Black Gate 12

Black Gate 12

Black Gate 12 appeared on my doorstep today. As someone who was a fan of the mag before I joined the staff, it’s still a fanboy thrill to get to see the issue before anyone else. Next issue I’ll start seeing some of the stories I was involved in selecting — these last few, though, have been complete surprises.

12 will be in my hands for just a short while as I perform a proof pass, then the layout zombies will take another crack at it, then off it goes to the printer.

And issue 13 will follow close on its heels.

More news on other things soon. I need to figure out how to set up that “poll taking” feature I see on other people’s blogs so I can finally offer folks a choice on the title of the new Black Gate web column. Maybe I’ll take a crack at that Friday.

Howard

Black Gate at Late Night JengaJam

Black Gate at Late Night JengaJam

Last week Black Gate Managing Editor Howard Andrew Jones was the guest of Jefferson Jenga at his popular and well-regarded call-in podcast show Late Night JengaJam. During the interview they talked with callers and each other about the ups and downs of the fantasy field, numerous authors such as Robert E. Howard, Harold Lamb, and J.R.R. Tolkien, and especially about the perils and rewards of editing one of the premier magazines of fantasy fiction.

It was a lengthy and engrossing conversation, so grab the entire show, pop it onto your iPod, and give it a listen. You can download the entire podcast in MP3 format here.

A Review of Dossouye by Charles R. Saunders

A Review of Dossouye by Charles R. Saunders

The man is back!

Charles R. Saunders rocked Sword-and-Sorcery in the ’70s and ’80s with his African fantasy hero Imaro, a compelling character who tore through the pages of numerous magazines and whose exploits were ultimately collected in three volumes from DAW. Over the last few years two of those were generously updated and republished by Nightshade Books, causing fans of Saunders’ unforgettable heroes to rejoice at the return of one of the masters of the field.

Now, via Brother Uraeus’ newly created Sword & Soul Media imprint, Saunders brings us the tales of Dossouye, a warrior woman from an alternate Africa that — while not the same as Imaro’s Nyumbani — nevertheless brims with all of the jeweled kingdoms, scheming sorcerers, doomed quests, and death-defying heroes ravenous fantasy fans have come to expect. It’s epic storytelling immersed in a feat of enchanting world-building that at its best rivals Tolkien, and this week at Black Gate reviewer Bill Ward brings you all of the exciting details.

READ THE ARTICLE

Webcast Appearance

Webcast Appearance

I Get Interviewed Tonight.

I’ll be on Late Night Jenga Jam tonight at 10:30 PM Eastern. I hope you’ll tune in to listen, and that you’ll be sending me good karmic vibrations or what have you. I’ll be talking about Black Gate and, knowing me, some writing thoughts and opinions on sword-and-sorcery — Robert E. Howard and Harold Lamb are likely to come up.

You can call in live to the show to ask questions of me or listen to the discussion by calling Talkshoe at (724) 444-7444 then entering the Talkcast ID of 6478.

http://jengajam.ning.com/

http://www.talkshoe.com/blog/index.php/help/ for information on joining the chat or phone conversation.

I hope a few of you will tune in!

Howard

Writing Thoughts

Writing Thoughts

So today I stole a half hour to write from what I should have used as lunch time. I ended up writing for 45 minutes and getting quite hungry later, but the prose result left me feeling both satisfied and muddled.

Here’s the thing. On the novel WIP I am lucky to get a few hundred words every time I sit down to write, be it for an hour or two hours or three. Every sentence or so I stop to look at e-mail, or check up something pointless on Wikipedia, or what have you. But when I sat down to write today, I did none of that. I was in the zone. It was like taking dictation from my first person narrator. In that 45 minutes I wrote 1421 words, which I have just calculated up to be something like 31.6 words a minute. I was pleased. I can’t keep all of those words; some must be replaced and others must be expanded upon, but I will keep most of them. It’s a solid first draft, seven pages, and I am eager to write more.

This is what writing is supposed to feel like. I remember this. I had forgotten. So my experience begs the question — am I writing the right thing, or should I switch over to this? Working with certain characters, for me, is just like taking dictation. Should I stick with them? See, I’m muddled, but pleased.

I keep not having time to post my final thoughts on Universe R.

Hey, looks like I’m going to be interviewed Thursday night on a radio show! I’ll post on that Wednesday. Just finished some paper grading, now I must kitchen clean.

