Random Reviews: “Dead Men on TV” by Pat Murphy

Random Reviews: “Dead Men on TV” by Pat Murphy

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Full Spectrum, edited by Lou Aronica and Shawna McCarthy, Cover by Peter Stallard
Full Spectrum, edited by Lou Aronica and Shawna McCarthy, Cover by Peter Stallard

Pat Murphy is best known for her 1986 Nebula Award winning novel The Falling Woman or her 1987 Nebula Award winning novelette “Rachel in Love.” The following year, she published the short story “Dead Men on TV” in the debut volume of Full Spectrum, edited by Lou Aronica and Shawna McCarthy.

The unnamed narrator of “Dead Men on TV” spends her nights watching old movies on television, specifically films in which her late father appeared. Through the story, she reveals that her family life had not been great. Her mother was not prepared for the lifestyle that being married to a Hollywood actor entailed and committed suicide when the narrator was young. Her father, who had ignored her mother before she killed herself, shifted his efforts to ignoring his daughter after he was widowed, focusing on his career and living the lifestyle of a star.

Watching television, therefore, is her way of attempting to reconnect with her father’s memory and build an ersatz relationship with him. Her need, however, to watch his films when they are on, no matter the time of day, is clearly unhealthy. Although she has videotaped many of his movies, she feels closer to him when watching them at a time that other people could be watching them as well, leading to many late nights in front of the screen.

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Ellsworth’s Cinema of Swords: Updating the Classics

Ellsworth’s Cinema of Swords: Updating the Classics

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Henry V (UK, 1989)

New cinematic adaptations of literary classics come along regularly, and it’s no surprise why: most classics have earned that name for a reason, and in addition to valuable name recognition they have durable plots, characters, and situations that lend themselves to multiple interpretations. Laclos’ Les Liaisons Dangereuses had several film adaptations before the ones covered below, most notably director Roger Vadim’s 1959 version that set the story in modern times (as did 1999’s Cruel Intentions) — but we, of course, prefer the period setting (because swords!). Henry V, one of Shakespeare’s greatest plays, has also been put on screen numerous times, including Laurence Olivier’s splendid 1944 version, previously reviewed in this article series. However, it’s Kenneth Branagh’s 1989 adaptation that’s most likely to resonate with modern Cinema of Swords readers if only because it’s naturalistic rendition of Shakespeare’s dialogue makes it easier to connect with. Now, let’s go to the library and watch some movies!

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An Annual Anthology of Strange and Darksome Tales: Nightscript

An Annual Anthology of Strange and Darksome Tales: Nightscript

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Nightscript Volume 7 (Chthonic Matter, 2021). Cover by Jana Heidersdorf

I just finished complaining about the lack of modern horror and fantasy anthologies, and along comes Nightscript strictly to prove me wrong.

I don’t know much about Nightscript. But I know I love the creep-tastic cover of Volume 7, by Berlin artist Jana Heidersdorf. I first glimpsed it when a fellow dark fantasy enthusiast posted it on Facebook, and was intrigued enough to track down the publisher (C.M. Muller’s Chthonic Matter) and order a copy.

I’m glad I did. Nightscript is a very fine production indeed. Published “annually, during Grand October,” it’s clearly a small press labor of love, but it’s also a thoroughly professional piece of work. Over the last seven years it’s published original work by Steve Rasnic Tem, Simon Strantzas, Michael Wehunt, Jason A. Wyckoff, Charles Wilkinson, Damien Angelica Walters, Ashley Stokes, and many others.

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Join Martha Wells, James Enge, Howard Andrew Jones, Zig Zag Claybourne, and Sarah Avery to Celebrate C.S.E. Cooney’s Saint Death’s Daughter

Join Martha Wells, James Enge, Howard Andrew Jones, Zig Zag Claybourne, and Sarah Avery to Celebrate C.S.E. Cooney’s Saint Death’s Daughter

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C.S.E. Cooney reads from her debut novel Saint Death’s Daughter, out this week from Solaris Books

It’s a week of celebration here at Black Gate! Tomorrow sees the long-awaited publication of SAINT DEATH’S DAUGHTER, the debut novel by the uber-talented C.S.E. Cooney, our first website editor. How exciting is this book? Amal El-Mohtar said, “I have never read anything so utterly alive,” Publishers Weekly proclaimed it “remarkable and… worth savoring,” and Locus called it a work of “Twisted genius!” It’s about time the world caught on to the extraordinary — and extraordinarily twisted — genius of Claire Cooney.

