B is for Bradbury

B is for Bradbury

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R is for Rocket (Bantam, 1965, cover by Paul Lehr), The Golden Apples of the Sun
(Bantam, 1970, cover by Dean Ellis), Long After Midnight (Bantam, 1978, cover by Ian Miller)

June 5, 2022 marks the 10th anniversary of the death of Ray Bradbury, one of the greatest speculative fiction writers of all time. It’s fair to say that no author has positively affected my path into reading, and subsequently writing, to the extent that he did. Through this four-part series, I hope to convey some of the joy and wonder that Bradbury instilled in me and so many others, by revisiting a selection of his short stories that have continued to resonate with me throughout the years. Disclaimer: I don’t profess that my selection are his greatest tales, no matter what your definition of the term, but they hold a special place in my pantheon of stories, and I hope they will be worthy of your time.

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Vintage Treasures: Swords Against Darkness edited by Andrew J. Offutt

Vintage Treasures: Swords Against Darkness edited by Andrew J. Offutt

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Swords Against Darkness (Zebra Books, February 1977). Cover  by Frank Frazetta

Sword Against Darkness was a seminal five-volume sword & sorcery anthology series edited by Andrew J. Offutt in the late seventies (1977-79). It published original fantasy by some of the biggest names of the era, including Andre Norton, Tanith Lee, Keith Taylor, Charles de Lint, Charles R. Saunders, Orson Scott Card, Simon R. Green, David C. Smith, Robert E. Vardeman, Darrell Schweitzer, Diana L. Paxson, and many others.

The first volume appeared in early 1977, and it was one of the strongest original fantasy anthologies of the decade, packed full of tales of the haunted Roman frontier, a plague of giants, the wily goddess of Chance, the last survivor of Atlantis, Lovecraftian horrors, scheming demons, resourceful rogues facing evil spirits, and much more. It included a Simon of Gitta novelette by Richard L. Tierney, a powerful Robert E. Howard fragment completed by Andrew J. Offutt, plus Poul Anderson, Manly Wade Wellman, David Drake, Ramsey Campbell, and many others.

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So I’m Writing a Novel: A Sword & Sorcery Podcast

So I’m Writing a Novel: A Sword & Sorcery Podcast

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There is a swell of community growing around Sword & Sorcery (S&S) fiction. At least on the amateur and semi-professional level, there are a wealth of markets to enjoy and submit to, including (a partial list in alphabetical order): DMR books, Heroic Fantasy Quarterly, Parallel Universe Publications, Pulp Hero Press,  Rogue Blades, Swords and Sorcery Magazine, Tales From the Magician’s Skull, Weirdbook. and Whetstone: Amateur Magazine of S&S. As the ranks of authors, readers, and platforms grow, members are gathering across platforms such as Goodreads S&S group, the Whetstone S&S Tavern on Discord… and even podcasts.

This January, Black Gate highlighted the Rogues In the House S&S podcast. This round we highlight the So I’m Writing a Novel (SIWAN), a podcast chronicling author & freelance editor Oliver Brackenbury’s journey of writing an S&S novel, discussing craft and building community with a focus on the genre.

Writing a novel? Looking for a community?

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Goth Chick News: The World (and Me) Never Tire of Agatha Christie

Goth Chick News: The World (and Me) Never Tire of Agatha Christie

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The Christie Affair by Nina de Gramont (St. Martin’s Press, February 1, 2022)

Back in grade school, in an attempt to put some “normal” into my interests, my parents had me taking piano lessons. I believe the goal was to get my nose out of books as I spent every available moment in the most secluded spots I could find, tucked in with reading material considered wholly unsuitable for a fourth-grade girl (i.e., Logan’s Run, Childhood’s End, and a large variety of horror comics). Though the elderly teacher who came to the house every Thursday failed to instill in me very much in the way of talent on the keyboard, she couldn’t help but notice that I first had to put down my book before sitting down at the piano. In an attempt to engage me one Thursday, Mrs. Wall brought me her paperback copy of Death on the Nile by Agatha Christie.

