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Category: Vintage Treasures

Vintage Treasures: The Inquisitor by Cheryl J. Franklin

Vintage Treasures: The Inquisitor by Cheryl J. Franklin

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The Inquisitor by Cheryl J. Franklin. DAW, 1992. Cover by Les Edwards

Cheryl J. Franklin was one of a reliable stable of women writers upon whom DAW built a mighty paperback dynasty in the late 80s and early 90s. While science fiction of the 60s and 70s was dominated by slender volumes of male-focused adventure, DAW (and others) shook things up at the end of the century — and grabbed an impressive share of the market in the process — by showcasing female writers and sprawling SF and fantasy operas with (gasp) a hint of romance. Melanie Rawn, Mercedes Lackey, C. S. Friedman, Kate Elliot, Mickey Zucker Reichert and Cheryl J. Franklin were right there in the front lines, and you got used to seeing their names on the paperback racks.

Franklin produced two series with DAW, both of which were fairly popular: the fantasy Tales of Taormin (Fire Get and Fire Lord), and the four-volume Network/Consortium. By 1996, however, she had stopped writing for good, beyond a brief appearance in Science Fiction: DAW 30th Anniversary anthology in 2002.

If Goodreads is any judge, Network/Consortium is still read today. Lynn Hall recently called the third volume The Inquisitor “Good old hard core scifi, with a believable alien world and great characters.” John Clute, in the online Encyclopedia of Science Fiction, describes the series as “fantasy-like… set in a Planetary Romance venue, into which interstellar vampires are imported.” I’m pretty much sold based on that description alone.

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Future History, First Draft: Robert A. Heinlein’s For Us, the Living

Future History, First Draft: Robert A. Heinlein’s For Us, the Living

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For Us, the Living by Robert A. Heinlein; First Edition: Scribner 2004.
Jacket illustration by Mark Stutzman (click to enlarge)

For Us, the Living: A Comedy of Customs
by Robert A. Heinlein
Introduction by Spider Robinson; Afterword by Robert James, Ph.D.
Scribner (263 pages, $25.00 in hardcover, 2004)

Almost on a lark, I picked up the first novel by Robert A. Heinlein a few days ago, and read it through. It’s a fascinating book on several levels.

First, it’s Heinlein’s first novel in that it’s the first one he wrote, way back in 1938 and 1939, when he hadn’t yet broken into print. But it didn’t sell, was never published at the time, and went unknown for decades. In fact the manuscript was thought lost; Heinlein and his wife had destroyed copies in their possession in the approach to Heinlein’s death. Yet another copy of the ms. was found years later, after Heinlein’s death in 1988, and, as Robert James explains in an afterword here, was published in 2004, with an introduction by Spider Robinson. (Spider Robinson would later publish Variable Star, based on a Heinlein outline, in 2006; I have not read that, though I believe I’ve read every other Heinlein book at least once, albeit some not in decades.) I read For Us, the Living when it first came out, in late December 2003, but didn’t remember the details of its future society, and wanted to refresh myself on them, until rereading it this week.

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Voodoo, Sea Monsters, and Rebel Colonies: Rich Horton on Sea Siege/Eye of the Monster by Andre Norton

Voodoo, Sea Monsters, and Rebel Colonies: Rich Horton on Sea Siege/Eye of the Monster by Andre Norton

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Sea Siege/Eye of the Monster by Andre Norton. Ace Books F-147, 1962. 176+80 pages, $0.40. Covers by Ed Valigursky/Ed Emshwiller

During the months-long lockdown here in Illinois as a result of the Covid-19 pandemic, I know I should be reading the massive TBR pile by my bedside. It’s filled with Nebula award winners, advance proofs of books coming out this fall, and all the new books my friends are talking about. But instead, I want to be reading Ace Doubles.

I blame Rich Horton. Like everyone else, I’m influenced by what I read, and what I’ve been reading recently is Rich Horton’s excellent blog Strange at Ecbatan. Like a superb DJ, Rich knows how to blend the old and the new, and in the past few weeks he’s reviewed The Sorcerer’s House by Gene Wolfe (from 2010), Avram Davidson’ acclaimed 2001 collection The Other Nineteenth Century,  the brilliant Think Like a Dinosaur and Other Stories by James Patrick Kelly (1997), the overlooked novel The Fortunate Fall by Raphael Carter (1996), and a Mack Reynolds/A. Bertram Chandler Ace Double from 1967.

