Goth Chick News: The Chicago Fan Expo Kind of Blew Our Minds

Goth Chick News: The Chicago Fan Expo Kind of Blew Our Minds

It’s not often that Black Gate Photog Chris Z and I experience sensory overload at a convention, so this is likely a first. Last weekend, August 16-18, Chicago played host to the Fan Expo in its third year taking over the event from Wizard World.

The 2023 event boasted an impressive list of celebrities, vendors and artists. However, this year was closer to mind-blowing for a lot of reasons that I’m about to tell you. Before I wade in, this is a convention that happens in many cities in the US and Canada throughout the year. We highly recommend you go at least once, if you’re near one of the host cities. You can check out the full line up at my pre-show post.

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A to Z Reviews: “The Spring of Dongke Temple,” by Qitongren

A to Z Reviews: “The Spring of Dongke Temple,” by Qitongren

A to Z ReviewsQitongren offers a mix of fantasy and fairy tale with “The Spring of Dongke Temple.” Originally published in Chinese in 2007, it was translated by Liu Jue in 2019 for publication in the anthology of Chinese science fiction Ticket to Tomorrow and Other Stories. In 2020, Ann and Jeff VanderMeer selected the story for The Big Book of Modern Fantasy.

“The Spring of Dongke Temple” opens with a cautionary tale of a woodsman who stumbled upon the isolated Buddhist temple in the mountains and after a brief stay there returned to his family refusing to say anything about the temple except to note the proliferation of swallows in the ruins. The brief description gives the temple a feeling that it might not be out of place in the tales of H.P. Lovecraft.

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A Red Desert World, Full of Mystery: Old Mars, edited by George R.R. Martin & Gardner Dozois

A Red Desert World, Full of Mystery: Old Mars, edited by George R.R. Martin & Gardner Dozois


Old Mars (Bantam Books, October 8, 2013). Cover by Stephen Youll

This isn’t a Sword & Planet collection per se but is likely to prove interesting to readers of S&P.

It’s a big book, 548 pages of reading in 15 longish stories and an introduction by Martin. All the tales evoke the kind of Mars that readers of Burroughs, Bradbury, and Brackett will recognize — a red desert world full of mystery.

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Margaret Hamilton: Wicked Forever

Margaret Hamilton: Wicked Forever

She’ll get you, my pretty!

The marketing blitz for the upcoming two-part film version of the 2003 stage version of Gregory Maguire’s 1995 novel Wicked (itself a “reimagining” of L. Frank Baum’s seminal 1900 novel, The Wonderful Wizard of Oz) has begun. Years ago, I succumbed to hype exhaustion and saw the musical; I found it mildly diverting, which hardly seemed adequate, considering the superlatives the enterprise was swathed in.

As for the movie, which stars Cynthia Erivo as Elphaba (Maguire’s name, not Baum’s, though it’s supposedly constructed out of his initials – LFB) and Ariana Grande as Glinda, so far all we have to judge it by is the trailer, and from those carefully culled three-and-a-half minutes it looks like all the stops have been pulled out in terms of lavish production values (though in a time when spectacle can be generated on a laptop, one wonders if that means anything anymore). As for the frantic media bludgeoning we’re about to experience, it’s hard to blame the producers for the incipient panic evident in such all-out campaigns; it’s not their fault that movies just don’t mean as much to people as they once did.

Nevertheless, I’m sure that when Wicked is released in November, it will be a smashing financial success and may even be an artistic one; certainly, a lot of talented people are giving it their all. Whatever the size of the film’s box office or cultural footprint, however, I suspect that not many people will still be watching it in 2109, eighty-five years from now — not coincidentally, the same gap separating 2024 from the 1939 that gave us one of the most enduring and beloved of all films, the MGM Wizard of Oz, a flawlessly-cast classic that starred Judy Garland, Ray Bolger, Jack Haley, Bert Lahr, and Frank Morgan.

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Not Fade Away: The Cemetery of Untold Stories by Julia Alvarez

Not Fade Away: The Cemetery of Untold Stories by Julia Alvarez


The Cemetery of Untold Stories (Algonquin Books, April 2, 2024). Cover artist unknown

We live our life telling a story

Of what we’ve said and done

But lately you caused me to worry

That you’re spinning fiction

— Amanda Fish, “The Hard Way,” Kingdom

What perhaps separates humans from our fellow creatures is the capacity, indeed the compulsion, of storytelling. Hardly an original observation on my part (cf., The Stortelling Animal by Jonathan Gottschall), though for all we know the white whale biting off the mad captain’s leg is vocalized in Cetacea pods.

Stories, and discussions of stories, are why you are all reading here. Of course it’s not limited to the literate classes, as the rich oral tradition of ancient cultures demonstrates, not to mention the popularity among screen-addicts of  so-called “reality shows” of otherwise untalented people whose only achievement is being on a reality show. Though even that low level of celebrityhood is further diluted in an era where just about everyone has their own Instagram following.