An all-star cast of Black Gate writers and bloggers gathered together to celebrate this past weekend, and we managed to record it all — including one of the most entertaining reading sessions we’ve seen in many years. Martha Wells read an excerpt from her multi-award winning Murderbot series, James Enge shared a Morlock story, Howard Andrew Jones delighted us with a tale of Hanuvar, Sarah Avery read a creepy fae story, and Zig Zag Claybourne shared an exciting fragment from his new novel.

To kick it all off, C.S.E. Cooney read from her new novel, the tale of a young necromancer with an allergy to violence who must navigate sinister intrigues to avenge the murder of her parents. Watch it all right here. Enjoy – -and be sure to check out Saint Death’s Daughter, on sale tomorrow at better bookstores everywhere!

Nero Wolfe’s Brownstone: Stay at Home – Day 55

Nero Wolfe’s Brownstone: Stay at Home – Day 55

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So, in 2020, as the Pandemic settled in like an unwanted relative who just came for a week and is still tying up the bathroom, I did a series of posts for the FB Page of the Nero Wolfe fan club, The Wolfe Pack. I speculated on what Stay at Home would be like for Archie, living in the Brownstone with Nero Wolfe, Fritz Brenner, and Theodore Horstmann. I have already re-posted days one through fifty-two. Here is day fifty five (May 15). It helps if you read the series in order, so I’ve included links to the earlier entries.

Day Fifty Five – 2020 Stay at Home

I had to step out and help Fred find Evelyn Lanham’s step-son, Jason. Apparently not satisfied with wasting all of his late father’s money, he wanted to break her; thus the bail-jump. He was hiding out in a rented room above a bar down near the docks. Since the bar wasn’t doing much business, it wasn’t a bad spot. Fred got the initial lead but ended up stuck and I got him the rest of the way. The guy got loose from Fred and dashed through the kitchen and then out the back door, which was where I, ever the good operative, happened to be standing. I lent our quarry a hand. Or rather, a foot. He didn’t seem to appreciate the gesture. Parker was happy with us, and since it was a favor, no payment was necessary.

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Richard L. Tierney’s Sorcery Against Caeser; Review and Tour Guide of Simon of Gitta’s Sica & Sorcery!

Richard L. Tierney’s Sorcery Against Caeser; Review and Tour Guide of Simon of Gitta’s Sica & Sorcery!

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Sorcery Against Caesar: The Complete Simon of Gitta Short Stories (cover art by Steven Gilberts) Pickman’s Press, 2020, 405pages.

Greg Mele recently paid tribute to Richard L. Tierney at Black Gate. That memorial post covers the author’s life and bibliography very well, so check that out; Tierney co-authored books with David C. Smith will be echoed here. The Goodreads S&S group is hosting a two-month group read of his work presently (March-April 2022), which spurred me to read Scroll of Thoth; Simon Magus and the Great Old Ones.

That book lingered way too long on my shelf. It was packaged as horror influenced by history, with a mage protagonist; however, having read it now, I argue that it is more Fantasy than Horror or Historical Fiction. If assigning genre categories floats your boat, then Sword & Sorcery is more accurate.

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Vintage Treasures: The Gods of Bal-Sagoth by Robert E. Howard

Vintage Treasures: The Gods of Bal-Sagoth by Robert E. Howard

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The Gods of Bal-Sagoth (Ace, 1979). Cover by Sanjulian

I didn’t discover Robert E. Howard through Conan. In fact, it was decades after I started reading fantasy before I read my first Conan story (“The Tower of the Elephant,” for the record.)

