Tor Doubles: #3 Brian W. Aldiss’s The Saliva Tree and Robert Silverberg’s Born with the Dead

Tor Doubles: #3 Brian W. Aldiss’s The Saliva Tree and Robert Silverberg’s Born with the Dead

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Cover for Born with the Dead by Ron Walotsky
Cover for The Saliva Tree by Lee Edwards

Tor Double #3 was originally published in December 1988.  The two stories included are Brian W. Aldiss’s The Saliva Tree and Robert Silverberg’s Born with the Dead. The volume was published as a tête-bêche, with Les Edwards providing the cover art for The Saliva Tree and Ron Walotsky painting the cover for Born of the Dead.

The Saliva Tree was originally published in F&SF in September, 1965. It won the Nebula Award and was nominated for the Seiun Award.

Set in the mid-1890s, The Saliva tree is the story of Geoffrey Rolles, a young gentleman of leisure in the East Anglian village of Cottersall. His head filled with socialism, he has embarked upon a correspondent with H.G. Wells, one of England’s preeminent socialists of the time. He has also taken an interest in local farmer Joseph Grendon, who has demonstrated his forward thinking ways by installing an electric generator on his farm.

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Goth Chick News: The Chicago Comic & Entertainment Expo Breaks Records for Nerdy Goodness

Goth Chick News: The Chicago Comic & Entertainment Expo Breaks Records for Nerdy Goodness

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C2E2 mailing insert with our Expo passes

Though Black Gate photog Chris Z and I have affectionately referred to ourselves as “horror nerds” almost from the beginning of working together, I was never quite sure if the term “nerd” was offensive to others. Therefore, in making a small nod to Big Cheese John O’s constant plea to not embarrass him, we only said “nerd” (and “geek” for that matter) in private or in hushed tones.

Then suddenly, either due to the term being liberally employed on the Netflix hit Stranger Things, or because compared to the rest of the world right now “nerds” are downright endearing, being one is akin to being a cool kid. So it’s no surprise that I absolutely loved the mailing insert that accompanied our Chicago Comic and Entertainment Expo passes this year.

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The Eccentric’s Bookshelf: Michael Weldon’s Psychotronic Encyclopedia of Film

The Eccentric’s Bookshelf: Michael Weldon’s Psychotronic Encyclopedia of Film

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1983? Let me tell you how it was.

In a World Without the Internet, before Youtube, before Netflix, before Prime, before 4K UHD smart TVs, before social media or Substack or niche newsletters, before IMDb and Rotten Tomatoes, before DVDs and Blu-rays, even before blogs (gasp!), you would find yourself sitting around late at night, channel surfing, listlessly flipping through TV Guide, restlessly looking for something to watch, and you would come across a movie like The Horror of Party Beach and you would think, “What the hell? Is this worth ninety minutes of my life?” And since you would likely have only once chance to see the thing, it was a decision fraught with import. (I’ve always wanted to use that phrase.)

In the absence of all of the resources and options we now take for granted, how did you decide what to do? I’ll tell you what I did — I reached for The Psychotronic Encyclopedia of Film.

The brainchild of Uber-Geek Michael Weldon and an offshoot of his Psychotronic Video magazine, the book is, according to the back cover, “The complete viewer’s guide to the weirdest movies of all time!” It’s a boast that the volume makes good on with one pseudopod tied behind its back.

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A Boy and His Dog: How Archaeology is My Biggest Inspiration

A Boy and His Dog: How Archaeology is My Biggest Inspiration

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Image by Siggy Nowak from Pixabay. This looks like a Stargate. Where’s the dial?

Good afterevenmorn, Readers!

Once upon a time, a much younger me fell into an obsession… Well, several related obsessions, if I’m being honest. Prehistoric Anthropology and Archaeology dug its claws into my brain and would not let go. In what might have been a profound waste of money, I followed that obsession into university, acquiring a Bachelor’s Honours Degree in the subject, with a focus on Celtic Studies. I wrote a thesis that was four times as long as it needed to be (with permission). I wrote on the Continuity of Religious Iconography From the Upper Palaeolithic to the Pre-Roman Iron Age of the Atlantic Façade. Which is to say, basically, some religious beliefs and practices of the Iron Age Celts might just have had their origin in the pre-Celtic peoples of the Stone Age. That’s a lot to cover in just twenty pages, so I handed in eighty-three.

When I say I was/am obsessed, I absolutely meant it.

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A (Black) Gat in the Hand: William Patrick Murray – Who was N.V. Romero?

A (Black) Gat in the Hand: William Patrick Murray – Who was N.V. Romero?

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

Will Murray has graced this column multiple times, and he has delved into a mystery or two. He’s got another one today, looking into a Pulp byline from the nineteen thirties that has gnawed away at him. And by golly, Will finally had enough! Read on…

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For literally decades, I’ve been intrigued and baffled by the cryptic byline N. V. Romero, which was emblazoned on the front cover of the March, 1937 Star Detective Magazine.

I don’t remember where or when I picked up that old Red Circle pulp magazine. Probably at a collector’s convention somewhere in the 1970s or 80s. It grabbed my attention because the cover-featured lead novel bore the intriguing title,
“The X-Man.”

