Black Gate – Page 112 – Adventures in Fantasy Literature

Future Treasures: Dark Stars: New Tales of Darkest Horror edited by John F.D. Taff

Tuesday, April 26, 2022 John ONeill Comments 2 comments

Dark Stars: New Tales of Darkest Horror, UK edition (Titan Books, March 22, 2022)
and US edition (Tor Nightfire, May 10, 2022). Covers uncredited.

Forty years ago Kirby McCauley packed up and moved to New York to try his hand at being a literary agent. His friend Richard L. Tierney helped him drive to the city; before long he was representing a host of young writers, including Roger Zelazny, Stephen King, and George R. R. Martin, who credits McCauley with helping launch his writing career. In 1980 Kirby drew on his contacts to assemble a massive original anthology: Dark Forces, a landmark of modern horror and one of the most important fantasy anthologies of the 20th Century, with new stories by Robert Aickman, Karl Edward Wagner, T. E. D. Klein, Gene Wolfe, Clifford D. Simak, Robert Bloch, Ray Bradbury — and the first appearance of a horror masterpiece by Stephen King, The Mist.

Next month John F.D. Taff presents Dark Stars: New Tales of Darkest Horror, a new anthology that pays homage to the legacy of Dark Forces — and includes brand new stories by a Who’s Who of modern horror, including Ramsey Campbell, Stephen Graham Jones, Josh Malerman, Gemma Files, Usman T. Malik, Priya Sharma, John Langan, and many others.

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When USA was Kicking the Major Networks’ Collective Butts!

Monday, April 25, 2022 Bob Byrne Comments 4 comments

In the early 2000’s, for about a decade and-a-half, USA Network was cranking out quality shows. For some programming, they were a viable competitor to the big four. In those pre-streaming days, I faithfully watched each week. And in the past year, I’ve discovered a couple I didn’t watch the first time around. I decided it’s time to talk about a few of them. So here’s the first of a two-parter, looking at some of those great USA Network shows.

MONK (2002 – 2009)

How have I never written a stand-alone about Monk for Black Gate? That needs to be rectified in 2022! This is the show that put USA on the original programming map. Tony Shaloub’s defective detective just grew in popularity each season. The series finale, when aired, had the highest rating of any hour-long drama series on basic cable.

Shaloub is Adrian Monk – formerly a brilliant detective for the San Francisco Police Department. He was a bit obsessive-compulsive, but it was manageable. Barely. But then his wife, Trudy, is killed by a car bomb, and his OCD goes extreme. He ends up discharged by the police department. He can’t solve the murder, and it eats at him. He can’t do what he’s best at, to fix the biggest issue in his life.

His former partner, Captain Leland Stottlemeyer, is now chief of police, and he occasionally hires Monk to consult on tough cases. Lieutenant Randy Disher is his right hand. Stottlemeyer is competent, and Disher is brave; but they’re not brilliant. That’s where Monk comes in.

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Exploring Modern Pulp: Royal Road and the Web Novel

Sunday, April 24, 2022 Lawrence Comments 6 comments

Image courtesy Royal Road

“Web novels?” you say. “What are those?”

They’re exactly what you think they are; novels written and published on the internet, free to read. They’re more common than you think. What may surprise you about this community of writers and readers is not only the writers themselves, but the abundance of readers who support them financially.

I think many folks here have probably heard of places like Wattpad, the web publishing platform where writers post their novels — though over in that corner most of the content is YA and romance. I can’t say much about Wattpad because I’m not a reader or writer over there, though I know agents crawl around looking for new authors to publish in traditional media.

I’m here to talk about a different platform, and more specifically, the modern pulp writers who publish there. It’s called Royal Road, where writers publish fantasy novels.

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Adventure in a Nightmare-fueled Landscape: Deadlands: the Weird West

Saturday, April 23, 2022 John ONeill Comments 4 comments

Deadlands: the Weird West (Pinnacle Entertainment Group, April 2021)

Kickstarter completely transformed board gaming a decade ago, and over the last few years it has thoroughly reinvigorated role playing as well. It’s the de facto launch platform for the hobby gaming industry these days, and it doesn’t look like that’s going to change any time soon. I’ve been playing RPGs since 1979, and in all those years I’ve seen countless new and innovative game systems fail because they couldn’t grow beyond a small but dedicated fan base. Kickstarter has brought those systems a whole new lease on life — and an explosion of new content.

