Now Streaming: The Adventures of Buckaroo Banzai Across the Eighth Dimension

Now Streaming: The Adventures of Buckaroo Banzai Across the Eighth Dimension

The Adventures of Buckaroo Banzai Across the Eight Dimension
The Adventures of Buckaroo Banzai Across the Eight Dimension

On August 10, 1984, The Adventures of Buckaroo Banzai Across the Eight Dimension made its first appearance in theatres the United States. The film did not do well in its initial box office release, but over the years it has amassed a cult following based on its subsequent releases on home video. In addition, the two graphic novels have been released to follow the story of its protagonist, Buckaroo Banzai.

In an article I published in World Watch One, a Buckaroo Banzai zine, earlier this year, I argued that one of the issues with the film is that it is so different from anything else, people who go in with any expectations (or even none), have a tendency to bounce off the film, wondering what it was, exactly that they had just watched. A second viewing, in which the basic outline of the film is known, however, allows the viewer to fully appreciate the weirdness which interlaces every moment of the film.

At one point in the film a thoroughly confused President Widmark (Ronald Lacey) comments, “Buckaroo, I don’t know what to say. Lectroids? Planet 10? Nuclear extortion? A girl named ‘John’?” which, I imagine, is how many viewers feel about the movie.

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Future Treasures: Sword & Planet edited by Christopher Ruocchio

Future Treasures: Sword & Planet edited by Christopher Ruocchio

Sword & Planet (Baen Books, December 21, 2021). Cover by Kieran Yanner

Sword & Planet is experiencing a bit of a renaissance. Jason M Waltz and Fletcher Vredenburgh edited the fine The Lost Empire of Sol just this year, and even George R.R. Martin and Gardner Dozois dabbled recently with the genre in the acclaimed S&P anthologies Old Mars and Old Venus. Inspired by all this love for classic space fantasy, Howard Andrew Jones and I (under my ‘Todd McAulty’ moniker) chatted happily about Five Classic Sword-and-Planet Sagas over at Tor.com a while back.

Christopher Ruocchio, co-editor of Star Destroyers and Space Pioneers, presents his latest big anthology this month, and it looks like a treat. Sword & Planet has stories by Tim Akers, Susan R. Matthews, D.J. Butler, Jody Lynn Nye, Simon R. Green, Christopher Ruocchio, and many others. Weighing in at a generous 352 pages, it lands in less than two weeks — just in time for your last-minute holiday shopping.

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Ellsworth’s Cinema of Swords – The Barbarian Boom (Part 1)

Ellsworth’s Cinema of Swords – The Barbarian Boom (Part 1)

Hawk the Slayer (1980)

The Eighties Barbarian Boom didn’t start with Conan the Barbarian (1982), though its long pre-release hype train certainly primed the pump. In truth, the market was ripe for such films, and by mid-1981, a number of other sword-and-sorcery movies were in production or pre-production. The genre had been bubbling its way up in other mass media throughout the Seventies, Dungeons & Dragons co-designer Gary Gygax had come to Hollywood talking it up, and the largely heroic fantasy Choose Your Own Adventure paperbacks were selling millions of copies.

It was time. The barbarians were here, and they would rule the next decade. But they had a bit of a rocky start.

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Indecent Exposure: The Driver’s Seat by Muriel Spark

Indecent Exposure: The Driver’s Seat by Muriel Spark

Muriel Spark

Everyone is looking for something, and the things that most people are seeking are the easily identified, common currency of life, everyday ambitions like love, security, peace, wealth, happiness. But a certain select few are looking for… something else. That something else is the subject of the Scottish writer Muriel Spark’s 1970 novella The Driver’s Seat.

Someone once described being guillotined as experiencing “a short, sharp shock.” Leaving aside the question of how anyone could possibly know, that phrase is a perfect description of Spark’s novels and stories, each of which is as brief and cold and merciless as the nip of what the French once called the National Razor.

To name just a few examples, in Memento Mori an aging group of silly, self-obsessed men and women receive a series of mysterious phone calls in which an unfamiliar voice says one simple thing before hanging up: “Remember you must die.” Eventually some of them come to believe that their caller is not a prankster or a blackmailer, but is in fact Death himself.

