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Category: Vintage Treasures

The Golden Age of Science Fiction: Stephen King

The Golden Age of Science Fiction: Stephen King

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Cover by Alex Gotfryd
Cover by Alex Gotfryd

Stephen King
Stephen King

Cover by Dave Christensen
Cover by Dave Christensen

The World Fantasy Awards are presented during the World Fantasy Convention and are selected by a mix of nominations from members of the convention and a panel of judges. The awards were established in 1975 and presented at the 1st World Fantasy Convention in Providence, Rhode Island. Traditionally, the awards took the form of a bust of H.P. Lovecraft sculpted by Gahan Wilson, however in recent years the trophy became controversial in light of Lovecraft’s more problematic beliefs. The first Special Convention Award was presented in 1978 to Glenn Lord. Two years later, Stephen King received the award when the convention was held in Baltimore, Maryland.

Stephen King’s first professional sale was the story “The Glass Floor,” which appeared in the Fall 1967 issue of Startling Mystery Stories, edited by Robert A.W. Lowndes. He continued publishing short fiction and his first novel sale was Carrie, which originally was meant to be a short story, but which he lengthened. It was published in 1974 and turned into a movie in 1976, establishing a long-running collaboration between King and Hollywood. To date more than 200 films and television shows have been based on King’s work.

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Space Empires, Ruined Civilizations, and Lovable Aliens: The Best of Eric Frank Russell

Space Empires, Ruined Civilizations, and Lovable Aliens: The Best of Eric Frank Russell

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The Best of Eric Frank Russell-small The Best of Eric Frank Russell-back-small

Cover by H. R. Van Dongen

The Best of Eric Frank Russell (1978) was the eighteenth installment in Lester Del Rey’s Classic Science Fiction Series. Alan Dean Foster (1946–) provides the introduction, his first and only introduction for the series. H. R. Van Dongen (1920–2010) does his seventh cover (far surpassing Dean Ellis’s five). Since Eric Frank Russell (1905–1978) was unavailable at the time this volume was compiled, no Afterword is included.

Alan Dean Foster relates in the introduction that during a lunch with John Campbell they realized they both had the same favorite sci-fi writer: Eric Frank Russell. But both lamented (this was 1968) that Russell no longer wrote that much. This seems like very high praise, since it comes from two very influential figures in the sci-fi field. But who was Eric Frank Russell, and why did he quit writing?

Eric Frank Russell was a British writer (which I found surprising since his dialogue sounds American to my reading). He grew up in a military family, but didn’t serve in the military until World War II. Most of his early life was spent writing for American and British pulp magazines. He also produced a few novels, some fairly successful, including Sinister Barrier (1943) and Wasp (1957), which was optioned by Ringo Starr of The Beatles, but never filmed.

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Vintage Treasures: The Quiet Invasion by Sarah Zettel

Vintage Treasures: The Quiet Invasion by Sarah Zettel

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The Quiet Invasion Sarah Zettel-small The Quiet Invasion Sarah Zettel-back-small

Cover by Steve Youll

Sarah Zettel launched her career in pretty spectacular fashion in 1996 with the novel Reclamation, which was nominated for the Philip K. Dick Award and won the Locus Award for Best First Novel. Her second, Fool’s War (1997), came in 8th in the Locus poll for Best SF Novel, and was a New York Times Notable Book of the Year.

The Quiet Invasion (2000) was her fourth novel, a tense and original tale of First Contact. Publishers Weekly said Zettel’s “aliens soar forward in unexpected and wonderful ways, making this a first-contact novel worth reading and relishing.” Here’s a snippet from their review.

Zettel (Fool’s War, etc.) has a gift for creating fascinating aliens with rich cultures and radically different, though still comprehensible, mindsets… a nearly omnipotent United Nations on Earth controls what happens to the colonies on Mars, the Moon and, especially, Venus. The Venus colony is the life’s work of Dr. Helen Failia, who has done everything possible to make the base a self-sufficient outpost rather than a temporary research station. Just as Helen is about to lose funding for her beloved city, the surface of Venus sprouts what appears to be an alien artifact. Closely monitoring the humans’ discovery of the artifact are aliens from another planet, who are looking to claim Venus as their new home… Their complicated belief system dictates that they cannot colonize Venus if humans have a legitimate claim to the planet, but if they judge the humans insane, they can destroy them like weeds.

When I was editor of SF Site back in the 90s, we previewed the complete first chapter of The Quiet Invasion. Twenty years later it’s still posted for your reading enjoyment here — who says nothing lasts on the internet?

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Of Horizons and Common Sense Lost

Of Horizons and Common Sense Lost

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51G8TVzla+L._SX323_BO1,204,203,200_I recently got around to reading Gerry Conway’s introduction to Marvel’s Deadly Hands of Kung Fu Omnibus, Volume One for a forthcoming article. If there was a retroactive Astounding Award for Best Self-Loathing Writer of 2016, Mr. Conway would surely be a contender. There is nothing wrong with a writer looking back in some embarrassment over past work or even admitting their good intentions now seem naive from the vantage point of the present, but Mr. Conway apologizes so profusely for several thousand words one would be forgiven for thinking he committed a capital crime.