That Ace Double piqued my interest, of course. Like Rich, I have an enduring fondness for these peculiarly collectible science from the 1950s and 60s, although I don’t have nearly the reading muscles he does. I’m mostly familiar with the earlier D-Series, and recently I’ve been re-reading some of Rich’s reviews of those older books, especially the ones I first collected. One of the very first was Sea Siege/Eye of the Monster, a pair of Andre Norton novels issued as an Ace Double in 1962, which Rich reviewed on his blog back in 2017.

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Adventure and Tragedy on a Far Future Earth: Keith West on Zothique by Clark Ashton Smith

Adventure and Tragedy on a Far Future Earth: Keith West on Zothique by Clark Ashton Smith

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Zothique by Clark Ashton Smith. Ballantine Adult Fantasy #16, 1976. Cover by George Barr

Some years back Keith West wrote a series of articles for Black Gate on the legendary Ballantine Adult Fantasy series edited by Lin Carter. In fifteen pieces between 2013-2015 Keith covered the first fourteen or so titles, including The Blue Star by Fletcher Pratt, The King of Elfland’s Daughter by Lord Dunsany, and The Doom that Came to Sarnath by H. P. Lovecraft. Yesterday I was delighted to see that Keith picked up the reins again at his own blog, Adventures Fantastic, to review the 16th book in the series: Zothique by Clark Ashton Smith. Here’s a taste.

Zothique was the first of four collections of Clark Ashton Smith’s short fiction that appeared in the BAF series. The wrap-around cover is by George Barr. (One of the best things about this line of books was their covers.)… Zothique is the last continent on a far future Earth in which much science and history has been forgotten, and magic has returned. If this reminds you of Jack Vance’s Dying Earth, keep in mind Smith did it first. Some of the stories are better than others, but all are well-done. Here are a few of my favorites.

  • “Xeethra” tells the tale of a young man who wanders into a magical vale, and when he returns he travels to the far side of the continent, where he makes a bargain that ultimately brings him sorrow.
  • In “The Isle of the Necromancers,” a man is searching for his lover, who has been kidnapped by slave traders. When his ship is caught in a current, he finds himself on an island of necromancers. And then things get interesting…
  • “The Dark Eidolon” tells the story of an abused beggar who returns years later to seek revenge on the prince who injured him. This is a close second for my favorite story in the book. There are passing references to Hyperborea and Poseidonis, two other story cycles Smith wrote that were collected in the second and third volumes of Smith’s stories in the BAF series. Shucky darn, I guess I’m going to have to read those, too. How awful.

Check out the whole thing here, and Keith’s previous articles for BG here. While you’re at his website, leave a comment encouraging Keith to keep going! I’d love to read his thoughts on all 65 books in the set.

The Art of Author Branding: The Ace Robert Silverberg

The Art of Author Branding: The Ace Robert Silverberg

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The Ace Robert Silverberg: skewed titles and unclutterd art. The Seed of Earth, The Silent Invaders, Recalled to Life,
Next Stop the Stars, Collision Course and Stepsons of Terra. All from 1977. Covers by Don Punchatz

If you cruised the bookstore and supermarket racks in the 70s and 80s for science fiction paperbacks, Robert Silverberg was everywhere. I mean, everywhere. It wasn’t just that he was enormously productive — that was certainly true. But his books remained in print, or were returned to print, countless times by different publishers.

This was the era when agents would package up backlists by top writers en masse, selling the rights to multiple novels, and publishers would release them virtually simultaneously, usually with the same cover artist. If you had a popular novel — and Silverberg had many — a diligent agent could package and re-package it many times. That’s how Silverberg’s Hawksbill Station was released by Doubleday, The Science Fiction Book Club, Avon, Tandem, Berkley, Star, Warner Books, Tor, and many others between 1968 and 1990, just to pick one example.

The 1977 paperback edition of Robert Silverberg’s Collision Course was one of the first science fiction books I bought (the other was Star Trek 2, by James Blish). Mark Kelly reviewed it for us here last month, calling it “a fascinating, ordinary 1950s science fiction novel.” The mix of far-flung space adventure and galactic intrigue was perfectly pitched for a 13-year old however, and I loved it. Naturally I returned to the bookstore to find more in the same vein, and lo and behold, I did: five more Robert Silverberg novels, cleverly packaged by Ace Books to capitalize on the natural brand loyalty of young SF fans (see above).

