Forty Years of Horror: After Dark: The Best Horror Fiction of Tony Richards

Forty Years of Horror: After Dark: The Best Horror Fiction of Tony Richards

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After Dark: The Best Horror Fiction of Tony Richards (Weird House Press, November 17, 2021). Cover by K.L. Turner

Tony Richards is a British horror writer, author of eight collections of short stories and several novels of dark fiction. Although for some reason he may be unfairly less celebrated than some of his countrymen, he’s certainly one of the very best producing horror fiction today.

Praise to small American imprint Weird House Press for assembling twenty-five tales and a novella covering forty years of Richards’ career in After Dark: The Best Horror Fiction of Tony Richards, released in paperback and digital formats this past November.

Although I’m familiar with some of Richards’ previous (and excellent) collections, regretfully I had missed a few, and this one offered me the chance to savor some of his stories for the very first time.

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What a Cleric is For: Hall of Smoke by H. M. Long

What a Cleric is For: Hall of Smoke by H. M. Long

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Hall of Smoke and Temple of No God (Titan Books, January 2021 and February 2022). Cover designs by Julia Lloyd

I first took notice of H.M. Long’s debut fantasy Hall of Smoke when The Guardian included it in their roundup of The best recent science fiction and fantasy last January, calling it “a compelling debut.” Closer to home, Paul Weimer at Tor.com celebrated it as that rarity of rarities — an entertaining fantasy focused on the most-neglected of the D&D archetypes, the cleric. (He also name-checked Greg Stafford’s Glorantha in his review, which warmed my heart.)

I saw a copy for the first time in Barnes & Noble on Saturday — alongside the newly-released sequel Temple of No God. The combination proved too much for someone with notoriously poor impulse control, and both volumes ended up coming home with me.

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Nero Wolfe’s Brownstone: Stay at Home – Days 40 & 41

Nero Wolfe’s Brownstone: Stay at Home – Days 40 & 41

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So, in 2020, as the Pandemic settled in like an unwanted relative who just came for a week and is still tying up the bathroom, I did a series of posts for the FB Page of the Nero Wolfe fan club, The Wolfe Pack. I speculated on what Stay at Home would be like for Archie, living in the Brownstone with Nero Wolfe, Fritz Brenner, and Theodore Horstmann. I have already re-posted days one through thirty-nine. Here are days forty (April 30) and forty-one (May 1). It helps if you read the series in order, so I’ve included links to the earlier entries.

Day Forty– 2020 Stay at Home

Saul called today. The governor announced that he was releasing some prisoners due to excessive coronavirus exposure in the prisons. And as Lon had predicted, Arthur Goldstein was one of them. Wolfe had brought Saul in late in the case to try and get him for killing the guard. Saul, who rarely comes up short, and hates doing so even more than I do – if that’s possible – hadn’t been able to get what we wanted.

“Instead of him getting the chair, he’s going home.”

“Yeah. That’s an itch I’d like to scratch.”

“Maybe we’ll get lucky and he’ll do something stupid, now that he’s out,” Saul mused.

“That would be an early birthday present.”

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B is for Bradbury

B is for Bradbury

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R is for Rocket (Bantam, 1965, cover by Paul Lehr), The Golden Apples of the Sun
(Bantam, 1970, cover by Dean Ellis), Long After Midnight (Bantam, 1978, cover by Ian Miller)

June 5, 2022 marks the 10th anniversary of the death of Ray Bradbury, one of the greatest speculative fiction writers of all time. It’s fair to say that no author has positively affected my path into reading, and subsequently writing, to the extent that he did. Through this four-part series, I hope to convey some of the joy and wonder that Bradbury instilled in me and so many others, by revisiting a selection of his short stories that have continued to resonate with me throughout the years. Disclaimer: I don’t profess that my selection are his greatest tales, no matter what your definition of the term, but they hold a special place in my pantheon of stories, and I hope they will be worthy of your time.

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Vintage Treasures: Swords Against Darkness edited by Andrew J. Offutt

Vintage Treasures: Swords Against Darkness edited by Andrew J. Offutt

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Swords Against Darkness (Zebra Books, February 1977). Cover  by Frank Frazetta

Sword Against Darkness was a seminal five-volume sword & sorcery anthology series edited by Andrew J. Offutt in the late seventies (1977-79). It published original fantasy by some of the biggest names of the era, including Andre Norton, Tanith Lee, Keith Taylor, Charles de Lint, Charles R. Saunders, Orson Scott Card, Simon R. Green, David C. Smith, Robert E. Vardeman, Darrell Schweitzer, Diana L. Paxson, and many others.

The first volume appeared in early 1977, and it was one of the strongest original fantasy anthologies of the decade, packed full of tales of the haunted Roman frontier, a plague of giants, the wily goddess of Chance, the last survivor of Atlantis, Lovecraftian horrors, scheming demons, resourceful rogues facing evil spirits, and much more. It included a Simon of Gitta novelette by Richard L. Tierney, a powerful Robert E. Howard fragment completed by Andrew J. Offutt, plus Poul Anderson, Manly Wade Wellman, David Drake, Ramsey Campbell, and many others.

