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Category: Vintage Treasures

“not really now not any more” Red Shift by Alan Garner

“not really now not any more” Red Shift by Alan Garner

He began  to  climb  the  inside  of  the  castle, the folly, the empty stone.
“Tom?”
He climbed.
“Don’t be so bloody dramatic!”
At the top he stood upright, jerkily, balancing against the air above the wall and the cliff.
“You’ll not frighten me!”
He spread his arms and lifted his head to the sky.
“Through the sharp hawthorn blow the winds,” he shouted. “Who gives anything to poor Tom? Tom’s a-cold! Bless thee from whirlwinds, starblasting, and taking!”
“Stop it! You’re all quote! Every bit! Any you call me second hand!”
“Pillicock sat on Pillicock-hill. Halloo, halloo, loo, loo!”
“You can’t put two words of your own together! Always someone else’s feeling! Other people have to hell to find words for you! You’re fire-proof!”

Red Shift (1973) by Alan Garner, is a complex book that weaves together three distinct but related stories. The main story, set in 1970s England, is about Tom and Jan, teenagers struggling to maintain their love in the face of Tom’s disapproving parents, looming separation as Jan prepares to enter nursing school in London, and Tom’s unsettled mental state. Jan is constantly expressing her love for Tom, but he seems incapable of really accepting that.

The second story is about Macey is part of a band of deserters from the Roman IX Legion named Macey and a tribal priestess raped and held prisoner by his comrades following the slaughter of her entire village. He is given to berserker rages where he fights like ten men and experiences visions of the other two stories.

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Vintage Treasures: A Door Into Ocean by Joan Slonczewski

Vintage Treasures: A Door Into Ocean by Joan Slonczewski


A Door Into Ocean (Avon, February 1987). Cover by Line

Joan Slonczewski’s first novel, Still Forms on Foxfield, was published in 1980, but it was their second novel, A Door Into Ocean, which made a real splash, winning the John W. Campbell Memorial Award for Best Science Fiction Novel (not to be confused with the old Campbell Award for Best New Writer, now called the Astounding Award, on account of Campbell being a racist goofball.)

Slonczewski is referred to as ‘she’ and ‘her’ on virtually every bio and interview I’ve found on the web — including the Kenyon College faculty page where Slonczewski is a Chair of Biology — but their website and Wikipedia page give their pronouns as they, them, theirs, so that’s what I’ll use here.

A Door Into Ocean was the book that made readers sit up and take notice of Slonczewski. They followed it with three more books in what became known as the Elysium Cycle: Daughter of Elysium (1993), The Children Star (1998), and Brain Plague (2000). Often compared to Le Guin’s The Left Hand of Darkness, A Door into Ocean explores a colony planet covered entirely by water, occupied by an all-female offshoot of humanity who have become skilled genetic engineers.

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Mission to the Mesozoic: The Shores of Kansas by Robert Chilson

Mission to the Mesozoic: The Shores of Kansas by Robert Chilson


The Shores of Kansas (Popular Library, March 1976). Cover by Mariano

Here’s another in my series of reviews of fairly obscure books from the ’70s and ’80s. Like some others, this review is of a book I bought at the Windy City Pulp and Paper Convention in Lombard, IL, earlier this year.

Rob Chilson is a Kansas City based writer (though born in Oklahoma) whose first story appeared in Analog in 1968. (Likely he is one of the few John W. Campbell discoveries still alive, though I think Donald Kingsbury, who is 94 and whose first story was in Astounding in 1952, remains the senior among that group.) His first stories and novels, including this one, were published as by Robert Chilson, though by the mid-80s he was using Rob.

I’ve known Rob for a number of years, seeing him most often at the KC convention ConQuesT. I saw him most recently at the World Fantasy Convention, which was in Kansas City this year, where he was kind enough to sign this very book for me. He’s a fine writer, and I’ve enjoyed his short fiction for a long time, with notable stories including “This Side of Independence,” “Farmers in the Sky,” “The Conquest of the Air,” and a series of stories set 60,000,000 years in the future, called collectively “Prime Mondeign.” (The most recent of these is “The Tarn,” from Analog in 2015.)

I had not read any of his novels until I recently tried his first, As the Curtain Falls, also set in the very distant future. It had interesting aspects, but ultimately I felt it didn’t quite work, and it was clearly a first novel that probably could have used another revision. I’m happy to report that The Shores of Kansas, his third novel, from 1976, is much better.