This practice of bundling authors, and creating custom cover designs for each, was by no means unique to science fiction, of course. But if you’re a student of SF art there’s an enormous amount to learn by examining the visual language built up around the most popular SF authors in the 70s and 80s, and the ways editors and Art Directors at the major publishers used that language to draw in readers with familiar images and themes, and simultaneously differentiate themselves from the competition on overcrowded paperback racks.

There are countless examples, of course. But for our purposes, I’m going to single out Robert Silverberg, mostly because he’s the one I think of when I think of author branding. Well, Silverberg and Larry Niven (whom we’ll get to in a minute).

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Isaac Asimov’s First Actual Novel: 1950’s Pebble in the Sky

Isaac Asimov’s First Actual Novel: 1950’s Pebble in the Sky

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Pebble in the Sky by Isaac Asimov; First Edition: Doubleday 1950.
Cover by Richard Powers (click to enlarge)

Pebble in the Sky
by Isaac Asimov
Doubleday (223 pages, $2.50 in hardcover, 1950)

Isaac Asimov’s most famous works are likely the Foundation Trilogy and I, Robot, but these are story cycles, not novels. Concurrently with the publication of those books, Asimov published his first three actual novels: Pebble in the Sky; The Stars, Like Dust; and The Currents of Space, from Doubleday in 1950, 1951, and 1952. They share a common future history background (presaged by earlier short fiction like “Black Friar of the Flame” and “Mother Earth”), in which humanity has colonized many planets across the galaxy, while Earth, for reasons of apparently having suffered a nuclear war, is a backwater, despised by the outer worlds. Yet the books vary in the degree to which they are science fiction, and not merely space opera (that is, melodramas with good guys and bad guys fighting for dominance) or historical incidents translated into future settings. Asimov was a sophisticated writer, and all three of these early novels offer complex mysteries in which problems must be solved and villains identified. But in terms of their speculative content, they vary: the middle book, The Stars, Like Dust, is the weakest; the third, The Currents of Space, the strongest; and this first, Pebble in the Sky, somewhere in between.

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Vintage Treasures: It’s a Mad, Mad, Mad Galaxy by Keith Laumer

Vintage Treasures: It’s a Mad, Mad, Mad Galaxy by Keith Laumer

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It’s a Mad, Mad, Mad Galaxy (Berkley Medallion, 1968). Cover by Richard Powers

Science Fiction comedy isn’t much of a subgenre these days. Well, it never really was, to be truthful. But a few brave souls — Douglas Adams, Terry Pratchett, Harry Harrison, Robert Asprin — made a career of it over the years.

Keith Laumer is one of those who occasionally dabbled in SF comedy, or at least light-hearted fare, with fine results. His satirical tales of Retief the galactic diplomat ran to more than 15 volumes during his lifetime, and many of his short stories showed a humorous bent. His 1968 collection It’s a Mad, Mad, Mad Galaxy — a riff on the zany and wildly popular United Artists film It’s a Mad, Mad, Mad, Mad World (1963), a stable in Saturday afternoon reruns even in the early 70s when I was growing up — collects four long novelettes from Galaxy and Worlds of Tomorrow, all written between 1963-67, and one tale original to this collection.

Unlike Laumer’s Retief collections, which remained in print for decades, It’s a Mad, Mad, Mad Galaxy came and went without leaving much of a ripple. It has been out of print for over five decades. It still finds favor among modern readers, however. In a fairly typical 4-star review at Goodreads from 2016. Mike S wrote:

A collection of Laumer short stories, typically fast paced, imaginative, witty, gritty, funny… classic Laumer. I liked them all, a couple were really good, one was outstanding.

Although copies are cheap (I acquired mine very inexpensively on eBay), they can be a little tricky to find. A better option may be Eric Flint’s generous 2002 collection from Baen, Keith Laumer: The Lighter Side, which contains three of the stories, and much more, packed into a generous 500-page volume.

