Time Magazine selects Swords & Dark Magic as a Summer Page-Turner

Time Magazine selects Swords & Dark Magic as a Summer Page-Turner

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swordssorcery1Lou Anders reports that Time columnist Lev Grossman has selected his new anthology Swords & Dark Magic as one of two recommended “Summer Page Turners” in the July 12th issue.

The article, appearing on the stands this week, is “Page Turners: The Summer’s Hot Writers on What’s on their Nightstand, Kindle or Beach Chair.” Lev Grossman, Time magazine columnist and author of the fantasy novel The Magician, selected Swords & Dark Magic as one of two recommendations, saying:

Fantasy is going through an explosion of creativity.  Two new anthologies showcase the best of it: Stories: All-New Tales, edited by Neil Gaiman and Al Sarrantonio, and Swords & Dark Magic, edited by Jonathan Strahan and Lou Anders.

Swords & Dark Magic was published by Eos on June 22, and is edited by Anders and Jonathan Strahan. Jason Waltz reviewed it for Black Gate here.

Congratulations to Lou and Jonathan on the great press.  Good to see the new breed of sword & sorcery getting some national attention.

Dracula: From Script to Screen

Dracula: From Script to Screen

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dracula_1931aDracula by Bram Stoker frequently vies with The Maltese Falcon by Dashiell Hammett as my favorite book.

Both stories are archetypes of their genres and despite endless imitations, almost every attempt to emulate the originals falls wide of the margin.

The current vogue for Twilight and its many imitations may be the worst misinterpretation of Stoker’s classic yet, despite its enviable success among pre-pubescent girls (and their emotional equals). The ignorance of most Twilight fans as to how their heroine earned her first name led me to revisit the seminal Universal Horror, Tod Browning’s Dracula (1931) starring Bela Lugosi in an iconic performance that did much to secure Stoker’s novel its hard-won place of acceptance as a literary classic.

The resulting film owed much to the stage plays which took the West End and Broadway by storm during the Roaring Twenties.

Film historian David Skal has gifted the world with several excellent books and DVD bonus features and commentaries chronicling this once untapped goldmine’s transition from page to stage to screen.

Film buff Philip J. Riley has done one better (actually twice better) by sharing with film lovers not one, but two volumes collecting the various story treatments and screenplay drafts that were languishing in Universal’s files for decades.

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Climbing Aboard the Dragon: Three Paths To a Story

Climbing Aboard the Dragon: Three Paths To a Story

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“There are nine and sixty ways of constructing tribal lays, and every single one of them is right.”
— Rudyard Kipling

Get out the map...Okay, writers. Let’s say you have a short story idea or two, but you don’t know the best way to write it. Some sage writers with some sales under their belts tell you that you Must Outline. Other wisened authors tell you to just, “Go where the story takes you,” that you shouldn’t outline at all.

So what’s a new writer to do? Who’s right?

Well, they all are, of course. They’re right about what works for them.

You have to figure out what works best for you.

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Goth Chick News: Boo To You Too!

Goth Chick News: Boo To You Too!

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boo2“Clowns, without a doubt.”

A few days ago I walked into a lunch conversation between my co-workers, who apparently started out discussing irrational fears their young children had.

This topic then morphed into the seemingly ridiculous fears that had followed these seemingly rational grown-ups into adulthood; not phobias per se, but “gives-me-nightmares” terrors.

The guy talking was a 30-something software engineer, and I could tell by the look on his face that he was in no way joking.

“Ronald McDonald and Pennywise are the absolute worst.”

Now, I totally get the whole “fear of clowns” thing, because clowns show up in quite a few horror movies such as IT and Poltergeist, and though the Pennywise reference did remind me that the best scenes of the otherwise fairly cheesey movie IT were indeed the ones with the murderous clown, I’m not particularly freaked out by them on the whole.

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PULP LITERATURE: How about some wisdom with your fantasy?

PULP LITERATURE: How about some wisdom with your fantasy?