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Random Reviews: “Children of a Greater God” by Julian Flood

Random Reviews: “Children of a Greater God” by Julian Flood

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Interzone, October 1992, Cover by Tony Roberts
Interzone, October 1992, Cover by Tony Roberts

One of the issues with selecting stories to read using a completely random method is that some of the stories won’t be of particular interest, won’t completely succeed (or in some cases fail entirely), or not be particularly noteworthy. Eight weeks into this series, I have come across a story that I didn’t entirely bounce off of, but which didn’t really work for me. It has some interesting ideas behind it and I think it is clear that the author knew what he had in mind. I just don’t think he was particularly successful in translating it to the page.

Julian Flood published ten short stories, with nine of them appearing between 1992 and 1997 and three of those appearing in the first year. Half of his fictional output appeared in the pages of Interzone. The August 1992 issue of that magazine (whole number 62) contained his third story, “Children of a Greater God.”

The action is set on the planet Dub’s World, which is not conducive to human existence. The atmosphere of the planet is such that people need to have their bodies rebuilt each evening, although Flood isn’t entirely clear on the various mechanisms that cause this to happen aside from some hand waving about the atmospheric composition of the planet and people connecting to robots for the rebuilding.

Flood’s narrator is either an alternative comedian or a private eye (or some combination of both), although there is nothing humorous about his act, which includes self-mutilation and violence. Flood does have his character discuss comedy with the nightclub owner, noting that “Funny’s not what alternative comedy’s about,” although he doesn’t offer what he, or his character, thinks it is about.

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Ellsworth’s Cinema of Swords: Boy-Toys of Troy

Ellsworth’s Cinema of Swords: Boy-Toys of Troy

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The Trojan Horse (USA, 1956)

Our major source for stories of the legendary Trojan War is Homer’s The Iliad (8th century BCE, more or less), which includes a huge cast of characters from both the besieging Greeks and the defenders of Troy, as well as the many Olympian gods who meddle in the mortals’ affairs. For focus, a screenwriter telling a story based on this epic needs to pick a few major characters to follow and relegate the rest to supporting roles. In films made in the middle of the 20th century, that usually meant leaving the gods out entirely, because including them would have meant your film was considered a fantasy (the horror!), and the Western movie-going audience was deemed too Christian to regard Classical polytheism as anything but benighted superstition.

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New Treasures: Far from the Light of Heaven by Tade Thompson

New Treasures: Far from the Light of Heaven by Tade Thompson

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Far from the Light of Heaven (Orbit, October 26, 2021). Cover design by Lauren Panepinto

Tade Thompson is a fast-rising star. Rosewater, the opening novel in his Wormwood trilogy, was “a groundbreaking future noir” (B&N Sci-fi & Fantasy blog) that won the 2019 Arthur C. Clarke Award for Best Science Fiction Novel. The Rosewater Insurrection was nominated for the BSFA and Locus Awards, and closing novel The Rosewater Redemption was nominated for both the Locus and Philip K. Dick Award.

That’s a lot of attention so early in his career– and a whole lot of eyes on his newest project. Writers have been known to curl up under the bed for a lot less. But his follow up Far from the Light of Earth, the story of a series of mysterious deaths on an interstellar colony ship, has already been called “probably the best science fiction novel of the year… like the Tardis, larger inside than out, with a range of ideas, characters, and fascinating future settings” (The Guardian). Kirkus Reviews sums it up as “a thriller/horror-aboard-a-spaceship in the vein of Greg Bear’s Hull Zero Three [and] the classic film Alien… Gripping and bloody as a beating heart.” And Tor.com says it “marries shades of gothic horror with a sleuthing mystery and hard sci-fi.”

Sounds like a must-read in my book. Looks like Thompson’s ascent to the pinnacle of SF stardom continues on schedule.

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Nero Wolfe’s Brownstone: Stay at Home – Day 39

Nero Wolfe’s Brownstone: Stay at Home – Day 39

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So, in 2020, as the Pandemic settled in like an unwanted relative who just came for a week and is still tying up the bathroom, I did a series of posts for the FB Page of the Nero Wolfe fan club, The Wolfe Pack. I speculated on what Stay at Home would be like for Archie, living in the Brownstone with Nero Wolfe, Fritz Brenner, and Theodore Horstmann. I have already re-posted days one through thirty-eight. Here is day thirty nine (April 29). It helps if you read the series in order, so I’ve included links to the earlier entries.

Day Thirty Nine– 2020 Stay at Home

Fritz doesn’t like to freeze meat, which is understandable for a master chef – certainly one who is cooking for Nero Wolfe. But with pork-processing plants shutting down all over the country, he took delivery this morning of enough pork to last us awhile.

