New Treasures: Philip Jose Farmer’s Up the Bright River, edited by Gary K. Wolfe

New Treasures: Philip Jose Farmer’s Up the Bright River, edited by Gary K. Wolfe

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up-the-bright-river2

There’s no truth to the vicious rumor that I select candidates for my New Treasures column based solely on awesome cover art.

I also have to be able to get my hands on a copy. That’s two criteria, which I figure gives me a balanced approach.

Which brings us to today’s special guest, Up the Bright River by Philip Jose Farmer, a short story collection edited by Gary K. Wolfe. And its awesome wraparound cover, courtesy of Bob Eggleton (click for even awesomer high-res version).

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Robert E. Howard: The Sword Collector’s Sword Collection

Robert E. Howard: The Sword Collector’s Sword Collection

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From Damon Sasser’s twogunraconteur.com website 3/5/2012
From Damon Sasser’s twogunraconteur.com website 3/5/2012

When I wrote “Robert E. Howard: The Sword Collector and His Poetry” in August 2010, it was to highlight REH’s interest in swords. The article listed each type of sword mentioned in his poems along with a definition, a photo and a snippet showing REH’s usage of it in verse.

At that time, the photograph at right was not available. In fact, it is one of three that were discovered earlier this year by Howard scholar Patrice Louinet, showing Robert E. Howard (r) and his two neighbors, Leroy Butler and Leroy’s sister, Faustine, dressed as pirates.

According to Patrice, this photo was taken sometime between 1923 and 1925. That would make Howard between 17 and 19 years old. It was during this period, in November 1924, that REH received a letter from Farnsworth Wright that Weird Tales was accepting his story “Spear and Fang,” which was eventually published in July 1925.

Whether the story had been written, sold, and published by the time this photo was taken is unknown. But REH’s love of swords and the adventure they brought were definitely a part of his life even at an early age.

The other piece of information not available in August 2010 regarded the sword collection itself. The article “Robert E. Howard: The Sword Collector and His Poetry” began with a quote from a letter REH wrote to HPL:

…Long ago I started collecting them [swords], but found it a taste far too expensive for my means. I still have the things I did manage to get hold of—a few sabers, swords, bayonets and the like.

While REH mentions collecting swords, at that time there was no further information regarding its contents. That has changed. Recently I received an email from Howard sleuth Patrice that sheds more light on what swords REH owned. Patrice’s sources are the notes that L. Sprague de Camp took to document his telephone conversations with Earl Baker. Earl was one of REH’s early Cross Cut friends and someone REH kept in touch with throughout the years.

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Return to the Golden Age with Tales from the Hanging Monkey

Return to the Golden Age with Tales from the Hanging Monkey

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hanging-monkey4Tales of the Gold Monkey only lasted one season in the early 1980s, but the series has developed a steady cult following in the years since its brief network run. Dismissed as nothing more than an inferior small screen knockoff of the contemporaneous Raiders of the Lost Ark, the series has finally started to earn the recognition denied it at the time. While it took a Hollywood blockbuster to convince network executives to green-light the series, the proposal had been around since the 1970s and the show was conceived, like Raiders, in homage to the serials and classic adventure stories of the past.

As much as Republic Pictures cliffhangers were an inspiration and the tall shadow cast by Humphrey Bogart in the classic Treasure of the Sierra Madre undeniably fell upon both properties, the longstanding tradition of South Seas adventures from James Michener’s Tales of the South Pacific to the fondly-remembered Adventures in Paradise series from the Golden Age of Television left an even more indelible mark on Tales of the Gold Monkey.

The concept of a bar in an exotic location which serves as a literal and moral crossroads for travelers, expatriates, and fugitives had its roots in Casablanca and Old Time Radio’s nearly forgotten Rocky Jordan series. Tales of the Gold Monkey’s pedigree and neo-pulp credentials establish it as far more than just another Indiana Jones clone as the short-sighted and uninformed wags of the day insisted.

Similarly 30 years later, the newly published South Seas adventures anthology, Tales from the Hanging Monkey is more than just an imitation of the 1980s cult series whose title it recalls.

The exotic South Seas bar serving as the nexus for the adventures of strangers whose paths would never otherwise cross is present here as much as it was in numerous Golden Age scripts, but Bill Craig has created something enchanting that is at once familiar and pleasingly fresh. The delights of New Pulp works such as this one are similar to discovering an OTR series you’ve never heard of and wondering why it isn’t better known.