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The three books of the PRINCE OF NOTHING trilogy. Fantasy that goes beyond entertainment and achieves enlightenment. Or at least challenges the reader's grasp of reality.

One of my favorite modern writers of fantasy is R. Scott Bakker. His PRINCE OF NOTHING trilogy absolutely blew my skull a few years back, and his latest book in that continuing saga is THE WHITE-LUCK WARRIOR, due to be released in Spring 2011.

I’ve been singing the praises of Bakker’s fantasy work for awhile now. His is a fantasy on the scale of Tolkien without stealing any of the usual tropes that go with that scale. His work is brilliant, illuminating, and challenging. In short, it is literary fantasy…i.e. fantasy with literary qualities. “What exactly does that mean?” I hear somebody asking. Well, here’s what I tell my students on the first day of any literature class: Literature is a written work of art that explores what it means to be human.

Literature allows us to view human nature, i.e. the human condition, through the lens of the written word. And the real magic is that good literature transcends time and space. Shakespeare, for instance, is still shedding light on the human condition even though he wrote 500 years ago. But literature is not just for the glimmering “elite” in their ivy-grown universities and ivory towers. Bakker’s fantasies do exactly what great literature does, while remaining tremendously entertaining.

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James Bond vs. the Giant Squid: Pulp 007 in Doctor No

James Bond vs. the Giant Squid: Pulp 007 in Doctor No

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giant-squidMania, my dear Mister Bond, is as priceless as genius.

Some time ago in the earlier days of the Black Gate blog, E. E. Knight wrote a post about the James Bond movies as classic fantasies. No argument here—especially when I consider things like The Spy Who Loved Me and Bond-drives-an-invisible-car Die Another Day.

However, the conventional wisdom about the divide between the long-running movie franchise and the series of novels and short stories that Ian Fleming wrote in the fifties and sixties is that Fleming is the realistic, grim, down-to-earth Bond, where the movies are outrageous action-filled rides.

I’m a hardcore Bond fan, but unlike most Bondians my age (born into the ‘70s and Roger Moore’s tenure) I grew up on Fleming’s Bond, not cinema’s. I read all the novels for the first time in junior high school, and at that point had only watched perhaps three of the movies. I ended up approaching the film series from the perspective of a Fleming Purist. This doesn’t mean I flip out when anything un-Fleming occurs in the movies—for Apollo’s sake, I actually get a kick out of the Space Opera/Chuck Jones cartoon called Moonraker—but it does mean I have a very different lens on than film series than even most serious Bond fans.

And here’s something I’ve learned over the years from watching the films series develop and tracing the history of the earlier movies (Goldfinger is my favorite of the movies, in case you’re interested): Fleming ain’t realistic. His novels are extremely romanticized views of espionage life, and were thought so at the time. Read John le Carré’s extraordinary The Spy Who Came in From the Cold, meant as an answer to Fleming’s spy-romances, and you’ll immediately see what flights of fantasy Fleming really took with his super-spy. Compared to many of the movies, the novels Casino Royale and From Russia, With Love seem relatively believable, but they are still escapist romances.

Here’s the key difference between the escapism of the films and the books: The movies are fantasies. The novels are pulp adventure—almost literally so.

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A review of Under Heaven by Guy Gavriel Kay

A review of Under Heaven by Guy Gavriel Kay

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underheaven2

Under Heaven, by Guy Gavriel Kay
Roc (592 pages, $26.95, April 2010)

We don’t have that many rituals in our home. One is the creeping countdown to Guy Gavriel Kay’s newest novel. I am always a little sad when it finally comes, though, because it means years before I will see his next one.

If you liked Tigana or The Sarantine Mosaic, you will like Under Heaven. If you have not read Kay before, then do. But don’t start with Under Heaven. It’s one of his best, but you’ll want to save it for last.

Start with Tigana, then maybe A Song for Arbonne and The Lions of Al-Rassan. Jump to The Last Light of the Sun (or skip it entirely) and then go back for the two volume The Sarantine Mosaic (his second best). Then, and only then, should you read Under Heaven*.

