Black Gate

Good afterevenmorn!

As I’m prepping for the release of the first part of my free serial story on my person blog (11 days!), I’m thinking a great deal about the characters I tend to find most interesting and therefore tend to write the most about — those poor traumatized souls. It’s not just that they’re imperfect (perfection is horrendously dull, I find), or even just that they’re deeply flawed. They’re hurting and more often than not, they’re acting from that place of hurt. These are the characters I find more fascinating than others both to read and write about. You see, there are two ways they could go. They could either be a hero or a villain, and the smallest slip would begin the plunge into villainy, while achieving heroic heights is always an intense struggle. Reading characters that are teetering on that knife edge is always a good time for me.

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Goodafterevenmorn!

You may recall that I once said that all writing advice is bunk (sort of). I hold that to be mostly true. Knowing this, I’m still going to offer some advice to anyone out there who happens to be a struggling writer (hello, I’m your resident frustrated author who thinks of giving up three times a day. Welcome to my little support group. Do take a seat), because it’s something I desperately need to remind myself. Repeatedly. If there’s one piece of writing advice you should follow to the letter, it’s this:

Don’t quit.

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Good afterevenmorn!

In an effort to try and get myself “out there,” so to speak, and figure out what marketing tricks I can use that don’t feel horrendously icky to me in order to try and inch towards making a living from my writing, I spend a lot of time on TikTok. I sometimes attempt to get my books out there, but those videos never get any views. When I’m just fooling around with the various filters they have, I often get far more views; in the hundreds or thousands. I don’t understand it. I don’t understand the algorithm, or how to take advantage of it. I am terrible at marketing. Still, I try. And I’ll keep trying. Maybe I’ll have it work out randomly. Mostly, I just waste hours of my life scrolling through my feed, which currently consists of international news, Hozier (I watched two videos and TikTok has decided I’m obsessed), and a lot of book content. As is usually the case in BookTok, there is a debate raging right now regarding content/trigger warning appearing at the front of the book.

It’s quite an interesting debate.

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Good afterevenmorn!

In a rather dangerous pastime, I’ve been thinking. I’m a writer, you see (like I don’t mention that as much as possible. How insufferable. Anyway…), and as a writer, I’ve made a good many friends who are also writers. We attend conventions together, we join writing groups, or go out for coffee and chat. In fact, I’m quite certain that the majority of my friends are creatives of one sort or another, and the vast majority of those are fellow writers.

Which, frankly, is fantastic.

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Good day, Readers!

Well, that sounded more passive-aggressive than I intended. Let’s ignore that. One of the beautiful things about social media is the discourse that can be had about all manner of things. Some of it is awful — alright, a lot of it is awful — but it isn’t always. What crossed my feed this week was not one of the awful things, but rather brought up a really interesting discussion about magic in fiction; and how people prefer to consume it.

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Why hello there!

On my last post, I received a question that I want to take the time to answer fully and so, with the commenter’s permission, I’ll do so here. It’s a great question, but it is also indicative of a broader issue with writing advice that I also want to touch on. But first, the question:

There’s a piece of writing advice that I know is well-meant, but I never know what to think of it: the work you are writing now should be your favorite work yet. Any perspectives on that one?

Why yes, yes I have a perspective on that piece of advice. Primarily, this one:

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Hello, Readers!

Once upon a time, there was a person, and that person had inside of them a hundred-thousand worlds, filled with people and events; tales of incredible joy and woe. This person, who contained universes beyond count, had a desperate desire to share them with the world. But they hesitated. What if they weren’t any good? What if they shared these stories that they loved so dear, only to have the world sneer at them, turn their noses, proclaim them to be the worst stories ever told? So, in an effort to prevent that, they travelled the world, making a study of stories and how they’re told so that they might be able to learn the craft, learn how to emulate these stories that people told and loved, and make their own just as good. The stories didn’t have to be the best, but they had to be good.

The apprentice story-teller did not find the answers they sought. Only confusion. Each story-teller they encountered cited different things that made a story good.

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