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Goth Chick News: Going for a Ride with Ichabod Crane

Goth Chick News: Going for a Ride with Ichabod Crane

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image0061Until recently, we here at Goth Chick News have taken a long hiatus from commercial television. Although we readily agree there is nothing quite as frightening as reality TV, shows aimed at our particular genre were largely absent; that is until the viewing public fell in love with the likes of Walking Dead and American Horror Story, to name a few.

Lately, this tiny spark of cautious optimism has started looking like it just may catch. I mean, you can only watch so many reruns of Alfred Hitchcock Presents and Twilight Zone before you give up hoping that anything made for the small screen will ever be worth staying awake for again.

Then this week comes word that the Headless Horseman may be cutting a bloody swath through not one but two television networks in the near future.

Insert tentative happy dance here…

First up is an adaptation from the gents over at Fringe, which itself has become a cult hit for Fox.  The network has given a pilot commitment to an adaptation of The Legend of Sleepy Hollow from Fringe creators and idea wonderboys, Alex Kurtzman and Roberto Orci.

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Vintage Treasures: Chelsea Quinn Yarbro’s To the High Redoubt

Vintage Treasures: Chelsea Quinn Yarbro’s To the High Redoubt

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to-the-high-redoubt2When I think of Chelsea Quinn Yarbro, it’s usually in the context of her hugely successful Count Saint-Germain novels, the tales of gentleman vampire Saint-Germain and his adventures down through the centuries, beginning with Hôtel Transylvania (1978).  Yarbro’s 26 novels featuring Saint-Germain have covered a lot of historical ground, from the reign of emperor Heliogabalus in 3rd century Rome (Roman Dusk) to his escape from Genghis Khan in Tibet and India (Path of the Eclipse), 6th Century China (Dark of the Sun), and the rise of the Nazi party in Germany (Tempting Fate). The most recent, Commedia della Morte (March 2012), finds our dark protagonist in France during the Reign of Terror of the French Revolution.

But Yarbro has had a very successful career as a noted fantasist quite apart from her Saint-Germain books, with some 65 novels to her credit, including Time of the Fourth Horseman (1977) and A Baroque Fable (1986). Two of her earliest novels, The Palace (1979) and Ariosto (1980), were nominated for the World Fantasy Award, and in 2003 she was named a Grand Master at the World Horror Convention. In 2005 the International Horror Guild named her a “Living Legend,” and in 2009 she was presented with a Bram Stoker Lifetime Achievement Award by the Horror Writers’ Association.

Truthfully, I wouldn’t know any of this if I hadn’t stumbled on some of her paperbacks among a few of the collections I recently purchased, and become intrigued enough to give Yarbro another look. Perhaps the most promising is To the High Redoubt, a 1985 paperback that has received little attention (it’s not even listed on her otherwise comprehensive Wikipedia page) but immediately caught my eye. Here’s the typically dramatic 80s back cover copy:

The Bundhi — Lord of Darkness, stealer of souls. This master of evil had destroyed all who fought against him, all but the beautiful Surata, last surviving adept in tantric alchemy. From Surata he had taken family, vision, and freedom, selling her into slavery in a distant land. But even the Bundhi could not comprehend how deep Surata’s power flowed, even he could not foresee that destiny would bring Surata her champion, Arkady, soldier of fortune.

United by a growing trust, and their astral crusade against the deadly forces of the Bundhi, Surata and Arkady rode forth to challenge their enemy in the very heart of his empire, racing against both time and terror.

To the High Redoubt was published by Questar in 1985, with a cover by the fabulous Rowena Morill. It is 370 pages of promising 80s fantasy. I’ll let you know if it’s any good.

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New Treasures: 21st Century Dead

New Treasures: 21st Century Dead

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21st-century-deadAh, Zombies. We still love ’em. I know this is a trend that will soon begin to peak and die off (if it hasn’t already), but until then I’m enjoying all the attention to one of my favorite undead.

Christopher Golden’s 2010 anthology The New Dead was one of the more successful recent zombie books. With stories by some of the top fantasy writers in the field, including Joe R. Lansdale, Joe Hill, Kelley Armstrong, Tad Williams, John Connolly, Aimee Bender, Jonathan Maberry, and many others, it demonstrated the zombie story could still be fresh and exciting, even in the era of The Walking Dead and innumerable sequels/re-makes of Night of the Living Dead.

