Beneath the Keep (Dutton, February 1, 2022). Cover design by Vi-An Nguyen
Yesterday I made my bi-weekly pilgrimage to Barnes & Noble, in search of the latest issue of The Magazine of Fantasy & Science Fiction. No dice; the newsstand still had the old issue. My wife and daughter were shopping next door at J. Jill, and there was no hope they’d be out of there any time soon, so I spent the next hour leisurely browsing the SF and Fantasy sections. I ended up leaving with an armful of books (and a copy of Mad magazine), so I consider it time well spent.
One of my most interesting finds was Beneath the Keep by Erika Johansen, which looked like a dungeon-delving tale but read more like a high fantasy with plenty of court intrigue. I’m a sucker for a great cover, so I brought it home. A little homework revealed it’s a prequel to Johansen’s bestselling Queen of the Tearling series, which is probably worth another look. …
The Darkangel and A Gathering of Gargoyles (Tor Books, 1984 and 1985). Covers by Kinuko Y. Craft
Facebook is a great place to discover vintage fantasy. I know, right? It’s not just old people and Bob Byrne talking about actors he recognizes. Earlier this month Craig L. Gidney (A Spectral Hue, Skin Deep Magic) caught my attention with this short post.
Before there was Twilight, there was The Darkangelby Meredith Ann Pierce, the original teenage vampire romance novel. The Darkangel was a deeply weird novel. It’s set on the moon, a locale which adds an extra eerie element. The moon is full of strange creatures, including gargoyles and a lorelei that lives in a pool of the moon. The heroine has agency, though she isn’t an Action Girl. The plot of the first book owes a great deal to the Bluebeard legend. The entire trilogy is dream-like. I wish more people knew about it. The novel turned me on to the dark fairytale fiction of Tanith Lee and Patricia McKillip.
He’s absolutely right. The Darkangel was nominated for the Mythopoeic Fantasy Award, and won the International Reading Association’s annual Children’s Book Award. It was followed swiftly by a sequel A Gathering of Gargoyles; both were published in paperback from Tor. A third novel, The Pearl of the Soul of the World, eventually appeared five years later to complete the trilogy.
Nophek Gloss and Azura Ghost (Orbit, 2020 and 2021). Covers by Mike Heath
I seem to have increased the amount of space opera in my diet. I think it’s because there happen to be so many good series on the go — from Becky Chambers Wayfarers books to Ann Leckie’s Imperial Radch trilogy, from Alastair Reynolds’ Revelation Space to James S.A. Corey’s Expanse, Derek Künsken’s Quantum Evolution to Megan E. O’Keefe’s Protectorate trilogy.
But the one I’m excited about at the moment is Essa Hansen’s The Graven, the tale of one man and his sentient starship. Mostly because the second book, Azura Ghost, arrives next week. We covered the first volume, Nophek Gloss, last year. Not only has Hansen created an exciting space opera series, but she’s also mixed in the other hot SF theme de jour — the concept of the multiverse — spreading her tale across a rich canvas of parallel universes.
Trust the Brits to create nightmares from nursery rhymes. You’re probably familiar with “Ring Around the Rosie” and its reference to the Black Death of the mid-seventeenth century. When children on the playground fall down laughing at the end of this rhyme, they are reenacting the plague in which a quarter of London’s population dropped dead. The “ring-a-rosie” referred to the circular rash appearing on the infected, and the pocket full of posies were the floral sachets people carried with them to mask the ever-present smell of death.
Charming.
However, I recently became acquainted with one I children’s rhyme I hadn’t heard previously. “One for Sorrow” is a well-known, traditional children’s nursery rhyme that relates to magpies. It describes a superstition regarding the number of birds seen at a single time and whether that number means good or ill.
Throughout 2022, I’ll be reviewing short stories. Some of these may be classics, others forgotten. The two things that all will have in common is that they are part of my personal collection and they will be selected through a randomization process. What works and authors I look at will be entirely selected by a roll of the dice.
“Night of the Cooters,” originally appeared in the April 1987 issue of Omni, edited by Ellen Datlow. Howard Waldrop has explained that he was inspired to write the story while on a fishing trip with Chad Oliver shortly before LoneStarCon I, the 1985 NASFIC, and proceeded to write the story between his arrival at the convention and his scheduled reading the next day.
Set in the small Texas town of Pachuco City in 1898, Waldrop focuses his story on Sheriff Bert Lindley, who simply wants to keep the peace in his town. A typical day includes him having to serve summonses, talk to two young boys who stole peaches from the wrong orchard, and try to cope with the horrendous Texas heat. Lindley knows everyone in town and their stories and knows how to get his job done.
Until a meteorite falls at the Atkinson place and everybody began to head over to take a look to see the oddity. After taking accounting of the various cows that were killed by the meteorite, Lindley left some of his men to keep watch on it and make sure nobody did anything stupid while Leo Smith, who was home from college, reached out to professors at the University to see if they wanted to take a look.
In adventure movies throughout the twentieth century, swords had been losing ground to guns as the hero’s weapon of choice. Though films of knights, pirates, and cavaliers had a strong start in the silent era, they were gradually sidelined over the decades as Western, gangster, and war movies came to the fore. By 1971, Dirty Harry and his ultra-macho Smith & Wesson .44 Magnum seemed to have put the nail in the coffin.
