The Sound of Far-Away Music: The Wind in the Willows by Kenneth Grahame

The Sound of Far-Away Music: The Wind in the Willows by Kenneth Grahame

“Hullo, Mole!” said the Water Rat.

“Hullo, Rat!” said the Mole.

So begins one of the greatest of literary friendships. That simple introduction between two soon-to-be-best friends has stuck with me ever since my dad first read me The Wind in the  Willows (1908). They’re the opening chords of a song like the dream-music Mole and Rat hear on a mysterious river island, that has remained with me my entire life. Even, if like them, I can’t remember all the words, it’s a song that’s “simple–passionate–perfect.”

This book, one I find wonderful beyond measure, is a collection of several distinct tales. The most famous, probably due to Walt Disney’s The Adventures of Ichabod and Mr. Toad (1949) and the attendant amusement park ride, involves the foolish escapades of Toad. Those chapters are riotously funny and, I’d imagine, the most easily enjoyable to any child hearing them. More of the book, however, involves Mole and Rat, and those parts are by turns wistful, melancholic, and wondrous. In his memoir, Christopher Robin Milne wrote:

A book that we all greatly loved and admired and read aloud or alone, over and over and over: The Wind in the Willows. This book is, in a way, two separate books put into one. There are, on the one hand, those chapters concerned with the adventures of Toad; and on the other hand there are those chapters that explore human emotions – the emotions of fear, nostalgia, awe, wanderlust. My mother was drawn to the second group, of which “The Piper at the Gates of Dawn” was her favourite, read to me again and again with always, towards the end, the catch in the voice and the long pause to find her handkerchief and blow her nose. My father, on his side, was so captivated by the first group that he turned these chapters into the children’s play, Toad of Toad Hall. In this play one emotion only is allowed to creep in: nostalgia.

If I thought I could get away with it, I’d just write out all of The Pipers at the Gates of Dawn for this piece and leave it at that. I believe it is one of the most affecting things I’ve ever read. Its beauty only grows with each read. Sadly, I must write more (but I’ll still quote it a lot).

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Random Reviews: “Faith” by Mario Milosevic

Random Reviews: “Faith” by Mario Milosevic

Cover by Tais Teng
Cover by Tais Teng

Because I’ve been asked about the process by which I’ve been selecting stories for the Random Review series, I thought I’d take a moment to explain how the stories are selected.

I have a database of approximately 42,000 short stories that I own sorted by story title. When it comes time for me to select a story to review as part of this series, I role several dice (mostly ten sided) to determine which story should be read. I cross reference the numbers that come up on the die with the database to see what story I’ll be reviewing.  This week, I rolled 11,028 which turned out to be Mario Milosevic’s short story “Faith.”

One of the things I’m hoping to get out of this series, from a personal point of view, is to discover authors and short stories that I’ve owned and have never read. Of course, I’m also hoping to share those discoveries, good or bad, with the readers of Black Gate.

Mario Milosevic’s short story “Faith” was published on Daily Science Fiction on November 1, 2010. It would eventually be reprinted in the anthology Not Just Rockets and Robots, which collected the short fiction published during the first year Daily Science Fiction was on-line.

The story is told from the point of view of a man who is undergoing an interrogation. The details of the questioning are not directly provided and everything about the events that preceded the interview and the background to the world Milosevic builds up at second hand.

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There No School Like Old School: Four Against Darkness

There No School Like Old School: Four Against Darkness

Not all nostalgia trips are created equal. Revisiting a favorite movie or an old neighborhood or some childhood hobby is a great way to reignite that sense of wonder most of us had when we were younger. It’s a way of seeing subtle magic that either fades or is drummed out of us as we grow older.

But just about everyone who frequents this site already knows that there’s a very dark underside to nostalgia, the sort of thing that breeds resentment and a perpetual backward glance. The sort of nostalgia that brings no joy or sense of wonder. The sort of nostalgia that becomes a destructive addiction.

I’m talking about the people who have been collecting comic books since they were children, but haven’t read one in years, just buying and bagging them, stuffing them in boxes never to be seen until they die and their relatives go through their stuff. I’m talking about the Star Trek fans who haven’t enjoyed an episode of the show for decades, but continue watching it regularly, just so they can post another Youtube video about how much the franchise sucks since its “glory days.” I’m talking about music fans who haven’t listened to a new band since they were in college, just replaying the same few hundred albums over and over again, convinced that nothing new is good. And I’m talking about “old school gamers” who never play the game any longer and only post long rants about how the game has grown too P.C., too woke, or too whatever the latest term for “politics that are different from mine.”

I discovered the OSR (Old School Revival, if you didn’t know) movement a few years ago. And while there certainly are the usual trolls that younger gamers would expect to find there, a lot of it is surprisingly forward-looking. Sure, a lot of OSR enthusiasts insist on playing first edition Dungeons & Dragons just as it was written forty-plus years ago. But plenty of others have taken that bedrock of a rule system and cleaned it up, stripping out what they don’t like and adding in new innovations.