The New Dead was nominated for a Bram Stoker Award for Best Anthology, a rare honor. Now Golden returns with a second volume of all-original zombie stories, and the cast of writers he’s assembled is just as impressive as the first.

21st Century Dead includes “Tic Boom: A Slice of Love,” the first published fiction by Sons of Anarchy creator Kurt Sutter; “Parasite,” a short story set in the world of Daniel H. Wilson’s popular novel Robopocalypse; and short fiction from Orson Scott Card, Mark Morris, Simon R. Green, Jonathan Maberry, Duane Swiercyznski, Caitlin Kittredge, Brian Keene, Amber Benson, John Skipp and Cody Goodfellow, and many more.

21st Century Dead is 339 pages in trade paperback. It is published by St. Martin’s Press. It is $15.99 in print and $9.99 for the digital edition. It was released on July 17, 2012.

Art of the Genre: The GameMaster Series Covers

Art of the Genre: The GameMaster Series Covers

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axisandalliesboxBack in the mid-80s, I would go out to my dad’s house in Las Vegas and spend a few weeks of every summer seeing how he lived his life in the city of sin. It always had its ups and downs, but certainly even twenty-five years later I’ve got some lasting memories that bring a smile to my face.

One such memory is that of going to my first Toys “R” Us, at age 14, with my father to look for a game to bring to his cabin in Utah. Even to this day I can see a ‘wall of games’ in my head, so much bigger than life and beyond what I’d ever thought possible for a kid from the small town cornfields of Indiana.

The game my father and I chose was a huge one, the box seemingly larger than a board game had the right to be. It was called Axis & Allies and it had the most brilliant painted cover you could imagine.

It was produced by Milton Bradley, part of their GameMaster Series, something that took a step beyond what any other company in those days dared to do, make a mass market adult game. To this point, games were almost exclusively for children, and the graphics of such games were similarly geared.

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How Galaxy Magazine Saved Robert Silverberg from a Life of Smoking

How Galaxy Magazine Saved Robert Silverberg from a Life of Smoking

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galaxy-issue-1-smallI’ve been neglecting Galaxy magazine in my recent Vintage Treasures articles. I’ve covered some of the great fiction in Analog, Asimov’s Science Fiction, and Worlds of If, but the truth is that Galaxy was on its last legs by the time I started reading science fiction and fantasy in 1976, and it folded in 1979.

But I’m not wholly ignorant of the contribution Galaxy made to the field, especially under the editorship of H.L. Gold (1950 – 1961) and Frederik Pohl (1961 – 1969). Until 1950 the field was almost entirely dominated by John W. Campbell, editor of Astounding, who was legendary in his ability to spot talent, but also held a fairly narrow view of what kinds of SF and fantasy would sell. Gold was interested in tales of social and psychological upheaval, not just the hard science puzzle fiction in Astounding, and quickly proved that readers would buy stories with that bent — as well as satire, humor, and tales where mankind didn’t always triumph in its march to the stars and inevitable conflict with alien races.

Mike Ashley, one of our field’s finest historians, credits the success of Galaxy for the huge boom in science fiction and fantasy in the fifties, when the field grew from a handful of magazines to over two dozen, saying Galaxy “revolutionized the field overnight.”

Author Robert Silverberg, however, has a more personal tale of how Galaxy changed his life. He writes:

It was the founding of Galaxy that saved me from a life of smoking. It was September, 1950, and I was a teenager with about forty cents in my pocket. A pack of cigarettes cost about a quarter then. So did the first issue of Galaxy, which had just come out. I went into a newsstand thinking I might buy some cigarettes (I had been smoking a few, not with any pleasure, but simply to make myself look older) and there was the shiny Vol One Number One Galaxy. I could afford one or the other, not both. I made my choice and lived happily ever after.

While I was too late to buy more than a handful of issues of Galaxy on the newsstand, I rectified that later in life, amassing a fair collection going back to that famous first issue in 1950. I’ve been enjoying them over the last few years, and will report in here with the very best stories I find.

Graphic Classics Half-Price Sale

Graphic Classics Half-Price Sale

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horror-classics-graphic-classics-10-2I’ve been collecting Eureka Press’ Graphic Classics for over ten years, ever since we received a review copy of Volume 1: Edgar Allan Poe, in 2001 (back when they were Rosebud Graphic Classics, a spin-off of Rosebud magazine). Tom Pomplun, longtime Art Director for Rosebud, started up Eureka Press that year to produce high quality comics anthologies, and in the last decade he’s published nearly two dozen volumes, including several that have gone through multiple editions.