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Another Childhood Classic Disappoints: Thuvia Maid of Mars by Edgar Rice Burroughs

Another Childhood Classic Disappoints: Thuvia Maid of Mars by Edgar Rice Burroughs

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Thuvia of Mars paperback editions (Ace 1962, Ballantine 1969, Four Square 1962). Art by Roy Krenkel, Jr., Bob Abbett, and Roy Carnon

During confinement and adjusting to a new job (while writing a new novel!), I’ve been feeling like my bandwidth is restricted. To calm my brain at times, I’ve been rereading books I enjoyed. My reread of the X-Men is well underway (here’s post X in the blog series), and I’ve also relistened to R. Scott Bakker’s Prince of Nothing (covered here by Theo), Charles Stross’ Saturn’s Children and the first two books of The Lord of the Rings. They were all good.

I’ve had rocky experiences on rereads before though. Dune aged poorly for me in some important ways (I detailed it here) and Anthony’s Spell for Chameleon had little redeem itself in my mind (the ways that reread fell flat are here).

I was optimistic about rereading my first novel experiences, Edgar Rice Burroughs though. I’d previously talked about Burroughs and the amazing biography written about him here. Princess of Mars, Gods of Mars and Warlord of Mars were all too well remembered so I downloaded Thuvia Maid of Mars at Librivox.org, which does audio recordings of public domain books. This novel was also discussed by Black Gate blogger Ryan Harvey a few years ago, so if you want an alternate view, it’s here.

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Vintage Treasures: The Fantastic Imagination Anthologies, edited by Robert H. Boyer and Kenneth J. Zahorski

Vintage Treasures: The Fantastic Imagination Anthologies, edited by Robert H. Boyer and Kenneth J. Zahorski

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The Fantastic Imagination, volumes I and II (Avon, February 1977 and December 1978).
Cover artist: unknown (left), Elizabeth Malczynski (right)

Robert H. Boyer and Kenneth J. Zahorski were quite the dynamic pair in the late 70s and early 80s. They edited five anthologies between 1977-81, all but one paperback originals from Avon, and a sixth a decade later, from Academy Chicago specialty press. All are fine volumes well worth your attention today.

The Fantastic Imagination (1977)
Dark Imaginings (1978)
The Fantastic Imagination II (1978)
The Phoenix Tree (1980)
Visions of Wonder: An Anthology of Christian Fantasy (1981)
Visions & Imaginings: Classic Fantasy Fiction (1992)

It may be giving them too much credit, but for me at least Boyer and Zahorski defined fantasy and its related genres for a generation. With their popular and highly readable paperback anthologies they helped new readers explore Gothic Fantasy (Dark Imaginings), Mythic Fantasy (The Phoenix Tree), and Christian Fantasy (Visions of Wonder).

And with The Fantastic Imagination volumes in particular, they drew clear boundaries around the particular sub-genre that more or less defined English fantasy until Tolkien upended things in the early 20th Century: the fairy-tale, and the High Fantasy genre that grew out of it, rich with fairies, elves, dwarves, kings, queens, and knights.

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A Scientist’s Science Fiction Novel: Fred Hoyle’s The Black Cloud

A Scientist’s Science Fiction Novel: Fred Hoyle’s The Black Cloud

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The Black Cloud by Fred Hoyle First Edition: William Heinemann, 1957.
Cover by Desmond Skirrow (click to enlarge)

The Black Cloud
by Fred Hoyle
William Heinemann (251 pages, £1.50 in hardcover, 1957)

Fred Hoyle’s 1957 novel The Black Cloud was the first novel by the renowned, perhaps now forgotten (because his big ideas turned out to be wrong), astronomer of the mid-20th century. It’s still his most famous, and likely best, novel, out of some nearly 20 novels he would subsequently write, some in collaboration. Hoyle’s novels are significant because they are science fiction novels written by a real scientist, perhaps the most famed scientist to have ever written science fiction. Hoyle is remembered as an advocate, in the 1950s, of the “steady-state” theory of the universe, in contrast to the “big bang” theory that would eventually prevail. (Ironically, Hoyle created the term “big bang” as a derisive term for an idea he didn’t like.)

The Black Cloud is memorable for its depiction, more or less successfully, of a truly alien intelligence. But it’s as much a disaster novel, of the “cozy catastrophe” variety (i.e. most of the death and devastation occurs off-stage), and a novel of scientific manners, as a first contact story. We see the sharp contrast between how scientists understand the world with how politicians try to manipulate it, and we see a milder contrast in the rivalry between an American group of scientists and a British group.

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