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Vintage Treasures: The Bard Series by Keith Taylor

Vintage Treasures: The Bard Series by Keith Taylor


Bard, Volumes I-IV (Ace Books, 1981-97). Covers by Don Maitz

In October 1975 an unknown author named Dennis More made his debut in Fantastic magazine with “Fugitives in Winter,” the rousing tale of Felimid mac Fal of Eire, a bard whose tools are his ancient harp Golden Singer, and his magic sword, Kincaid. Eight more tales of Felimid followed, in places like Fantastic, Weird Tales, and Andrew Offutt’s Swords Against Darkness.

‘Dennis More,’ as it turned out, was Australian writer Keith Taylor, who began writing under his own name with the story “Hungry Grass” in Swords Against Darkness V (1979). In 1981 Taylor collected four of his early Felimid stories  — along with a brand new novella — in the fix up novel Bard, which Fletcher Vredenburgh called “a perfect artifact from the glory days of 1970s swords & sorcery.” It spawned a long-running series that lasted five volumes (with rumors of a sixth in the pipeline).

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Superior Sword-and-Planet: The Bane of Kanthos by Alex Dain

Superior Sword-and-Planet: The Bane of Kanthos by Alex Dain


The Bane of Kanthos (Ace Books, October 1969). Cover by Gray Morrow

I read The Bane of Kanthos by Alex Dain in the original 1969 edition, which was part of an Ace Double with Kalin by E. C. Tubb. The cover uses the phrase sword-and-sorcery, but The Bane of Kanthos is a sword & planet novel. An earthman is transported to an alternate world via passage through a black gate. He discovers that the world is at risk from a great, reawakened evil, and that he is the only one who can save it.

There are staunch allies, nasty villains, and a beautiful warrior-princess. All these tropes are familiar, but I enjoy them. What raised this book above the standard level for me was the fine writing. I thought the author’s word usage and prose choices were excellent.

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Dread Monsters and Sinister Menaces: The Worlds of James H. Schmitz

Dread Monsters and Sinister Menaces: The Worlds of James H. Schmitz

Telzey Amberdon-small Agent of Vega & Other Stories-small Eternal Frontier-small


Three Bean omnibus reprint volumes featuring James H. Schmitz:

Telzey Amberdon, Agent of Vega and Other Stories, and Eternal Frontier
(March 2000, November 2001, September 2002). Covers by Bob Eggleton

Two years ago I created a Facebook post about a Black Gate Vintage Treasures article on James H. Schmitz’s 1979 novel Legacy. One of the interesting things about Facebook is that you’ll occasionally get comments years later, and that’s what happened this time. On November 3rd of this year Allan T. Grohe Jr. responded to that ancient post with two intriguing questions for me.

John: do you know of any 1/ interviews with Schmitz? — other than the one in Moebius Trip #15 from 1972, which I’m aware of but seems pretty difficult to find, or 2/ literary studies of Schmitz’s works?

I first read Schmitz about 15 years ago, via Eric Flint’s Baen collections, and he ranks up there with Herbert as a worlds-builder, in my estimation! 🙂

Unfortunately I don’t know of any interviews with, or studies of, James Schmitz. But that comment did lead to a broader and very rewarding conversation with Allan, in which I learned about his own writing on Schmitz.

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Vintage Treasures: Out on Blue Six by Ian McDonald

Vintage Treasures: Out on Blue Six by Ian McDonald


Out on Blue Six (Bantam Spectra, May 1989). Cover by Will Cormier

Ian McDonald has written some of the most acclaimed science fiction of the last four decades. His first novel Desolation Road (1988), about an oasis town on a far-future Mars, won the Locus Award, and his King of Morning, Queen of Day (1991) won the Philip K. Dick Award. His novels River of Gods, Brasyl, and The Dervish House were all nominated for the Hugo Award, and he’s been nominated for the BSFA (British Science Fiction Association) Award numerous times, including for his novels Terminal Cafe, Chaga, and Luna: New Moon.

Out on Blue Six is something of an oddity in his catalog. His second novel, it tells the tale of a group of “pain criminals” in a far-future state where all forms of pain and unhappiness are illegal. Ian McDonald has gone on record saying “I hate [it]… I wish I hadn’t written the damn thing.” Kat Hooper at Fantasy Literature, in her review Out on Blue Six: Really bizarre, calls it “strange all the way through… and over-stimulating, like an acid trip.”

None of that has dissuaded the book’s many fans, of course, who adore this book.