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New Treasures: Activation Degradation by Marina J. Lostetter

New Treasures: Activation Degradation by Marina J. Lostetter


Activation Degradation
(Harper Voyager, September 2021)

Marina J. Lostetter is the author of the acclaimed Noumenon space opera series, and the fantasy novel The Helm of Midnight, released just this past April. She doesn’t appear interested in just soaking up the glory of those accomplishments, however — her next novel (and her second this year) arrived in September. Activation Degradation features a spunky robot hero in a fast-paced tale of alien invasion in high orbit over Jupiter, one with plenty of twists and turns along the way.

The Suspected Bibliophile calls itMurderbot mixed with first contact with a heavy dash of body horror… from there it’s its very own being, filled with the horrors of space, the horrors of humanity, and the rising and falling implications of the reverberations of the past continuing to slam dunk on the present.” That definitely sounds like something I need.

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Robert E Howard: The Poet And The Ladies Of The Night

Robert E Howard: The Poet And The Ladies Of The Night


Literary Swordsmen and Sorcerers: The Makers of Heroic Fantasy
(Arkham House, 1976) and
Dark Valley Destiny (Bluejay Books, 1983) Covers by Tim Kirk and Kevin Eugene Johnson

Robert E. Howard and prostitutes is a complicated and fascinating subject. Not only is there a question of whether he visited the ladies of the night, there was also the issue of whether he was a virgin. In his REH biography, Dark Valley Destiny (1983) L. Sprague de Camp wrote,

Some of Robert Howard’s admirers have stated in public that Robert patronized houses of prostitution. While we understand their wish to promote a macho image for the creator of Conan, all the evidence points the other way… the weight of such evidence as we have makes it more than likely that he died without ever having enjoyed the pleasures of sex.

Hiss quote about Howard’s virginity was contradicted by de Camp himself in his earlier book, Literary Swordsmen and Sorcerers: The Makers of Heroic Fantasy (1976). De Camp, paraphrasing Howard’s December 5, 1935 letter to H. P. Lovecraft, writes: “In 1935, he [REH] sold a story to the semi-pornographic Spicy Adventures; he said that he had used one of his own sexual adventures in the plot and urged H. P. Lovecraft (of all people!) to do the same.” A heavily edited version of this statement also appears in Dark Valley Destiny.

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Watch the Windycon Sword & Sorcery Panel with Mike Penkas, David C. Smith, Adrian Simmons, and John O’Neill

Watch the Windycon Sword & Sorcery Panel with Mike Penkas, David C. Smith, Adrian Simmons, and John O’Neill

Mike Penkas moderates the Sword & Sorcery panel at Windycon 47

Windycon 47 was held in Lombard, IL from November 12-14. I was a guest of the convention, with a reading and several panels, and it was an absolute delight to attend an in-person convention again. Carlos Hernandez was the Author Guest of Honor, and his wife Claire Suzanne Elizabeth Cooney (former Managing Editor of Black Gate) was the Poetry G.O.H. In addition to their other activities, the two conducted a public demo of their new card-based role playing game Negocios Infernales, and it was a ton of fun to participate. It was also great to meet up with so many other friends of BG, including Rich Horton, Steven H. Silver, Arin Komins, Rich Warren, Tina Jens, Brendan Detzner, Richard Chwedyk, and many others.

But the highlight of the convention for me was Sunday’s Sword & Sorcery panel, a lively discussion of S&S past and present. Michael Penkas moderated, and the speakers were Adrian Simmons (distinguished editor of Heroic Fantasy Quarterly magazine), author David C. Smith (Red Sonja, Oron, Coven House, and Robert E. Howard: A Literary Biography), and yours truly.

The discussion ranged far and wide — the golden age of the S&S in the pulps, Sword & Soul, Howard Andrew Jones’ groundbreaking Hanuvar stories, the work of James Enge, the Red Sonja comics of the 70s, the artist Frank Thorne, S&S in video games and RPGs, the new S&S boom in magazines like Tales From the Magician’s Skull and Heroic Fantasy Quarterly, Andre Norton and The Beastmaster, and much more. The SMOF masters of Windycon recorded the entire thing, and you can listen to it in its entirety here (the panel kicks off right around the 2:04:00 mark).