That’s a coinage I did not think existed prior to Marvel Comics releasing X-Men #1 in 1963. So I grabbed it. I probably paid about five bucks. It was in reasonably good condition. And it was published by Martin Goodman, who later launched Marvel Comics.

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Damien Broderick, April 22, 1944 – April 19, 2025

Damien Broderick, April 22, 1944 – April 19, 2025

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Damien Broderick

Australian writer, editor, and critic Damien Broderick has died, April 19, 2025, just a few days short of his 81st birthday. He died peacefully in his sleep after a long illness. He is survived by his wife and occasional collaborator Barbara Lamar.

I had known Damien quite well online for decades, including interactions in newsgroups and on mailing lists as well as personal correspondence. We met only once, at the World Fantasy Convention in 2017, in San Antonio, TX, where Damien lived at that time; and we had a nice if brief conversation. Damien was showing signs of physical frailty at the time but was still mentally sharp. I had the honor of writing the foreword to his 2012 collection Adrift in the Noösphere, and to reprint a couple of his excellent short stories.

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Tubi Dive, Part II

Tubi Dive, Part II

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The Dunwich Horror (American International Pictures, January 14, 1970)

50 films that I dug up on Tubi.

Enjoy!

The Dunwich Horror (1970)

Yes, I can hear some of you clutching at your pearls as I write this, but barring a couple of clips here and there, I had never actually seen this one before.

As Lovecraft adaptations go, I guess you could say this is one of the most faithful, what with familiar names and places and ‘Yog-Sothoth’ being yelled approximately 300 times, but it is a far cry from the original source material.

Corman must have read the description of Wilbur Whateley (“goatish”) and interpreted that as ‘horny,’ because this version of WW just wants one thing, and that’s Sanda Dee naked on a sacrificial shagging stone. This is Dee’s first ‘mature’ film, and I wasn’t impressed — she’s a bit bland in this, however, Dean Stockwell as Wilbur is amazing. Now there is an actor who is FULLY committed.

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Tor Doubles: #2 Greg Bear’s Hardfought and Timothy Zahn’s Cascade Point

Tor Doubles: #2 Greg Bear’s Hardfought and Timothy Zahn’s Cascade Point

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Hardfought cover by Tony Roberts
Cascade Point cover by Tim White

This Tor Double has the distinction of containing two stories which were both nominated for the Hugo for Best Novella in 1984. Zahn beat out Bear for the rocket, as well as works by Hilbert Schenk, Joseph H. Delaney, and David R. Palmer. Bear wouldn’t go away empty-handed, however, since his story “Blood Music” won the Hugo for Best Novelette that same year (beating out works by Kim Stanley Robinson, George R.R. Martin, Connie Willis, and Ian Watson). Published in November of 1988, the cover for Hardfought was painted by Tony Roberts. The cover for Cascade Point was painted by Tim White.

Cascade Point was originally published in Analog in December, 1983. It won the Hugo Award for Best Novella. The story placed second in the Locus poll and the Analog Readers Poll.

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Fantastic, August 1961: A Retro-Review

Fantastic, August 1961: A Retro-Review

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Fantastic, August 1961. Cover by Leo Summers

It’s been a long time since I did a Retro-Review from Cele Goldsmith’s time at Amazing/Fantastic. So I’m happy to be back at it! This issue is from about two years into Goldsmith’s tenure.

There are two features — Norman Lobsenz’s editorial, and the letter column, According to You. (Well, and a brief Coming Soon piece.) The editorial talks about using computers to analyze the various items certain Thais believe have magical powers, ending with a slight joke about hoping to find a love philtre “for Cele.” It introduces the concept by talking about the famous Arthur C. Clarke story in which a computer helps Tibetan monks list all the names of god — but misidentifies the story weirdly by adding another billion names: “The Ten Billion Names of God.”

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Movie of the Week Madness: Duel

Movie of the Week Madness: Duel

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Can anyone dispute Steven Spielberg’s title as the most successful motion picture director of all time? Not if you’re talking box office, you can’t. As of June, 2024, Spielberg’s films have grossed almost eleven billion dollars, putting him two billion ahead of his nearest competitor, James Cameron, and as Randy Newman sang, it’s money that matters. In Hollywood that’s probably truer than anywhere else in the world, and the profits generated by Spielberg’s many successes have more than made up for the losses incurred by his rare failures, making the suits very, very happy.

What about recognition from colleagues and critics? He has been nominated nine times for Best Director, winning twice (for Schindler’s List and Saving Private Ryan), and he received another Oscar as the producer of Schindler’s List when that film won Best Picture. He has a star on the Hollywood Walk of Fame (you can step on him at 6801 Hollywood Boulevard), has won the Academy’s prestigious Irving Thalberg Award (are there any awards that aren’t prestigious?), and has received more honors from various cinematic guilds and organizations than can easily be counted.

This storied career had its humble beginning in television in 1969, when Spielberg directed an episode of Rod Serling’s Night Gallery, and through the early 70’s he directed episodes of various other television shows, including the very first episode of Columbo, Murder by the Book. (And yes, I know about Prescription Murder and Ransom for a Dead Man, but technically those are stand-alone TV movies, not episodes of the series.)

And speaking of TV movies, Spielberg also directed three segments of the ABC Movie of the Week, one of which still stands as arguably the best made-for-TV movie ever. I’m talking, of course, about Duel.

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