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Westside Stories: The Gilda Carr Tiny Mystery Fantasies by W.M. Akers

Westside Stories: The Gilda Carr Tiny Mystery Fantasies by W.M. Akers


Westside, Westside Saints, and Westside Lights (Harper Voyager, 2019, 2020, and 2022). Cover designs by Owen Corrigan.

First I heard of W.M. Akers’ Westside books was when Jeff Somers blurbed the first volume for the Best Science Fiction & Fantasy of May 2019 at The Barnes & Noble Sci-fi & Fantasy Blog. Here’s what he said.

In an alternate 1920s Manhattan in which a heavily fortified wall running along Broadway divides the island into Eastside, where the normal laws of reality still apply, and Westside, where things have gone down the magical drain, the latter has become a magical wasteland where only the dregs of society — criminals, artists, and drunks — remain. Gilda Carr calls Westide home, and works as a private investigator specializing in bite-sized mysteries like recovering lost gloves. Somehow, though, her latest case pushes her into a gangland war that connects to her own long-missing father and the reason for the Westside’s descent into unreal chaos. As much as she might like to, Carr can’t sidestep the responsibility she suddenly feels to get to the bottom of both mysteries, for her own sake and that of everyone living in the magic-ravaged city. Akers’ hugely enjoyable debut marries inventive alt-history with truly strange magic and a protagonist you won’t soon forget.

An alternate 1920s Manhattan, a magical wasteland, and a PI who only takes tiny cases? You know I need to check out this one. Westside was a New York Times Notable Book of the Year; sequel Westside Saints arrived a year later. Westside Lights, published in March, closes out the trilogy.

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When Venice Ruled the… Galaxy? Miles Cameron’s Artifact Space

When Venice Ruled the… Galaxy? Miles Cameron’s Artifact Space


Artifact Space
by Miles Cameron (Gollancz, June 14, 2022)

Although I love to watch Sci-Fi shows & movies, I don’t tend to read a lot of Sci-fi, and never have; even though Dan Simmons’s Hyperion Cantos remains one of my favorite set of novels in any genre, and I have an incredible soft-spot for sword & planet pulp.

OTOH, good space opera often blurs the line between fantasy and Sci-Fi, or takes themes we see in historical fiction and contemporary society and plays with them, free from the constraints of, well, history. So, when one of your favorite his-fic/fantasy writers sets out to write a space opera, you need to take the plunge.

It’s a great plunge, indeed. I keep trying to come up with an analog and failing but here is the best I can come up with:

Patrick O’Brien’s Captain Aubrey novels + Horatio Hornblower + Top Gun in Star Trek’s Federation if the Federation had been founded by the Renaissance Venetians.

That’s a lot to unpack, right?

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A (Black) Gat in the Hand: Sci-Fi Meets Police Procedural – Asimov’s Baley & Olivaw

A (Black) Gat in the Hand: Sci-Fi Meets Police Procedural – Asimov’s Baley & Olivaw

You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

So… it’s a sneak preview, as A (Black) Gat in the Hand returns for the fifth straight summer. How about that? We’ll get going full bore after I get back from Howard Days, but here’s a little sci-fi meets mystery to get the 2023 season under way.

From October to December of 1953, a three-part serial from Isaac Asimov ran in Galaxy. In February, The Caves of Steel was published in hardback. Asimov combined the science fiction and mystery genres in the story. The Caves of Steel paints a bleak future for humanity that served as more than just the background of a murder investigation.

Earth became overpopulated and civilization had to adapt to the massive resource needs. Cities became densely populated collectives. Efficiency drove everything. Section units (one, two and three room apartments) rather than houses. Group eating areas, rather than individual kitchens. Common shower and bath units instead of one (or more) per family. Hundreds of miles of high-speed conveyor belts, rather than roads and cars. The ancient, underground roadways were used by official forces to fight fires, or to move about to quell riots.

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Space Traders, Backwater Planets, and Rocket Girls: May/June 2022 Print SF Magazines

Space Traders, Backwater Planets, and Rocket Girls: May/June 2022 Print SF Magazines

May/June 2022 issues of The Magazine of Fantasy & Science Fiction, Asimov’s Science Fiction, and
Analog Science Fiction & Fact. Cover art by Alan M. Clark, 123RF, and NASA

There’s a fine batch of print magazines piled on my nightstand this week. But the clear highlight is the return of James Enge’s delightful traveling wizard Morlock Ambrosius, who made his debut in Black Gate 8. “The Hunger” appears in in the pages of F&SF; Sam Tomaino at SF Revu calls it “Richly done fantasy with a lot of detail in so few pages.”

On the thirteenth of Bayring on her world with three moons, Tilsyni escapes her servitude in a house and dares to walk out into Skeleton Park, a very risky venture. She winds up joining a man who looks like an old peddler but is really a warrior named Morlock Ambrosius with a great sword. When animated skeletons attack, Morlock chops them up. But they just come back together. What can they do about them? Morlock finds a way.

