Black Gate

The Black Grail (Avon Books, September 1986). Cover by Luis Royo

I picked up Damien Broderick’s The Black Grail mostly because of the great Luis Royo cover (which speaks to me vividly of 80s-era SF and fantasy), but it turns out to have a pretty interesting back story.

The Black Grail is Broderick’s sixth novel, a substantial expansion and retelling of his first novel, 1970’s Sorcerer’s World. Most sources list them as separate books since, to quote from the ISFDB, “their difference is substantial enough to consider this a different work.” The Encyclopedia of Science Fiction calls it “a far more complex and sophisticated rewrite of Sorcerer’s World… [depending] upon elaborate plotting involving alternative timelines and temporal paradoxes.”

That alone was enough to pique my interest, and that was before I found this brief 4-star review on Goodreads that compared it to Jack Vance’s masterwork:

I really enjoyed this book from the Dying Earth sub-genre. It had a lot of ideas packed into the 310 pages. I found it to be a fairly quick read that moved along with an action packed plot and interesting twists on familiar Dying Earth themes…

Lightsabers, elaborate plotting, temporal paradoxes, and Dying Earth motifs? I’m sold. This one has shot to the top of my TBR pile. The Black Grail was published by Avon Books in September 1986. It is 310 pages, priced at $3.50. It has never been reprinted in the US, and there is no digital edition. The cover is by Luis Royo. It’s part of the 6-volume Faustus Hexagram series that also includes The Judas Mandala (1982), Striped Holes (1988), and The Sea’s Furthest End (1993).

See al our recent Vintage Treasures here.

The Calling of Bara (Avon, 1981, cover uncredited)

I like to use my Vintage Treasures columns to highlight overlooked classics of SF and fantasy, or books that mean something special to me. But every once in a while I’ll stumble on a complete mystery, a book I’ve never previously come across in over four decades of collecting. Are these titles worth showcasing? Of course they are! You even have to ask?

Which brings us to The Calling of Bara, a 1981 Avon paperback I found in a collection I bought on eBay over the summer. Never seen it before, and never heard of the author, Sheila Sullivan, either. But it’s clearly dressed up as a mainstream fantasy — and it even has an enthusiastic blurb on the cover by the great Peter Beagle (“”A haunting, scary, highly original book.”) Plus, it’s got a post apocalyptic, ruined-Earth vibe, and that’s a plus. That was enough to send me on the hunt for online mentions, and eventually I found this 40-year-old Kirkus Review in the faded memory banks of an old Univac machine at the U. of I:

When Con, the child Bara bears in 2044 — after all 20th century western civilization had crumbled away — is five years old, Bara hears voices within her demanding she bring Con to Ireland. They are pursued by Con’s father, the savage White Michael, travel through wild lands and tribes, until, after being joined by Bara’s man Tam, they are welcomed in Ireland by the ruling class of telepaths which had called them. Con, with his unique powers, will one day head this elite who are debating whether or not to restore 20th century civilization, while the evil principle, White Michael, waits in the wings. Atmospheric and moderately involving if you haven’t been there before.

Atmospheric and involving… evil principle… crumbling ruins. What the hell, my needs are simple. I’ll try it.

…

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Berkley Books (1987). Cover uncredited

Suzy McKee Charnas has won virtually every major accolade our genre has to offer, including the Nebula, Hugo, and James Tiptree Jr. awards. Perhaps her most famous work is The Vampire Tapestry (1980), a non-supernatural tale of vampires with an SF premise. Her four-volume Holdfast Chronicles, which opened with Walk to the End of the World (1974), is a modern classic of feminist science fiction.

Dorothea Dreams, her fifth novel, is supernatural horror; The Washington Post called it “a ghost story — and a beautifully realised unconventional one at that.” It’s the tale of Dorothea Howard, a New Mexico artist haunted in her dreams by a ghost from the French Revolution. Midlist horror didn’t get a lot of critical notice in the mid-80s, but Dorothea Dreams did. This review from Publisher’s Weekly is fairly typical of the book’s warm reception.

For two years artist Dorothea Howard has been embedding fragments of pottery, wire and glass in the wall of black volcanic rock on her property near Taos. Her solitude is broken when her old friend Ricky, a British travel writer dying of cancer, arrives, saying simply he was drawn to visit. While trying to unravel Dorothea’s complex, frightening dreams which feature a 19th century lawyer who is a survivor of the French Revolution, Ricky urges his reluctant friend to show others the wall… Then a group of Chicano teenagers hunted by the police takes over the house… Charnas (The Vampire Tapestry) is billed as a fantasy writer, but this novel, as beautifully layered as Dorothea’s wall, is also a very human story about love and loss and continuation.

Dorothea Dreams was published by Arbor House in 1986, and reprinted in paperback by Berkley Books in January 1987. The paperback edition is 246 pages, priced at $2.95. The cover is uncredited.

See all our recent Vintage Treasures here.