Deadlands is fine example. Created by Shane Lacy Hensley and published by Pinnacle Entertainment Group in 1996, the horror/steampunk game was a huge artistic and creative success, easily one of the most talked-about RPGs of the 90s. Talk wasn’t enough to keep it alive though, and for long stretches of the last 25 years the game has sadly been unavailable.

In 2017 Pinnacle stuck a toe in the waters with a reprint of the 1999 edition, Deadlands 20th Anniversary Edition, funded by a crowdfunding campaign. Emboldened by that success, last year they tried something much more ambitious: Deadlands: the Weird West, a massive box set containing a complete system relaunch using the Savage Worlds core rules. Deadlands‘ small but loyal fanbase enthusiastically rallied to support the new Kickstarter campaign, and it blew through its $10,000 goal, with 4,973 backers pledging a whopping $568,636.

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African Folk Tales and Sword & Sorcery: Moon Witch, Spider King by Marlon James

Friday, April 22, 2022 John ONeill Comments 7 comments

Black Leopard, Red Wolf and Moon Witch, Spider King (Riverhead
Books, February 2019 and February 2022). Covers by Pablo Gerardo Camacho

The first novel I bought by Marlon James was A Brief History of Seven Killings, a fictionalized version of the true story of the attempted hit on Bob Marley by seven gunmen in the late 1970s — which isn’t even fantasy or SF, but what can I tell you, I just picked it up in Barnes & Noble and it sounded cool. It won the 2015 Man Booker Prize and vaulted the Jamaican author to international prominence.

He turned heads in our own little corner of the literary world in 2019 with Black Leopard, Red Wolf, the opening novel in The Dark Star Trilogy. It won the Locus Award for Best Horror Novel, and was a finalist for the National Book Award. Salman Rushdie said “Its imagination is all encompassing,” The New York Times called it “The literary equivalent of a Marvel Comics universe,” Entertainment Weekly proclaimed it “A revolutionary book,” and Time listed it as one of the 100 Best Fantasy Books of All Time.

The follow-up arrived two months ago, and it’s not a sequel in the traditional sense. Moon Witch, Spider King retells Black Leopard, Red Wolf — the tale of a mercenary hired to find a missing child in Africa — from a very different perspective. It was an instant New York Times bestseller, and Buzzfeed labeled it “Even more brilliant than the first.”

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Goth Chick News: 13 Questions for Louis Weinberger – Writer of Into the Devil’s Reach

Thursday, April 21, 2022 Sue Granquist Comments 4 comments

We here at Goth Chick News never fail to be impressed by indie filmmakers. It takes an incredible amount of patience and tenacity to bring a story to life on screen without the backing (and funding) of a major production house. That’s why whenever we have a chance to give you a view behind the scenes of an indie film, we’re all too excited to do so.

Back in December we had the pleasure of meeting Louis Weinberger whose story Into the Devil’s Reach made the impressive jump from novel to indie film. Weinberger is a local Chicago-area writer whose primary focus is scripts. However, when two of his ideas were just too good to wait on the right film project, he combined them into a novel which was published by RedRob in 2014.

We had to know more and here to explain it all is Louis Weinberger.

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Random Reviews: “The Pilot and the Bushman” by Sylvia Jacobs

Thursday, April 21, 2022 Steven H Silver Comments 0 Comment

Sylvia Jacobs has a career in science fiction spanning eighteen years, from the publication of “A Stitch in Time” in the April 1951 issue of Astounding Science Fiction and running through the April 1969 issue of Galaxy Magazine, when her story “Slave to Man” appeared. Her body of work, however, is not entirely reflective of that longevity, consisting of eight short stories and two essays, all except one of which were published within a decade of her first appearance.

Her second story, “The Pilot and the Bushman,” appeared in the August 1951 issue of Galaxy Magazine and would eventually be reprinted in Galaxy Reader of Science Fiction the following year. It belongs to the same category of science fiction as Fred Pohl and C.M. Kornbluth’s The Space Merchants (originally published in Galaxy as Gravy Planet), using an advertising executive to look at consumerism and aliens, although Jacobs’ work has a very different feel than the more famous story.