The May/June print magazines contain stories by Norman Spinrad, Octavia Cade, Albert Cowdrey, Paul Di Filippo, Kristine Kathryn Rusch, Rich Larson, Sheila Finch, R. Garcia y Robertson, James Van Pelt, Bruce McAllister, Robert Reed, Adam-Troy Castro, C.H. Hung, Alice Towey, Jerry Oltion, Sean McMullen, Brendan DuBois, and many others.

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Vintage Treasures: The Arbor House Treasury of Horror and the Supernatural compiled by Bill Pronzini, Barry N. Malzberg, and Martin H. Greenberg

Vintage Treasures: The Arbor House Treasury of Horror and the Supernatural compiled by Bill Pronzini, Barry N. Malzberg, and Martin H. Greenberg


The Arbor House Treasury of Horror and the Supernatural
(Arbor House, May 1981)

Back in February I surveyed all ten Arbor House Treasuries, calling them a “Hearty Library of Genre Fiction.” I wanted to take a closer look at a few (and I did crack open The Arbor House Treasury of Great Science Fiction Short Novels, edited by Martin H. Greenberg and Robert Silverberg), and this long Memorial Day weekend I’m settling down with The Arbor House Treasury of Horror and the Supernatural, a massive volume compiled by Bill Pronzini, Barry N. Malzberg, and Martin H. Greenberg.

This is a feast of a book, nearly 600 pages in hardcover, packed with 41 stories by Edgar Allan Poe, Bram Stoker, Winston Churchill, H. G. Wells, Ambrose Bierce, H. P. Lovecraft, Robert Bloch, Cornell Woolrich, William Faulkner, Theodore Sturgeon, Fritz Leiber, Fredric Brown, Karl Edward Wagner, Thomas M. Disch, Robert Silverberg, Ramsey Campbell, Jack Dann, C. M. Kornbluth, Robert Sheckley, Joyce Carol Oates, Stephen King, and dozens of others. It’s a the kind of thing you build a month-long book club project around.

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Goth Chick News: Midnight Syndicate is Celebrating 25 Years of Creating the Soundtrack for Your Dark Side

Goth Chick News: Midnight Syndicate is Celebrating 25 Years of Creating the Soundtrack for Your Dark Side

Anyone who has perused Goth Chick News regularly, knows that if Ed or Gavin (aka Midnight Syndicate) ever come knocking on my chamber door – I’m home. In fact, they were the very first professional interview I conducted for Black Gate following the release of their fourth album, Gates of Delirium, in 2001. From that point forward, they were and are the one and only goth boy-band that can still make me fangirl squee.

If you have managed to miss their many appearances in Goth Chick News, then allow me to catch you up. Midnight Syndicate has been working primarily in the genre of gothic music since 1997 and is based in Ohio. The band refers to their CDs as “soundtracks for the imagination” and their songs are characterized by a blend of instrumental music and sound effects. Midnight Syndicate music is commonly used to provide atmosphere during the Halloween season in haunted attractions, retail stores and theme parks. However, they have also done movie sound tracks, and rumor has it, were the preferred background music at the notoriously famous Halloween parties held at a certain LA mansion, which may or may not have been associated with bunnies.

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Random Reviews: “Lt. Privet’s Love Song” by Scott Thomas

Random Reviews: “Lt. Privet’s Love Song” by Scott Thomas

The Solaris Book of New Fantasy, Cover by Jon Sullivan
The Solaris Book of New Fantasy, Cover by Jon Sullivan

“Lt. Privet’s Love Story” is set in a complex fantasy kingdom which is ruled by sibling monarchs who command a massive and powerful navy. Scott Thomas focuses his attention on a remote seaport, the activities that brought two of the royal navy ships to the seaport, and the actions of a lieutenant that threatens to cause further harm to the fleet.

The title character serves on the frigate North Swan in a fantasy world. After his ship was mysteriously damaged by a ghostly red ship, it put into the harbor at New Crown for repairs. While in port, he becomes smitten with Hazel, the daughter of the local innkeeper. Although one would think that level-headedness and logic were good traits for a lieutenant in a royal navy, Privet fails to demonstrate either of those traits.  Rather than court the barmaid, he goes to Old Crown, located on top of the mountain at which New Crown is at the base, and purchases a love philtre from the twin Deerfield Sisters.

As may be expected, Privet’s used of the magic potion causes difficulties. Having been befriended by Captain Moorsparrow of the Swift Cannon, and his wife, Privet learns that the fleet’s flagship has also been fired upon by the mysterious red ship. To make matters worse, the Swift Cannon was carrying one of the heirs to the throne and was now also in port for repairs, which would delay the repairs to the North Swan.

Naturally, Moorsparrow’s wife winds up unintentionally drinking the love potion, which leads Moorsparrow to challenge Privet to a duel, a situation which will either deprive the royal navy of a ship’s captain or the reader of a character who is presented as the hero, and certainly the protagonist, of the short story. A deadly outcome for the duel is only averted by the sudden reappearance of the red ship.

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