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What I’ve Been Listening To: August, 2024

What I’ve Been Listening To: August, 2024

A (Black) Gat in the Hand takes another week off, as I’ve continued listening to audiobooks daily. Last month I talked about some of my Audible choices. Whether I’m working, writing, driving, or trying to fall asleep, I am often listening to an audiobook. Often it’s a repeat, so my attention doesn’t have to be focused. But also, new things I wouldn’t get to otherwise.

EGIL & NIX – Paul S. Kemp

My Dungeons & Dragons-playing middle-school self devoured Elric, and Fafhrd and the Grey Mouser; loving both series’. But while I’ve re-read the Melnibonian many times, Leiber’s series lost its appeal. I’ve tried re-reading it a couple times, and just wasn’t into it.

I did enjoy, however, the first two of three Egil & Nix novels by Paul Kemp. These are absolutely an homage to Leiber’s duo. Anyone who likes Fafhrd and the Grey Mouser should really enjoy this pair. The constant non-swearing swearing (shite, farkin) is tiresome, but some authors seem to think it’s useful. Whatever.

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Necronomicon: Sunday, Sundayyyyy

Necronomicon: Sunday, Sundayyyyy

The sleepers wake: attendees start the fourth day of Necronomicon

In the usual life cycle of a con, Sundays range from DOA — they expired sometime in the dark of night and when the sun rises all one finds is an empty, sun-baked dusty street with flies buzzing desultorily on piles of yesterday’s horse dung — to a lively old age that becomes more fragile as the day goes on. Checkouts at the hotel desk are consistent, though a good number leave luggage for later retrieval. But as the 8AM session on Thursday was well-attended, so too the 9:30 session Sunday morning about the correspondence between our man Lovecraft and Robert E. “Conan the Barbarian” Howard filled most of the seats. From this one must conclude Necronomicon’s Sunday will be on the lively side, and no dusty, abandoned street.

Letters constituted a major venue for communication between notables during this time period, and some — alas, not all — made it a practice to retain these letters. As a side-note: a loss to present-day scholarship on Lovecraft occurred when Lovecraft’s spouse burned the letters she’d received from him over the years of their acquaintance, courting, and marriage. And when we’re talking about H.P. Lovecraft and Robert E. Howard, the letters aren’t short little hello-how ya doin’-what’s up affairs, but lengthy epistolary conversations on weighty matters relating to writing style, what constitutes a good and required text for reading, and life, liberty, and the pursuit of publication in the fraught world of the pulps of that era.

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New Treasures: Can’t Spell Treason Without Tea by Rebecca Thorne

New Treasures: Can’t Spell Treason Without Tea by Rebecca Thorne


Can’t Spell Treason Without Tea (Bramble, May 7, 2024). Cover by Irene Huang

I had a few bucks in my pocket during my last trip to Barnes & Noble last week, and came home with some magazines and two books: a handsome reprint of The Black Prism by Brent Weeks, and the breakout cozy fantasy by Rebecca Thorne, Can’t Spell Treason Without Tea.

I’d love to be able to tell you what I thought of Can’t Spell Treason Without Tea. Unfortunately, I can’t. My son stole it. He stayed up reading all night last Saturday. He hasn’t done that since he was eleven.

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Necronomicon Saturday: All the Funs

Necronomicon Saturday: All the Funs


The glorious Vendor Hall at Necronomicon

As Necronomicon enters the full adult stage of its four day life, wee Thursday toddlerdom and energetic Friday late-teens giving way to brawny, wide-shouldered, keen-eyed prime of life. Today sees peak attendance, as day-trippers flock in to swell the ranks of shoppers on the Vendor Hall and help pack the seating in panels and presentations.

The Armitage Symposium organizes traditionally academic panels at Necronomicon, a nice way to draw a distinction between them and more traditional fan-oriented panels, and also a much nicer thing to put on one’s academic vita (like a resume) than the name of a fictional book that contains… stuff.

In The Surpassing Despair Which Flows from a Loss of Identity: Postcolonial Historiography and Race in Lovecraftiana, four academics presented papers on topics that fit under the awkward umbrella of the panel name. I could do a whole post about the art of crafting panel names for collections of academic papers, but whyyyyyyyyyyyyyyyyyyyyyyyyy would I do that to you?

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Necronomicon: The Paneling

Necronomicon: The Paneling

There’s nothing like a well-run ‘con, and veterans of the circuit know the feel of competence, from the preliminary materials and communications to the execution of the event on site. Chief character of this con? The Biltmore Graduate hotel. Still proudly wearing the Biltmore name, this fine building shares con duty with the Omni Hotel here in Providence, Rhode Island. There’s even a Time Machine.

Bright and early, a strong crowd gathered for New York State of Mind: Lovecraft’s New York Period, a panel assembled, far as I can tell, to give a platform to David Goodwin and his book Midnight Rambles: Lovecraft in Gotham. Goodwin and his fellow panelists discussed New York City’s influence on Lovecraft, not shying away from that author’s oft-discussed racism and how his exposure to a variety of immigrants from around the world changed the writer.

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