Truth be told, Mr. Conway’s unforgivable sin was his cultural appropriation in daring to cast people of color as heroes in his fiction of the 1970s. For you see, by some cruel twist of fate, he had the misfortune to be born to a white family and raised in a white neighborhood in the 1950s. Personally, I thought his having created diverse characters to appeal to minority readers and encourage tolerance among all readers in the decade following the Civil Rights movement is something he should be proud of, but apparently not so.

What’s more, all of his wailing and grinding of teeth is in the form of an introduction to a volume reprinting the work he is so ashamed of. One wonders what the purpose is of writers telling readers who just spent money buying reprints of their work how truly offensive those same works are. Given that Mr. Conway spent much of his career at Marvel Comics channeling Stan Lee’s voice, one wonders why Stan Lee isn’t likewise condemned for cultural appropriation for creating Black Panther and the Utopian nation of Wakanda. Of course, logical thinking isn’t advisable in a society that feeds off emotional reactions to maintain a constant state of division.

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Vintage Treasures: Minds Unleashed, edited by Groff Conklin

Vintage Treasures: Minds Unleashed, edited by Groff Conklin

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Minds Unleashed-small Minds Unleashed-back-small

Minds Unleashed, Tempo Books, 1970. Cover by, well, no one really knows.

You know what I try hard to do every day? Not sit around and talk about the good ‘ole days. It takes effort, let me tell you.

Not that everything was better in the good ‘ole days, Lord knows. But you could get terrific original anthologies in spinner racks at the supermarket for under a buck, and let’s face it, that’s what really matters.

Anthologies like Groff Conklin’s Minds Unleashed (Tempo, 1970). Just look at that gorgeous cover. A big red brain with a glowing blue ball representing… I dunno? The super brainpower we’d all have fifty years in the future, probably? I love it. I don’t love that Tempo Books was such a low-budget operation that they couldn’t afford to tell you who painted the damn cover, but these are the burdens we live with. Mind you, if you do the math, that far-off future fifty years after 1970 is… the year 2020. Which means my blue floaty brainball should show up any day now. Come on, future brainpower.

While we’re waiting, we can all can help prepare our superbrains by reading great science fiction stories about “the potential of human imagination and the range of strength of human intelligence” by Arthur C. Clarke, Theodore Sturgeon, Murray Leinster, Robert A. Heinlein, Poul Anderson, Eric Frank Russell, Isaac Asimov, William Tenn, and many others. Let’s have a look at the table of contents.

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The Golden Age of Science Fiction: Debut Novels

The Golden Age of Science Fiction: Debut Novels

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Cover by Ian Wright
Cover by Ian Wright

Cover by Larry Kresek
Cover by Larry Kresek

Wereblood
Wereblood

Taking a break from award winners, several authors published their first novels in 1979.  Some of these authors had previously published short stories and one notable one was active in radio and television and wound up winning several awards for work done in 1979 (Douglas Adams).  Here is a look at some of the debut novels of 1979.

Perhaps the biggest splash for a debut novel in 1979 was Douglas Adams’s The Hitchhiker’s Guide to the Galaxy, although it was really a novelization and abridged version of his radio show of the same title, which had previously aired in 1978. The novel, of course, sparked a series of five novels by Adams, plus one more by Eoin Colfer, and adaptations for stage, television, screen, and upcoming, a streaming service. A satire on the tropes of science fiction, the absurdity of the situations and responses in the books hit a nerve with the public and have expanded beyond the genre, with people who haven’t read science fiction at least recognizing that the number 42 is a cultural touchstone.

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Vintage Treasures: Strange Invasion by Michael Kandel

Vintage Treasures: Strange Invasion by Michael Kandel

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Strange Invasion-small Strange Invasion-back-small

Bantam Spectra Special Edition (1989), cover by Edwin B. Hirth, III

Michael Kandel began his career translating Stanislaw Lem’s Polish novels into English, including The Futurological Congress, The Cyberiad, and The Star Dairies. He was twice nominated for a National Book Award for his efforts. In 1989 he published his first novel with Bantam Spectra, Strange Invasion, followed quickly by In Between Dragons (1990), Captain Jack Zodiac (1991), and Panda Ray (1996). Since then he’s been writing mostly short fiction, most recently two stories in Gordon van Gelder’s 2017 anthology Welcome to Dystopia.

At the time Strange Invasion appeared, Bantam Spectra was the most prestigious imprint in the business. Founded by Lou Aronica when he was just 27 years old, its first release was David Brin’s Startide Rising (1983), which claimed a Hugo and a Nebula award. Spectra followed up with multiple hits, including Neal Stephenson’s debut Snow Crash (1992) and bestsellers from Isaac Asimov, Arthur C. Clarke, Raymond Feist, William Gibson, and Neil Gaiman — and, in 1996, a little book called A Game of Thrones, by George R.R. Martin. His acclaimed Full Spectrum anthology series ran for five volumes. Before he left Bantam in 1994, Aronica acquired five consecutive Nebula Award winners. In recent years the imprint has become moribund, and I believe it is now dead.

