Conan’s Father: William Smith, 1933-2021

Conan’s Father: William Smith, 1933-2021

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William Smith

We all have our end-of-year rituals, those small ceremonies that prepare us to ring out the old year and ring in the new. For me, one of the most important is watching the current TCM Remembers, the annual short film with which Turner Classic Movies bids farewell to the film people that we’ve lost throughout the year. It’s always beautifully done, and it always makes me tear up, usually no more the thirty seconds in.

Some of its subjects — the more famous ones — come as no surprise, as I heard about their deaths when they occurred during the year. There will always be many people, though, that I only find out about when I watch the video, late in December. This year one of the people that I didn’t know was gone was William Smith, who died July 5th at the age of eighty-eight.

William Smith? Who was William Smith? Oh, you know him — I guarantee it. To say that he was a prolific actor is to greatly understate the case. He has two hundred and seventy-five movie and television credits listed on IMDB, the first a miniscule part in 1942’s The Ghost of Frankenstein when he was nine years old and the last in 2020, in the Steve Carell comedy Irresistible.

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Diving Deeper into Pathfinder‘s Secrets of Magic

Diving Deeper into Pathfinder‘s Secrets of Magic

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Magic is the cornerstone of a fantasy roleplaying game (although a good strong sword and armor usually helps). While over the years since it’s release Pathfinder Second Edition has had no shortage of emphasis on magic, from the classes, spells, and items contained in the Core Rulebook to those in the Gods & Magic supplement and the Advanced Player’s Guide, their release of Secrets of Magic really represents the most significant exploration of magical systems within Second Edition Pathfinder to date. In addition to the various magical systems and spells, this book provides two Pathfinder classes from First Edition, reworked for Second Edition: the Magus and the Summoner.

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By Crom: Roy Thomas & Conan the Barbarian

By Crom: Roy Thomas & Conan the Barbarian

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One Black Gate series which I have started, but is still for somewhere down the line, is a look at the first dozen-or-so issues of Roy Thomas’ Conan the Barbarian comic. And even before running that series, I’ll write one for the second dozen-ish, so I can tie together the various overlaps. This was prompted by a combination of the over-sized Marvel hardback Omnibuses, and Roy Thomas’ TERRIFIC (now) three-volume memoir about the series from Pulp Hero Press.

I never read the series, growing up. I bought some of the Dark Horse collections, which I liked. And when Marvel reacquired the rights and put out that first door-stopper compendium, I bought it. And I liked it enough to get the next three. I was buying them in conjunction with Roy Thomas’ Barbarian Life. The first Thomas volume covered the genesis of the comic, and the first fifty-one issues – which happened to be the same ones included in the first Omnibus.

Thomas helmed the series for 115 issues – which is how many are covered by the first four Omnibuses (both series’ talk about other issues as well). So, Thomas’ three books complement the Omnibuses perfectly. I read a story, and then I read Thomas’ insights. Along with the relevant commentary in the Omnibus itself. It’s a real Conan treat!

Thomas would write do other color Conans for Marvel. And he would also contribute to Dark Horse while they had the rights. But it’s that first run, when he was Stan Lee’s right hand, and he made Conan a best-selling property for Marvel, which fans revere.

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The Last Wolf: Karl Edward Wagner is a Warts-and-All Look at One of the Exemplars of Sword & Sorcery

The Last Wolf: Karl Edward Wagner is a Warts-and-All Look at One of the Exemplars of Sword & Sorcery

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The Last Wolf (Knight Visions/Yellow Rose, December 12, 2020)

Documentaries seem to be sort of a thing right now. And they can be absolutely fascinating when the subject is something you’re into. The ones I most enjoy tend to be about my favorite bands, albums, or movies. But I especially like documentaries about my favorite authors, particularly when those authors are on the verge of being forgotten.

At Black Gate we often bemoan the neglect, or approaching neglect, of authors and works in the “speculative” field (broadly conceived). But that lament should be doubled when it comes to the late writer Karl Edward Wagner (1945–1994). Wagner was one of the greatest writers of horror and weird fantasy, in my humble opinion. And though he disavowed the term, I think he was also one of the greatest exemplar writers of sword and sorcery. (Wagner preferred the term “Gothic fantasy” to describe his own work.)

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New Treasures: Beneath the Keep by Erika Johansen

New Treasures: Beneath the Keep by Erika Johansen

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Beneath the Keep (Dutton, February 1, 2022). Cover design by Vi-An Nguyen

Yesterday I made my bi-weekly pilgrimage to Barnes & Noble, in search of the latest issue of The Magazine of Fantasy & Science Fiction. No dice; the newsstand still had the old issue. My wife and daughter were shopping next door at J. Jill, and there was no hope they’d be out of there any time soon, so I spent the next hour leisurely browsing the SF and Fantasy sections. I ended up leaving with an armful of books (and a copy of Mad magazine), so I consider it time well spent.

One of my most interesting finds was Beneath the Keep by Erika Johansen, which looked like a dungeon-delving tale but read more like a high fantasy with plenty of court intrigue. I’m a sucker for a great cover, so I brought it home. A little homework revealed it’s a prequel to Johansen’s bestselling Queen of the Tearling series, which is probably worth another look.
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“Deeply Weird”: Craig L. Gidney on The Darkangel by Meredith Ann Pierce

“Deeply Weird”: Craig L. Gidney on The Darkangel by Meredith Ann Pierce

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The Darkangel and A Gathering of Gargoyles (Tor Books, 1984 and 1985). Covers by Kinuko Y. Craft

Facebook is a great place to discover vintage fantasy. I know, right? It’s not just old people and Bob Byrne talking about actors he recognizes. Earlier this month Craig L. Gidney (A Spectral Hue, Skin Deep Magic) caught my attention with this short post.