I offered to help him organize and store it all, but he declined. Fritz keeps complete control of his well-ordered kitchen. I sat down at my breakfast table with a small pitcher of milk and amused myself by watching him. Fritz sometimes does a one-man running commentary on his kitchen operations, in a mix of Swiss and English. It’s better than television. …

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A Master With a Keen Eye: Robert Silverberg’s Original Anthologies of the 1970s

A Master With a Keen Eye: Robert Silverberg’s Original Anthologies of the 1970s

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Paperback editions of Silverberg 70s original anthologies. Published by (left to right, from top left):
Dell, Manor Books, Dell, Manor Books, Dell, Dell, Fontana, Warner Books, Pinnacle

In 1966 Robert Silverberg published his first anthology, an unassuming volume titled Earthmen and Strangers from staid New York press Duell, Sloan and Pearce, known mostly for the infamous U.S. Camera 1941 annual that was banned in Boston for daring to include nudes. Earthmen and Strangers was hugely successful, remaining in print for an astonishing two decades, with paperback reprints from Dell, Manor Books, and Bart Books, and Silverberg was off to the races as an editor. Over the next five decades he published dozens of science fiction anthologies, including a handful of bestsellers like the seminal Legends (1998) and its science-fictional sequel Far Horizons (1999).

Beginning in the late 60s and all through the 70s Silverberg produced a steady stream of original anthologies, most of which had a signature format: each contained three novellas from the biggest names in the industry, including major award nominees by James Blish, Gordon R. Dickson, Jack Vance, Clifford D. Simak, Norman Spinrad, Gene Wolfe, Ursula K. Le Guin, and James Tiptree, Jr. — plus novellas by Roger Zelazny, R. A. Lafferty, Harry Harrison, Alexei Panshin, Poul Anderson, Larry Niven, John Brunner, George Alec Effinger, Gardner Dozois, Gregory Benford, Joan D. Vinge, Vonda N. McIntyre, Keith Roberts, James Gunn, Phyllis Gotlieb, and many others.

Like Terry Carr’s Universe, Damon Knight’s Orbit, and Silverberg’s own New Dimensions, these anthologies were prestige fiction markets, appearing in hardcover and distributed to libraries, and getting a lot of attention when awards season rolled around. As a result they attracted a lot of talent. Silverberg was a master with a keen eye for emerging talent, and an uncanny ability to coax top-notch work of out his contributors. The books still make entertaining reading today.

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A Poisoned Bouquet: Fancies and Goodnights by John Collier

A Poisoned Bouquet: Fancies and Goodnights by John Collier

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Fancies and Goodnights (Bantam Giant, 1953). Cover by Charles Binger

Fantasy, this genre that we love so much, is in reality not one genre but many; that’s one reason we love it. Any form that can accommodate the cynicism of Glen Cook and the lyricism of Patricia McKillip, that can hold the clarity of Robert E. Howard and the ambiguity of John Crowley, that can contain the brutality of George R.R. Martin and the hilarity of Terry Pratchett… well, there’s nothing it can’t do. Fantasy contains multitudes.

There’s a problem with being a member of a multitude, however — it’s easy to get lost, easy to be pushed to the back of the line by the ever-swelling mob of new books, new writers, new modes, easy to be misplaced or forgotten. It’s happened to many worthwhile writers. It’s happened to John Collier.

John Henry Noyes Collier, who died in 1980 at the age of seventy-eight, specialized in “slick” fantasy stories, “slick” because they generally appeared in “slick-paper magazines” as opposed to the cheap-paper pulps, upscale publications like The New Yorker, The Atlantic Monthly, or Esquire. Characterized by modern, urban settings, a sophisticated, often satirical tone, and the irony-laced employment of traditional figures such as witches, genies, angels, devils, magicians, and ghosts, slick fantasy flourished during the twenties, thirties, and forties, and manifested itself in many different media. The humorous supernatural novels of Thorne Smith such as Topper (1926) and The Night Life of the Gods (1931), plays like Noel Coward’s breezy mix of marriage farce and spiritualism, Blithe Spirit (1941), and films like René Clair’s screwball comedy, I Married a Witch (1942, and itself the progenitor of one of the most popular television series of the 60’s, Bewitched), are all examples of this effervescent mode. John Collier may have been its greatest prose practitioner. …

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