Black Gate

The Devil in a Forest (Ace Books, 1981). Cover by Kinuko Y. Craft

The Devil in a Forest was Gene Wolfe’s third novel, following Operation Ares and Peace. It was published in 1976, and was very much overshadowed by the release of The Shadow of the Torturer, the opening novel in Wolfe’s masterwork Book of The New Sun, in 1980. Still, in the four and a half decades since its release it’s been much discussed. But my favorite review was this on-the-nose piece by Paul de Bruijn at Rambles:

You know the phrase “You can’t judge a book by its cover?” Well, sometimes you can’t judge a book by the publisher’s blurb on the back, either. Gene Wolfe’s The Devil in a Forest proves the point well…

“He lives deep in the forest in the time of King Wenceslas, in a village older than record. The young man’s hero-worship of the charming highwayman Wat is tempered by growing suspicion of Wat’s cold savagery, and his fear of the sorceous powers of Mother Cloot is tempered by her kindness. He must decide which of these powers to stand by in the coming battle between Good and Evil that not even his isolated village will be able to avoid.”

I would love to know what book that is describing, because it is not The Devil in a Forest. Instead you get a story of a handful of villagers who get caught up in events beyond their control. It starts with the simple plan of getting the local highwayman to leave by helping him commit armed robbery. And Wat plays on the greed of a few of them masterfully. Creating a story of a rich pilgrim, he sends several people away so that he, Gloin, Matt and a char burner can rob Phillip the Cobbler. And then of course things start to go wrong…. it is a story well worth the reading.

Wolfe, who passed away last year, shows no sign of being forgotten by the usually fickle SF fanbase, and he’s discussed (and read) just as much as he’s always been. It’s gratifying to see. The Devil in the Forest was published in hardcover by Follett Publishing in 1976, and reprinted in paperback by Ace Books in November 1977 with a cover by F. Kegil, and again in 1981 with a new cover by Kinuko Y. Craft (above). The 1981 edition is 224 pages, priced at $2.25. See all our recent Vintage Treasures here.

Needle (Doubleday, 1950, cover artist unknown)

Needle
by Hal Clement
(Astounding Science Fiction, May-June 1949; expanded to book form: Doubleday, 222 pages, $2.50 in hardcover, 1950)

Hal Clement (legal name Harry Stubbs) was one of the stable of science fiction writers developed by John W. Campbell in the pages of Astounding magazine in the 1940s. His first story was “Proof” in the June 1942 issue and his next 10 stories appeared in the magazine throughout the ‘40s. He’s most famous for the 1954 novel Mission of Gravity and his reputation rests on its sort of hard science fiction: alien environments rigorously extrapolated from known physical principles. (Others in this vein were Iceworld, 1953, and Cycle of Fire, 1957.)

His first novel is a little different. This is Needle, serialized in Astounding and expanded to book form the following year for Doubleday. And published, incidentally, as a juvenile, in the “Doubleday Young Moderns” series, despite, as SFE notes, certain themes. (The edition I’m reading, and using pagination from, is a 1974 trade paperback reprint in Avon/Equinox’s SF Rediscovery series, with an odd cover illustration depicting two Greek-like gods fighting in the clouds. Photo below.)

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Cover art by Carl Lundgren

Robert Holdstock, who died in 2009, was one of the most important fantasists of the 20th Century. While he wrote over a dozen novels, he’s chiefly remembered for his breakout novel Mythago Wood and its sequels. In his review right here last year, James Van Pelt wrote:

I really can’t recommend Mythago Wood enough. In a time when everyone else was echoing Tolkien, Holdstock created a completely different take on fantasy (rural fantasy — if that’s a genre). I loved this story of two brothers, their estranged and absent father, and a patch of wood that was only three miles around but infinitely deep… Of all the books I’ve read, none has impacted me as strongly at the end as this novel. Endings are hard, so when I read a perfect one, I take notice…

Mythago Wood appeared in 1984. Holdstock published a number of novels prior to the huge success of Mythago Wood, including a pair edited by David G. Hartwell for his legendary Timescape imprint: Earthwind and Where Time Winds Blow, both published in 1982. The combination of Holdstock’s later fame, the Timescape logo, and the fact that neither was ever reprinted in the US has made both of these paperbacks of interest to collectors.

In his 2018 article Why Editors Matter: David Hartwell’s Extraordinary Timescape Books at Tor.com, James Davis Nicoll highlighted why so many collectors today cherish Timescape.

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Cover by Richard Bober

Before she became an international fantasy superstar with The Farseer trilogy and the Liveship Traders novels, Robin Hobb published nearly a dozen highly-regarded books under the name Megan Lindholm, including Wizard of the Pigeons (1985), the SF novel Alien Earth (1992), and The Ki and Vandien Quartet. In tone and subject they are very different from the Robin Hobb-branded heroic fantasy that made her a bestselling author, but even by that standard Cloven Hooves stands out. It’s the story of a modern woman who leaves her husband to have an affair with a satyr, with a lot of graphic sex.

It’s a very different adult fantasy, and while it made the preliminary Nebula ballot, it vanished almost without a trace. It remained out of print in the US for nearly three decades, until it was reprinted by Harper Voyager as part of their Voyager Classics line this past April. It’s worth seeking out for Hobb fans, or any serious fan of contemporary fey fantasy. Here’s a snippet from Georges T. Dodds SF Site review.

Read a hundred pages into Cloven Hooves and you’d be convinced you were reading a very conventional, if well-written, mainstream novel: an everyday story of a woman, Evelyn, and her odyssey from an unfettered and imaginative childhood in rural Alaska to a crumbling marriage among her husband’s family in Washington State. The remainder of the book, however, chronicles her passionate relationship, mating, and bearing a child to a woodland satyr. Certainly, as with her urban fantasy Wizard of the Pigeons, mainstream readers said, “what’s with the fantasy element?” While fantasy readers said, “what’s with the 100 pages of character development and the mythology that’s as old as the hills?” Ultimately the poor sales of her novels under the name Megan Lindholm, by her own admission, led her to recast herself as Robin Hobb…

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