No, it was Howard’s rich fiction collections from Ace Books in the late 70s and early 80s that really introduced me to the master of 20th Century sword & sorcery. They were filled with enthralling tales of blood-stained history, dark adventure, and unexpected horror, like “Worms of the Earth,” “Pigeons From Hell,” and “The Gods of Bal-Sagoth.”

And those gorgeous Sanjulian covers!

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Invasion! The War of the Worlds by H.G. Wells

Invasion! The War of the Worlds by H.G. Wells

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Across the gulf of space, minds that are to our minds as ours are to those of the beasts that perish, intellects vast and cool and unsympathetic, regarded this earth with envious eyes, and slowly and surely drew their plans against us.

One hundred and twenty-five years after its first publication, H.G. Wells’s The War of the Worlds (serialized 1897, published 1898) remains a brutally effective tale of alien invasion and a critique of imperialism. I can’t remember how young I was when I read it for the first time, but I totally missed the anti-imperialism angle, even though it’s spelled out quite explicitly. Instead, like most readers I’ll bet, what got me were the Martians landing meteor-like in Surrey, the heat ray, and, above all else, the Martian war machines; the great metal tripods. In fact, when I first saw George Pal’s 1953 movie version, I was outraged (and I still am) that he cheaped out and turned Wells’ tripods into legless, floating discs.

Along with Jules Verne, H.G. Wells is responsible for turning science fiction into a popular genre. While Verne seemed more concerned with cool technology, Wells’s literary imagination turned to the big ideas of his age: evolution, class, imperialism, among others. His early run of novels — The Time Machine, The Island of Doctor Moreau, The Invisible Man, and The War of the Worlds — are some of the most iconic and influential novels, let alone science fiction novels, of all time. They’ve been filmed numerous times and inspired hundreds of other books. Each one of them is absolutely worth your time (and, hey, they’re all free on Project Gutenberg).

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Goth Chick News: A House of the Dead Remake? Yes, Please!

Goth Chick News: A House of the Dead Remake? Yes, Please!

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Back in 1997 I happened to find myself in Dallas, TX at the original Dave & Busters location. Walking around with a pocket full of tokens (the arcade was beyond actual quarters, but still several years away from the credit-card-like payment system), I came across a new shooter called The House of the Dead.

The game had what was, at the time, a fairly unique gameplay driven not by a controller, but by a pistol reloaded by firing off screen. My initial couple tries easily turned into a couple of hours, gleefully wiping out zombies and other heinous creatures unleashed on the world by the mad biochemist and geneticist Dr. Curien.

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Random Reviews: “The Passing of the Beacon Star” by Chuck Rothman

Random Reviews: “The Passing of the Beacon Star” by Chuck Rothman

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Tomorrow, 4/94, Cover by Jacek Yerka
Tomorrow, 4/94, Cover by Jacek Yerka

Chuck Rothman’s story “The Passing of the Beacon Star” appeared in the eighth issue of Tomorrow Speculative Fiction in April of 1994.  Although it has a strong fantasy feel, the story is a science fiction tale, set on another planet in which the human settlers carry around insect-like jerritch on their shoulders.

The jerritch act as retainers of the human’s memories, so individuals have no long term memory. If they need to access details of something that has happened in the past, whether to them or to the world at large, their jerritch plugs its antenna into a port on the human’s neck and allows the person to access the memories they need. This allows each individual to essentially live a variety of lives without reference to their earlier existence and in the process they take on new names and identities.

The story is set in the city of Amak during a festival known as “Choosing Day.” On this date, the citizens of Amak not only choose their new identities, but also choose which House of Guidance, essentially a sect, will guide the city for the next year.

Rothman focuses on a woman who is using the name “Weaver of Colors.”  Wandering through the crowded city aimlessly, she connects with her jerritch looking for a place to get away from the crowds. The jerritch leads her to the Cult of the Beacon Star, which is the current Guiding House for Amak. Unlikely to be selected again, the house is empty except for one of its Holies, the priest who oversees the sanctuary.  Weaver and the priest learn, through their jerritches, that they were once lovers, and although their recollections are limited, they reconnect with each other until the votes are cast and the Cult of the Beacon Star is not longer the guiding light, at which time, Weaver learns more about herself from her jerritch.

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