Strange Invasion came in 5th in the annual Locus Award for Best First Novel. But it has never been reprinted, and hasn’t seen a lot of modern attention. In some quarters it is still considered a modern classic, however. For example, here’s Don Web’s review at Bewildering Stories.

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The Dawn of Comics in The Amazing Adventures of Kavalier & Clay, by Michael Chabon

The Dawn of Comics in The Amazing Adventures of Kavalier & Clay, by Michael Chabon

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It isn’t often that comic books are a legitimate topic in works of literature, or that when they are, the book in question wins a Pulitzer. The Amazing Adventures of Kavalier & Clay, by Michael Chabon, is such a novel. It was published in 2000 to near universal acclaim. It tells the story of two Jewish cousins from 1939 to 1953.

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Dinosaurs, Mermaids, and Haunted Lumber: The Best of L. Sprague De Camp

Dinosaurs, Mermaids, and Haunted Lumber: The Best of L. Sprague De Camp

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The Best of L. Sprague De Camp Book Club Edition-small

The Best of L. Sprague de Camp
(Science Fiction Book Club edition, 1978. Cover by Richard Corben)

The Best of L. Sprague De Camp (1978) was the fifteenth installment in Lester Del Rey’s Classic Science Fiction Series. Poul Anderson (1926–2001) gives the introduction. Darrel Sweet (1934–2011) does his second cover of the series, the first being The Best of Cordwainer Smith. L. Sprague De Camp (1907–2000), still living at the time, wrote the afterword.

I’m a fairly late-comer to science fiction. I grew up with Star Wars and typical sci-fi shows and movies of the late 70s and 80s, but my reading picks tended to be more towards fantasy and horror. So, like many of these classic sci-fi authors in the Del Rey series, L. Sprague De Camp was a new name to me. And it’s interesting, I think, how one can come to a new writer.

In all honesty, I was not looking forward to reading this volume. Most of what I’ve read of and about De Camp hasn’t given me the most favorable impression. Case in point: A couple of years ago I compared De Camp’s Robert E. Howard (REH) biography with Mark Finn’s. If you know anything about De Camp’s reputation among many REH fans, you’ll know that it is usually less than favorable (again, see my earlier post for more details). And, after reading De Camp’s REH bio, I came around to agreeing with some of this critical press. In short, I thought that De Camp could often come off as conceited with his overly bold claims, especially given his tendency of providing insufficient evidence — or none at all!

But after reading The Best of L. Sprague De Camp, I have to say that despite his reputation with many an REH fan, this has become one of my favorite volumes in the Del Rey series. I found De Camp to be a very fascinating writer. Two things, I think, really stand out in his science fiction writing.

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The Golden Age of Science Fiction: “The Woman Who Loved the Moon,” by Elizabeth A. Lynn

The Golden Age of Science Fiction: “The Woman Who Loved the Moon,” by Elizabeth A. Lynn

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Cover by Michael Whelan
Cover by Michael Whelan

The World Fantasy Awards are presented during the World Fantasy Convention and are selected by a mix of nominations from members of the convention and a panel of judges. The awards were established in 1975 and presented at the 1st World Fantasy Convention in Providence, Rhode Island. Traditionally, the awards took the form of a bust of H.P. Lovecraft sculpted by Gahan Wilson, however in recent years the trophy became controversial in light of Lovecraft’s more problematic beliefs and has been replaced with a sculpture of a tree. The Short Fiction Award (sometimes called short story award) has been part of the award since its founding, when it was won by Robert Aickman for “Pages from a Young Girl’s Journal.” In 1980, the year Lynn received the award for the story “The Woman Who Loved the Moon,” the convention was held in Baltimore, Maryland. Lynn tied for the award with Ramsey Campbell for the story “Mackintosh Willy.”

The World Fantasy Awards were good to Elizabeth A. Lynn in 1980. Her novels Watchtower and The Dancers of Arun both were nominated for the Best Novel award, with Watchtower winning, but her short story “The Woman Who Loved the Moon,” originally published in Jessica Amanda Salmonson’s anthology Amazons!, tied for the short fiction award (and the anthology would also win a World Fantasy Award that evening).

The story is a take on a traditional type of revenge fairy tale, although Lynn adds her own twists to it. Three sisters are mighty warriors in their homeland, so much that they scare off all possible suitors, reminiscent of the Greek story of Atalanta, times three. The sisters each specialize in a different weapon an eventually a warrior who claims to be from a distant land shows up and challenges and kills the first sister. On the stranger’s second visit, the second sisters seeks revenge and is also best in combat, but the third sister, in seeking vengeance falls in love and essentially enters a fairy realm, only returning home decades later.

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