Kay’s efforts have definitely improved with time.  A big part of that is no two stories are  in the same place, or use the same characters. I recently whipped through Jim Butchers’ twelfth Dresden installment, and am eager to read the upcoming sixth Temeraire dragon novel by Naomi Novik. Both series are fun, likely lucrative, and the authors pump out new adventures every year or two. But I sometimes wonder if they and other fantasy series novelists are a little jealous of GGK’s apparent freedom to always work on new ideas.

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Judgment Night: Space Opera and More From One of the Female Pioneers of the Genre

Judgment Night: Space Opera and More From One of the Female Pioneers of the Genre

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judgFamed with her husband Henry Kuttner for turning out superlatively compelling and complex stories for the pulps, both jointly and singly, Catherine Moore began writing in 1933.

But she had to wait nearly twenty years for any of her fine tales to achieve single-author book form, and the volume under discussion today is the long-awaited result. It contains five stories — one actually a short novel — from the pages of John W. Campbell’s Golden Age and Silver Age  Astounding.

The title piece is the novel, from 1943. A primal space opera, it concerns the star empire of the Lyonese, whose central world is Ericon, where ancient patron gods live, remote from day-to-day affairs of the empire.

But now the vast holdings of the Lyonese are crumbling under the assault of a younger race, the H’vani. The Emperor’s heir is Juille, a daughter, and she’s determined her dynasty will continue. She wages a one-woman campaign against the wishes of her doddering father to save all that her ancestors built.

But she doesn’t count on falling in love with the H’vani ruler — or the machinations of Ericon’s living deities.

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Black Gate 14 Sneak Peek: “Building Character” by Tom Sneem

Black Gate 14 Sneak Peek: “Building Character” by Tom Sneem

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buildingcharacter277It’s hard to be a modern hero. Especially when the author can’t make up his mind.

Instead of going back to the church, I start to open the car door. But half way open it becomes difficult, like pulling against a great weight. The weight of an author’s stubbornness. The Kid really wants me to go back. I brace one foot against the car and with both hands on the handle, lean back, my force against the Kid’s. And we are locked in a tug of war. But then I hear strange voices coming down the path. The Kid has released the ghouls.

Tom Sneem lives in a small cottage on the west coast of Ireland where he writes a variety of fiction.

“Building Character” appears in Black Gate 14. You can read a more complete excerpt here. The complete Black Gate 14 Sneak Peek is available here.

Art by Bernie Mireault.

Locus magazine announces the 2010 Locus Awards Winners

Locus magazine announces the 2010 Locus Awards Winners

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boneshaker2The 2010 Locus Awards winners were announced today, at the annual Science Fiction Awards Weekend in Seattle. The winners include:

     Best SF Novel: Boneshaker, Cherie Priest (Tor)
     Best Fantasy Novel: The City & The City, China Miéville (Del Rey; Macmillan UK)
     Best First Novel: The Windup Girl, Paolo Bacigalupi (Night Shade)
     Best Young Adult Book: Leviathan, Scott Westerfeld (Simon Pulse; Simon & Schuster UK)
     Best Novella: ‘‘The Women of Nell Gwynne’s,’’ Kage Baker (Subterranean)
     Best Novelette: ‘‘By Moonlight,’’ Peter S. Beagle (We Never Talk About My Brother)
     Best Short Story: ‘‘An Invocation of Incuriosity,’’ Neil Gaiman (Songs of the Dying Earth)
     Best Anthology:  The New Space Opera 2, Gardner Dozois & Jonathan Strahan, eds. (Eos; HarperCollins Australia)
     Best Magazine: The Magazine of Fantasy & Science Fiction

The Locus Award has been presented annually since 1971. It’s given to winners of Locus magazine’s annual readers’ poll. You can find the complete list of winners at Locus Online.

Congratulations to all the winners!