Vintage Treasures: High Tension by Dean Ing

Vintage Treasures: High Tension by Dean Ing


High Tension (Ace Books, 1982). Cover by Walter Velez

Dean Ing was a staple in James Baen’s paperback magazines of the late seventies, Destinies (eleven volumes from Ace Books, 1978-1981) and the copycat series Baen kicked off after he left Ace to found Baen Books, Far Frontiers (seven issues, 1985-86). I also saw Ing’s name semi-regularly in Analog and OMNI around the same time. He produced four collections: Anasazi (1980), a set of three connected tales of first contact with a group of surprisingly violent aliens stranded in west Texas in near future 1996; High Tension (1982); Firefight 2000 (1987), later re-released in 2000 as Firefight Y2K, in an attempt to stay cool; and the linked story cycle The Rackham Files (2004).

Ing was an academic with a military background, and that was definitely reflected in his fiction. He served as an interceptor crew chief in the United States Air Force, and he became an aerospace engineer, and eventually a university professor with a doctorate in communications theory. His fiction captured a lot of the public anxieties towards rapidly-advancing technology, especially weapons tech, including his 1989 New York Times bestseller, The Ransom of Black Stealth One.

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Deep in Wildest Britain: Mythago Wood by Robert Holdstock

Deep in Wildest Britain: Mythago Wood by Robert Holdstock

I had the sense of recognition…here was something which I had known all my life, only I didn’t know it…

English composer, Ralph Vaughan Williams on discovering English folklore and folk music

The late Robert Holdstock prefaced his 1984 novel, Mythago Wood with that quote, and that’s sort of how I feel about the book myself. Holdstock dug deeply into the idea of myth, how it might arise from a culture, and how, in turn, it might affect individuals.

I have no memory of when I first learned of Mythago Wood. I must have seen it on the Forbidden Planet’s shelves when it was released; I didn’t read it, though, until 2001. I read it again while traveling in England eight years later, and just now. At times it seems like I must have read it so much longer ago and more times than that. Much of it reads like a dream of some true past, equally joyful and nightmarish, and elements of it have rattled about my brain ever since. Rereading it now, I realize that over the years, my memories of the novel, like the mythic figures born of the forest around which the story revolves, have faded and changed with each passing season, but the underlying haunting design remains; a mesmerizing tale of father-and-son and brother-and-brother struggles, Freudian and Jungian elements, woven together with a wholly original mythopoeic retelling of the history of Britain from Paleolithic times to the present (or at least 1948, the present of the book). I will more than likely read it again before I’m through.

The central conceit of Mythago Wood is that archetypes and legends spring from the collective unconscious when needed.

The mythagos grow from the power of hate, and fear, and form in the natural woodlands from which they can either emerge — such as the Arthur, or Artorius form, the bearlike man with his charismatic leadership — or remain in the natural landscape, establishing a hidden focus of hope — the Robin Hood form….

Ryhope Wood, a three-mile square ancient woodland in Herefordshire, is capable of interacting with the minds of people near it and giving physical reality to these figures. Characters like Cernunnos, King Arthur, and Jack-in-the-Green can be summoned up from the deepest recesses of people’s minds. More importantly, it can also conjure up the legends that lie behind the legends. Perhaps the story of Robin Hood arose from even older stories of green-clad forest bandits, and behind those, yet older and darker ones. The more intimately a person becomes involved with Ryhope Wood the deeper and deeper ancient memories it can draw upon and summon forth. Ryhope Wood also exists beyond normal time and space, expanding, almost without limit, the further one ventures into it, and time speeds by much faster within the forest than without. Deep inside, whole settlements and tribes called out in long past days carry on telling and retelling their stories through their daily lives and routines.

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Goth Chick News: Days of the Dead – Season Greetings from Our Family to Yours

Goth Chick News: Days of the Dead – Season Greetings from Our Family to Yours

That time of year has once again rolled around. “The Season” is officially over. Black Gate photog Chris Z has thrown a tarp over the Hummer and sent his kilt to the dry cleaners. We’ve emptied the final airplane-sized bottles of Fireball, and filed our last expense report with BG’s financial fun police. Because on the weekend before Thanksgiving we attended the final convention of our annual show circuit, Days of the Dead.

It certainly doesn’t feel like nearly ten years since we attended our first DotD convention at its sophomore outing in the Chicago suburbs. I readily admit that Chicago isn’t Los Angeles or even New Orleans when it comes to sub-cultures, though the elements that do exist are certainly worth wading into — if you know where to look. But when DotD came to Chicago for the first time in 2011, its home was the Schaumburg Marriot of all places.

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