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So I’m Writing a Novel: A Sword & Sorcery Podcast

So I’m Writing a Novel: A Sword & Sorcery Podcast

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There is a swell of community growing around Sword & Sorcery (S&S) fiction. At least on the amateur and semi-professional level, there are a wealth of markets to enjoy and submit to, including (a partial list in alphabetical order): DMR books, Heroic Fantasy Quarterly, Parallel Universe Publications, Pulp Hero Press,  Rogue Blades, Swords and Sorcery Magazine, Tales From the Magician’s Skull, Weirdbook. and Whetstone: Amateur Magazine of S&S. As the ranks of authors, readers, and platforms grow, members are gathering across platforms such as Goodreads S&S group, the Whetstone S&S Tavern on Discord… and even podcasts.

This January, Black Gate highlighted the Rogues In the House S&S podcast. This round we highlight the So I’m Writing a Novel (SIWAN), a podcast chronicling author & freelance editor Oliver Brackenbury’s journey of writing an S&S novel, discussing craft and building community with a focus on the genre.

Writing a novel? Looking for a community?

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Goth Chick News: The World (and Me) Never Tire of Agatha Christie

Goth Chick News: The World (and Me) Never Tire of Agatha Christie

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The Christie Affair by Nina de Gramont (St. Martin’s Press, February 1, 2022)

Back in grade school, in an attempt to put some “normal” into my interests, my parents had me taking piano lessons. I believe the goal was to get my nose out of books as I spent every available moment in the most secluded spots I could find, tucked in with reading material considered wholly unsuitable for a fourth-grade girl (i.e., Logan’s Run, Childhood’s End, and a large variety of horror comics). Though the elderly teacher who came to the house every Thursday failed to instill in me very much in the way of talent on the keyboard, she couldn’t help but notice that I first had to put down my book before sitting down at the piano. In an attempt to engage me one Thursday, Mrs. Wall brought me her paperback copy of Death on the Nile by Agatha Christie.

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Random Reviews: “Children of a Greater God” by Julian Flood

Random Reviews: “Children of a Greater God” by Julian Flood

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Interzone, October 1992, Cover by Tony Roberts
Interzone, October 1992, Cover by Tony Roberts

One of the issues with selecting stories to read using a completely random method is that some of the stories won’t be of particular interest, won’t completely succeed (or in some cases fail entirely), or not be particularly noteworthy. Eight weeks into this series, I have come across a story that I didn’t entirely bounce off of, but which didn’t really work for me. It has some interesting ideas behind it and I think it is clear that the author knew what he had in mind. I just don’t think he was particularly successful in translating it to the page.

Julian Flood published ten short stories, with nine of them appearing between 1992 and 1997 and three of those appearing in the first year. Half of his fictional output appeared in the pages of Interzone. The August 1992 issue of that magazine (whole number 62) contained his third story, “Children of a Greater God.”

The action is set on the planet Dub’s World, which is not conducive to human existence. The atmosphere of the planet is such that people need to have their bodies rebuilt each evening, although Flood isn’t entirely clear on the various mechanisms that cause this to happen aside from some hand waving about the atmospheric composition of the planet and people connecting to robots for the rebuilding.

Flood’s narrator is either an alternative comedian or a private eye (or some combination of both), although there is nothing humorous about his act, which includes self-mutilation and violence. Flood does have his character discuss comedy with the nightclub owner, noting that “Funny’s not what alternative comedy’s about,” although he doesn’t offer what he, or his character, thinks it is about.

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Ellsworth’s Cinema of Swords: Boy-Toys of Troy

Ellsworth’s Cinema of Swords: Boy-Toys of Troy

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The Trojan Horse (USA, 1956)

Our major source for stories of the legendary Trojan War is Homer’s The Iliad (8th century BCE, more or less), which includes a huge cast of characters from both the besieging Greeks and the defenders of Troy, as well as the many Olympian gods who meddle in the mortals’ affairs. For focus, a screenwriter telling a story based on this epic needs to pick a few major characters to follow and relegate the rest to supporting roles. In films made in the middle of the 20th century, that usually meant leaving the gods out entirely, because including them would have meant your film was considered a fantasy (the horror!), and the Western movie-going audience was deemed too Christian to regard Classical polytheism as anything but benighted superstition.

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New Treasures: Far from the Light of Heaven by Tade Thompson

New Treasures: Far from the Light of Heaven by Tade Thompson

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Far from the Light of Heaven (Orbit, October 26, 2021). Cover design by Lauren Panepinto

Tade Thompson is a fast-rising star. Rosewater, the opening novel in his Wormwood trilogy, was “a groundbreaking future noir” (B&N Sci-fi & Fantasy blog) that won the 2019 Arthur C. Clarke Award for Best Science Fiction Novel. The Rosewater Insurrection was nominated for the BSFA and Locus Awards, and closing novel The Rosewater Redemption was nominated for both the Locus and Philip K. Dick Award.

That’s a lot of attention so early in his career– and a whole lot of eyes on his newest project. Writers have been known to curl up under the bed for a lot less. But his follow up Far from the Light of Earth, the story of a series of mysterious deaths on an interstellar colony ship, has already been called “probably the best science fiction novel of the year… like the Tardis, larger inside than out, with a range of ideas, characters, and fascinating future settings” (The Guardian). Kirkus Reviews sums it up as “a thriller/horror-aboard-a-spaceship in the vein of Greg Bear’s Hull Zero Three [and] the classic film Alien… Gripping and bloody as a beating heart.” And Tor.com says it “marries shades of gothic horror with a sleuthing mystery and hard sci-fi.”

Sounds like a must-read in my book. Looks like Thompson’s ascent to the pinnacle of SF stardom continues on schedule.

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