Jacobs tells the tale of Jerry Jergens, a New York advertising executive, and the Ambassador from Outer Space. Following an accidental statement by the Ambassador that aliens had a Matter Repositor which made trade and manufacturing unnecessary, Earth began to suffer from a buyer’s strike. The Ambassador admits that discussing the Repositor was a mistake, but he refuses to deny its existence and interstellar law forbids him from sharing the technology with humans. Jerry, however has an offer to help get the Ambassador out of the fix he’s in. In return for which, Jerry wants to be able to market Earth to aliens, a proposition that the Ambassador does not see as something that can be successful.

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Still Not Telling Us: “The Last Flight of Dr. Ain” by James Tiptree, Jr.

Wednesday, April 20, 2022 Rich Horton Comments 3 comments

Galaxy, March 1969, containing “The Last Flight of Dr. Ain,” by James Tiptree, Jr. Cover by Chaffee

“. . . Take ‘The Last Flight of Dr. Ain.’ That whole damn story is told backward. . .. It’s a perfect example of Tiptree’s basic narrative instinct. Start from the end and preferably 5,000 feet underground on a dark day and then DON’T TELL THEM.”

This is James Tiptree, Jr., on his story “The Last Flight of Dr. Ain.” Or, this is Alice Sheldon, referring to “Tiptree” in the third person — and, still, NOT TELLING US.

“Tiptree”/Sheldon was a little dismissive of “The Last Flight of Dr. Ain” at times. I disagree. It was certainly the first of her stories to gain wide notice (and a Nebula nomination.) And it’s the earliest of her publications to really light me up. Thus I’d like to take a very close look at it here, in my latest piece trying to figure out how stories, particularly good stories, really work. (I note with some amusement that this essay is roughly the same length as the original story. I also add that of necessity I have “spoiled” the story, but I add that this story in particular is unspoilable, partly because it demands and rewards rereading. That said, if you haven’t read the story and you can find a copy, do go ahead and read it first!)

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Vintage Treasures: Planets Three by Frederik Pohl

Tuesday, April 19, 2022 John ONeill Comments 9 comments

Planets Three by Frederik Pohl (Berkley Books, 1982). Cover by Gregg Hinlicky

I admire Frederik Pohl. He had a nearly 75-year career in science fiction, from the early stories he published as a young teen in the 1930s all the way to the Hugo Award he won in 2010 for his superb early blog, The Way the Future Blogs, at the age of 90. He was an astute and prolific fan writer, an agent, and a legendary editor, winning three successive Hugos for Best Editor for his work at IF magazine in the 60s.

His first love was writing, of course, and it’s not hard to sense some frustration at his mid-career lack of success, especially as he watched his fellow Futurians and friends enjoy stellar careers, including Isaac Asimov, Donald Wollheim, Damon Knight, Cyril Kornbluth, and many others. Asimov, whom Pohl had known since they were both teenage fans in Brooklyn, had such name-brand recognition that virtually everything he’d written was still in print in the 70s and 80s — certainly not the case for Pohl, whose early output languished in obscurity in moldering pulp magazines.

Then came Gateway.

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Talking Terry Pratchett

Monday, April 18, 2022 Bob Byrne Comments 13 comments

It’s always a good time to talk about Terry Pratchett! He was, simply, brilliant. Pratchett, who passed away in 2015 from Alzheimer’s, wrote the terrific fantasy series, Discworld. He gets my vote as one of the great satirists of our time. And he used classical fantasy tropes to do it! Did I mention, ‘brilliant’?

I re-read (and listen to) Pratchett books throughout the year. I got in the mood again recently, and did a mini-binge. Discworld is fantasy world, with the entertainingly horrible city of Ankh-Morpork at its center. Parody, homage, satire – they are fantastic books. Pratchett pokes fun at our world (especially, society) though these books. If you Google search, ‘Terry Pratchett quotes.’ you will get some absolutely terrific ones. Most are from his books, but real-life ones can be pretty hilarious, too. The man was just incredibly funny. Add in being very observant, and a good writer, and you have the ingredients of a great author.

JINGO

It started when I decided to listen to a Pratchett audio book during the work day last week. I’ve read the series a couple times, and I can miss a bit here and there as I work. Jingo is one of the City Watch books. There are several ‘sub-series’ in the Discworld series, involving central characters. My favorite is the one with Sam Vimes and the City Watch. They are essentially very entertaining police procedurals, in a fantasy world. They’re a blast.

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