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Donald A. Wollheim and the Death of the Future

Donald A. Wollheim and the Death of the Future


The 1987 World’s Best SF (DAW Books, June 1987). Cover by Tony Roberts

I’ve been reading a lot of older science fiction recently, though not in a very organized fashion. I pulled Wollheim’s 1987 World’s Best SF off the shelf this morning to read Pat Cadigan’s cyberpunk Classic “Pretty Boy Crossover,” which I saw on the table of contents of Jared Shurin’s The Big Book of Cyberpunk. I prefer to the read the original, when I can.

Of course I got distracted by the rest of the book, which contains plenty of classic tales, including Lucius Shepard’s Nebula award-winning 87-page novella “R & R,” Roger Zelazny’s Hugo-winning “Permafrost,” Howard Waldrop’s Nebula nominee “The Lions Are Asleep This Night,” and a few delightful surprises. I wrote it up as a Vintage Treasure back in April.

But the thing that really commanded my attention this time was Wollheim’s curmudgeonly introduction, which contains the most uncharitable description of the Challenger disaster and crew I’ve ever read, and his wildly off-base assessment of this new-fanged cyberpunk stuff, which he asserts “has something to do with computers and their programming and possibly — considering the derogatory term “punk” — with snubbing accepted traditions.”

Today it reads more like a eulogy for the bright and shiny future science fiction once promised than an introduction by one of the founding fathers of the genre.

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Vintage Treasures: Tales By Moonlight edited by Jessica Amanda Salmonson

Vintage Treasures: Tales By Moonlight edited by Jessica Amanda Salmonson


Tales by Moonlight, volumes One and Two (Tor, January 1985
and July 1989). Covers by Mark E. Rogers and Jill Bauman

Jessica Amanda Salmonson has produced only a handful of anthologies, but they are all highly regarded. Her first, Amazons!, won the World Fantasy Award in 1980, and the two Heroic Visions volumes she edited in the mid-80s are still enjoyed and discussed today, with an original Fafhrd and the Gray Mouser novella by Fritz Leiber, plus terrific sword and sorcery tales by Jane Yolen, Phyllis Ann Karr, F. M. Busby, Alan Dean Foster, Robert Silverberg, Joanna Russ, Michael Bishop, Keith Roberts, Ellen Kushner, Avram Davidson, Manly Wade Wellman, Grania Davis, and Thomas Ligotti.

Salmonson’s held in such high regard that I recently decided to investigate her two Tales by Moonlight anthologies, published by Tor in the late 80s, and I’m very glad I did. They contain a rich assembly of talent, including Thomas Ligotti, Ruth Berman, H. P. Lovecraft, Janet Fox, Steve Rasnic Tem, W. Paul Ganley, Spider Robinson, John Varley, Charles L. Grant, Nina Kiriki Hoffman, Jayge Carr, W. H. Pugmire, Ramsey Campbell, Joseph Payne Brennan, Phyllis Ann Karr, Eileen Gunn, and many more.

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I Was A Teenage Abomination from Another Dimension: The Inhabitant of the Lake & Other Unwelcome Tenants by Ramsey Campbell

I Was A Teenage Abomination from Another Dimension: The Inhabitant of the Lake & Other Unwelcome Tenants by Ramsey Campbell

Original Arkham House cover

Dear Mr. Campbell,

I have received your stories, but I have had time to read only one or two of them. I don’t want to comment on them in extended fashion until I’ve read all, but I do think them competent. However, there is one alteration I think you should definitely make; Mr. Wandrei would insist on it, and that is to remove your stories from the Lovecraft milieu. I mean, keep the Gods, the Books, etc., but establish your own place. This would give the stories vastly more authenticity as an addition to the Mythos rather than pastiche pieces, and it might then be possible for us to consider their book publication in a limited edition over here.

What I suggest you do is establish a setting in a coastal area of England and create your own British milieu. This would not appreciably change your stories, but it would give them a much needed new setting and would not, in the reader’s mind, invite a direct comparison with Lovecraft, for in such a comparison they would not show up as well as if you had your own setting and place-names for the tales.

August Derleth to Ramsey Campbell, 6 October, 1961

Inspired by HP Lovecraft’s stories to write his own tales of cosmic horror, at the age of fifteen, Ramsey Campbell was encouraged by friends to submit them to August Derleth and Arkham House. He did, and the rest was horror fiction history. Taking Derleth’s advice to heart, he created his own version of Lovecraft Country; a drear and haunted region of the Severn Valley wedged between the cities of Bristol and Gloucester and the western edge of the Cotswolds.

The Arkham House collection, originally titled The Inhabitant of the Lake and Less Welcome Tenants was released in 1964 when Campbell was eighteen. They may not be the best Lovecraft-inspired stories, and they’re definitely not Campbell’s best stories, but they are good fun and well worth a read.

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