Before there was Twilight, there was The Darkangel by Meredith Ann Pierce, the original teenage vampire romance novel. The Darkangel was a deeply weird novel. It’s set on the moon, a locale which adds an extra eerie element. The moon is full of strange creatures, including gargoyles and a lorelei that lives in a pool of the moon. The heroine has agency, though she isn’t an Action Girl. The plot of the first book owes a great deal to the Bluebeard legend. The entire trilogy is dream-like. I wish more people knew about it. The novel turned me on to the dark fairytale fiction of Tanith Lee and Patricia McKillip.

He’s absolutely right. The Darkangel was nominated for the Mythopoeic Fantasy Award, and won the International Reading Association’s annual Children’s Book Award. It was followed swiftly by a sequel A Gathering of Gargoyles; both were published in paperback from Tor. A third novel, The Pearl of the Soul of the World, eventually appeared five years later to complete the trilogy.

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Future Treasures: Azura Ghost, Volume II of The Graven by Essa Hansen

Future Treasures: Azura Ghost, Volume II of The Graven by Essa Hansen

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Nophek Gloss and Azura Ghost (Orbit, 2020 and 2021). Covers by Mike Heath

I seem to have increased the amount of space opera in my diet. I think it’s because there happen to be so many good series on the go — from Becky Chambers Wayfarers books to Ann Leckie’s Imperial Radch trilogy, from Alastair Reynolds’ Revelation Space to James S.A. Corey’s Expanse, Derek Künsken’s Quantum Evolution to Megan E. O’Keefe’s Protectorate trilogy.

But the one I’m excited about at the moment is Essa Hansen’s The Graven, the tale of one man and his sentient starship. Mostly because the second book, Azura Ghost, arrives next week. We covered the first volume, Nophek Gloss, last year. Not only has Hansen created an exciting space opera series, but she’s also mixed in the other hot SF theme de jour — the concept of the multiverse — spreading her tale across a rich canvas of parallel universes.

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Goth Chick News: The Cursed, a Werewolf Tale Coming in February

Goth Chick News: The Cursed, a Werewolf Tale Coming in February

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The Cursed (LD Entertainment, February 18, 2022)

Trust the Brits to create nightmares from nursery rhymes. You’re probably familiar with “Ring Around the Rosie” and its reference to the Black Death of the mid-seventeenth century. When children on the playground fall down laughing at the end of this rhyme, they are reenacting the plague in which a quarter of London’s population dropped dead. The “ring-a-rosie” referred to the circular rash appearing on the infected, and the pocket full of posies were the floral sachets people carried with them to mask the ever-present smell of death.

Charming.

However, I recently became acquainted with one I children’s rhyme I hadn’t heard previously. “One for Sorrow” is a well-known, traditional children’s nursery rhyme that relates to magpies. It describes a superstition regarding the number of birds seen at a single time and whether that number means good or ill.

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Random Reviews: “Night of the Cooters” by Howard Waldrop

Random Reviews: “Night of the Cooters” by Howard Waldrop

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Omni cover
Omni, April 1987

Throughout 2022, I’ll be reviewing short stories. Some of these may be classics, others forgotten. The two things that all will have in common is that they are part of my personal collection and they will be selected through a randomization process.  What works and authors I look at will be entirely selected by a roll of the dice.

“Night of the Cooters,” originally appeared in the April 1987 issue of Omni, edited by Ellen Datlow. Howard Waldrop has explained that he was inspired to write the story while on a fishing trip with Chad Oliver shortly before LoneStarCon I, the 1985 NASFIC, and proceeded to write the story between his arrival at the convention and his scheduled reading the next day.

Set in the small Texas town of Pachuco City in 1898, Waldrop focuses his story on Sheriff Bert Lindley, who simply wants to keep the peace in his town.  A typical day includes him having to serve summonses, talk to two young boys who stole peaches from the wrong orchard, and try to cope with the horrendous Texas heat.  Lindley knows everyone in town and their stories and knows how to get his job done.

Until a meteorite falls at the Atkinson place and everybody began to head over to take a look to see the oddity.  After taking accounting of the various cows that were killed by the meteorite, Lindley left some of his men to keep watch on it and make sure nobody did anything stupid while Leo Smith, who was home from college, reached out to professors at the University to see if they wanted to take a look.

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Ellsworth’s Cinema of Swords: An Elegant Weapon for a More Civilized Age

Ellsworth’s Cinema of Swords: An Elegant Weapon for a More Civilized Age

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Star Wars (Twentieth Century Fox, 1977)

In adventure movies throughout the twentieth century, swords had been losing ground to guns as the hero’s weapon of choice. Though films of knights, pirates, and cavaliers had a strong start in the silent era, they were gradually sidelined over the decades as Western, gangster, and war movies came to the fore. By 1971, Dirty Harry and his ultra-macho Smith & Wesson .44 Magnum seemed to have put the nail in the coffin.

Then came Star Wars. And suddenly, out of the left field of Japanese samurai movies via the imagination of George Lucas, swords resumed their prominence. In the decade that followed, they even dominated for a while, falling back again during the Nineties to second place before Peter Jackson brought them back, seemingly for good, with The Lord of the Rings trilogy. So, from those of us who are sword fanciers, a hearty thank you to George Lucas, Peter Jackson — and Akira Kurosawa.

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