What are your thoughts on this whole writing quandary I find myself in? Might it be that I’m just weary of a long process (novel 2 in a sequence) or that I really am writing the wrong thing? How many of you find yourselves in the same or similar place? Life is short, no one’s jumping up and down to buy these mist novels, perhaps I should simply write about Dabir and Asim in novel form. They’re the only thing I write that sells to multiple markets…

Howard

Rich Horton’s Virtual Best of the Year — 2007

Rich Horton’s Virtual Best of the Year — 2007

This is it, the list you’ve been waiting for. Rich Horton’s picks for the best science fiction, fantasy, and space opera stories of the year is always a Black Gate reader’s favorite, and this time he’s truly outdone himself. Rich pored over 2343 stories — that’s over twelve million words — and from that massive mountain of tales chose the very best of the bunch for your edification. The result? A resource that you can use to acquire and read all of the very top novellas, novelettes, and short stories that were published in the field during the last year.

So whenever you start running low on reading material during 2008, pop back over here and take a gander at The List. Our resident reviewing superstar has put in all of the hard work so you won’t have to.

READ THE ARTICLE

Parallel Universe

Parallel Universe

When it comes to the parallel universes we visit in speculative fiction, some of my personal favorites are the ones where Rome never fell, the one where Spock has a goatee, and Universe R. I don’t know if anyone’s written about Parallel Universe R, or named it before, but I imagine a lot of you have thought about it. It’s that other place where great artistic works were never lost. It’s the land where overlooked, forgotten, or underappreciated poets, playwrights, authors, and artists were encouraged and celebrated and lived on to craft more work. I don’t mean the Egoverse where you’re the top of the charts or have written a chain of bestsellers — this one is for the artists you wish had gotten a better deal. Universe R can’t be completely logical, of course. For instance, if the Library of Alexandria had survived, then we’d probably be further along with a lot of developments and some of the later artists might not ever have been born. When I think about Universe R I don’t worry about it making that kind of sense.

I dropped by my counterpart’s home in Universe R to look around his shelves: The work of Aeschylus, Sophlocles, and Euripides came to us complete in Universe R, rather than just a few plays from each, and the works of Menander and Sappho reached us whole, rather than just a few tantalizing fragments. Jumping ahead a bit, Chaucer finished The Canterbury Tales, though he had to live to 90 to pull it off, and it takes up a huge chunk of a shelf. There’s no confusion over Shakespeare folios and I see one fine copy of his Cardenio and other tantalizing things lost to history. On the music rack, Bach’s work was better preserved so that some of his music wasn’t lost because it was sold as fish wrappers. Mozart lived to a ripe old age, cranking out more and more astonishing and varied works.

On my fiction shelf in Parallel Universe R I can find all the great historical swashbuckling novels Harold Lamb wrote when he almost gave up fiction in the 1930s, just as his prose was at its peak. Near it is a complete run of all of Robert E. Howard’s fiction. He went back to writing fantasy a few times after the 1930s, but he turned also to westerns and teamed up with Hollywood producers to create some western film masterpieces. His DVDs are over there on the other shelf, next to the run of the original Star Trek. Here in Universe R the dogs of Star Trek’s second season never got made and the show didn’t get thrown to the wolves in the third season — thanks to the diligent work of the story editors and producers, the final three years of the show built upon the promise of early episodes. When a sequel series finally came out, Captain Sulu was also a resounding success. (Sure, I dare to discuss Bach and Sophocles and Robert E. Howard and Star Trek and Shakespeare in the same entry.) In Universe R The Beatles realized that they were greater together than the sum of their individual parts, and regrouped every few years to make amazing music, even while experimenting with their side projects.

I could go on, but this post is long enough already. I’ll save one more entry for later: The 27th of this month is the birthday of one of my favorite musicians, the guy who prompted this post because in April I always think about how things should have turned out for him. He was a Beatles contemporary who soared to acclaim in Universe R. I’ll post about him closer to his birthday.

So what works are on your shelf in Universe R?

Howard

New Reviews of Black Gate 11!

New Reviews of Black Gate 11!

This week we thought we’d take you on a tour of some of the online reactions to out latest print issue, Black Gate #11. You’ll find a gamut of opinions represented below, from both pros and amateurs.

Our first stop is The Fix, the longtime short fiction review magazine that over the last few years has reinvented itself as an online-only publication. Sherwood Smith delves into each story in #11, praising them by turns as “imaginative and complex,” “terrific and visual,” and “a masterly blend of image, action, and humor.” Sherwood has been a friend to the magazine since we started, and the care and attention she takes with all her reviews is obvious. This is another great overview that will have any fence-sitters out there panting to buy the issue.