A typical issue of Graphic Classics is 144 densely-packed black & white pages, containing loving adaptions of classic stories by some of the best talents in comics — including Rick Geary, Gahan Wilson, Richard Sala, Mark A. Nelson, Alex Nino, Skip Williamson, Richard Corben, Hunt Emerson, and many others. Matt Howarth’s 22-page rendition of “The Shadow Out of Time” in Graphic Classics: H. P. Lovecraft may be the finest comics adaptation I’ve ever read, period. It captured the chilling mood of that piece perfectly.

Eureka has just announced a limited-time half-price sale on their entire line of in-stock GRAPHIC CLASSICS. The sale runs August 1 through August 14, 2012, and applies only to direct sales through their website. A partial list of titles in the sale include:

  • GRAPHIC CLASSICS: EDGAR ALLAN POE – $12.95 retail / ON SALE $5
  • GRAPHIC CLASSICS: ARTHUR CONAN DOYLE — $11.95 retail / ON SALE $5
  • GRAPHIC CLASSICS: H.P. LOVECRAFT  —  $11.95 retail / ON SALE $5
  • GRAPHIC CLASSICS: JACK LONDON  —  $11.95 retail / ON SALE $5
  • GRAPHIC CLASSICS: AMBROSE BIERCE  —  $11.95 retail / ON SALE $5
  • GRAPHIC CLASSICS: BRAM STOKER  —  $11.95 retail / ON SALE $5
  • GRAPHIC CLASSICS: ROBERT LOUIS STEVENSON  —  b&w / $12.95 retail / ON SALE $5
  • HORROR CLASSICS: Graphic Classics Vol 10  —  $9.95 retail / ON SALE $5
  • ADVENTURE CLASSICS: Graphic Classics Vol 12  —  $11.95 retail / ON SALE $5
  • GRAPHIC CLASSICS: RAFAEL SABATINI   —  $11.95 retail / ON SALE $5
  • GOTHIC CLASSICS: Graphic Classics Vol 14   —  $11.95 retail / ON SALE $5
  • FANTASY CLASSICS: Graphic Classics Vol 15  —  $11.95 retail / ON SALE $5
  • SCIENCE FICTION CLASSICS: Graphic Classics Vol 17  —  color / $17.95 retail / ON SALE $7.50
  • POE’S TALES OF MYSTERY: Graphic Classics Vol 21  —  color / $17.95 retail / ON SALE $7.50

Note that some volumes are in low supply, and there is a $10 minimum purchase.

New Treasures: Jeff Strand’s A Bad Day for Voodoo

New Treasures: Jeff Strand’s A Bad Day for Voodoo

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a-bad-day-for-voodooHorror and comedy don’t usually mix. But when they do, the results can be spectacular. Ghostbusters, Young Frankenstein, An American Werewolf in London, Buffy the Vampire Slayer, Tremors, Army of Darkness, Scream, Shawn of the Dead… you see my point.

Three-time Bram Stoker Award finalist Jeff Strand has walked this road before. His Andrew Mayhem novels, including Single White Psychopath Seeks Same and Casket For Sale (Only Used Once) have built his reputation as a master of the modern gothic comedy. His first YA novel is A Bad Day for Voodoo, and the jacket copy grabbed my attention immediately.

When your best friend is just a tiny bit psychotic, you should never actually believe him when he says, “Trust me. This is gonna be awesome.”

Of course, you probably wouldn’t believe a voodoo doll could work either. Or that it could cause someone’s leg to blow clean off with one quick prick. But I’ve seen it. It can happen.

And when there’s suddenly a doll of YOU floating around out there — a doll that could be snatched by a Rottweiler and torn to shreds, or a gang of thugs ready to torch it, or any random family of cannibals (really, do you need the danger here spelled out for you?) — well, you know that’s just gonna be a really bad day …

No word on whether this is the first installment of a new series (when asked, Strand replies “I don’t know. I depends on whether at the end all of the characters get killed.”) But the book is already getting a lot of attention. Jonathan Maberry, the New York Times bestselling author of Rot & Ruin, weighed in with:

Jeff Strand is the funniest writer in the game, and A Bad Day for Voodoo is wicked, wicked fun. Dark, devious and delicious.

I think this book is what I need this week. A Bad Day for Voodoo is 251 pages from Sourcebooks Fire. It is $8.99 in trade paperback and digital format. It was released on June 5, 2012.