Then came Star Wars. And suddenly, out of the left field of Japanese samurai movies via the imagination of George Lucas, swords resumed their prominence. In the decade that followed, they even dominated for a while, falling back again during the Nineties to second place before Peter Jackson brought them back, seemingly for good, with The Lord of the Rings trilogy. So, from those of us who are sword fanciers, a hearty thank you to George Lucas, Peter Jackson — and Akira Kurosawa.
Michael Moorcock’s Erekosë saga is contained in three novels, and graphic novel, and a couple of short stories which were incorporated into his novels of Elric, Corum, and Hawkmoon. I was first introduced to the character when I came across him in those interpolated adventures and I sought out his own novel, The Eternal Champion. When I first read it in the early 1980s it became one of my favorites of Moorcock’s novels. At the time, I had some difficulty tracking down the second novel, The Silver Warriors (original title Phoenix in Obsidian), which I eventually did at a used bookstore in New Haven, Connecticut. I then had to wait several years for the publication of The Dragon in the Sword, which linked Erekosë with Moorcock’s von Bek family. It was only much later that I came across the graphic novel, The Swords of Hell, The Flowers of Heaven, written by Howard Chaykin, which is set between Phoenix in Obsidian and The Dragon in the Sword.
The series begins with John Daker, a married man with a child, who lives in London, although his wife and child are forgotten throughout the books. After a series of troubling dreams, Daker finds himself pulled into a different world, where he is informed by King Rigenos that he is Erekosë, the Eternal Champion of Humanity, and must help destroy the evil Eldren who threaten their existence. Yearning to return to the life he knew as Daker, Erekosë accepts his role unquestioningly and adapts quickly to his new existence. In many ways, he is a troubling aspects of the Eternal Champion.
Although his summoning is similar in many ways to the manner in which Corum is summoned at the beginning of The Bull and the Spear published a couple years after The Eternal Champion, one of the major differences between the two characters is that Corum was native to his world and Daker was not. Enough of Daker remained within Erekosë, especially at the beginning of the novel that as a human raised on twentieth century earth the idea of being surrounded by slaves should have caused some issues. Similarly, for someone for whom World War II was such a recent memory, the idea of leading a genocide against the Eldren should have caused some moral qualms.
Wraparound cover for Occult Detective Magazine 8. Cover art by Stefan Keller
Occult Detective Magazine is back on the racks! With an overstuffed issue — 227 whopping pages! — and brand new fiction from Rhys Hughes, Robert Guffey, Rebecca Buchanan, Uche Nwaka, C L Raven, Christina White, and many more. Here’s the issue summary from their website.
ODM #8 – packed with more fiction and reviews than ever before, 230pp of dark deeds and daring detection. Fourteen new stories – moorland hags, necromancy, rogue angels in Japan, Ley lines, period mysteries, Nigerian demons, serial killers, ghostly trains, surreal puzzles, and judgement in Haiti.
Whew! That’s a promising line-up, and I’ve already ordered my copy. Read on for complete details, including sample art and the fiction Table of Contents.
I really didn’t start streaming series’ until 2020. So, there were a lot of shows already completed; or with multiple seasons out there. Now, I mix them in with watching network shows on demand (I just finished first watch of Suits, was fantastic), and movies. Today, I’m going to talk about some streaming shows I think you should check out.
COBRA KAI
I’m going to start with the single-best streaming show I’ve watched yet. I just completed the recently dropped season four of this continuation of the original Karate Kid franchise. Every season has been excellent, and I think that four is the best; but I can’t say definitively one of the earlier ones wasn’t the best.
It was developed for YouTube, but when YouTube dropped original programming after season two, Netflix picked it up. Thank goodness!
The show starts 34 years after the events in the first Karate Kid movie. Johnny Lawrence’s (William Zabka) life fell apart that day he lost the All Valley Karate Championship because of The Kick. Episode one shows us what a mess he is. Meanwhile, Daniel LaRusso went on to running an expensive automobile empire, living the high life with his lovely wife. They are total contrasts.
The Dominions of Irth Trilogy by Adam Lee (Avon Eos, 1998-2000). Covers uncredited
The first science fiction website I ever launched was the SF Site, way back in 1995. I partnered with Rodger Turner, Neil Walsh, and Wayne MacLaurin to start Canada’s first big SF book blog, and it was a big success, with plenty of early traffic and award nominations. Best of all, we were soon on a first-name basis with the publicity departments at most of the big publishing houses. That’s how I met Andy Heidel at Avon, who helped me understand their big relaunch as they morphed from Avon Nova into Avon Eos in 1998 — including why they jettisoned cover art in favor of purely design-focused covers (“We’re trying to be the next big thing,” Andy explained).
I loved Avon Eos, and their dedication to quality SF and exciting new authors, but I didn’t love those covers. Frankly, I think readers didn’t know what to make of all the abstract shapes and colors, and especially the lack of identifiable heroes or storytelling elements, and they stayed away in droves. Eos eventually reverted to traditional covers, but I don’t think it ever recovered, and it is no longer a functioning imprint.
I think that misfire hurt most of Avon’s authors in the late 90s. Including “Adam Lee,” the pseudonym A. A. Attanasio adopted to publish his critically acclaimed Dominions of Irth trilogy in the US. The series appeared with a series of generic cover designs, and pretty much sank like a stone. “Adam Lee” died a lonely death, and Attanasio returned to publishing under his own name.