Over at Michele Lee’s Book Love blog is a look at #11 originally intended for Tangent before that venue went on hiatus. Michele has a more subdued reaction to the issue, suggesting some readers might be irritated by continuing serials leaving some plot threads open, but that didn’t sting as much as calling Tolkien’s wizard “Gandolf,” instead of Gandalf. Ouch. Drop by and leave a comment anyway.

At Grasping for the Wind, another site dedicated to science-fiction and fantasy book reviews, John Ottinger offers a critical analysis declaring, that “nothing in this issue disappoints” (before admitting a bit further down, “I was a bit disappointed by this installment”). On the bright side, John has a lot of praise for selected stories, calling one “extremely well written and very creative in its approach. I’ve never read anything quite like it before.” To which tale was he referring? Click on the link and find out.

Finally, we end with our favorite review, courtesy of Karl Bradley at the Ultimate Sword & Sorcery Blog of Ultimate Destiny. As Karl puts it: “I wish I could’ve stayed up all night last night and read Black Gate Magazine cover-to-cover and given you a review today. Instead, I went to work. But I have to do something about Black Gate‘s recent release. So here is my review of the first sentence of every story in the magazine.” He actually goes through with it, and it turns out to be a lot of fun, so navigate over to US&SBoUD and enjoy.

And if you haven’t bought Black Gate #11 yet, what are you waiting for? There’s no magazine out there publishing more eclectic, thought-provoking, and action-packed tales of Sword-and-Sorcery and fantasy — visit our subscription page and place your order today.

Writing Thoughts

Writing Thoughts

It is much easier for me to do this thing called NOT writing than it is to actually write. I imagine it’s easier for all writers to NOT write, except that when we’re NOT writing the NOT part eats away at us. Me, when I’m NOT, I feel more and more like a failure, or simply a wuss. Yet if I sit down and write 500 words I’m not satisfied. I say to myself, well, if I’d actually had two or three hours to write, I could have written a few thousand words, why didn’t I get it together? Wuss. On those extremely rare days when I actually have time to crank out a couple of thousand words I do feel a small sense of satisfaction, then plan to magically find time to make it happen the next day, and the next, so that whatever I’m writing will get done much faster than it ever really can. For me at least, writing is a continual act of self deception. The funny thing is that I’m not at all that unforgiving or unreasonable with other writers. Just with me.

For the last six months I have been concentrating solely on novel writing. One novel is making the rounds and I am trying to have a second, related novel finished should someone come calling. I’m enjoying the process, but it comes with different challenges. Maybe they’re all obvious, but I’ll go ahead and talk about them. Since a novel is a lot longer than a short story and I have limited time, it takes a long time to finish. I don’t like sharing my rough roughs, so I don’t show the work in progess to anyone for feedback until I’ve had a chance to finish and go over it at least once. I don’t need adulation, but I do like a pat on the back, even if it comes with someone pointing out the flaws (too, there is always a sense of satisfaction when you reach a conclusion). When I write short stories, I can finish one, then talk about it with the group of writers I exchange stories with. When I publish a short story, I can go talk about short stories with other writers and we can congratulate each other and trade notes. I miss that sense of community.

I’m not writing short stories right now, though. I love writing short stories and I have scads of ideas. But let’s face it. There are few markets out there that accept what I like to write, and cracking the short story markets doesn’t really establish you as a novelist. It is extremely difficult to make a living as a writer these days, but if you’re going to do it, you’d best be writing novels, not short stories. I tell myself that if the novels sell, maybe I’ll have time again for the short works. Maybe I’m deceiving myself about writing. It wouldn’t be the first time.

Whatever I do, I have resolved to write what makes me happy, because who knows what, if anything, will come of it. I have a tremendous amount of respect for Robert E. Howard, who made a living writing in the 30s by writing for a variety of markets, and I have made attempts to try that myself. In retrospect, me trying multiple markets was probably silly. In Howard’s day there were many, many more markets. And THAT Howard was writing full-time. I barely squeeze in a few hours for writing every week. Rather than trying a scattershot approach with market and style, I decided that I would use that small amount of time to hone my craft and get as good as I could writing the kind of stories I liked to write. When not typing, my fingers are still crossed that something will come of it. I mostly enjoy writing, except when I’m NOT, or when I feel like I should be writing MORE, which is, honestly, most of the time. I think writers are a little crazy. I know I am…

Howard

New Column

New Column

My thanks to everyone who wrote in with suggestions. Monday’s a pretty busy day, or I’d try to set up a reader poll and have folks vote on their favorites. Well, I’d select five or so and then see which ones garnered the most votes.

The first column is up here, but it is without title for now. Next month, it will have a title, likely chosen from some of the excellent ones suggested here.

Howard