wolf-Lover to Wolf – kit Harington Gets Hairy

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It is no secret around the Black Gate offices that if the “King of the North” ever drops by asking for Goth Chick, I am absolutely, unequivocally always available. It’s true that Jon Snow could be a little too angsty at times, but it was never about his dialog and all about how he looked saying it.

So pairing actor Kit Harington with one of my favorite classic movie monsters had me watching this trailer for The Beast Within over and over when it dropped Tuesday morning.

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Worthy of His Hire: The Day’s Work by Rudyard Kipling

Worthy of His Hire: The Day’s Work by Rudyard Kipling

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The Day’s Work (Penguin Classics, October 4, 1988)

I spent most of my childhood and adolescence in a house with large built-in bookshelves, occupied by books passed on from my grandmother. Among the ones I read were multiple volumes by Kipling. One of the more memorable was The Day’s Work, which I recently added to my shelves of print fiction and which I’ve just reread: a collection of stories nearly all written during Kipling’s period of residence in Vermont, during the early 1890s.

A long time ago, I ran across a comment by some critic that if you wanted to read a conversation between a god, an animal, and a machine, Kipling would be the perfect choice to write it. The Day’s Work might be taken as evidence to support this; it doesn’t bring the three together, but it has one story with a conversation among gods, “The Bridge-Builders”; two with conversations among horses, “A Walking Delegate” and “The Maltese Cat”; and two with conversations among machines, “The Ship That Found Herself” and “.007,” the latter being about a locomotive newly put into service. Those five stories, out of a total of twelve, give the collection a strong feeling of fantasy, which must have been part of what appealed to me when I was in elementary school.

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The Double-Edged Blade of Social Media

The Double-Edged Blade of Social Media

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Image by Gerd Altmann from Pixabay

Good afterevenmorn!

It’s me again. Here to wax lyrical about social media and how it is both a boon and a bane for the creatives of the world. As it is for most everyone, I think. Let’s be honest, as a means of connecting people, finding community and disseminating information with incredible ease and speed, social media is absolutely unparalleled. Of course, on the flip-side, it is a vicious tool for deliberate bullying, polarisation, and the disastrous spread of misinformation. It seems that whatever the effect of social media, be it good or ill, there is something on the other edge that serves as to balance it out… more or less.

For a writer, or any creative, really, it is an incredible tool. It is also a terrible burden. Does the good outweigh the bad, or at least is the balance a net null? It seems that if we have any hope of being successful, we cannot escape social media (however much we may detest the need of it). But is that actually true? Is it really worth it for us to be there?

Let’s take a look at the positive and pitfalls of using social media as a creative.

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